DOCSLIB.ORG

PDF EPUB} Captain Canuck Vol 03 Agent of Pact by Kalman Andrasofszky Chapterhouse February 2018 Solicits: First Die Kitty Die Collection, Plus More Captain Canuck

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF EPUB} Captain Canuck Vol 03 Agent of Pact by Kalman Andrasofszky Chapterhouse February 2018 Solicits: First Die Kitty Die Collection, Plus More Captain Canuck Read Ebook {PDF EPUB} Captain Canuck Vol 03 Agent of Pact by Kalman Andrasofszky Chapterhouse February 2018 Solicits: First Die Kitty Die Collection, Plus More Captain Canuck. Die Kitty Die by Dan Parent and Fernando Ruiz is being collected for the first time in trade. Plus, another volume of Captain Canuck by Kalman Andrasofszky and Leonard Kirk , Van Jensen 's Fallen Suns gets its first collected volume, and issues for Andrew Wheeler 's Freelance and Ray Fawkes 's Fantomah . All of this is from Chapterhouse Entertainment in February of 2018. CAPTAIN CANUCK TP VOL 03 HARBINGER (C: 0-0-1) (W) Kalman Andrasofszky (A) Leonard Kirk (CA) John Gallagher Don't miss this collected edition of Captain Canuck Season 3! Tom Evans has walked away from the mantle of Captain Canuck and returned to a simple life on the reservation. But the world he left behind has never been more in need of a hero. An extraterrestrial incursion has arrived on Earth, carving a trail of destruction in its wake. Asthe casualties mount, only one man can save us. (STL062697) (C: 0-0-1) RES. from Previews Vol. XXVII #9 (SEP171426) SC, 7×10, 128pgs, FC SRP: $9.99. O/A DIE KITTY DIE HC (W/A) Dan Parent, Fernando Ruiz (CA) Darwyn Cooke The hit comic collected in a hardcover! Kitty Ravencraft, a beautiful and magical young witch, is the star of her own popu-lar comic book. When her greedy, publicity-starved publisher wants to in-crease in- terest in her comic book, he does what many comic book publishers do nowadays — he sets out to kill his main character, Kitty! Even worse, he decides to really spike sales by killing the real Kitty in real life! The question is though, how do you kill a witch? (STL035899) HC, 8×11, 128pgs, FC SRP: $24.95. FALLEN SUNS TP VOL 01 THE ROOT (W) Van Jensen (A) Neil Collyer, Leila Del Duca (CA) Mikko Maciaszek The alien warrior called Pharos came to our world to deliver a warning: The Borealis are coming. Instead he has wreaked havoc across the Earth and left death and destruction in his wake. Now he awaits execution for his crimes deep in a H.A.L.O. facility. Can brilliant young Equilibrium agent Parminder Patel unravel Pharos' history and uncover the secrets behind his dire warning, opening the way to his redemption>? Can she convince him to rejoin the fight to save the Earth? (STL072014) SC, 7×10, 112pgs, FC SRP: $9.99. FANTOMAH SEASON 2 #2 (W) Ray Fawkes (A) Soo Lee (CA) Djibril Morrisette The Chapterverse continues at a new price point of $1.99! Paz Gallegosis is alone and confused, convinced that she's endangering her loved ones because she can't control her monstrous alter ego, Fantomah. On the run, without a plan or a destination, Paz still can't fight Fantomah's need to defend — or avenge — the unprotected, and this time she's being lured towards the flames of forest fires. Dr. Destine and Rugged are on her trail, and another interested party has joined the fray. Who is Mister Lord,and what is behind his obsession with the supernatural? (STL072009) 36pgs, FC SRP: $1.99. FREELANCE SEASON 2 #2 (W) Andrew Wheeler (A) Juan Samu (CA) Vaneda Vireak The Chapterverse continues at a new price point of $1.99! A new era of adventures continues for one of Canada's original heroes! With a team member down following a violent confrontation with the assassin Sabre, the team recruits Sidika Khan to infiltrate an American military base for information on their super-powered opponent. But can Lance Valiant hold it together long enough for them toget what they need, or is their new enemy better prepared than they expected? (STL072012) 36pgs, FC SRP: $1.99. NORTHGUARD TP VOL 02 ENEMY OF THE STATES (W) Anthony Falcone (A) Ron Salas, Eric Kim (CA) Ron