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Houston Paparazzi
Tom Hariel & Neon Boots Office Manager Justin Bryan Earnest Mcdowell enjoying the Galloway playing pool on Sunday Texans vs. Tennessee Titans game on Sunday houston paparazzi Fun @ Neon Boots trodding the boards Pamela Robinson & friends having ...from 30 a birthday party easy, but more experienced directors don’t always pull it off this well. And she wisely guides her cast into line-readings that give some of the overwritten passages a know- ing, ironic edge. As Chandler, a young man with a big imagination who may be too smart for his own good, recent UNO graduate Mason Joiner gives a remarkable performance, projecting the requisite intelligence when talking about astronomical events and other scientific subjects. Yet he makes plain the emotional brittleness that his upbringing First night of dance lessons has engendered and Chandler’s desper- ate yearning to free himself from the stric- tures his mother has imposed. He’s like a colt with an IQ of 180 eager to play in new pastures (even if he still sleeps on Star Neon Boots Live! ~ Houston, Texas Wars sheets). I can imagine a Shivaree, who seems to have traveled the world at a young age, either a bit more earth-mothery and weatherbeaten than Ashton Akridge or, conversely, more diaphanous and gamine- like. Akridge seems to split the difference, a kind of minor league Sally Bowles with a Former Mr. BRB Craig Sanford & syrupy Southern accent, innocently seduc- Donnie Pledger-Manzano having a ing with an appealing down-to-earth pres- few before dance class ence that camouflages a toughened spine. -
Billy Bob Thornton Interview
A Conversation with Billy Bob Thornton by Frank Goodman Puremusic 1/2002 I had known that Billy Bob was slated to star in the new Travis Tritt video, “Modern Day Bonnie and Clyde.” Brother JB is our publisher, and he and my brother-in-law Gary Falcon manage Travis, so I’d been privy to the video developments. Everybody was up about it, it was obviously not going to be your average Country video. It doesn’t take much to get me to pack a suitcase and go almost anywhere, my gypsy ways never changed. So when it occurred to JB that flying me out to L.A. might land us a Puremusic interview with Billy Bob Thornton about his new record, I was basically in the air. I didn’t mind waiting for JB to turn up at LAX a couple of hours after me, I was engrossed in Ann Patchett’s The Magician’s Assistant, and having a big time. We got out to the high desert location, outside Palmdale. There’s an old abandoned little motel out there called The Four Aces, it’s used exclusively for videos and movies today. The desert’s funny like that. Something goes out of business, they just leave it there and walk away, let the elements have at it. I took some pictures of this old Spanish-style mortuary, I liked the sign that said “Open.” I really enjoyed the record, Private Radio. I know, we don’t usually cotton to records by actors. Visions of William Shatner singing “Lucy in the Sky with Diamonds” or the shocking crooning of Jim Nabors comes to mind. -
FESTIVAL to the Volcanoes of Auvergne – Unforgettable
InsPIrIng you to reach your dreams #19 /JuLy-AUGUST 2010 Glorious Cannes, Glamorous summer MICK JAGGER A Stone in exile? PAlme d’oR wInner Exclusive interview AlEx Cox British film expert BElGIAn EU PRESIdEnCY Back in business? EDITORIAL Cannes-tastic! Cannes is one of those places cocktails, courtesy of chivas and the utter where you feel anything could exhilaration of being handed the controls of J happen. Away from the glitz craft’s latest speedboat the Torpedo as it and glamour of La Croisette topped 40 knots in Cannes harbour, we did our best to enjoy ourselves. and its famous red