Specification of Cartographic Layer Tinting Schemes for Color Graphic Monitors
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Scaling Lightness Perception and Differences Above and Below Diffuse White and Modifying Color Spaces for High-Dynamic-Range Scenes and Images Ping-Hsu Chen
Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 2011 Scaling lightness perception and differences above and below diffuse white and modifying color spaces for high-dynamic-range scenes and images Ping-hsu Chen Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Chen, Ping-hsu, "Scaling lightness perception and differences above and below diffuse white and modifying color spaces for high- dynamic-range scenes and images" (2011). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Scaling Lightness Perception and Differences Above and Below Diffuse White and Modifying Color Spaces for High-Dynamic-Range Scenes and Images by Ping-hsu Chen B.S. Shih Hsin University, Taipei, Taiwan (2001) M.S. Shih Hsin University, Taipei, Taiwan (2003) A thesis submitted in partial fulfillment of the requirements for the degree of Master of Science in Color Science in the Center for Imaging Science, Rochester Institute of Technology Signature of the Author Accepted By Coordinator, M.S. Degree Program Data CHESTER F. CARLSON CENTER FOR IMAGING SCIENCE COLLEE OF SCIENCE ROCHESTER INSTITUTE OF TECHNOLOGY ROCHESTER, NY CERTIFICATE OF APPROVAL M.S. DEGREE THESIS The M.S. Degree Thesis of Ping-hsu Chen has been examined and approved by two members of the Color Science faculty as satisfactory for the thesis requirement for the Master of Science degree Prof. -
Cartographic Visualisation and Landscape Modeling
CARTOGRAPHIC VISUALISATION AND LANDSCAPE MODELING Milap Punia Associate Professor, Centre for the Study of Regional Development, School of Social Sciences, Jawaharlal Nehru University, New Delhi-110067 - [email protected] KEY WORDS: Preception, Aesthetics, Cartographic Design,Visualisation, Landscape ABSTRACT: Perception plays a major role for interpretation or extracting information from remote sensing data and from thematic maps. With advances in information technology, there remains a necessary and critical role for the “human in the loop” in the interpretation of remotely sensed imagery, in earth sciences and cartography. On the side of information technology display systems play a critical role in supporting visualization, and in recent years it has become widely recognized that the visualization of data is critical in science, including the domain of cartography, a field with a long-standing interest in issues of communication effectiveness. These cartographic concerns pertaining to the features of display symbols, elements, and patterns have clear effects on process of perception and visual search. In this study an attempt has been made to harness, interpret, compare and evaluate landscape aesthetics with cartographic aesthetics. By understanding and incorporating cartographic aesthetics with landscape aesthetics, the cartographic design process can be strengthened and effective maps can be generated. Here both landscape and cartography are considered as objects of aesthetics and an attempt has been made to evaluate their aesthetic experience and to analyze their various patterns of similarity and exceptions. By doing this it formulates and facilitates conception of feeling, expression and visual reality all together in the cartographic design process. 1. INTRODUCTION Aesthetics has been a subject of philosophy since long period. -
Development of a Methodology for Analyzing the Color Content of a Selected Group of Printed Color Analysis Systems
