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Celticism, Internationalism and Scottish Identity Three Key Images in Focus
Celticism, Internationalism and Scottish Identity Three Key Images in Focus Frances Fowle The Scottish Celtic Revival emerged from long-standing debates around language and the concept of a Celtic race, a notion fostered above all by the poet and critic Matthew Arnold.1 It took the form of a pan-Celtic, rather than a purely Scottish revival, whereby Scotland participated in a shared national mythology that spilled into and overlapped with Irish, Welsh, Manx, Breton and Cornish legend. Some historians portrayed the Celts – the original Scottish settlers – as pagan and feckless; others regarded them as creative and honorable, an antidote to the Industrial Revolution. ‘In a prosaic and utilitarian age,’ wrote one commentator, ‘the idealism of the Celt is an ennobling and uplifting influence both on literature and life.’2 The revival was championed in Edinburgh by the biologist, sociologist and utopian visionary Patrick Geddes (1854–1932), who, in 1895, produced the first edition of his avant-garde journal The Evergreen: a Northern Seasonal, edited by William Sharp (1855–1905) and published in four ‘seasonal’ volumes, in 1895– 86.3 The journal included translations of Breton and Irish legends and the poetry and writings of Fiona Macleod, Sharp’s Celtic alter ego. The cover was designed by Charles Hodge Mackie (1862– 1920) and it was emblazoned with a Celtic Tree of Life. Among 1 On Arnold see, for example, Murray Pittock, Celtic Identity and the Brit the many contributors were Sharp himself and the artist John ish Image (Manchester: Manches- ter University Press, 1999), 64–69 Duncan (1866–1945), who produced some of the key images of 2 Anon, ‘Pan-Celtic Congress’, The the Scottish Celtic Revival. -
Contemporary & Post-War Art (474) Lot
Contemporary & Post-War Art (474) Thu, 18th Aug 2016, Edinburgh Lot 132 Estimate: £3000 - £5000 + Fees § ALEXANDER GOUDIE R.P., R.G.I. (SCOTTISH 1933- 2004) ROYAL OPERA HOUSE Signed, oil on canvas 48cm x 86cm (19in x 34in) Note: 'I have always lived through my art and in a sense to really taste life to the full I am obliged to put a line around it. Since early childhood this has been my lot, everything which excited my imagination had to be set down in pictorial terms, a magic world where a different language helps explore and explain as well as heighten the experience of living.' And so Alexander Goudie outlines his understanding of art, as an all-pervasive force that allowed him to fully engage in life and all that it had to offer. It is no surprise, then, that Goudie painted across genres, found inspiration in music and literature as well as visual experience, was keen to collaborate on projects in different spheres, and remained a dedicated dandy. After training at Glasgow School of Art, he spent time travelling in Europe on a scholarship, where he encountered art that inspired him, as well as being to his taste, by artists like Rodin and Courbet. He liked to see, and attempt, mastery in painting but in a more conventional way; remaining uninspired by 20th century artistic movements, such as cubism or futurism. He has been described as 'an old- fashioned painter,' and for a man who felt that his job as an artist was 'to simply to tell a story in pictures and to speak with a clear voice,' presumably this was a compliment. -
Japonisme in Britain - a Source of Inspiration: J
Japonisme in Britain - A Source of Inspiration: J. McN. Whistler, Mortimer Menpes, George Henry, E.A. Hornel and nineteenth century Japan. Thesis Submitted for the Degree of Doctor of Philosophy in the Department of History of Art, University of Glasgow. By Ayako Ono vol. 1. © Ayako Ono 2001 ProQuest Number: 13818783 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818783 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 GLASGOW UNIVERSITY LIBRARY 122%'Cop7 I Abstract Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called Japonisme , and it spread widely throughout Western art. It is quite hard to make a clear definition of Japonisme because of the breadth of the phenomenon, but it could be generally agreed that it is an attempt to understand and adapt the essential qualities of Japanese art. This thesis explores Japanese influences on British Art and will focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933). -
Oriel College Record
Oriel College Record 2020 Oriel College Record 2020 A portrait of Saint John Henry Newman by Walter William Ouless Contents COLLEGE RECORD FEATURES The Provost, Fellows, Lecturers 6 Commemoration of Benefactors, Provost’s Notes 13 Sermon preached by the Treasurer 86 Treasurer’s Notes 19 The Canonisation of Chaplain’s Notes 22 John Henry Newman 90 Chapel Services 24 ‘Observing Narrowly’ – Preachers at Evensong 25 The Eighteenth Century World Development Director’s Notes 27 of Revd Gilbert White 92 Junior Common Room 28 How Does a Historian Start Middle Common Room 30 a New Book? She Goes Cycling! 95 New Members 2019-2020 32 Eugene Lee-Hamilton Prize 2020 100 Academic Record 2019-2020 40 Degrees and Examination Results 40 BOOK REVIEWS Awards and Prizes 48 Gonzalo Rodriguez-Pereyra, Leibniz: Graduate Scholars 48 Discourse on Metaphysics 104 Sports and Other Achievements 49 Robert Wainwright, Early Reformation College Library 51 Covenant Theology: English Outreach 53 Reception of Swiss Reformed Oriel Alumni Advisory Committee 55 Thought, 1520-1555 106 CLUBS, SOCIETIES NEWS AND ACTIVITIES Honours and Awards 110 Chapel Music 60 Fellows’ and Lecturers’ News 111 College Sports 63 Orielenses’ News 114 Tortoise Club 78 Obituaries 116 Oriel Women’s Network 80 Other Deaths notified since Oriel Alumni Golf 82 August 2019 135 DONORS TO ORIEL Provost’s Court 138 Raleigh Society 138 1326 Society 141 Tortoise Club Donors 143 Donors to Oriel During the Year 145 Diary 154 Notes 156 College Record 6 Oriel College Record 2020 VISITOR Her Majesty the Queen -
