Mtc Production History (Phase One): the First Thirty Years
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European Modernism and the Resident Theatre Movement: The
European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970 Sarah Guthu A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Thomas E Postlewait, Chair Sarah Bryant-Bertail Stefka G Mihaylova Program Authorized to Offer Degree: School of Drama © Copyright 2013 Sarah Guthu University of Washington Abstract European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970 Sarah Guthu Chair of the Supervisory Committee: Dr. Thomas E Postlewait School of Drama This dissertation offers a cultural history of the arrival of the second wave of European modernist drama in America in the postwar period, 1950-1970. European modernist drama developed in two qualitatively distinct stages, and these two stages subsequently arrived in the United States in two distinct waves. The first stage of European modernist drama, characterized predominantly by the genres of naturalism and realism, emerged in Europe during the four decades from the 1890s to the 1920s. This first wave of European modernism reached the United States in the late 1910s and throughout the 1920s, coming to prominence through productions in New York City. The second stage of European modernism dates from 1930 through the 1960s and is characterized predominantly by the absurdist and epic genres. Unlike the first wave, the dramas of the second wave of European modernism were not first produced in New York. Instead, these plays were often given their premieres in smaller cities across the United States: San Francisco, Seattle, Cleveland, Hartford, Boston, and New Haven, in the regional theatres which were rapidly proliferating across the United States. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 I
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Contemporary Dramatists 9
CONTEMPORARY 1/ DRAMATISTS SECOND EDITION WITH A PREFACE BY RUBY COHN EDITOR JAMES VINSON ASSOCIATE EDITOR D. L. KIRKPATRICK ST. JAMES PRESS ' ST. MARTIN'S PRESS LONDON NEW YORK COPYRIGHT© 1977 BY ST. JAMES PRESS LTD. All rights reserved. For information, write: St. James Press Ltd., 3 Percy Street, London WIP 9FA or St. Martin's Press, Inc., 175 Fifth Ave., New York, N.Y. 10010 Typeset by Computacomp (UK) Ltd., and Printed in Great Britain ISBN 0 900997 86 9 Library of Congress Catalog Card Number 76-54628 First published in the u.K. and U.s.A. in 1977 /) f') ,1 / '\ ~-7 \) CONTENTS PREFACE BY RUBY COHN page vii EDITOR'S NOTE xi ADVISERS AND CONTRIBUTORS xiii. CONTEMPORARY DRAMATISTS 9 SUPPLEMENT SCREEN WRITERS 891 RADIO WRITERS 901 TELEVISION WRITERS 913 MUSICAL LIBRETTISTS 923 THE THEATRE OF MIXED MEANS 939 THEATRE COLLECTIVES 951 APPENDIX 967 TITLE INDEX 991 NOTES ON ADVISERS AND CONTRIBUTORS 1077 ADVISERS Arthur H. Ballet Frank Marcus Michael Benedikt E. A. Markham Eric Bentley Benedict Nightingale Herbert Blau Richard Schechner John Bowen Alan Schneider Harold Clurman Michael Smith Ruby Cohn John Spurling John Robert Colombo Alan Strachan Albert Cook J. L. Styan Robert W. Corrigan Howard Taubman W. A. Darlington John Russell Taylor John Elsom J. C. Trewin Richard Gilman Darwin T. Turner Ronald Hayman Irving Wardle Stanley Kauffmann Gerald Weales Laurence Kitchin B. A. Young Richard Kostelanetz CONTRIBUTORS Erica Aronson Martin Gottfried Roger Baker Anthony Graham-White Arthur H. Ballet Jonathan Hammond David W. Beams Ronald Hayman James Bertram Dick Higgins C. W. E. Bigsby Errol Hill Michael Billington Morgan Y. -
See a Full List of the National Youth