AN ABSTRACT OF THE THESIS OF Edith E. Collin for the degree of Master of Sciencein Clothing, Textiles and Related Arts presented on April 7, 1986. Title: Development of a Methodology for Analyzing theColor Content of a Selected Group of Printed Color Analysis Systems Redacted for Privacy Abstract approved: Ardis Koester The purpose of this study was to develop amethodology to compare the color choice recommendationsfor each personal color analysis category identified by the authorsof selected publications. The procedure used included: (1) identification of publications with color analysis systemsdirected toward female clientele; (2) comparison of number and names of categoriesused; (3) identification, by use of Munsell colornotations, the visual and written color recommendations ascribed toeach category; and (4) comparison of the publications on the basisof: (a) number and names of categories; (b) numberof color recommendations in each category; (c) range of hue value and chroma presented;(d) comparison of visual and written color recommendations by categoryand author. With the exception of comparison of publications onthe basis of written color recommendations, all components of themethodology were successful. Comparison of the publications used in development ofthe methodology revealed that: 1. The majority of authors use the seasonal category system. 2. The number of color recommendations per category was quite consistent within a publication but varied widely among authors. 3. There were few similarities in color recommendations even among authors using the same name categories. 4. There was poor agreement between written and visual color recommendations within all color categories. 5. There was no discernable theoretical basis for the color recommendations presented by any author included in this study. -
Color Measurement1 Agr1c Ü8 ,
I A^w /\PK4 1946 USDA COLOR MEASUREMENT1 AGR1C ü8 , ,. 2001 DEC-1 f=> 7=50 AndA ItsT ApplicationA rL '"NT SERIAL Í to the Grading of Agricultural Products A HANDBOOK ON THE METHOD OF DISK COLORIMETRY ui By S3 DOROTHY NICKERSON, Color Technologist, Producdon and Marketing Administration 50! es tt^iSi as U. S. DEPARTMENT OF AGRICULTURE Miscellaneous Publication 580 March 1946 CONTENTS Page Introduction 1 Color-grading problems 1 Color charts in grading work 2 Transparent-color standards in grading work 3 Standards need measuring 4 Several methods of expressing results of color measurement 5 I.C.I, method of color notation 6 Homogeneous-heterogeneous method of color notation 6 Munsell method of color notation 7 Relation between methods 9 Disk colorimetry 10 Early method 22 Present method 22 Instruments 23 Choice of disks 25 Conversion to Munsell notation 37 Application of disk colorimetry to grading problems 38 Sample preparation 38 Preparation of conversion data 40 Applications of Munsell notations in related problems 45 The Kelly mask method for color matching 47 Standard names for colors 48 A.S.A. standard for the specification and description of color 50 Color-tolerance specifications 52 Artificial daylighting for grading work 53 Color-vision testing 59 Literature cited 61 666177—46- COLOR MEASUREMENT And Its Application to the Grading of Agricultural Products By DOROTHY NICKERSON, color technologist Production and Marketing Administration INTRODUCTION cotton, hay, butter, cheese, eggs, fruits and vegetables (fresh, canned, frozen, and dried), honey, tobacco, In the 16 years since publication of the disk method 3 1 cereal grains, meats, and rosin. -
Effect of Area on Color Harmony in Interior Spaces
EFFECT OF AREA ON COLOR HARMONY IN INTERIOR SPACES A Ph.D. Dissertation by SEDEN ODABAŞIOĞLU Department of Interior Architecture and Environmental Design İhsan Doğramacı Bilkent University Ankara June 2015 To my parents EFFECT OF AREA ON COLOR HARMONY IN INTERIOR SPACES Graduate School of Economics and Social Sciences of İhsan Doğramacı Bilkent University by SEDEN ODABAŞIOĞLU In Partial Fulfilment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in THE DEPARTMENT OF INTERIOR ARCHITECTURE AND ENVIRONMENTAL DESIGN İHSAN DOĞRAMACI BİLKENT UNIVERSITY ANKARA June 2015 I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in Interior Architecture and Environmental Design. --------------------------------- Assoc. Prof. Dr. Nilgün Olguntürk Supervisor I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in Interior Architecture and Environmental Design. --------------------------------- Prof. Dr. Halime Demirkan Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in Interior Architecture and Environmental Design. --------------------------------- Assist. Prof. Dr. Katja Doerschner Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in Interior Architecture and Environmental Design. --------------------------------- Assoc. Prof. Dr. Sezin Tanrıöver Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in Interior Architecture and Environmental Design. -