Scottish Studies
SCOTTISH 2015 STUDIES THE UNIVERSITY of EDINBURGH SCOTTISH STUDIES Saltire Society Literary Awards Winners 4 Edinburgh Classic Editions 31 Key Titles 6 The New History of Scotland 34 Environment 13 The History of Gaelic Scotland 35 Culture and Society 14 Debates & Documents in Scottish History 36 Military History 19 Scottish Historical Review Monographs 37 History 20 Regesta Regum Scottorum 39 Nation and Identity 23 Journals 40 Scottish Literature 26 Index 42 Scottish Philosophy 29 Placing your order Please email our sales department: [email protected] All prices advertised are correct at the time of printing but are subject to change without notice. Orders are fulfilled by Macmillan Distribution in the UK and Oxford University Press USA in the Americas. Contact details for sales representatives, distributors or agents in your country or area can be found on our website at: www.euppublishing.com Mailing list Join our mailing list to receive our catalogues, email bulletins and journal ToC alerts. Create your account and manage your mailing preferences at www.euppublishing.com/action/registration Ebooks Books marked ebook are available as ebooks. Our ebooks are available for individuals to buy from the Kindle and Nook stores and are available to libraries from a number of aggregators and platforms. See the full list at: www.euppublishing.com/page/infoZone/librarians/e-books Textbooks Books marked textbook are available to lecturers on inspection. Request your copy using the order form at the back, or email [email protected] with the -
Scottish Exhibition 18/3/11 9:24 Am Page 1
T17012 Scottish Exhibition 18/3/11 9:24 am Page 1 SCOTTISH EXHIBITION W Walker G Galleries T17012 Scottish Exhibition 18/3/11 9:24 am Page 2 The Directors of Walker Galleries cordially invite you to a weekend preview of the SCOTTISH EXHIBITION Saturday 9th April, 10.00 am - 5.30 pm and Sunday 10th April, 11.00 am - 4.00 pm 13 Montpellier Parade Harrogate HG1 2TJ Wine & Savouries Guests Welcome W This exhibition continues until 16th April G Paintings may be purchased from receipt of catalogue With an interest free loan T17012 Scottish Exhibition 18/3/11 9:24 am Page 3 SCOTTISH EXHIBITION 9th - 16th April GEORGE BIRRELL DAVY BROWN PAM CARTER MIKE HEALEY ROBERT KELSEY PAI PETER KING DAVY BROWN West Coast Sunset Oil on board 24 x 24 inches T17012 Scottish Exhibition 18/3/11 9:24 am Page 4 GEORGE BIRRELL George Birrell was born in 1949 and studied at the Glasgow School of Art between 1967 and 1971. He taught art and design until 1998 when he became a full time painter and lecturer. He has had many one man shows and also showed at the 1999 Art Expo in New York. George Birrell is a frequent contributor to exhibitions at the Scottish Societies. He has a strong interest in the architecture of the East Coast Scottish towns and fishing villages, and these feature in many of his paintings. The immaculately designed forms are crisp and clean-cut and cohere beautifully in blocks of saturated colour. “I am inspired by the East Coast of Scotland, its architecture and evidence of the hand of man on the landscape. -
Press Release
PRESS RELEASE 15 August 2013 ‘Daddy, I want to be a black artist’ by Kimathi Donkor 24 September – 24 November 2013 Admission Free Peckham Space, 89 Peckham High Street, London SE15 5RS Open: Wed-Fri 11 – 18.00 / Sat & Sun 11 – 17.00 (Closed: Mon & Tues) www.peckhamspace.com ‘Daddy, I want to be a black artist’, is an exhibition of new work by Kimathi Donkor and will be presented at Peckham Space, a contemporary art space in South London. Commissioned by Peckham Space, this exhibition will reflect on themes arising from Donkor’s engagement with local teenage black residents as they discovered the work of black British artists in the national collection at Tate Britain during workshops conducted earlier this Summer. There are 73,000 artworks in Tate’s collection, with about 15 of the 3,500 artists from both black and British identities – including Chris Ofili, Sonia Boyce, Donald Rodney, Frank Bowling and current Turner Prize nominee, Lynette Yiadom-Boakye. For this exhibition and inspired by the experiences of these recent workshops, Donkor has created new large scale paintings that embody the his ongoing concerns with identity, aesthetics, agency and representation. Alongside these new paintings, visitors will be invited to participate in a museum-style ‘learning zone’ where numerous resources and materials will be available for visitors to further explore the works that were visited during the workshops and the wider representation of black British artists within the UK’s visual arts culture. There will also be opportunities to learn more about the experiences of the young people engaged in the project. -
Which Is Scotland's Artists' Town?