Salas The fan favourite super-spy returns! Still reeling from the events in Captain Canuck, Phil Wise is struggling to adapt to civilian life. But when Phil is marked for death by the deadly assassin Wolf, Northguard is thrust back into action! (STL072015) SC, 7×10, 112pgs, FC SRP: $9.99. PITIFUL HUMAN LIZARD TP VOL 03 ALMOST GETTING THERE (W/A/CA) Jason Loo Witness the viking funeral of Majestic Rat's finest animal friends! The Human-Lizard's amusing streetcar journey back home! The debut of Lucas Barrett's younger, more successful sibling Janine! The sensa-tional showdown of Lady Accident vs. the Frustrated Four! And the epic space battle with Mother Wonder beyond the stars! All of it in the terrific third season of The Pitiful Human-Lizard! (STL065560) RES. from Previews Vol. XXVII #10 (OCT171404) SC, 7×10, 128pgs, FC SRP: $9.99. Canadian Animation, Cartooning and Illustration. An Encyclopedia of Canadian Animation, Cartooning and Illustration. CHAPTERHOUSE COMICS. CHAPTERHOUSE COMICS GROUP Location: 25 Skey Lane, Toronto. President: Fadi Hakim. Publisher: Keith WTS Morris. Editor-in-Chief: Kalman Andrasofszky. Contributors: Maggie Alexander, Kalman Andrasofszky, Sanya Anwar, Christopher Johnson, Federica Manfred, David Namisato, Blake Northcott, Bella Rachlin. Andrew Thomas. Characters: Agents of Pact, Captain Canuck, Fantomah Freelance, Northguard, Pitiful Human Lizard. MEDIUM: BOOK GRAPHIC: Beyond: The Quest For Meadan. 2015. Captain Canuck. Compendium 1975 – 1981. July 2015. Captain Canuck Enter The Crime Stopper, 1 Mac’s, Jan. 2016. Published in association with the. Ontario Association of Crime Stoppers and Mac’s Milk. Captain Canuck: Unholy War. 2015. PERIODICAL GRAPHIC: Agents Of P.A.C.T. (Dates as shown.) Single & Multiple covers per issue. See AGENTS OF P.A.C.T. 01, Jan. 2017. 02, May 2017. 03, Mar. 2017. 04, Apr. 2017. All-New Classic Captain Canuck. Single & multiple covers per issue. See CAPTAIN CANUCK. 0, Feb. 2016: A. 01, May 2015: A-.D, E (Big B Comics) F- H. 04, Sept. 2015: A-C. 09, Sept. 2016: A,B. 11, Dec. 2016: C added later. 12 (3-1) May 2017: A. Chapter House Archives: North Guard, 001, May 2016. Chapter House Summer Special, 2016, July 2016. Northguard, 1, Aug. 2016. 2, Sept. 2016. 3, Oct. 2016. Pitiful Human-Lizard , 1, Sept. 2015. 3, Feb. 2015. Silver Snail cover. Captain Canuck 2014 Summer Special. Captain Canuck Inc. & Scarper Studios. Captain Canuck 2014 Summer Special. Captain Canuck Inc. & Scarper Studios. Captain Canuck. Paperback. Condition: Good. Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, may not include cdrom or access codes. Customer service is our top priority!. More buying choices from other sellers on AbeBooks. Captain Canuck #10 August. Comic Books. Published by Comely Comix. Used - Softcover Condition: Very Good. Comic. Condition: Very Good. A very good comic. Creasing on cover and around corners. Captain Canuck #11. Comic Books. Published by Comely Comix. Used - Softcover Condition: Very Good. Comic. Condition: Very Good. A very good comic. Creasing on cover and around corners. Captain Canuck First Summer Special. Comic Books. Published by Comely Comics. Used - Softcover Condition: Good Plus. Comic. Condition: Good Plus. A good plus comic. Creasing on cover. Some fading. Captain Canuck #7. Comic Book. Published by Comely Comix, 1979. Used - Softcover Condition: Very Good Plus. Comic Book. Condition: Very Good Plus. A very good plus comic book. Clean and bright. Back cover two creases, front cover slight ink rubbing. Captain Canuck #8 March 1980. Comic Book. Published by Comely Comix, 1980. Used - Softcover Condition: Very Good Plus. Comic Book. Condition: Very Good Plus. A very good plus comic book. Clean and bright. Some creasing on covers, with light spine stress. Captain Canuck #10 August 1980. Comic Book. Published by Comely Comix, 1980. Used - Softcover Condition: Very Good. Comic Book. Condition: Very Good. A very good comic book. Clean and bright. Spine slightly rolled, front cover and few pages of contents detached from bottom staple, rest of contents