MAP DESIGN a Development of Background Map Visualisation in Digpro Dppower Application
EXAMENSARBETE INOM TEKNIK, GRUNDNIVÅ, 15 HP STOCKHOLM, SVERIGE 2017 MAP DESIGN A development of background map visualisation in Digpro dpPower application FREDRIK AHNLÉN KTH SKOLAN FÖR ARKITEKTUR OCH SAMHÄLLSBYGGNAD Acknowledgments Annmari Skrifvare, Digpro AB, co-supervisor. For setting up test environment, providing feed- back and support throughout the thesis work. Jesper Svedberg, Digpro AB, senior-supervisor. For providing feedback both in the start up process of the thesis work as well as the evaluation part. Milan Horemuz, KTH Geodesy and Geoinformatics, co-supervisor. For assisting in the structur- ing of the thesis work as well as providing feedback and support. Anna Jenssen, KTH Geodesy and Geoinformatics, examiner. Finally big thanks to Anders Nerman, Digpro AB, for explaining the fundamentals of cus- tomer usage of dpPower and Jeanette Stenberg, Kraftringen, Gunilla Pettersson, Eon Energi, Karin Backström, Borlänge Energi, Lars Boström, Torbjörn Persson and Thomas Björn- hager, Smedjebacken Energi Nät AB, for providing user feedback via interviews and survey evaluation. i Abstract What is good map design and how should information best be visualised for a human reader? This is a general question relevant for all types of design and especially for digital maps and various Geographic Information Systems (GIS), due to the rapid development of our digital world. This general question is answered in this thesis by presenting a number of principles and tips for design of maps and specifically interactive digital visualisation systems, such as a GIS. Furthermore, this knowledge is applied to the application dpPower, by Digpro, which present the tools to help customers manage, visualise, design and perform calculations on their electrical networks. -
Map Layout and Cartographic Design with Arcgis Desktop
Map Layout and Cartographic Design with ArcGIS Desktop Matthew Baker ESRI Educational Services Redlands, CA Education UC 2008 1 Seminar overview • General map design principles • Working with map elements • UiUsing Arc Map temp ltlates • Tips and tricks for improving maps Education UC 2008 2 Affective and substantive design • ‘Thin k be fore you draw ’ – Map design is a timetime--consumingconsuming process • Affec tive – What is the ‘look’ or ‘feel’ of the map? • Historical, modern, technical • Substantive – What is shown on the map and for what purpose? • Text blocks, charts, tables, images Map image from the Atlas of Oregon (2nd. Ed.), Copyright 2001 University of Oregon Press Education UC 2008 3 Layout design • Balance – Margins – White space – Bounding boxes – Alignment Unbalanced layout Education UC 2008 4 Layout design • Balance – Margins – White space – Bounding boxes – Alignment Balanced layout Education UC 2008 5 Layout design: Figure Ground Relationship • Figure: – object in front of the background • Ground: – Underlying plane behind elements • Figure-Ground Relationship – Separating figure from ground – Enhanced using • Drop shadow • Draw order • Contrast Map image from the Atlas of Oregon (2nd. Ed.) Copyright 2001 University of Oregon Press Education UC 2008 6 Layout design • Visua l contrast – Separates figure from ground Education UC 2008 7 Layout design • Visual contrast Education UC 2008 8 Layout design • Visual hierarchy • More attention paid from top down • Top: – Important items – Larger items • Bottom – Less important -
Cartographic Perspectives Perspectives 1 Journal of the North American Cartographic Information Society Number 65, Winter 2010
Number 65, Winter 2010 cartographicCartographic perspectives Perspectives 1 Journal of the North American Cartographic Information Society Number 65, Winter 2010 From the Editor In this Issue Dear NACIS Members: OPINION PIECE Outside the Bubble: Real-world Mapmaking Advice for Students 7 The winter of 2010 was quite an ordeal to get through here on the FEATURED ARTICLES eastern side of Big Savage Moun- Considerations in Design of Transition Behaviors for Dynamic 16 tain. A nearby weather recording Thematic Maps station located on Keysers Ridge Sarah E. Battersby and Kirk P. Goldsberry (about 10 miles to the west of Frostburg) recorded 262.5 inches Non-Connective Linear Cartograms for Mapping Traffic