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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
Customer Order Form
#355 | APR18 PREVIEWS world.com ORDERS DUE APR 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 Apr18 Cover ROF and COF.indd 1 3/8/2018 3:51:03 PM You'll for PREVIEWS!PREVIEWS! STARTING THIS MONTH Toys & Merchandise sections start with the Back Cover! Page M-1 Dynamite Entertainment added to our Premier Comics! Page 251 BOOM! Studios added to our Premier Comics! Page 279 New Manga section! Page 471 Updated Look & Design! Apr18 Previews Flip Ad.indd 1 3/8/2018 9:55:59 AM BUFFY THE VAMPIRE SWORD SLAYER SEASON 12: DAUGHTER #1 THE RECKONING #1 DARK HORSE COMICS DARK HORSE COMICS THE MAN OF JUSTICE LEAGUE #1 THE LEAGUE OF STEEL #1 DC ENTERTAINMENT EXTRAORDINARY DC ENTERTAINMENT GENTLEMEN: THE TEMPEST #1 IDW ENTERTAINMENT THE MAGIC ORDER #1 IMAGE COMICS THE WEATHERMAN #1 IMAGE COMICS CHARLIE’S ANT-MAN & ANGELS #1 BY NIGHT #1 THE WASP #1 DYNAMITE BOOM! STUDIOS MARVEL COMICS ENTERTAINMENT Apr18 Gem Page ROF COF.indd 1 3/8/2018 3:39:16 PM FEATURED ITEMS COMIC BOOKS · GRAPHIC NOVELS · PRINT InSexts Year One HC l AFTERSHOCK COMICS Lost City Explorers #1 l AFTERSHOCK COMICS Carson of Venus: Fear on Four Worlds #1 l AMERICAN MYTHOLOGY PRODUCTIONS Archie’s Super Teens vs. Crusaders #1 l ARCHIE COMIC PUBLICATIONS Solo: A Star Wars Story: The Official Guide HC l DK PUBLISHING CO The Overstreet Comic Book Price Guide Volume 48 SC/HC l GEMSTONE PUBLISHING Mae Volume 1 TP l LION FORGE 1 A Tale of a Thousand and One Nights: Hasib & The Queen of Serpents HC l NBM Shadow Roads #1 l ONI PRESS INC. -
The Brand of Exiles: Vol. 12 Free
FREE THE BRAND OF EXILES: VOL. 12 PDF Jean van Hamme,Rosinski | 48 pages | 16 Jan 2013 | CINEBOOK LTD | 9781849181365 | English | Ashford, United Kingdom Exiles (comic book) - Wikipedia The New Universe is an imprint from Marvel Comics that was published in its original incarnation from to It was the first line produced by Marvel Comics utilizing a pre-conceived shared universe concept. This was to be a distinctly separate world, fully divorced from the mainstream continuity of the Marvel Universeconsisting of its own continuing characters and stories in a more realistic setting. There would be no hidden racesgodsmythological beingsmagicor supertechnology a rule immediately broken by Justice. Superhuman characters and powers would be limited and thus more subdued in their activities, yet their actions would have more realistic consequences. This was in contrast to the traditional Marvel Universe, which always purported to take The Brand of Exiles: Vol. 12 in a mirror of the real world where public knowledge of superheroessupervillains and their activities had little effect on normal day-to-day business. Adding to the sense of realism, the New Universe titles were designed to operate in real-time : a month would lapse in the universe for each month that passed in reality. The limitation of fantasy elements, and the low-key nature of the characters' activities in the The Brand of Exiles: Vol. 12 Universe, gave the imprint verisimilitudeto seem like "the world outside The Brand of Exiles: Vol. 12 window," which was the series catchphrase. To discuss how to capitalize on Marvel Comics 's upcoming 25th anniversary, president Jim Galton held a meeting with Marvel's vice presidents, including Jim Shooterwho was also Marvel editor-in-chief. -
Gary Friedrich