Past Productions National Youth Theatre '50s 1956: Henry V - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Worthington Hall, Manchester 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Moray House Theatre, Edinburgh 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Lyric Theatre, Hammersmith '60s 1960: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour of Holland. Theatre des Nations. Paris 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Ellen Terry Theatre. Tenterden. Devon 1961: Richard II - William Shakespeare, Dir: Michael Croft @Apollo Theatre, Shaftesbury Avenue 1961: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Julius Caesar - William Shakespeare, Dir: Michael Croft @ British entry at Berlin festival 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Italian Tour: Rome, Florence, Genoa, Turin, Perugia 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Tour of Holland and Belgium 1962: Henry V - William Shakespeare, Dir: Michael Croft @ Sadlers Wells 1962: Julius Caesar - William Shakespeare, Dir: Michael Croft @ Sadlers Wells1962: 1962: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour for Centre 42. Nottingham, Leicester, Birmingham, Bristol, Hayes -
Caryl Churchill …………………………………
UNIVERSITÀ DEGLI STUDI DI VERONA DIPARTIMENTO DI CULTURE E CIVILTÀ SCUOLA DI DOTTORATO DI SCIENZE UMANISTICHE DOTTORATO DI RICERCA IN STUDI FILOLOGICI, LETTERARI E LINGUISTICI XXXI CICLO / 2015 TITOLO DELLA TESI DI DOTTORATO A Map of the World The 4-Way Street of British Political Theatre 1968-1985 S.S.D. L-ART/05 DISCIPLINE DELLO SPETTACOLO Coordinatore: Prof. Paolo Pellegrini Tutore: Prof. Nicola Pasqualicchio Dottorando: Dott. Carlo Vareschi Contents Abstract ……………………………………………………….. p. 3 Introduction .....……………………………………………….. p. 5 Chapter 1 CAST ……………………………………………… p. 17 1.1 In the Beginning there was CAST (p. 18); 1.2 Rebels with a Cause (p. 21); 1.3 Revolutionaries on a State Pay-Roll (p. 49); 1.4 The Rise and Fall (p. 82); 1.5 The End (p. 93) Chapter 2 David Edgar ……………………………………… p. 107 2.1 Public Theatre in a Private Age (p. 108); 2.2 A Belief in Collaborative Production (p. 109); 2.3. An Aspiration to a Wider Audience (p. 113); 2.4 An Open Attitude to Form (p. 115); 2.5 A Concern with the Public World (p. 120); 2.6 Unlike Arnold Wesker or Brendan Behan (p. 123); 2.7 Unlike Bond, Arden and Brecht (p. 124); 2.8 Unlike Shaw (p. 125); 2.9 Dick Deterred (p. 127); 2.10 Destiny (p. 144); 2.11 Our Own People (p. 155) Chapter 3 Caryl Churchill ………………………………….. p. 173 3.1 Far from the Madding Crowd (p. 178); 3.2 Churchill’s Newspeak (p. 188); 3.3 Sometimes it’s Hard to be a Woman (p. 192); Snakes and Ladders (p. 211) Chapter 4 Howard Barker …………………………………. -
Progress and Renewal
Arts Council 0 I' GREi\7' BRI'T'AI N Progress and Renewal Thirty-fifth annua l report an[l acc(nint s 19 79/80 Thirty-fifth Annual Report and Accounts 198 0 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W IV OA U Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and Londo n Cover picture : Indian dancer, Tara Rajkumar, taking par t in a lecture-demonstration at the Brentford Girls ' School, Hounslow. Photo : Chris Davies . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 9 Regional Developmen t 13 Drama 23 Music 26 Visual A. 29 Dance 31 Literature 32 Housing the Arts 33 Training 35 Education 35 Personnel and Administration 36 Scotland 40 Wales 44 Membership of Council and Staff 45 Council, Committees and Panels 51 Annual Accounts , Funds and Exhibitions The objects for which the Arts Council of Great Britai n is established are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the publi c throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects . Chairman's Introduction The year under review herein is somethin g of a watershed in the Council's affairs. The reorganisation, described in more detail b y the Secretary-General, represents a n overdue exercise in streamlining and i n gearing the Arts Council to meet th e challenge of the 'SOs. -
The Life of an Artist Maria Bjørnson at Work on Janácek from the House Of
