CSUSB Scholarworks April 18 1978
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Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
2019/20 Annual Report Card
Everyone Deserves Home, Health, Community 2019/20 ANNUAL REPORT CARD April 2019 to March 2020 WHAT’S INSIDE CEO’s Message 2 2018-2021 Strategy Map 3 Primary Objective 4 Home 6 Above—Cool Aid’s dedicated nurses and Health 10 physicians, who provide health care to the Community 13 most vulnerable members of our community Appendix 17 2019/20 Performance Dashboard Victoria Cool Aid Society acknowledges the Lekwungen and W̱ SÁNEĆ peoples of the Songhees and 1 Esquimalt Nations, on whose traditional territories we build homes, lives, and community. HÍSW̱ ḴE. Victoria Cool Aid Society 2019/20 Annual Report Card CEO’s Message CEO’s Message 2019/20 AT A GLANCE This is Cool Aid’s 14th annual report card, a key deliverable of our strategic planning process, which is based on the balanced HOME PILLAR scorecard framework. The annual report card is one of the ways Apartment buildings 16 properties in which we formally report on progress toward outcomes to both internal and external stakeholders. Apartments & rooms 582 units In April 2018, Cool Aid’s Board of Directors approved a renewed Supportive housing 543 units strategic plan for 2018-2021, with a strong emphasis on community Senior housing 236 units and capacity. Since then, we have continued to strive to: Affordable housing 31 units Better serve our clients and tenants who are Indigenous Indigenous heritage 1 in 5 tenants Create more affordable and mixed-income housing Seniors (over 55) 60% of tenants in addition to more supportive housing Housed 12+ months 96% of tenants Strengthen relationships with neighbours and the communities in which we provide services Our current strategic plan is based on three pillars—HOME, HEALTH, HEALTH PILLAR COMMUNITY—that guide and inform our work. -
Little Rock, Arkansas
Society for American Music Thirty-Ninth Annual Conference Hosted by University of Arkansas at Little Rock Peabody Hotel 6–10 March 2013 Little Rock, Arkansas Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), the early Chief of the Library of Congress Music Division and the Fpioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. Each member lists current topics or projects that are then indexed, providing a useful means of contact for those with shared interests. -
Working in Concert
HILL AUD ITOR IU M I 100 YEARS ~" \11' UMS PROGRAM BOOK W INTER 20ll I UNI VER SITY O F M I CHI GAN, A NN AR B O R A high quality of life is critical to attract talent, entrepreneurs and business growth. We're partnering with communities to create the kind of places where workers, entrepreneurs, and businesses want to locate, invest and expand. Find your sense of place in Pure Michigan. PUR~ICHIGAN · Michill. Economic Oenlopment Corporation driving a brighter future Ford M Ol or C omp a n y ~ For opening minds and engaging the co mmunity, Ford salutes the Uni versity Musical Society Edu cation and Co mmunity Engagem ent Program . www.comml.lnity.ford.com WELCOME. " Welcome to this UMS performance. Since 1879, the people of southeast Michigan, includinl our students, faculty, and staff, have experienced remar1table moments through UMS's presentations 01 the world's fin est perlormers of music, theater, and dance. This season. we are proud to celebrate 100 years of UMS presentations in Hill Auditorium, a historic and prized venue on our campus. Enjoy the performance." 11\.., k.... dt., • Mary Sue Coleman President, University of MicJtigan " With ellceptional performances, the centenary of Hill Auditorium. and an amazing array 01 events that w e hope will transfOfm, elevate, and transcend. this 134th season of UMS is something truly sp ecial. Thank you for bein. present," Jf~ Kenneth C. Fischer UMS President ~ l ' m deUented to welcome you to this UMS performance as chair of the UMS Board of Directors. We thank you for being here and encoura(eyou to get even more involved with UMS throuah participation in our educational opportunities, by maleinc a elft, or by adding more UMS events to your calendar. -
The Western Mistic, January 22, 1954