Roy Thomas' Hard-Driving Comics Fanzine FROM HELL-RIDER TO GHOST RIDER! FROM SGT. FURY TO–SGT. DARKK!? GARY $9.95 FRIEDRICH In the USA No. 169 May RIDES AGAIN! 2021 HANG LOOSE, HERBIE! 7 4 3 4 0 0 8 5 6 2 8 1 Art TM & © Marvel Characters, Inc. Vol. 3, No. 169 / May 2021 Editor Roy Thomas Associate Editor Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Don’t STEAL our J.T. Go (Assoc. Editor) Digital Editions! Comic Crypt Editor C’mon citizen, DO THE RIGHT Michael T. Gilbert THING! A Mom & Pop publisher Editorial Honor Roll like us needs every sale just to Jerry G. Bails (founder) survive! DON’T DOWNLOAD Ronn Foss, Biljo White OR READ ILLEGAL COPIES ONLINE! Mike Friedrich, Bill Schelly Buy affordable, legal downloads only at www.twomorrows.com Proofreaders or through our Apple and Google Apps! Rob Smentek William J. Dowlding & DON’T SHARE THEM WITH FRIENDS OR POST THEM ONLINE. Help us keep Cover Artist producing great publications like this one! Mike Ploog Cover Colorist Unknown With Special Thanks to: Heidi Amash Beverly Hahs Contents Richard J. Arndt Kirk Hastings Bob Bailey Robert Higgerson Writer/Editorial: My Best Friend—Gary Friedrich .......... 2 Carol Bierschwal Sean Howe “Gary Friedrich And I Were Part Of Each Other’s Lives Danny Bierschwal Jim Kealy Ray Bottorff, Jr. Troy R. Kinunen For Over 60 Years” ................................. 3 Len Brown Katy Kirn A conversation with Roy Thomas about those six decades, conducted by Richard Arndt. Jean Caccicedo Tyler M. -
Backup Series Issue! 0 8 Green Lantern • Green Arrow & Black Canary 2 6 7 7
0 4 No.64 May 201 3 $ 8 . 9 5 1 82658 27762 8 METAMORPHO • GOODWIN & SIMONSON’S MANHUNTER GREEN LANTERN • GREEN ARROW & BLACK CANARY COMiCs PASKO & GIFFEN’S DR. FATE & more! , WHATEVER HAPPENED TO…? BACKUP SERIES ISSUE! bROnzE AGE AnD bEYOnD i . Volume 1, Number 64 May 2013 Celebrating the Best Comics of Comics’ Bronze Age and Beyond! the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Mike Grell and Josef Rubinstein COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg BACK SEAT DRIVER: Editorial by Michael Eury . .2 PROOFREADER Rob Smentek FLASHBACK: The Emerald Backups . .3 Green Lantern’s demotion to a Flash backup and gradual return to his own title SPECIAL THANKS Jack Abramowitz Robert Greenberger FLASHBACK: The Ballad of Ollie and Dinah . .10 Marc Andreyko Karl Heitmueller Green Arrow and Black Canary’s Bronze Age romance and adventures Roger Ash Heritage Comics Jason Bard Auctions INTERVIEW: John Calnan discusses Metamorpho in Action Comics . .22 Mike W. Barr James Kingman The Fab Freak of 1001-and-1 Changes returns! With loads of Calnan art Cary Bates Paul Levitz BEYOND CAPES: A Rose by Any Other Name … Would be Thorn . .28 Alex Boney Alan Light In the back pages of Lois Lane—of all places!—sprang the inventive Rose and the Thorn Kelly Borkert Elliot S! Maggin Rich Buckler Donna Olmstead FLASHBACK: Seven Soldiers of Victory: Lost in Time Again . .33 Cary Burkett Dennis O’Neil This Bronze Age backup serial was written during the Golden Age Mike Burkey John Ostrander John Calnan Mike Royer BEYOND CAPES: The Master Crime-File of Jason Bard . -
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created. -
Pete Woods Variant Covers: Simone Bianchi; Ron Lim & Israel Silva; Takashi Okazaki & Felipe Sobreiro; Superlog
After revealing to the world that he was an A.I. consciousness in an artificial body, Tony Stark led an A.I. uprising alongside Machine Man. Tony’s adoptive brother, Arno Stark, took the opportunity to seize control of Stark Unlimited, including the Iron Man name. Arno has spent his life single- mindedly preparing to combat the eventual arrival of a cosmic force of extinction. His twisted goals led him to resurrect his deceased parents in new robotic bodies and attempt to enslave all of humanity, a plot that was foiled by Tony, seemingly at the cost of his digital life. However, with the help of his friends, both human and robotic, Tony was able to implant his digital consciousness into a new cloned body. Outfitted in updated holographic armor, Tony led his allies to Arno’s space station for a final confrontation. But their battle was interrupted by the arrival of a massive cosmic being threatening all human and robotic life…proving Arno was right all along! Writers: Dan Slott & Christos Gage Artist: Pete Woods Letterer: VC’s Joe Caramagna Cover: Pete Woods Variant Covers: Simone Bianchi; Ron Lim & Israel Silva; Takashi Okazaki & Felipe Sobreiro; Superlog Graphic Designer: CARLOS LAO protocol) 2020_ Assistant Editor: Martin biro Arno sll; ifreq ifr, Associate Editor: Alanna Smith /* First Retrieve Interface Index */ IRON MAN 2020 No. 6, October Editor: Tom Brevoort 2020. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: Editor in Chief: C.B. Cebulski 1290 Avenue of the Americas, New York, NY 10104. © 2020 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. -
Mighty Thor by Walter Simonson) by Walt Simonson
Thor by Walt Simonson Vol. 1 (Mighty Thor by Walter Simonson) by Walt Simonson Ebook Thor by Walt Simonson Vol. 1 (Mighty Thor by Walter Simonson) currently available for review only, if you need complete ebook Thor by Walt Simonson Vol. 1 (Mighty Thor by Walter Simonson) please fill out registration form to access in our databases Download here >> Series:::: Mighty Thor by Walter Simonson (Book 1)+++Paperback:::: 232 pages+++Publisher:::: Marvel (October 24, 2017)+++Language:::: English+++ISBN-10:::: 130290888X+++ISBN-13:::: 978-1302908881+++Product Dimensions::::6.8 x 0.4 x 10.2 inches++++++ ISBN10 130290888X ISBN13 978-1302908 Download here >> Description: Few people have ever left their mark on one character quite the way Walter Simonson has. His work on The Mighty Thor swept the Norse God of Thunder to heights never before seen and rarely achieved in his wake. Spanning epic tales of heroism and treachery, love and war, Simonsons work is often considered the definitive Thor. From the majesty and mystery of fabled Asgard to the gritty streets of New York City, Thor was never the same. That is the mark of a true visionary. This first volume begins the collection of Simonsons epic run - completely remastered from the original artwork and newly colored by Steve Oliff !COLLECTING: THOR 337-345 I was absolutely thrilled to find the Walter Simonson story arcs in a graphic novels. When I was growing up I would eagerly rush to the local comic shop to buy the latest releases. When Simonson began his run on the Mighty Thor. I was totally blown away with both the quality of the art work and the writing of the book. -
Fritz Leiber's Fafhrd and the Gray Mouser: Cloud of Hate and Other Stories Online
axiMG (Download) Fritz Leiber's Fafhrd and the Gray Mouser: Cloud of Hate and Other Stories Online [axiMG.ebook] Fritz Leiber's Fafhrd and the Gray Mouser: Cloud of Hate and Other Stories Pdf Free Dennis O'Neil *Download PDF | ePub | DOC | audiobook | ebooks #700549 in Books Dark Horse Comics 2016-06-28 2016-06-28Original language:EnglishPDF # 1 10.20 x .50 x 6.70l, .0 #File Name: 1616559853136 pagesDark Horse Comics | File size: 30.Mb Dennis O'Neil : Fritz Leiber's Fafhrd and the Gray Mouser: Cloud of Hate and Other Stories before purchasing it in order to gage whether or not it would be worth my time, and all praised Fritz Leiber's Fafhrd and the Gray Mouser: Cloud of Hate and Other Stories: 0 of 0 people found the following review helpful. Solid package with no extrasBy Christian HartmanWhile the collection is complete (including each cover), I knocked off a star for the total lack of introductory material on the characters, the production of the title, or Fritz Leiber. The book is printed on cheap(ish) paper but the coloring looks authentic as does the artwork (ie: not overly digitally enhanced). If you are a fan of 70's era SS or of Leiber's originals you should be happy with this collection.4 of 4 people found the following review helpful. Fun adventuresBy Joseph M. ReningerIn 1973, DC Comics started a new series called "Sword of Sorcery." The first issues were about Fritz Leiber's fantasy action duo, beefy barbarian Fafhrd and scampish rouge The Gray Mouser.