The North*s Original Free Arts Newspaper + www.artwork.co.uk Number 192 Pick up your own FREE copy and find out what’s really happening in the arts March/April 2016 Self Portrait, George Dutch Davidson, 1898. From Art in Dundee 1867-1924, by Matthew Jarron, reviewed in this issue. Image © Dundee City Council. Inside: Which is Scotland’s Artists’ Town? A Home from Home for Artists in London artWORK 192 March/April 2016 Page 2 artWORK 192 March/April 2016 Page 2 SPECIAL OFFER - ANY 3 BOOKS SENT POST FREE (UK ONLY) FOR £20.00 (TICK BELOW) GAZETTEER OF SCOTLAND – How high that mountain? How deep that loch? Reprint of the ’37 edn. 07179 460 88 £9.99 ____ GEOFF: The Life of Geoffrey M. Shaw – Strathclyde’s charismatic leader, profiled by Ron Ferguson 0905489 00 4 £9.99 ____ GEORGE WYLLIE: MY WORDS – George Wyllie’s quirky Essays for ArtWork - illustrated by George 0905489 56 X £4.95 ____ The New Borders Railway Souvenir Map has proved a runaway success. It joins a stable of popular HIGHLAND STEAM: A Scrapbook of Images from the Kyle, Mallaig and Highland lines – Large Famedram rail maps, some of which have sold hundreds of thousands of copies. To order a single copy, format paperback, with 160 pages of glorious colour pictures of steam in a Highland setting 978 0905489 90 2 £9.99 ____ sent First Class Post, send £3.50; two copies: £5.00; Special Offer: 3 Different Rail Maps (Borders, Mallaig and Kyle maps) sent first class mail: £5.00. -
V I N M D MEDIA WEEK 16Th- 20Th January 2012
MEDIA WEEK 16th- 20th January 2012 A WEEK OF TALKS, WORKSHOPS, SEMINARS, Q&AS AND OTHER EVENTS FEATURING PROFESSIONALS FROM THE MEDIA INDUSTRY www.facebook.com/gusrc V I n m D MEDIA WEEK 16th- 20th January 2012 Welcome to Media Week, a series of events arranged to showcase exactly what the media is all about; shaping thought. The media have a huge say in what we see, think and do, and when we do it. It exists to inform, entertain and challenge us, and is one of the biggest industries in the world. It is a considerable influence on everyone’s lives, yet those who create, control and distribute it, are often unknown to those who consume it. Media Week is an opportunity to meet some of the people involved in the Scottish media scene, hear their stories, advice and insight into all aspects of modern media. All events are free, and open to all, and you can find the majority of them in the John McIntyre Building’s Williams Room, on the first floor. This guide lists only some of the events planned for the week, for everything else, check out the timetable on the reverse of this booklet and keep an eye on the SRC’s Facebook via www. facebook.com/gusrc. Iain Smith SRC VP Media & Communications The SRC’s job is to support the students of the University of Glasgow and ensure their time here is as enjoyable, safe and interesting as possible. Day-in, day-out we’re here to address, or even just to listen to, the concerns of students. -
A New Sort of Arts Outlet in Edinburgh Mackintosh 150 in Glasgow : : Battlefield Battles Artwork 203 May/June 2018 Page 2 Artwork 203 May/June 2018 Page 3
The North*s Original Free Arts Newspaper + www.artwork.co.uk Number 203 Pick up your own FREE copy and find out what’s really happening in the arts May/June 2018 Artist at work on a five tonne newsprint sculpture. David Mach takes a break from installing the work in Cass Art in Glasgow. Inside this issue, Mach talks to ArtWork about his journey from his native Fife. Photograph Iain Clark INSIDE: A new sort of arts outlet in Edinburgh Mackintosh 150 in Glasgow : : Battlefield battles artWORK 203 May/June 2018 Page 2 artWORK 203 May/June 2018 Page 3 Residency with Studio The Picking Shed, Voe, The Shetland Isles TRADE COUNTER www.pickingshed.co.uk ROZELLE HOUSE MUSEUM & GALLERIES Prices:- £200 per week ‘Back to the Gaiety’ the story so far Saturday, 19 May - Sunday, 17 June £600 per month Sharing the heritage of The Gaiety Theatre and their new digital archive. Day o’ the Dames - Festival of Museums Saturday, 19 May & Sunday, 20 May From 1st November to 25th April Come along and meet the Cinderella Dames, see our website for details. The rest of the year holiday rates Ayrshire College - end of year Show Sunday, 24 June - Sunday, 5 August e: [email protected] Visual Arts, photography, art and design. THE MACLAURIN ART GALLERIES Drawing with Scissors: Matisse Sunday, 29 April - Sunday, 1 July A Hayward Gallery Touring exhibition Peter Howson: Devil’s Chorus Sunday, 20 May - Sunday, 1 July The Maclaurin Gallery Patron’s new work, drawings and pastels. Both open: Mon-Sat 10am-5pm, Sun 12noon-5pm, Monument Road, Ayr, KA7 4NQ. -
