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Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Jussi Koskinen Opinnäytetyö 16.5.2019
Jussi Koskinen Synth Bass is the New Black Harjoituksia synabassolle Metropolia Ammattikorkeakoulu Musiikkipedagogi YAMK Musiikin tutkinto-ohjelma Opinnäytetyö 29.4.2019 Tiivistelmä Tekijä(t) Jussi Koskinen Otsikko Synth Bass is the New Black. Harjoituksia synabassolle. Sivumäärä 40 sivua + Oppimateriaali Synth Bass is the New Black Aika 29.4.2019 Tutkinto Musiikkipedagogi YAMK Tutkinto-ohjelma Musiikin tutkinto-ohjelma Suuntautumisvaihtoehto Musiikkipedagogi Annu Tuovila, MuT Ohjaajat Sarka Hantula, FM Opinnäytetyöni tarkoituksena on kehittää harjoitusmateriaalia synabasson soittamiseen. Sy- nabassolla tarkoitetaan bassoäänten soittamista syntetisaattorilla. Työn tavoitteena oli val- mistaa harjoituskirja, joka sisältää monipuolisia ja eritasoisia harjoituksia, esimerkkiäänitteitä sekä play along -taustoja harjoittelua varten. Opinnäytetyön kirjallisessa osassa tarkastelen harjoituskirjan valmistumisprosessia sekä syntetisaattorin käyttöä popmusiikissa basistin näkökulmasta. Tarkastelen myös syntetisaattoreiden toiminta- ja äänenmuodostusperiaat- teita sekä teknisiä ominaisuuksia. Testasin harjoituksia Pop & Jazz Konservatoriolla työpajassa kolmen opiskelijan ja kahden opettajan kanssa. Lisäksi keräsin tietoa harjoitusten kehittämiseksi sähköpostitse ja keskus- teluissa ammattimuusikoilta. Käytän aineistona myös syntetisaattoreista kertovaa kirjalli- suutta, verkkodokumentteja sekä äänitteitä. Opinnäytetyöprosessin tuloksena syntyi englanninkielinen harjoituskirja Synth Bass is the New Black äänitteineen. Se sisältää 20 harjoitusta, -
Spacemonkeyz Laika Come Home Mp3, Flac, Wma
Spacemonkeyz Laika Come Home mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Laika Come Home Country: Australia Released: 2002 Style: Dub, Trip Hop MP3 version RAR size: 1142 mb FLAC version RAR size: 1595 mb WMA version RAR size: 1309 mb Rating: 4.6 Votes: 752 Other Formats: AA ADX XM APE TTA ASF WAV Tracklist 1 19/2000 (Jungle Fresh) 5:28 2 Slow Country (Strictly Rubbadub) 3:41 3 Tomorrow Comes Today (Bañana Baby) 5:29 4 Man Research (Monkey Racket) 5:57 5 Punk (De-Punked) 5:20 6 5/4 (P.45) 4:26 7 Starshine (Dub 09) 5:17 8 Soundcheck (Gravity) (Crooked Dub) 5:13 9 New Genius (Brother) (Mutant Genius) 5:02 10 Re-Hash (Come Again) 6:04 11 Clint Eastwood (A Fistful Of Peanuts) 5:53 12.1 M1A1 (Lil' Dub Chefin') 5:41 12.2 Slow Country (More Rubbadub) 5:14 Credits Arranged By [Horn Arrangements] – Michael Smith* Artwork By [Illustration] – J.C. Hewlett Bass – Dan Left Hand* (tracks: 1), Phil Soul (tracks: 2, 3, 4, 8, 10, 12.1), Stuart Zender (tracks: 3, 4) Castanets – Jaques Shythé (tracks: 1) Clavinet – Stuart Zender (tracks: 4) Co-producer [Original] – Jason Cox (tracks: 1 to 6, 7 to 11), Tom Girling (tracks: 1 to 6, 7 to 11) Design – Kate Mclauchlan Engineer [Assistant] – Pete Collis Engineer [Original] – Jason Cox, Tom Girling Flute – Mike Smith (tracks: 11) Guitar – 2D (tracks: 7, 8, 10), Simon Katz (tracks: 6) Horns – Dennis Rollins (tracks: 2, 3, 5, 6, 10 to 12.1), Dominic Glover (tracks: 2, 3, 5, 6, 10 to 12.1), Martin Shaw (tracks: 1), Michael Smith* (tracks: 1 to 3, 5, 6, 10 to 12.1) Melodica – 2D (tracks: 3, 4, -
March 22, 1999 FUNDS FROZEN, but STILL the VOICE of FLORIDA A&M UNIVERSITY - TALLAHASSEE, FLA