still attached. Captain Canuck #12 December 1980. Comic Book. Published by Comely Comix, 1980. Used - Softcover Condition: Near Fine. Comic Book. Condition: Near Fine. A near fine comic book. Date ink stamp on front cover. Captain Canuck #13 February 1981. Comic Book. Published by Comely Comix, 1981. Used - Softcover Condition: Near Fine. Comic Book. Condition: Near Fine. A near fine comic book. Slightly rolled spine. Captain Canuck Reborn #0 September 1993. Comic Book. Published by Semple Comics, 1993. Used - Softcover Condition: Near Fine. Comic Book. Condition: Near Fine. A fine comic book. Clean and bright. Near mint. Captain Canuck # 0 2015 FCBD Edition. Kalman Andrasofszky. Published by Chapter House. Used Condition: Good. Comic. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ThriftBooks: Read More, Spend Less. Captain Canuck Year One #1 Plus Die Kitty Die FCBD 2017 Edition Comic Book. Published by Chapterhouse. Used Condition: Fair. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ThriftBooks: Read More, Spend Less. Captain Canuck Unholy War. Riel Langlois. Published by Chapterhouse Comics, 2015. Used - Softcover Condition: Good. Paperback. Condition: Good. Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, may not include cdrom or access codes. Customer service is our top priority!. More buying choices from other sellers on AbeBooks. Captain Canuck, Edition# 13. CKR. Published by CKR. Used Condition: Very Good. Condition: Very Good. Captain Canuck Vol 03. Andrasofszky, Kalman. Published by Lev Gleason, 2020. Used - Softcover Condition: As New. Condition: As New. Unread book in perfect condition. More buying choices from other sellers on AbeBooks. CAPTAIN CANUCK NO 3. Comely, Richard.
Load more

Recommended publications
  • Bill Rogers Collection Inventory (Without Notes).Xlsx
    Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers
    [Show full text]
  • The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
    University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats.
    [Show full text]
  • 1968 Commencement Program
    UNIVERSITY of PENNSYLVANIA - Two Hundred and Twelfth Commencement for the Conferring of Degrees PHILADELPHIA CIVIC CENTER Monday, May 20, 1968 10:00 A.M. jJ STAGE (1, ......II ,........I " Official Guests Medicine College for Women Graduate Medicine Wharton Law College Nursing Graduate Allied Fine Arts Medical Professions Dental Medicine Veterinary Medicine Wharton Graduate Graduate Arts& Sciences Civil& Mechanical Engineering Chemical Graduate Engineering Education Electrical Engineering Social Work Metallurgy Annenberg Guests will find this diagram helpful in locating the opposite page under Degrees in Course. Reference approximate seating of the degree candidates. The to the paragraph on page seven describing the seating and the order of march in the student pro­ colors of the candidates' hoods according to their cession correspond closely to the order by school fields of study may further assist guests in placing in which the candidates for degrees are presented. the locations of the various schools. This sequence is shown in the Contents on the Contents Page Seating Diagram of the Graduating Students .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 2 The Commencement Ceremony . 4 Background of the Ceremonies . .. .. .. 6 Degrees in Course . .. .. .. 8 The College of Arts and Sciences . 8 The Engineering Schools . .. .. .. 14 The Towne School of Civil and Mechanical Engineering ... ........ ......... 14 The School of Chemical Engineering . .. .. .. 15 The Moore School of Electrical Engineering . .. 16 The School of Metallurgy and Materials Science . .. .. 18 The Wharton School of Finance and Commerce . 19 The College of Liberal Arts for Women ....... .. ... ...... .. .. .... ............ ..... .. ......... 26 The School of Nursing ... ........................... .... ................ ... ................... ........ 31 The School of Allied Medical Professions . .. .. 3 3 The Graduate School of Arts and Sciences . .. .. .. 34 The School of Medicine .