www.thescenographer.com Publisher Harman Publishing Ltd. - 1-5 Lillie Road, London SW6 1TX, UK Editor-in-chief/Art Director Paolo Felici Graphic Design Paolo Biagini - www.studiobiagini.com Contributors Santi Centineo, Martyn Hayes, Cameron Mackintosh, Adam Pollock, David Pountney, Isabella Vesco, Sue Willmington, Francesca Zambello Special Contributors Michael Lee, Olivia Temple (The Maria Bjørnson Archive - Redcase Ltd) Really Useful Group Ltd, Cameron Mackintosh Ltd DISTRIBUTION Europe Central Books - www.centralbooks.com USA - CANADA Disticor Magazine Distribution Services - www.disticor.com Subscriptions [email protected] ©2002 The Scenographer Magazine (All rights reserved) Printed in Great Britain XXXXXXXXXXXXXXXXXXXXX All artistic material published is the sole property of the authors cited. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of the publisher. C M a o r n l F i a O a r s s T o t t h B m a e j T W ø w g h r N i M M t e o n o n h r g r a a F s L e r k 42 5 2 k c r 4 o i a 2 D S t i f I M b i A n a n s n a H e a h d a a c v 4 T e n a g o a e b i e t r n d a t s m e o u i B t c d l 8 6 h t w P 8 i l f C s 7 j n a o a o P ø e e u r o E n l H Z i V o w r a n a t l a a t i e l f t o n g n i m y o h s s n o n c e c s i e f t b e k s r t n o o A o e y M N i h k a l n t n r l o e l a g h ’ t o s r e P i C n s l i h e a t u D a T g J b e n a a e a t c n d o y á S m c e k s k e t T c o h u e s T s s a b r i y i n b M t u L a t r ’ e i O a t u B o v j e ø r M r t n o O s u a o S r r c n e p i t a o e b c B i e j a r ø l r 2 I n s 0 s s 0 o u n 9 e The Maria Bjørnson Archive is delighted to be involved in this special Tribute A personal tribute from Cameron Mackintosh ccasionally in life a thought comes into one’s head as if by magic and the result Ois something quite extraordinary. -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth -
~Lagfblll COMPANIES INC
May 2000 Brooklyn Academy of Music 2000 Spring Season BAMcinematek Brooklyn Philharmonic 651 ARTS Saint Clair Cemin, L'lntuition de L'lnstant, 1995 BAM 2000 Spring Season is sponsored by PHiliP MORR I S ~lAGfBlll COMPANIES INC. ~81\L1 ,nri ng ~A~~On Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents The Royal Shakespeare Company Don Carlos Running time: by Friedrich Schiller approximately Translated by Robert David MacDonald 3 hours 15 minutes, BAM Harvey Lichtenstein Theater including one May 16-20, 2000, at 7:30pm intermission Director Gale Edwards Set design Peter J. Davison Costume design Sue Willmington Lighting design Mark McCullough Music Gary Yershon Fights Malcolm Ranson Sound Charles Horne Music direction Tony Stenson Assistant director Helen Raynor Company voice work Andrew Wade and Lyn Darnley Production manager Patrick Frazer Costume supervisor Jenny Alden Company stage manager Eric Lumsden Deputy stage manager Pip Horobin/Gabrielle Saunders Assistant stage manager Thea Jones American stage manager R. Michael Blanco The play Setting: Spain, the spring of 1568. Act One takes place at the Queen's court in Aranjuez; the remainder of the play is set in the Royal Palace , Madrid. Presented by arrangement with the Royal Shakespeare Theatre, Stratford-upon-Avon, England. RIC Leadership support is provided by The Peter Jay Sharp Foundation. ROYAL SHAKESPEARE BAM Theater is sponsored by Time Warner Inc. and Fleet Bank. COMPANY Additional support provided by The Shubert Foundation, Inc. Official Airline: British Airways. RSC major support provided by Pfizer Inc. This production was first produced with the assistance of a subsidy from the Arts Council of England. -
Rmtc Production History
RMTC PRODUCTION HISTORY Historical research for this project was funded by Manitoba Culture, Heritage and Tourism. 1958-1959 SEASON Theatre 77 Series A Hatful of Rain Michael V. Gazzo October 20, 1958 - October 25, 1958 Dominion Theatre The Glass Menagerie Tennessee Williams January 19, 1959 - January 24, 1959 Dominion Theatre Ring Around the Moon Jean Anouilh and Christopher Fry March 23, 1959 - March 28, 1959 Dominion Theatre Of Mice and Men John Steinbeck May 11, 1959 - May 16, 1959 Dominion Theatre Little Theatre Series Blithe Spirit Noël Coward November 10, 1958 - November 15, 1958 Dominion Theatre Teach Me How to Cry Patricia Joudry December 8, 1958 - December 13, 1958 Dominion Theatre Born Yesterday Garson Kanin February 23, 1959 - February 28, 1959 Dominion Theatre The Diary of Anne Frank Dramatized by Frances Goodrich and Albert Hackett (Based Upon the Book, Anne Frank: Diary of a Young Girl) April 13, 1959 - April 18, 1959 Dominion Theatre Theatre for Young Audiences Cinderella