Minnesota State University Moorhead RED: a Repository of Digital Collections The Western Mistic Student Newspapers 1-22-1954 The Western Mistic, January 22, 1954 Moorhead State Teachers College Follow this and additional works at: https://red.mnstate.edu/western-mistic Recommended Citation Moorhead State Teachers College, "The Western Mistic, January 22, 1954" (1954). The Western Mistic. 619. https://red.mnstate.edu/western-mistic/619 This News Article is brought to you for free and open access by the Student Newspapers at RED: a Repository of Digital Collections. It has been accepted for inclusion in The Western Mistic by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Baritone McFerrin Will Sing for Convocation "Western MiSTiC Robert McFerrin, 32 year old bari Student written, edited, and printed on campus each week tone and the first Negro to enter the During the week of January 24-30, Year 30 — Issue 14 State Teachers College, Moorhead, Minnesota Friday, January 22, 1954 Metropolitan Opera's training school he will sing in Wadena, Thief River in New York, will be heard by MSTC Falls, Crookston, Moorhead, Mayville, students at convocation Wednesday, N. D., and Duluth. Completing the January 27, in Weld auditorium. tour are concerts in Jackson, Worth- ington, Vermillion, S. D., Little Falls, Pawlowski Songfest MC; Rules McFerrin told interviewers recently that, during his early school years in Fergus Falls, and Detroit Lakes. St. Louis, he made an astonishing dis Following this tour, arranged for covery: not everyone could sing. him by the University of Minnesota For Participation Announced "Our family was concerned, pri Concert and Lecture Service, McFer marily, with ministry and music," the rin will perform in Canada. -
Black Opera As Architecture Kimberly Drew, Office Magazine
PERES PROJECTS I’m Tired of Being Your Side Bitch: Black Opera As Architecture Interview + Curation by Kimberly Drew To be frank, I worry that we might be getting too comfortable. As Black creatives, we’re finding ourselves getting full on the crumbs fed to us by the old guard. We’re making meals of vis- ibility. If we aren’t careful we might find ourselves famished This admission is not meant to be an indictment, but an obser- vation. Countless institutions were not built with us in mind and, of course, we are all just doing our best. That said, I would be remiss not to announce a bit of curiosity about this moment of Black cultural progress. I wonder how we might maintain our dignity. I wonder how we might set our own stages for ourselves. In a 2017 interview, the filmmaker and multimedia artist Arthur Jafa explained his desire to make Black cinema “with the power, beauty, and alienation of black music.” Jafa, who’s worked on films ranging from Julie Dash’s Daughters of the Dust (1991) to Solange’s Don’t Touch My Hair, to his latest film, The White Album, which recently won the highest honor at the Venice Bi- ennale, often fuses Black music into his film work to drive narra- tive. In conversation with critic and writer Antwaun Sargent, he explains, “Music is the one space in which we [as Black people] know we have totally actualized ourselves.” This year, while viewing the work of nomadic, multidisciplinary artist Richard Kennedy, I stood in the back of an audience at The Kitchen as he presented a one-person opera calling out ex- lovers and corporations in the same breath. -
WSU Research News, Winter 2009
Wright State University CORE Scholar WSU Research News Office of the Vice oPr vost for Research Winter 12-1-2009 WSU Research News, Winter 2009 Office of Research and Sponsored Programs, Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/wsu_research_news Part of the Mass Communication Commons Repository Citation Office of Research and Sponsored Programs, Wright State University (2009). WSU Research News, Winter 2009. This Newsletter is brought to you for free and open access by the Office of the Vice oPr vost for Research at CORE Scholar. It has been accepted for inclusion in WSU Research News by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. [Jllffljilll 11 ~ vVRIGI-IT STATE SEARCH EWS UNIVERSITY From the Office ofResearch and Sponsored Programs - Serving the Research Community of Wright State University Winter 2009 Vol 40 No 1 201J University Hall Telephone 775-2425 What's Inside NOTES from the A VP Pg.2 PreAWARD News Pg.2 PostAWARD News Pg.3 Sponsor Alerts Pg.4 External Awards Pg. 7 Early/Start Auginentationft WSU Internal Awards Announced -- We are pleased to announce the selection of awardees of support basic and applied research projects that have high po the Research Challenge Early Start/Augmentation pro tential for attracting external support. Congratulations to those gram. Of 50 proposals submitted, 13 projects were funded receiving an award (listed below) from the November 2008 call for a total of $246,000. The primary objective of the for applications. More information on this program may be Research Challenge program is to furnish seed funding to found at our website:http://www.wright.edu/rsp/internal.html. -