U#.- rieam CoU.Ct . 1 The Famfuaun March 22, 1999 FUNDS FROZEN, BUT STILL THE VOICE OF FLORIDA A&M UNIVERSITY - TALLAHASSEE, FLA. Vol. 89- No. 15 BOR ives approval Blackout for new medical program leaves RV I AMAR W SnN poised than anv other school in this svs- Editor tem," Humphries said. "... So I submit to you that with the relationships we've students !ContributingFAMU may not have won its battle to formed on the national level, w~e are better regain its law school. equipped and have a greater synergy." But in the fall of 1999, the university Humphries also told regents that FAMU in the dark will get a medical science program that deserves a medical school as much as any wsill take it one step closer to having a other school because its pharmacy school BY MERISSA GREEN FAMU gets grant medical school, if a Board of Regents pro- for a drag ambuse posal made two weeks ago gets the neces- Staff Writer research center. s~ary funding from the Legislature this ses- Page 2 sion. Parts of FAMU's campus were left in * Eddie Jackson, associate vice president the dark for one hour and 20 minutes due for university public relations, said the to a power outage Friday night. creation of the Program in Medical Buildings from the Set to Palmetto Science would allow FAMU students to Street Apartments had no power. receive their first year of medical educa- Nicole Clark, a McGuinn resident, said tion on FAMUs campus. the blackout began. around 8:40 p.m. -
Aoyama Thelma up Beat Mp3, Flac, Wma
Aoyama Thelma Up Beat mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Up Beat Country: Japan Released: 2013 Style: J-pop MP3 version RAR size: 1218 mb FLAC version RAR size: 1671 mb WMA version RAR size: 1370 mb Rating: 4.2 Votes: 452 Other Formats: MOD MP3 AAC AIFF APE MMF RA Tracklist Hide Credits One Way 1 –Thelma Aoyama 4:10 Lyrics By – Thelma AoyamaLyrics By, Producer – 3rd Productions Higher 2 –Thelma Aoyama 3:40 Lyrics By – Thelma AoyamaLyrics By, Producer – 3rd Productions I☆You 3 –Thelma Aoyama Arranged By – Takashi IkezawaLyrics By – Thelma AoyamaProducer – 5:10 Makai , Masanobu Komaba Wanna Come Again 4 –Thelma Aoyama Featuring, Lyrics By, Producer – VerbalLyrics By, Producer – Lisa , 4:59 Taku Takahashi Look 5 –Thelma Aoyama Arranged By – Akira Lyrics By – Thelma AoyamaLyrics By, Producer – 3:16 Danny Schofield*, Winston Thomas* 23 6 –Thelma Aoyama Lyrics By – AILI Lyrics By, Producer – Thelma AoyamaProducer – 村山晋一 3:52 郎* Fall In Love –Thelma Aoyama 7 Lyrics By – 藤林聖子*Producer – Thelma AoyamaProducer, Arranged By – ジェ 4:17 X Sol フ・ミヤハラ*, Jeremy Soule Happiness 8 –Thelma Aoyama 4:26 Lyrics By – H.U.B., Thelma AoyamaProducer – 蔦谷好位置* Crazy Crazy Love 9 –Thelma Aoyama 3:47 Lyrics By, Producer – Thelma Aoyama 君に会えるから... Featuring – Ryo The Skywalker, Spicy ChocolateLyrics By – Miss 10 –Thelma Aoyama 5:04 Monday, Thelma AoyamaProducer – Controler*, U.M.E.D.Y.Producer, Arranged By – WolfJunk サマーラブ!! 11 –Thelma Aoyama Featuring, Lyrics By, Producer – Red RiceLyrics By, Producer – Thelma 5:03 AoyamaProducer, Arranged By -
Vorspiel|+ Layne Staley Und Nur So Ein Bisschen Was Ge- „I‘Ve Had a Long Career and Gen Eddie Vedder
U1_Titel_0617_sued.indd u1 24.05.2017 00:08:56 U2_0617_Sued.indd u2 24.05.2017 01:12:00 |Vorspiel|+ Layne Staley und nur so ein bisschen was ge- „I‘ve had a long career and gen Eddie Vedder. Auch Billy Corgan – klasse I want to continue to have Stimme, klasse Präsenz, aber Cornell war ein- a long career. Ȁ e way to zigartig. Schnell war alles von Soundgarden, Temple of the Dog und Audioslave besorgt. do that is not to go away.