carpet, a whole industry throbs in the Of course, it’s not all parties. Closer to home, Andy background. Carling returns with a sideways look at how Belgium may handle its six months as head of n such a city of movers and shakers, a the EU’s rotating presidency. There’s still time to place which seems practically never to get yourself in trim for the beach, too – let Together sleep and a town in which new stars are and Power Plate Institute Brussels introduce you born, Together is right at home. To save to the latest exercise craze, with our fantastic you the trouble of trekking the thousand- readers giveaway. oddI kilometres to Cannes, we selflessly ventured there to bring you the very best in fashion shows, Plus, as we know you’ve come to expect and private parties and everything you might expect enjoy by now, there’s a beautiful fashion from the hardest working (and hardest partying) photoshoot, Kimberley Lovato’s sensual magazine in Brussels. -
October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 Min)
October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 min) Directed by Jim Jarmusch Original Music by Neil Young Cinematography by Robby Müller Johnny Depp...William Blake Gary Farmer...Nobody Crispin Glover...Train Fireman John Hurt...John Scholfield Robert Mitchum...John Dickinson Iggy Pop...Salvatore 'Sally' Jenko Gabriel Byrne...Charlie Dickinson Billy Bob Thornton...Big George Drakoulious Alfred Molina...Trading Post Missionary JIM JARMUSCH (Director) (b. James R. Jarmusch, January 22, 1981 Silence of the North, 1978 The Last Waltz, 1978 Coming 1953 in Akron, Ohio) directed 19 films, including 2013 Only Home, 1975 Shampoo, 1972 Memoirs of a Madam, 1970 The Lovers Left Alive, 2009 The Limits of Control, 2005 Broken Strawberry Statement, and 1967 Go!!! (TV Movie). He has also Flowers, 2003 Coffee and Cigarettes, 1999 Ghost Dog: The Way composed original music for 9 films and television shows: 2012 of the Samurai, 1997 Year of the Horse, 1995 Dead Man, 1991 “Interview” (TV Movie), 2011 Neil Young Journeys, 2008 Night on Earth, 1989 Mystery Train, 1986 Down by Law, 1984 CSNY/Déjà Vu, 2006 Neil Young: Heart of Gold, 2003 Stranger Than Paradise, and 1980 Permanent Vacation. He Greendale, 2003 Live at Vicar St., 1997 Year of the Horse, 1995 wrote the screenplays for all his feature films and also had acting Dead Man, and 1980 Where the Buffalo Roam. In addition to his roles in 10 films: 1996 Sling Blade, 1995 Blue in the Face, 1994 musical contributions, Young produced 7 films (some as Bernard Iron Horsemen, 1992 In the Soup, 1990 The Golden Boat, 1989 Shakey): 2011 Neil Young Journeys, 2006 Neil Young: Heart of Leningrad Cowboys Go America, 1988 Candy Mountain, 1987 Gold, 2003 Greendale, 2003 Live at Vicar St., 2000 Neil Young: Helsinki-Naples All Night Long, 1986 Straight to Hell, and 1984 Silver and Gold, 1997 Year of the Horse, and 1984 Solo Trans. -
Extended R&R for 15-Month Deployments
Vol. 65, No. 31 Publishedished inin thethe interinterest of Division West, First Army and Fort Carson community Aug. 2, 2007 Visit the Fort Carson Web site at www.carson.army.mill Extended R&R for 15-month deployments Army News Service deployments in support of operations Iraqi Freedom of servicemembers and their Families make each day and Enduring Freedom. as we continue to fight this war on terrorism.” WASHINGTON — The Department of “The increase of 18 days of chargeable R&R leave The amended R&R policy is a result of DoD’s Defense approved a policy change to the U.S. for servicemembers on 15-month deployments is change to the rotation and mobilization policy Central Command Rest and Recuperation Leave tremendous news,” said Lt. Col. Frazlier Pope, chief, increasing some theater deployments to 15-month