    [Show full text]
  • Gold Key / Western Star Trek Comics
    Compiled by Rich Handley (richhandley.com) Updated: July 28, 2021: Added an exclusive story from IDW's New Visions Vol. 8, which I'd previously overlooked. To send corrections, e-mail [email protected]. Download the latest version at hassleinbooks.com/pdfs/TrekComics.pdf. For more information about individual comics or series, consult the following resources: • The Star Trek Comics Checklist, by Mark Martinez: www.startrekcomics.info • Star Trek Comics Weekly (an ongoing column by yours truly): www.herocollector.com/en-gb/About/rich-handley • Star Trek Graphic Novel Collection: 100 and Beyond!, by Matt Gilbert: tinyurl.com/mattgilberttrek • Wixiban's Star Trek Collectables Portal, by Colin Merry: wixiban.com/comics.htm • New Life and New Civilizations: Exploring Star Trek Comics, edited by Joseph F. Berenato (Sequart, 2014): sequart.org/books/33 • Star Trek Comics: Across Generations (Facebook page): www.facebook.com/groups/1416758098604172/ • IDW's official Star Trek page: www.idwpublishing.com/trending_titles/star-trek/ • Eaglemoss's official Star Trek Graphic Novel Collection page: en-us.eaglemoss.com/hero-collector/star-trek/ (Full disclosure: I am the editor of this series of hardcover books.) • Star Trek: A Comics History, by Alan J. Porter (Hermes Press, 2009): amazon.com/Star-Trek-Comic-Book-History/dp/1932563350 • Star Trek Comic Book Review, by Donavon Chambers: www.stcomicbookreview.com • Guide to the Gold Key Star Trek Comics, by Curt Danhauser: curtdanhauser.com GOLD KEY / WESTERN COMICS (Oct. 1967 to Mar. 1979) Star
    [Show full text]
  • The Temporalities and Radical Possibilities of American Comics" (2020)
    UnUniivveersrsiittyy of WiWissconconssiinn MiMillwawaukukeeee UWM DDiigigittaall CCommonommonss Theses and Dissertations May 2020 Historical Dissidence: The Temporalities and Radical PossibiliPossibilities ties of AmeAmeriricacann CComiomicscs Jeremy M. Carnes University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, Comparative Literature Commons, and the United States History Commons RReecommecommennddeedd CCiittaattiionon Carnes, Jeremy M., "Historical Dissidence: The Temporalities and Radical Possibilities of American Comics" (2020). Theses and Dissertations. 2361. https://dc.uwm.edu/etd/2361 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. HISTORICAL DISSIDENCE: THE TEMPORALITIES AND RADICAL POSSIBILITIES OF AMERICAN COMICS by Jeremy M. Carnes A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2020 ABSTRACT HISTORICAL DISSIDENCE: THE TEMPORALITIES AND RADICAL POSSIBILITIES OF AMERICAN COMICS by Jeremy M. Carnes The University of Wisconsin-Milwaukee, 2020 Under the Supervision of Professor Jason Puskar Formal criticism of comics has often focused on the importance of sequence and the filling of gutters with causative logics. Practitioner-theorists like Will Eisner and Scott McCloud have focused on “sequentiality” and “closure” to conceive of how readers connect the disparate panels of a given comic. More contemporary scholars of the form have followed Eisner and McCloud, foregrounding the causative logics that create narrative progression in the comics form.