Marian Had Opened the Door …Ikept It from Closing Again.«
126 Music, Race, and Culture penitentiary in Huntsville,Texas.While asmall audienceattendedthe 1938 performance broadcastfromaprisonadministrator’s office,bythe time of thefourthanniversarybroad- castin1944, the›free-world‹whites-only audiencehad swelledto1.280.Prisonofficials insisted that themusical educationofinmates hadasalutaryeffectontheir vocational training in preparationfor theiremployment in thewar industries.Myresearchsuggests that inmatesviewedthe airshows less as an expressionofpatriotism, than as avehicle for earlyrelease from asystemthatwas farfromideal. Elizabeth Amelia Hadley (Clinton, NY) »Marian Had Opened the Door …IKept it from Closing Again.« »I am here andyou will know that Iamthe best andwillhearme[…].The colorof my skin or thekinkofmyhairorthe spread of my mouthhas nothingtodowith what you arelistening to.« Leontyne Price, Time 14th January19851 Leontyne Price’sascendancytoprimadonna assoluta wasframedbythe CivilRights,Black Power,and BlackArts Movements.Althoughher name maybeabsentfromthe rosters of activism in either movement, shewas lyricallyand majestically openingdoors to Opera houses both nationallyand internationally; enablingother peopleofcolortoenter.Price’s wordsand deedsmanifestadeliberatecommitmenttoinspire anew generation of vocal- ists to enterthe gilt-encrusted, hallowedhallsofopera. Mary Violet Leontyne Pricewas born andraisedinsegregatedLaurel, Mississippi, where peoplewere proud of theirBlack heritage.Price waspopularamong Blackand WhitepeopleinLaurel, where both communitiesnurtured herdesiretopursueanopera -
01-08-2019 Porgy Eve.Indd
THE GERSHWINS’ porgy and bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin conductor Opera in two acts David Robertson Wednesday, January 8, 2020 production 7:30–10:50 PM James Robinson set designer New Production Michael Yeargan costume designer Catherine Zuber lighting designer The production of The Gershwins’ Porgy and Donald Holder Bess was made possible by a generous gift from projection designer Luke Halls The Sybil B. Harrington Endowment Fund and Douglas Dockery Thomas choreographer Camille A. Brown fight director David Leong general manager Peter Gelb Co-production of the Metropolitan Opera; jeanette lerman-neubauer Dutch National Opera, Amsterdam; and music director Yannick Nézet-Séguin English National Opera 2019–20 SEASON The 62nd Metropolitan Opera performance of THE GERSHWINS’ porgy and bess conductor David Robertson in order of vocal appearance cl ar a a detective Janai Brugger Grant Neale mingo lily Errin Duane Brooks Tichina Vaughn* sportin’ life a policeman Frederick Ballentine Bobby Mittelstadt jake an undertaker Donovan Singletary* Damien Geter serena annie Latonia Moore Chanáe Curtis robbins “l aw yer” fr a zier Chauncey Packer Arthur Woodley jim nel son Norman Garrett DEBUT Jonathan Tuzo peter str awberry woman Jamez McCorkle Aundi Marie Moore DEBUT maria Denyce Graves cr ab man porgy Chauncey Packer Kevin Short a coroner crown Michael Lewis Alfred Walker* scipio bess Neo Randall Angel Blue Wednesday, January 8, 2020, 7:30–10:50PM The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. -
Task Force Favors M'pty Chancellor