Program last week, increasing the R&R time provided R&R leave branch. “It clearly demonstrates DoD’s tours. Any servicemember currently deployed on a to servicemembers currently serving 15-month recognition of the increased sacrifice tens of thousands 15-month tour is eligible, however only the Army has deployments of 15 months duration. The amended policy, which became effective July 13 applies to military personnel only and is not retroactive. Only service- members who took leave on or after July 13 may take 18 days of leave. “Servicemembers who departed for R&R leave prior to July 13th of this year are not eligible for additional chargeable R&R leave days. Regrettably, a line must be drawn at some point,” said Pope. -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Arkansas Libraries Spring 2014.Indd
Arkansas Libraries Spring 2014 Volume 71, Number 1 In this issue... 2014 ALA Midwinter Meetings • ArLA Calling for Nominations • Love for Leslie Arkansas Library Association, 2014 Division Chairs Arkansas Association of School Librarians (AASL) Dr. Wendy Rickman Arkansas Library Paraprofessionals (ALPS) Erin Baber College and University Libraries (CULD) Offi cers Sherry Tinerella Public Libraries and Trustees President Ashley Burris Devona Pendergrass Reference Services Mountain Home High School Pamela Meridith [email protected] Resources and Technical Services Carolyn Baker President-Elect Special Libraries Dr. Jud Copeland Dwain Gordon University of Central Arkansas [email protected] Committee Chairs Secretary/Treasurer Jamie Melson Arkansas Libraries - Managing Editor Whitney Ivy Central Arkansas Library System Awards - Cathy Toney [email protected] Conference - Nicole Stroud (co-chair) Constitution - Jamie Melson Past President Executive - Devona Pendergrass Patricia “Trish” Miller Finance - Jamie Melson Remington College Intellectual Freedom - Freddy Hudson [email protected] Legislative - Heather Hays Membership - Patricia “Trish” Miller ALA Councilor Nominating - Dr. Jud Copeland Hadi Dudley Planning - Patricia “Trish” Miller Bentonville Public Library Publications - Chrissy Karafi t [email protected] Public Relations - Cassandra Barnett Scholarship - Diane Hughes (co-chair) Archivist - Bob Razer Website - Jon Goodell Roundtable Chairs Government Documents Rod Miller Arkansas Library Association -
Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode. -
MORAG ROSS Make- up Artist
MORAG ROSS Make- Up Artist AWARDS AND NOMINATIONS British Academy of Film and Television Award - Nominee - Best Make-Up and Hair -- CAROL Hollywood Make-Up Artist and Hairstylist Guild Awards - Nominee - Best Make-Up and Hair - CAROL British Academy of Film and Television Award - Nominee - Best Make-Up and Hair -- HUGO British Academy of Film and Television Award - Won - Scotland Award for Craft (In Memory of Robert McCann) British Academy of Film and Television Award - Won - Best Make-Up and Hair -- THE AVIATOR British Academy of Film and Television Award - Nominee - Best Make-Up and Hair -- SENSE AND SENSIBILITY British Academy of Film and Television Award - Won - Best Make-Up Artist -- ORLANDO Online Film & Television Association Award - Nominee - Best Make-Up and Hairstyling -- HUGO Online Film & Television Association Award - Nominee - Best Make-Up and Hairstyling -- THE AVIATOR Diamanti al Cinema Award - Won -- PINOCCHIO Film Festival di Spello Award - Won - Best Make-Up -- TUTTI I SANTI GIORNI FILM MRS AMERICA Personal Make-Up Artist to Cate Blanchett FX Productions Director: Anna Boden, Ryan Fleck THE WOMAN IN THE WINDOW Personal Make-Up Artist to Amy Adams Fox 2000 Pictures Director: Anthony Katagas THE HOUSE WITH A CLOCK IN ITS WALL Personal Make-Up Artist to Cate Blanchett Mythology Entertainment Director: Eli Roth WHERE’D YOU GO BERNADETTE Personal Make-Up Artist to Cate Blanchett Annapurna Director: Richard Linklater OCEAN’S EIGHT Personal Make-Up Artist to Cate Blanchett Smokehouse Pictures Director: Gary Ross THOR: RAGNORAK -