    [Show full text]
  • ENGL 2100A: Topics in Popular Culture: Canadian Comic Books Prerequisite: Second-Year Standing
    Carleton University Fall 2015 Department of English ENGL 2100A: Topics in Popular Culture: Canadian Comic Books Prerequisite: second-year standing Mondays & Wednesdays, 8:35-9:55 a.m. Location: TB 340 (Please confirm on Carleton Central) Instructor: Christopher Doody Email: [email protected] Office: 1905 Dunton Tower Office Hours: Mondays 10:30 – 12:00 a.m. Or by appointment This course introduces students to Canadian comic books published between WWII and the present. The course will offer a history of comic books in Canada, while focusing on iconic texts from this history. The chosen comic books represent a number of different genres. Through reading, writing, and discussion, the class will explore the ways in which these comics articulate notions of the nation-state, geopolitics, heroism, and Canadian identity. The course will also explore questions surrounding the materiality of comic books. As such, the course will ask students to consider the creation, publication, and reception of comic books. How are comic books different from other media? What role do comic books play in popular culture? Why are so many of these Canadian comics published in the United States? Are the terms “comic book” and “graphic novel” synonymous? Does it matter? By exploring the conditions under which comics are produced and disseminated, this course will explore the cultural role played by comic books in Canada. Required Reading List Books in Print: (Books can be bought at the Comic Book Shoppe, 228 Bank St.) Bachle, Leo. Johnny Canuck. Ed. Rachel Richey. Toronto: Comic Syrup Press, 2015. Print. Comely, Richard and George Freeman. Captain Canuck Compendium.
    [Show full text]
  • Guide to Self-Publishing. in the 1990S, Sim Used Cerebus to Promote His Increasingly Controversial Views on Politics, Religion and Women
    Canadian Independent Publishing: Can Indies Survive? In the past couple of decades, there has been a lot of Canadian talent that have moved south and become stars of the comic book industry. Names like Seth McFarlane, John Byrne, Ian Boothby and George Freeman come to mind. However some choose to stay in Canada and create great graphic novels here. As a result, there are publishers of comics springing up across the country. Some exist only to publish one title while others may represent a roster of talent. Being an independent publisher in a country like Canada is difficult...the population is spread out over a vast area, and this can lead to isolation, and the feeling that there is no cohesive scene. There are vibrant comic communities in Toronto, Vancouver and Montreal, with smaller hives of activity elsewhere. The comic book industry itself has seen a downturn in sales since the mid 1990s, just as interest in graphic novels was increasing in libraries across North America. In Canada, the small presses that exist have not been immune to this tumult. Since August of 2004, the respected indie publisher Highwater Books, known for its roster of new talent and attention to quality, has folded, and Dreamwave Productions, publishers of the Transformers comics have ceased operations. However, there have been some successes. This article will explore a few publishers who have managed to survive creating and publishing in Canada. In 1977, Dave Sim created Aardvark-Vanaheim to publish his Cerebus comic at a time when self-publishing was unheard of. Initially Cerebus started out as a tale of an Aardvark knight that satirized other comic book heroes and tropes, but quickly developed into something more.
    [Show full text]
  • ENGLISH 4730F: Graphically Canadian Brescia University College University of Western Ontario
    ENGLISH 4730F: Graphically Canadian Brescia University College University of Western Ontario Instructor: Dr. Dominick Grace Office BR 179 Contact: [email protected] or 519-432-8353 ext 28244 Office Hours TBA Mon 8:30-11:30 BR 302 Course Description Though dominated in North America by American artists and publishing companies, the comics industry has seen more than its fair share of successful and influential Canadian cartoonists and graphic novelists. Rand Holmes offered a rare Canadian voice in the underground movement; figures such as Richard Comely and George Freeman revived the possibility of the Canadian superhero (after a brief flowering of domestic genre comics during the WWII years), laying the foundations for the emergence of later Canadian mainstream cartoonists such as John Byrne and Todd McFarlane; figures such as David Boswell, Seth and Chester Brown were and remain major figures in the alternative comics movement; Dave Sim helped redefine the possibilities of comics with his complex and ambitious series Cerebus; and recently emerging figures such as Jeff Lemire, Bryan Lee O’Malley, and Kate Beaton are opening up new pathways, such as the melding of alternate and mainstream represented by Lemire’s career, the influence of manga on O’Malley, and the exploitation of the internet as represented by Beaton’s on-line strip Hark, a Vagrant. This course will study selected works by some of these creators. The course will cover a minimum of eight graphic novels or equivalents as well as selected secondary reading. Assigned Texts Beaton, Kate. Hark, a Vagrant Boswell, David. Reid Fleming, World’s Toughest Milkman Brown, Chester.