“ Und natürlich auch das Soloalbum (damals Chris Cornell (1964-2017), am. Sänger gab es noch nur eines) (Soundgarden, Audioslave, Temple of the Nicht nur die seine Bühnenpräsenz und Dog) sein einzigartiges Stimmregister waren es, auch Cornells Lyrics konnten einem, sobald man sie deuten konnte, schlaflose Näch- te bereiten. Er verstand es, Dinge zu sagen, die sich Kollegen wie die oben genannten, Goodbye, nicht audrücken konnten, ohne dabei lar - moyant zu wirken. Spätestens bei dem 2006er James Bond- Spoonman! Titelsong, „You Know My Name“ hatte auch Wer wagt, gewinnt! Merkwürdig. Der Song klingt wie Into The der letzte Winkel der Erde begriffen, was für Void, aber derText ist anders. Die Stim- ein großartiger Sänger Chris Cornell Na, wen haben wir denn hier beim me auch. Ist Ozzy erkältet, oder Wildwechseln erwischt? war. Zu diesem Zeitpunkt hat- liegts am x-ten Bier? Als ich te er bereits eine lange Ge- >> Schreib uns eine Mail (Btr: wwvip) Soundgarden zum ersten an [email protected] mit der schichte aus Alkoholab- Mal hörte, war ich 13 hängigkeit, Drogen und Lösung (z.B.: wwvip Heino)! Jahre alt. -
Treasure the Nuttiness Introduction Art and Music Critic Kevin Le Gendre
Treasure the Nuttiness Introduction Art and music critic Kevin Le Gendre discusses the creative case for diversity in music. How hard have black and multi‐ ethnic British artists had to struggle to be recognized over the years, in order to break through in the mainstream on their own terms? For decades, they were seen as inferior to Americans, particularly if they were doing soul‐funk or jazz, and the very idea of a ‘homegrown’ talent with, crucially, its own specific vernacular and modes of expression had little currency. Was there a turning point? Have things really changed? Are there still enough black powerbrokers in the music industry and media to ensure that original black voices are given a platform to do what they feel is progressive without pandering to expectations from ‘inside’ and outside their own community? Along with guests, Sheila Chandra and Kwame Kwaten, Kevin Le Gendre also considered both the diversity within black and multi‐ethnic music and the influence of the images that have derived from its legacy. What were the implications of a British‐Asian appearing on Top Of The Pops in a sari in the 80s way before anybody had coined the term ‘Asian Underground’ – or even coined the term British‐Asian for that matter? The panel will investigate this and the creativity shown by multi‐ethnic musicians in the field of sartorial and visual style, and debate on the cultural and political ramifications of the evolution from Errol Brown’s baldhead to Jazzie B’s funki dreds. Kevin Le Gendre: I want to start off with a general picture; we’re going to go into a bit of history and talk about how things may have developed for Black British artists over the last 20 years or so, or maybe the last 30 years and take us right back to the 70’s and 60’s which is the time when Black British artists have been contributing to the music industry. -
Nicolas a Des Envies De Liberté, Il Veut Devenir Conducteur De Nuages
Bonne nuit les petits : quand je serai grand / Claude Laydu. BON Films 2001 : Nicolas a des envies de liberté, il veut devenir conducteur de nuages. Mais il ne faut pas brûler les étapes rappelle Nounours. Et toi, que veux-tu faire quand tu seras grand ? 25 épisodes. Bonne nuit les petits : la tête dans les étoiles / Claude Laydu. BON Films 2001 : Lorsque Gros Nounours chante pour fêter l'arrivée de la nuit, les étoiles sont encore plus belles. Toi aussi, regarde le ciel avec Nounours et tu verras, c'est incroyable ! 25 épisodes. Bonne nuit les petits : une surprise de Noël / Claude Laydu. BON Films 2001 : Le soir de Noël approche, Pimprenelle et Nicolas finissent de décorer le sapin, mais c'est aussi l'anniversaire de Nounours. Ils décident de sortir leur plus beau costume et de préparer une belle surprise... 