Conditions 33 of snow for the winter of 2010. Yi-Hwa Wu and Ming-Chih Hung For the first time in my eleven- year tenure at Frostburg State REVIEWS University, the university was Cartography Design Annual # 1 51 shut down for an entire week. Reviewed by Mary L. Johnson The crews that normally plow the sidewalks and parking lots were Cartographic Relief Presentation 53 snowed in and could not get out of Reviewed by Dawn Youngblood their homes. As storm after storm swept through the area, plow- GIS Tutorial for Marketing 54 ing became more difficult. There Reviewed by Eva Dodsworth wasn’t enough room to pile up the snow. Even today, snow drifts The State of the Middle East: An Atlas of Conflict and Resolution 56 remain dotted amidst the green- Reviewed by Daniel G. Cole ing fields. However, it appears as though spring will pass us by as CARTOGRAPHIC COLLECTIONS summer apparently is already here More than Just a Pretty Picture: The Map Collection at the Library 59 with several days that have broken of Virginia existing record high temperatures. -
Design Issues with 3D Maps and the Need for 3D Cartographic Design
Design Issues with 3D Maps and the Need for 3D Cartographic Design Principles Dave Pegg Abstract Design issues regarding the presentation of geographical information in a th ree- dimensional perspective are varied and complex. This paper looks at some of issues of 3D mapping stemming from its rapid development as a cartographic tool, its growing popularity and accessibility amongst users, and the 3D cartographic principles proposed to manage the design and presentation that are not covered by traditional cartographic principles. Introduction Multimedia cartography has been propelled forward by the rapid technological advances for the capture, manipulation and presentation of geographical data, with most map products now being developed digitally. The quality and accuracy of data capture, data storage & manipulation capabilities, as well as the advancements in software, mean that a cartographer now has the ability to digitally create spatially accurate, detailed and high resolution three-dimensional maps and visualizations. The advent of Digital terrain or elevation models make available the presentation of geographical data in three dimensional space, and allowing precise modelling of not only x and y locations, but the z height creating a three-dimensional landscape. In the case of three-dimensional cartographic mapping, there are many different applications that have been designed for the creation of 3D maps and visualizations, and the development of standards and guidelines in regards to the technical aspects of such models. 3D maps can be done in several different ways, each way creating a different representation of the landscape. 3D maps can be photorealistic, where the landscape is created to match the exact landscape, using techniques of overlaying ortho-photography over a 3D model, or can be “symbolistic”, where the maps are generalized and symbols designed to show object locations and information. -
CARTOGRAPHIC DESIGN: Cartographic Design Principles Symbology Type Map Compilation Cartographic Design Principles from the Outset…
DAY 2 CARTOGRAPHIC DESIGN: Cartographic Design Principles Symbology Type Map Compilation Cartographic Design Principles From the outset… • …know your message • These will guide your decisions about • …know your audience – map projections • …design for the medium – generalization – symbology – labeling – map elements (scale bars, legends, north arrows, etc.) – page layout – everything! A couple of cartographic terms… • Substantive objective • Affective objective – What you are showing – the – How you are showing it – the “substance” of the map’ “affect” of the map – The map is the MAIN thing!!!! – Sets the mood – Map elements support the map – Use map to promote it • these should be informative , • content not just take up space • colors, text, symbols • legend, title, inset maps, text – Use map elements to promote blocks, logos, north arrow, scale this • bounding box, north arrow, scale • text, color • images, graphs, other graphics • others Examples courtesy of the University of Oregon InfoGraphics Lab Design Planning • Visual balance – all elements balanced, aligned, thoughtful use of white space • Visual flow – movement of the eye across the page • Relative importance of map elements • Sketch map – starts you thinking, not the end Sketch Map • The place of interest • The distribution being mapped • The relative position of the data in the distribution being mapped • The map elements • The relative position of the map elements Cartographic Design Principles – review! • Generalization - Coastline • Figure-ground - Whitewash • Visual hierarchy – Administrative boundaries, rivers, labels • Legibility - labels • Visual balance – let’s take a look! • Visual flow • Symbolization • Typography Controls on Map Design and Compilation • Purpose – substantive / affective • Reality – shape, complexity, color • Available data – data quality / symbolization • Map scale – smaller scale - less feature detail • Audience – old / young, experienced / not • Conditions of use – light, distance, time to read map, medium, etc. -
，論説 REVIEW ARTICLES Visualization of Color Order
Japanese SooietySociety for the ScienceSoienoe of Design 研 究 論文 ，論説 REVIEW ARTICLES Received December 10，1997 ； Accepted June 6，1998 535．61 535．649 ー 色 の 世 界 の ビ ジ ュ ア ラ イ ゼ シ ョ ン Visualization of Color Order ● 時 長 逸 子 ● 荒 生 薫 岡 山 県 立 大 学 岡 山 県 立 大 学 Tokinaga Itsuko Arou Kaoru O んαツα 1η α Prefecturα l Ohay α m α Prefeeturα l University University ● Key words ： Color Order ， Color Order System ． Color Notation 要 旨 1，は じ め に 色 に は 、顔料 あ る い は 染 料 と し て の 物 質 性 と 文 化 的 に 関 わ っ 色 の 世界 を 表 わ す た め に 我 々 が 用 い る の は ，民 族 固有 の 言 語 ‘’ て き た 象徴性 と い う二 面 が 存 在 す る。例 え ば 、赤 を 意 味 す る 言 に よ る 表 現 と ，色 相 ，明 度 ，彩 度 と い っ た 専 門 用 語 に よ っ て シ 葉 が 血 液 を表 す こ とが 多 い こ と か ら 、そ れ が 生 命 と い う シ ン ボ ス テ マ チ ッ ク に構 成 さ れ た 色 空 間 と して の 表 現 と が あ る。後 者 ル に 結 び つ き 、さ ら に 色 に 象徴 さ れ る と い う こ と が 言 わ れ て い は カ ラ ーオ ーダ ーと呼 ば れ て お り，か な り早 い 時期 に二 次 元 だ る 。ま た 、中 国 に お い て 、東西 南北 に そ れ ぞ れ 配 置 さ れ だ 四 象 け で は 表 現 で きな い こ と が 判 っ て い た 。 そ の た め 様 々 な三 次 元 は 春 秋 戦 国 時 代 後 に 、五 方 配 五 色 の 説 法 の 流 行 か ら青 龍 、白 虎 、 的展 開 を 行う こ と が 試み ら れ て きた の で あ る 。実試料 に よ っ て 朱雀 、玄 武 と い う 名 称 を 得 る ［注 1］。中 国 の 宇宙 観 と し て 考 え 色 を 系統 的 に 表 す こ と が で き る よ う に な る と ，色 の 世 界 は よ り ー ー ー ら れ る こ れ ら の 配 置 は 循 環 を 表 し て お り 、方 位 と 色 と 生 物 に 綿 密 に 構 築 さ れ る よ う に な っ て い っ た カ ラ オ ダ シ ス テ 。 ＝ ＝ よ っ て 象 徴 さ れ る 。こ の 考 え 方 か ら は 方 位 色 生 物 の 図 式 が ム の 概 念 は こ の よ う な 背 景 か ら 生 ま 礼 実試 料 を シ ス テ ム に 従 っ 成 り立 ち 、お 互 い の 連 想 を 可 能 と す る 。 て 空 間 的 に 配 置 して 表 す カ ラ ーア トラ ス が 開 発 さ れ た 。ア トラ 一一 こ の よ うに 、色 と い う の は 「物 質 の 属 性 に す ぎ な い け れ ど ス の 存 在 は ，我 々 に そ の シ ス テ ム の 理 解 を 早 め る と い う点 -
Papers of Dr. Deane Brewster Judd
INACTIVE - ALL ITEMS SUPERSEDED OR OBSOLETE Schedule Number: NC-167-75-001 All items in this schedule are inactive. Items are either obsolete or have been superseded by newer NARA approved records schedules. Description: The agency was approved to donate the records to other archival repositories. Date Reported: 1/2/2021 INACTIVE - ALL ITEMS SUPERSEDED OR OBSOLETE RE.QUi:ST' • AUTHORITY - .. LEAVE BLANK ' TO DISPOSE OF RECORDS DATE RECEIVED JOB./'1O. (See Instructions on Reverse) SEP2aa:, -N_'C -1 TO: GENERAL SERVICES ADMINISTRATION, 7-75 1 NATIONAL ARCHIVES AND RECORDS SERVICE, WASHINGTON, D.C. 20408 NOTIFICATION TO AGENCY - 1. FROM (AGENCY OR ESTABLISHMENT) In accordance with the provisions of 44 U.S. C. 3 303a the dis Department of Commerce posal request, including amendments, is approved except for items that may be stamped "disposal not approved" or "with 2. MAJOR SUBDIVISION drawn" in column 10. National Bureau of Standards I . 3. MINOR SUBDIVISION Records Management Office -4. NAME OF PERSON WITH WHOM TO CONFER 5. TEL. EXT. Philip V. Proulx 921-3895 6. CERTIFICATE OF AGENCY REPRESENTATIVE: I _h...e.rebv. certify that I am authorized to act for this agency in matters pertaining to the disposal of the agency's records; that the records proposed for disposal in this Reques06fK ~~) ore not now needed for the business of this agency or will not be needed after the retention periods specified. 8-6-74 Records Management Officer (Date) 9. 7. SAMPLE OR 10. ITEM NO. ( With Inclusive Dates or Retention Periods) JOB NO. ACTION TAKEN Papers of Dr. Deare Brewster Judd 1900-1972 These papers, from 1930s - 1972, are mostly re ference and research materials relating to color and vision, created, received, purchased or otherwise accumulated by Dr.