    [Show full text]
  • ENGLISH 4571G: Graphically Canadian Brescia University College University of Western Ontario
    ENGLISH 4571G: Graphically Canadian Brescia University College University of Western Ontario Instructor: Dr. Dominick Grace Office Contact: [email protected] or 519-432-8353 ext 28244 Office Hours TBA Tu 11:30-12:30 Th 11:30-1:30 Room: UH 356 Course Description Though dominated in North America by American artists and publishing companies, the comics industry has seen more than its fair share of successful and influential Canadian cartoonists and graphic novelists. Rand Holmes offered a rare Canadian voice in the underground movement; figures such as Richard Comely and George Freeman revived the possibility of the Canadian superhero (after a brief flowering of domestic genre comics during the WWII years), laying the foundations for the emergence of later Canadian mainstream cartoonists such as John Byrne and Todd McFarlane; figures such as David Boswell, Seth and Chester Brown were and remain major figures in the alternative comics movement; Dave Sim helped redefine the possibilities of comics with his complex and ambitious series Cerebus; and recently emerging figures such as Jeff Lemire, Bryan Lee O’Malley, Emily Carroll, Nina Bunjevac, and Kate Beaton are opening up new pathways, such as the melding of alternate and mainstream represented by Lemire’s career and the exploitation of the internet as represented by Beaton’s on-line strip Hark, a Vagrant. This course will study selected works by some of these creators. The course will cover a minimum of eight graphic novels or equivalents as well as selected secondary reading. NOTE: Some of the books included in this course include graphic and explicit content depicting sex and violence, that some may find offensive and/or disturbing Assigned Texts Beaton, Kate.
    [Show full text]
  • An Index to CROSSOVERS 2: a SECRET CHRONOLOGY of the WORLD by WIN SCOTT ECKERT (From the Black Coat Press Edition, 2010) Prepared by Adrian Nebbett
    An Index To CROSSOVERS 2: A SECRET CHRONOLOGY OF THE WORLD By WIN SCOTT ECKERT (From the Black Coat Press edition, 2010) Prepared by Adrian Nebbett 120 Rue de la Gare (Léo Malet), 31, 31 Adamant, Adam, 233-234, 453 “A” is for Alibi (Sue Grafton), 236 Adams, Douglas, A Rebours (J.K. Huysmans), 455 Hitchhiker’s Guide to the Galaxy, The, 385 Abbalah, 229 Restaurant at the End of the Universe, The, Abbot, John, 462 385 Abbott, Bud, 94, 225 Adams, Neal Abbott and Costello Meet Frankenstein (1948), Brave and the Bold: The Angel, The Rock, 71-73, 299, 335 and the Cowl, The (with Bob Haney), 43, Abbott and Costello Meet the Invisible Man 43-44, 95 (1951), 79, 79, 299 Detective Comics: Ghost of the Killer Skies Abbott and Costello Meet the Mummy (1955), (with Denny O’Neil & Dick Giordano), 89 94, 299 Adams, Nick, Jr, 214 Abner, 315 Adamson, Al, 147 Abnett,, Dan Addams, Charles, 458 Bloodstone (with Andy Lanning, Michael Addams Family, The, 161, 458 Lopez & Scott Hanna), 307, 307 Adele and Co. (Dornford Yates), 85 Abrams, J.J., 342 Adelsberg, Professor, 461 AC Comics, 92 Adey, Robert C.S., Accident – Or Murder? (J.T. Edson), 161 As It Might Have Been, 427, 439 AC-DC, 351 Adieu, Gary, 185 Ace Books, 114, 123, 125, 130, 135, 137, 140, Adkins, Dan, 149, 243 Brave and the Bold: Ice Station Alpha, The Ace Reporter, The, 396 (with Marv Wolfman & Dave Cockrum), ACG Comics, 110, 310 44 Acid Test (Jean-Marc Lofficier), 214 Deadly Hands of Kung Fu: The Master Plan Ackerman, Forrest J., 125, 137 of Fu Manchu, The (with Tony Isabella, Just Imagine: Jeanie (with