31 épisodes. Big Little Lies. Saison 1 / Jean-Marc Vallée. BIG THR S. 1 Films 2017 : Quand Madeline, Jane et Celeste se lient d'amitié par l'intermédiaire de leurs enfants, elles ne se doutent pas qu'elles vont se retrouver, des mois plus tard, au centre d'un tragique accident, survenu à la fête de l'école. Qui est mort ? Qui est responsable ? Et pour quelle raison ? Très bien écrite, cette mini-série sur l'envers du rêve américain, aux rôles féminins très forts, fut l'une des excellentes surprises de 2017. Saison 1 - 7 épisodes. 1 Bizarre Bizarre. Volume 1 = Tales of the Unexpected / Roald Dahl. BIZ FAN S. 1 Films 1979 : Bizarre Bizarre est une anthologie d'histoires courtes, horrifiques et fantastiques inspirées de l'œuvre de Roald Dahl. -
Power to the People: British Music Videos 1966 - 2016
Power To The People: British Music Videos 1966 - 2016 200 landmark music videos TRL314A_BKLT_R2018.indd 1 17/01/2018 12:46 Disc 1 contains Performance Videos - a genre which has its roots in mid-1960s films such Power To The People: as A Hard Day’s Night (1964). The core deceit of the performance video is that the band British Music Videos 1966 - 2016 do not perform the track live for filming but mimic performance by singing and playing their instruments in synch to audio playback of the track. Some bands and directors Introductory Essay by the curator Professor Emily Caston have rebelled against this deception to create genuine live performance videos such as Joy Division’s ‘Love Will Tear Us Apart’ (1980). There are precedents for the styles used in pre-1966 video jukebox and other short film clips. Directors who excelled in the performance genre often came from a music or record company background, or came This is a collection of some of the most important and influential music videos made in to video directing through album design. Britain since 1966. It’s the result of a three-year research project funded by the Arts and Humanities Research Council and run in collaboration with the British Film Institute and From the 1980s onwards video directors fashioned more and more original locations the British Library. The videos were carefully selected by a panel of over one hundred and devices for those artists who were willing to experiment with the performance directors, producers, cinematographers, editors, choreographers, colourists and video genre: Tim Pope & The Cure’s ‘Close To Me’ (1985), Sophie Muller & Blur’s ‘Song 2’ commissioners. -
Charlie Watts © Felix Aeppli 04-2020 / 09-2021
Jammin’ The Boogie Charlie Watts © Felix Aeppli 04-2020 / 09-2021 6001 June 2, 1941 Born in Islington, London: Charles Robert Watts. 6001A 1960 London: BLUES BY FIVE (home recordings by Geoff Bradford): 1. Blues in F (Basie?), 2. What Will Little Lucy Do? (Sims, Vincent), 3. Young Fashioned Ways (Dixon) CW: drums; Geoff Bradford: guitar; Brian Knight: guitar, vocals (2, 3); Andy Hoogenboom: double bass; Keith Scott: piano. 6001B 1961 or earlier Local Jazz (mainstream), London (not recorded) CW: drums; Dave Green (CW’s next door neighbour): bass, joining various bands in pub shows and for some time also members of JO JONES SEVEN a.k.a. JO JONES ALL STARS from Middlesex, featuring Brian “Jo” Jones: trumpet; Dave Stevens: piano; plus guitar, saxophone and trombone (not identified). 6001C Summer, 1961 The Troubadour, London: THELONIOUS MONK STYLE JAZZ QUARTET (not recorded) CW: drums; Dave Green: bass; Bernie Newman: trombone; fourth member (probably piano) not identified; – NOTES: One show visited by Alexis Korner who subsequently asked CW to join BLUES INCORPORATED (see Entry 6001G below). 6001D Late Summer and Autumn, 1961 Randers, Denmark: TEARS (not recorded) CW: drums; Holger Laumann: saxophone; Bjorn Vejerskov: organ, vocals. 6001E February 2, 1962 Live at the Jazzklub, Randers, Denmark: CHARLIE WATTS KVARTET (not recorded) CW: drums, Bjorn Veirskov: piano; Gunner Frederiksen: bass; Per Nielsen: trombone; – NOTES: Apparently, CW during his stay in Denmark also played with the famous saxophonist Don Byas. 6001F Probably 1962 London: ART WOOD BAND (not recorded) CW: drums; Art Wood: vocals and probably guitar; rest of line-up: not known. -
