Modern Accordion Perspectives
An expert panel of the most well-know classical accordionists, MODERN MAP professors, skillful and progressive musicians of the youngest O C E generations and several accordion festival organizers, introduces a discussion about the current situation of the accordion on a MOD D C R professional, academic, pedagogic, artistic scene. ACCORDION E O S R R P It illustrates, on a international level, the “possible ways” for young accordionists, looking at the future of our instrument and at the main ERN N D E professional perspectives and at the strategies to emancipate young I C musicians in the real music world, and considering the importance and the role of conventional accordion organizations, contests and festivals. O T PERSPECTIVES ACC N I V E S ORD ION Iñaki Alberdi [Musikene, Higher School of Music of the Basque Country] Klaudiusz Baran [Fryderyk Chopin University, Warsaw] Xiaoqing Cao [Central Conservatory of Music, Beijing] Pascal Contet [Académie Supérieure de Musique, Strasbourg, France] PER Geir Draugsvoll [Royal Danish Academy of Music, Copenhagen] Paulo Jorge Ferreira [Applied Arts Superior School, Castelo Branco / Lisbon Conservatory] Maciej Frackiewicz [Poland] Frode Haltli [Norwegian Academy of Music, Oslo] SPE Gorka Hermosa [Santander Conservatory, Spain] Claudio Jacomucci [Pescara Conservatory / Italian Accordion Academy] edited by Marko Kassl [Detmold Academy of Music, Germany] Rasmus Kjøller [Royal Danish Academy of Music, Copenhagen] Veli Kujala [Sibelius Academy, Helsinki] CTI Vincent Lhermet [Pôle Superieur d’Enseignements
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