National Fund for Acquisitions Annual Report 2016–2017 1 National Fund for Acquisitions Annual Report 2016–2017 National Fund for Acquisitions Annual Report 2016–2017
National Fund for Acquisitions Annual Report 2016–2017 1 National Fund for Acquisitions Annual Report 2016–2017 National Fund for Acquisitions Annual Report 2016–2017 Dr Hazel Williamson National Fund for Acquisitions Manager 0131 247 4106 Karyn McGhee National and International Partnerships Officer 0131 247 4024 National Fund for Acquisitions National and International Partnerships Department National Museums Scotland Chambers Street Edinburgh EH1 1JF [email protected] www.nms.ac.uk/nfa NFA Blog NFA Flickr Cover: Oil on panel, The Pier at Cove – Loch Long, c1934, by F C B Cadell, acquired by the Scottish Maritime Museum. © Scottish Maritime Museum National Fund for Acquisitions Introduction The National Fund for Acquisitions (NFA), provided by Scottish Government to National Museums Scotland, contributes towards the acquisition of objects for the collections of Scottish museums, galleries, libraries, archives and other similar institutions open to the public. The Fund can help with acquisitions in most collecting areas including objects relating to the arts, literature, history, natural sciences, technology, industry and medicine. Decisions on grant applications are made following consultation with curatorial staff at National Museums Scotland, the National Galleries of Scotland and the National Library of Scotland who provide expert advice to the Fund. Funding The annual grant from the Scottish Government for 2016/17 was £150,000. The NFA made 64 payments totalling £131,525 which enabled acquisitions with a total value of nearly £373,000. This included payment of grants which had been offered but not yet claimed at the end of the previous financial year. At 31 March 2017, a further 11 grants with a total value of £33,418 had been committed but not yet paid. -
1809 the Glasgow Boys Presentation
RICKMANSWORTH U3A ART APPRECIATION GROUP The Glasgow Boys September 2018 The Glasgow Boys - influences Jules Bastien-Lepage, (1848 – 1884) French painter of rustic outdoor genre scenes widely imitated in France and England. Bastien-Lepage studied under Alexandre Cabanel, first exhibited at the Paris Salon of 1870, and won a medal at the Salon of 1874 for Spring Song. Style owes a little to Édouard Manet and in the tradition of Jean-François Millet and Gustave Courbet. A sentimental element characterizes Bastien-Lepage’s work. He was also a portraitist of note. October, 1878,by Jules Bastien-Lepage (1848-1884), Oil on Canvas, 1,807 mm x 1,960 mm, National Gallery of Victoria, Australia The Glasgow Boys - influences James Abbott McNeill Whistler (1834 – 1903) American artist, based primarily in the United Kingdom. Averse to sentimentality and moral allusion in painting and a leading proponent of "art for art's sake". While his art is characterized by a subtle delicacy, his public persona was combative. He found a parallel between painting and music and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. Whistler influenced the art world and the broader culture of his time with his artistic theories and his friendships with leading artists and writers. Variations in Flesh Colour and Green—The Balcony, 1865 by James McNeill Whistler (11 Jul 1834 - 17 Jul 1903), Oil on Board Freer Gallery of Art, Washington, United States James Guthrie (1859 - 1930) A Hind’s Daughter, 1883 Oil