The Screening Room Zjofuaatv I
of the Devil himself. prom. Ferris Buelier's Day Off taught boys to rebel H The Screening Room against their moneyed, sports-car-driving, fancy- X by Dean Sluyter WORST WASTE OF TALENT: Robin Williams, restaurant-frequenting fathers by getting a pocketful m Peter O'Toole, and several good comedians in Club of money, borrowing a sports car, and weaseling H UP FROM THE DEPTHS: BESTS & Paradise—which left them wandering aimlessly on a their way into fancy restaurants. 2 WORSTS OF 1986 Caribbean beach, looking for something funny to do. 53 In 1985 we said films couldn't get worse: thank God WORST WEEPATHON: Another close call. > we were right. Eighty-six brought the inevitable se- Violets Are Blue was a heavy contender, with Sissy quels, teenpix, and slickly marketed packages, but It MOST SURPRISING FLOP: Heartburn Jack Spacek and Kevin Kline as blubbering lovers > also brought a reasonable batch of satisfying, well- Nicholson, Meryl Streep, and a good, gossipy story separated by marriage and career. But the coveted made, grown-up movies. For honorable and about marriage and adultery among the semi-rich Golden Handkerchief goes to Best Friends—Mary dishonorable service above and below the call of art and semi-famous. Also Jumpin' Jack Flash, which Tyler Moore as a widowed housewife-turned- and money, here are the second annual Screening starred red-hot Whoopi Goldberg and was funnier exercise-instructor who discovers that her husband Room Awards. than any of the Chevy Chase or Rodney Dangerfield impregnated her best friend before croaking. comedies. BEST CASTING: Jon Voight, in a stupendous come-back as an escaped convict in Runaway Train. -
Loft-Film-Fest-2019-Program.Pdf
GET YOUR TICKETS LOFT FILM FEST SPONSORS FILM FESTIVAL BADGE TITLE SPONSORS General: $180 Loft Members: $150 FILMS General: $12 Loft Members: $10 OFFICIAL FEST SITE LoftFilmFest.org SCREENINGS TAKE PLACE AT The Loft Cinema 3233 E. Speedway Blvd. Tucson, AZ 85716 PRESENTING SPONSORS CONTACT [email protected] (520) 795-0844 FULL SCHEDULE ON PAGES 12-13 LOFT FILM FEST STAFF FESTIVAL EXECUTIVE DIRECTOR OFFICIAL HOTEL OF OFFICIAL BEER OF Peggy Johnson LOFT FILM FEST LOFT FILM FEST FESTIVAL DIRECTORS J.J. Giddings, Jeff Yanc MANAGING DIRECTOR Zach Breneman FESTIVAL PROGRAMMING CONSULTANTS Cassie Ramirez Breneman, Anthony Cutrone, Christine Hill, Debi Chess Mabie, Max McCauslin, SUPPORTING SPONSORS Mike Plante, Ernie Quiroz, Nikki Sanchez, VR Consultant Eric Carr FINANCE DIRECTOR Jonathan Kleefeld MARKETING/DESIGN Ben Mackey, Matt McCoy SPONSORSHIP DIRECTOR Amber Kleefeld PROGRAM SPONSORS DIRECTOR OF EDUCATION & ENGAGEMENT Shawna Dacosta GUEST RELATIONS Anthony Cutrone, Shawna Dacosta, Ben Mackey, Daniela Ontiveros, Emily Quinn DIRECTOR OF THEATRE OPERATIONS FILM SPONSORS Jason Denholm Anonymous, Max McCauslin, Hal Melfi, Patricia & John Whitehill, OPERATIONS MANAGER University of Arizona School of Theatre, Film & Television, Joe Tarver, Brenda Rodriguez Claire Scheuren ASSISTANT MANAGERS Marcel Jeanisse, Madeline McClure, Candace Ripley, IN-KIND DONATIONS Pedro Robles-Hill, A.J. Simon Old Pueblo Trolley , Proud Source H2O THE LOFTY ACHIEVEMENT AWARD The Loft Film Fest is awarding two Lofty Awards this year. The Lofty is presented each year at the Loft Film Fest to an individual whose career and body of work have significantly contributed to the world of cinema, and who continues to The Loft Film Fest was proud to receive a $20,000 Art inspire, entertain and enlighten audiences.