Book by John Hirsch; Music & Lyrics by Neil Harris December 23, 1958 - December 30, 1958 Dominion Theatre World Premiere MTC production presented by the Children’s Theatre of Winnipeg Other Productions Fumed Oak Noël Coward February 9, 1959 - February 10, 1959 Dominion Theatre The Answer Phoebe Rees February 9, 1959 - February 10, 1959 Dominion Theatre No Exit Jean-Paul Sartre February 9, 1959 - February 10, 1959 Dominion Theatre The Bald Soprano Eugene Ionesco April 27, 1959 - April 28, 1959 Dominion Theatre Member’s Night Program The Man in the Bowler Hat A.A. Milne April 27, 1959 - April 28, 1959 Dominion Theatre Sunday Costs Five Pesos Josephina Niggli April 27, 1959 - April 28, 1959 Dominion Theatre 1959-1960 SEASON Mainstage Solid Gold Cadillac Howard Teichmann and George S. -
Performing Arts Collection Coll2007.016
http://oac.cdlib.org/findaid/ark:/13030/kt609nd56d No online items Inventory of the Performing Arts Collection Coll2007.016 Finding aid prepared by ONE National Gay and Lesbian Archives staff Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California, 90007 (213) 741-0094 [email protected] © 2007 Inventory of the Performing Arts Coll2007.016 1 Collection Coll2007.016 Title: Performing Arts collection Identifier/Call Number: Coll2007.016 Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Language of Material: English Physical Description: 63.75 linear feet Date (bulk): Bulk, 1980-2000 Date (inclusive): 1937-2012 Abstract: Programs, flyers, press kits, photographs, correspondence, newspaper clippings including reviews, and periodicals primarily documenting gay and lesbian actors and theater 1980-2000. The core of this artificial collection was formed from performing arts materials from the collection of Ken Dickmann, supplemented with materials from the Purple Circuit collection, an information clearinghouse for gay and lesbian theater, founded by Bill Kaiser. General Physical Description note: 51 records storage boxes creator: ONE National Gay and Lesbian Archives Access The collection is open to researchers. There are no access restrictions. Publication Rights Researchers wishing to publish materials must obtain permission in writing from ONE National Gay and Lesbian Archives as the physical owner. Researchers must also obtain clearance from the holder(s) of any copyrights in the materials. Note that ONE National Gay and Lesbian Archives can grant copyright clearance only for those materials for which we hold the copyright. -
1 MS 291 A1012 Nuffield Theatre Collection Programmes, 1964 1/1
1 MS 291 A1012 Nuffield Theatre Collection Programmes, 1964 1/1 Arts Festival: brochure and programmes for Salisbury Arts Theatre Mar 1964 Company in Twelfth Night, University Theatre Workshop in John Marston The Malcontent, Southampton Theatre Guild in Measure for Measure, University Theatre Group in King John, Western Theatre Ballet 1/2 James Saunders Next time I'll sing to you Apr 1964 1/3 Oxford Playhouse Company in Chekhov The three sisters with Judi May 1964 Dench; includes newspaper review 1/4 Portsmouth College of Art Dramatic Society in Harold Pinter The Jun 1964 caretaker 1/5 The Boys of Southampton Schools in Christopher Marlowe The Jun 1964 tragedy of Dido 1/6 Southampton University Theatre Group in Strindberg The stronger Jun 1964 and Jean Genet Maximum security 1/7 Southampton University Theatre Group in Hamlet Jul 1964 1/8 The Elizabethans [musical evening including jigs] 17 Oct 1964 1/9 Ballet for all Oct 1964 1/10 Meadow Players in Ibsen A doll's house and Noël Coward Hay Oct 1964 Fever 1/11 English Opera Group in Britten The turn of the screw Nov 1964 1/12 English Opera Group in Britten Albert Herring Nov 1964 1/13 Susana & José and their company in programmes of Spanish Nov 1964 dances 1/14 Western Theatre Ballet Nov 1964 1/15 Southampton University Theatre Group in Georges Schehadvé Nov 1964 Vasco 1/16 Southampton Student Players in Ibsen Peer Gynt Dec 1964 1/17 Oxford Playhouse Company in Wycherley The Country Wife Dec 1964 Programmes, 1965 2/1 Bucharest Students' Club in Synge Playboy of the Western World Jan 1965