University of Missouri, St. Louis IRL @ UMSL Current (1980s) Student Newspapers 11-14-1985 Current, November 14, 1985 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current1980s Recommended Citation University of Missouri-St. Louis, "Current, November 14, 1985" (1985). Current (1980s). 174. https://irl.umsl.edu/current1980s/174 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1980s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Nov. 14, 1985 University of Missouri-St. Louis Issue;529 TaSk Force Favors m'pty Chancellor - 10118 Divestiture Post May Require the University of Missouri should the, financial status of the not purchase and should divest all university. funds from companies doing busi- The task force made the recom " ness in South Africa tbat do not mendations to Magrath, who is Interim Replacement adhere to 'the Sullivan Principles, a expected to report to the curators task force recommemded last next month. Magrath said he will cellor for UMSL is "movinJ2: week. Steven Brawley use the recommendations in form C. Peter Magrath very welL" . The .task force recommended to ing his own policy. managing editor companies doing busiriess with "We don't ha\'e candidates.' he ... UM President C. Peter Magrath ttat Magrath appointed the task force South Africa' at the end of,July. As the Te tirement date for UMSL said, " we have prospects." divestment should occur within two Arnold B _ Grobman last January after many UM . -
40 Years of Caring a Brief History of the Victoria Cool Aid Society
40 Years of Caring A Brief History of the Victoria Cool Aid Society by Helen Edwards, Edwards Heritage Consulting Copyright © 2009, Victoria Cool Aid Society 40 Years of Caring: Brief History of Cool Aid The 1960s 2 40 Years of Caring: Brief History of Cool Aid Cool Aid formally began at a and/or North American religious meeting on June 10, 1968 but its culture, and were at odds with roots go farther back – to the Fall of traditional middle class Western 1965 when a group of students at values. Young people of the time felt Victoria High School, members of strongly about Civil Rights and the Philosopher’s Club, later known opposed the Vietnam War. Many as the Monday Club, wanted to Americans came to Canada to operate a peace club. Denied escape the military draft. All over the permission to run the club through world, young people were travelling, the school, they organized the Peace usually with very little money. In Action League as an outside group. Canada, Pierre Trudeau, favourite of In September 1966 the group was the young, became Prime Minister at reorganized as the Victoria Youth a groovy, swinging Liberal Project of the Company of Young convention in 1968. The focus Canadians. One of the prominent everywhere was on the young members of the Philosophy Club because they were so loud, so was Charles Barber, later to become insolent, so numerous. Newspaper one of the co-founders of Cool Aid. 1 columnists laboured to explain “what the kids are saying.” Students manipulated television news whenever they seized public buildings or campuses. -
Victoria Cool Aid Society Victoria, British Columbia
Victoria Cool Aid Society Victoria, British Columbia PROGRAM TYPE: Housing, Employment, and Support Services Beautiful British Columbia (BC), with its Rocky Mountains and Pacific coastline, is a relatively expensive place to live in Canada. The province’s capital city, Victoria, is KEY MESSAGES among the most expensive regions to rent property in the country and is even more expensive than Vancouver, the province’s largest city. • SUPPORT SERVICES FOR HOMELESS PEOPLE MUST BE In 2008, the Greater Victoria Coalition to End Homelessness was formed with the CONNECTED TO HOUSING goal of ending homelessness in the province’s capital by 2018. As a solutions-orient- • SERVICE INTEGRATION IS ed approach to ending, rather than managing homelessness, the efforts include pre- CRITICAL – HEALTH CARE AND vention, housing and supports. The Coalition promotes integrated, client-centered OTHER services that work together to address the needs of homeless citizens. • KNOWLEDGE MOBILIZATION AND COMMUNICATION TO The Greater Victoria Coalition to End Homelessness reports some of the key factors ENGAGE THE COMMUNITY that have contributed to homelessness: compared to national averages, Greater Vic- • INFLUENCING POLICY toria has higher rental apartment prices, higher growth of rental apartment prices DATA AND RESEARCH and lower rental apartment vacancy rates. Despite an increase in subsidized hous- • ing, there is a shortage of affordable rental accommodation and few housing op- tions for low-income people (Greater Victoria Coalition to End Homelessness, 2010). Between 2006 and 2011, rents in Victoria increased by as much as 20%. Based on the cost of living in Victoria, including rent, transportation, food, and recreation, the wage at which one can comfortably afford to live is $18.07 an hour (and even this amount does not afford luxuries like owning a home or saving for retirement) (Pauly, 2012).