    [Show full text]
  • List of City of Dothan Qualified Voters for the August 3, 2021 Municipal Election
    DOTHAN EAGLE SUNDAY, JULY 18, 2021 | E1 List of City of Dothan Qualified Voters for the August 3, 2021 Municipal Election The following is a list of qualified voters per polling location for the City of Dothan Municipal Election to be held on August 3, 2021. Polls will be open on election day from 7:00 a.m. until 7:00 p.m. at the following locations: District 1-A: Walton Park Recreation Center, 122 Walton Park Drive District 1-B: Andrew Belle Community Center, 1270 Lake Street District 2-A: Roy Driggers Building (Civic Center), 126 N. St. Andrews Street District 2-B: Wiregrass Recreation Center, 620 Sixth Avenue District 3-A: Houston County Farm Center, 1701 East Cottonwood Road District 3-B: National Guard Armory, 1842 Third Avenue District 4-A: Dothan Utilities Complex, 200 Kilgore Drive District 4-B: Doug Tew Recreation Center, 300 Garland Street District 5-A: Westgate Recreation Center, 501 Recreation Road District 5-B: Wesley Place on Honeysuckle, 718 Honeysuckle Road District 6-A: Vaughn-Blumberg Center, 2715 Flynn Road District 6-B: Wiregrass Commons Mall Community Room, 900 Commons Drive This list does not include names of persons who registered after June 23, 2021. Please contact the City of Dothan City Clerk’s office at 615-3160 if further information is needed. DISTRICT 1-A: ARD CAROLYN BRACKIN BARNES SHIRLEY ANN BLACKMON FELTON BROOKINS LARRY WAYNE, II BURNEY ULYSSES, JR ARDIS MIDASHA KE’CEARA BARNES TRICIA LANISE BLACKMON HELEN L BROOKINS MIRIAM W BURNHAM JOHNATHAN DARIN WaltON PARK ARMSTRONG DONALD R BARRIOS ELVIRA BLACKMON
    [Show full text]
  • Female Sexuality Represented in the Character Catwoman
    TREACHEROUS, DEVIANT, AND SUBMISSIVE: FEMALE SEXUALITY REPRESENTED IN THE CHARACTER CATWOMAN Michael Lecker A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2007 Committee: Jeffrey A. Brown, Advisor Marilyn F. Motz ii ABSTRACT Dr. Jeffrey A. Brown This thesis is an examination of sexual and gender representation of the DC Comics character Catwoman throughout her more than sixty-five years. The main goal was to gain insight into America’s view of female sexuality through the examination of numerous popular texts involving the highly sexualized Catwoman. This thesis investigates what made the character stay popular for such a vast amount of time. It also examines why the cat motif was chosen and why so many other female characters in the superhero genre embody this animal. In addition to looking at Catwoman, it was necessary to explore her relationship with Batman and see how this strong female character was depicted when placed within the same narrative as Batman, the strong patriarchal figure. Finally, I wanted to see how Catwoman’s sexuality was a source of empowerment for her and if this was a legitimate source of power. This study was a textual analysis of comic books, television shows, and movies that the character Catwoman is in. There were several methods used to study these texts for their sexual and gender representations. The fashion theories of Roland Barthes and Vikki Karaminas were utilized in the first chapter. To explain the popularity of Catwoman, the psychoanalytical theories of Marc O’Day and Jeffrey A.
    [Show full text]