Student Directors & DCSA
Volume XXIV, Issue 13 February 18, 1997 Tuitio n g o e s up $ 1 2 7 . 5 0 next ye a r BY STEVE WHITE Chronicle "It's going to be hard for a lot of staff__________ students to come up with that extra Although the general feeling money, especially the ones that throughout Durham College is that don't get bursaries or student no one wants it, tuition will go up loans," Jackson said. next year by $127.50. The ministry also gave colleges The college's board of gover- and universities the option of nors accepted, during last increasing individual program Wednesday's meeting, the $67 costs by up to 20 per cent. But activity fee increase voted by stu- Durham decided to keep all pro- dents last month. Though $18 of gram fees the same. the athletic fee is spread over three "Some of the post-graduate pro- years, next year students will have grams or some of the special inter- to pay $1700.50, $181.50 more est programs...they could have than last year. gone up 20 per cent, but to stay The board decided to raise across the board at 10 per cent is tuition fees by 10 per cent during definitely a good thing," Jackson the meeting, one week after John said. Snobelen, minister of education Colleges are restricted as to and training, granted them the where the money can go. Thirty per power to do so. cent of the increase must go back to College -^jwsidcnt Gary students who need financial assis- Polonsky said he had considered. -
Marzec 2011 Cena 2 Zł Stopka Redakcyjna
36_______________________________________________________________SQLpress003 Nr 007 marzec 2011 Cena 2 zł Stopka redakcyjna Dział techniczny Kamil Stawicki I LOA Damian Reszka I LOA Michał Sawiński III LOB Zarząd gazetki Redaktor naczelny Adrian Janusz III LOA Ewelina Piotrowska III LOB Mateusz Hajduk III LOA Z-ca red. naczelnego Ewelina Piotrowska III LOB Paulina Szkwarek III LOA Paulina Szkwarek III LOA Opiekun Michał Sawiński III LOB Marta Szafkowska Kuba Lubelski III LOB Redaktorzy Paulina Ślaź Klaudia Nawolska Alan Siewiera Wiktoria Kowalczyk Ola Dwornik Jowita Sobieraj Paulina Ligenza Bartosz Korolik Kuba Lubelski Kamila Gubernat Jeżeli masz ciekawy artykuł Justyna Sucha albo po prostu chcesz kogoś Patrycja Szafkowska Olga Kozłowska pozdrowić ,to pisz do nas na Wojciech Marcinów adres: Katarzyna Worach Magdalena Stramska [email protected] Agata Gerbich Radek Frąckowiak Martyna Przylazły Hanna Jabłońska Kamila Olechnowicz SQLpress działa w oparciu o przepisy art. 25, 26, 29 (zamieszczając także wypisy dla celów dydaktycznych) 33 i 49 ust. 2 ustawy o prawie autorskim i "prawach pokrewnych z dn. 4 lutego 1994 r. (DzU z dn. 23 lutego 1994 r. nr 24, poz. 83) oraz przyjęte zwyczaje edytorskie. 2_______________________________________________________________SQLpress003 SQLpress003________________________________________________________________35 Spis treści Wstępniak…………………………………………........ 3 Marcowe wydarzenia w naszej szkole 4-5 Salon Maturzystów 6-7 Tendy 2011 8-11 Przegląd Sportowy 12-13 Stres - Jak sobie z nim radzić 14 Sposoby na oczyszczanie organizmu 15 Imprezowy Misz-Masz 16 Fakty 17 Dzwoni jedna blondynka Kącik Matematyczny Mikiego 18 do drugiej i pyta: Dlaczego w "Titanicu" obsadzili w - Ile dostałaś z testu na głównej roli Di Caprio? Dwa słońca 19 IQ? Szczęśliwy numerek 20-21 - Piątkę Bo Chuck Norris by wszystkich uratował.