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From: Reviews and Criticism of Theatrical and Television Dramas (http://www.lasalle.edu/library/vietnam/FilmIndex/home.htm) compiled by John K. McAskill, La Salle University ([email protected])

W5405 (USA, 1969) (Other titles: Grupo salvaje; Horde sauvage; Mucchio selvaggio; Vad bande; Vilde bande)

Credits: director, ; writers, , Sam Peckinpah. Cast: , , , Edmond O’Brien, . Summary: set in Texas in 1913. Disguised as U.S. soldiers, a gang of violent bandits rides into a Texas border town to rob the railroad office. Along rooftops, a railroad company ambush awaits. When the gang emerges from the office, the company’s hired gunmen open fire, catching townspeople and thieves in the crossfire. Cited by some critics as a Vietnam War allegory.

Adair, Gilbert. Hollywood’s Vietnam [GB] (p. 182) Adam-Smith, Chris. “The wild bunch” Movie magazine [n. 19] (Mar 1985), p. 43-5. Adams, Thelma. [Wild bunch] New York post (Mar 3, 1995), p. 49. [Reprinted in Film review annual 1996] Alleva, Richard. “Nihilism on horseback” Commonweal 122 (Apr 21, 1995), p. 17- 18. Alpert, Hollis. “SR goes to : Variations on a western theme” Saturday review 52/39 (Sep 27, 1969), p. 39. Ansen, David. “The return of a bloody great classic’ Newsweek 125 (Mar 13, 1995), p. 70-71. [Reprinted in Film review annual 1996] Armes, Roy. “Peckinpah and the changing west” London magazine 9 (Mar 1970), p. 101-6. Arnold, Frank and Berg, Ulrich von. Sam Peckinpah: Eine Outlaw in Hollywood Frankfurt, 1987. Austen, David. [Wild bunch] Films and filming 16/1 (Oct 1969), p. 39-40. Auster, Albert and Quart, Leonard. How the war was remembered: Hollywood and Vietnam [GB] (p. 29, 145) Bayer, William. The great movies New York : Grossett and Dunlap, 1971. (p. 40-47) Berg, Ulrich von (see under Arnold, Frank) Blake, Richard A. “Violence - The price of good box-office?” America 126 (Feb 12, 1972), p. 148. Blevins, Winfred. “The artistic vision of director Sam Peckinpah” Show 2/1 (Mar 1972), p. 37-40. Bliss, Michael. “‘Back off to what?’ Enclosure, violence, and capitalism in Sam Peckinpah’s The wild bunch” in Sam Peckinpah’s The wild bunch (p. 105-29) ______. Justified lives : morality and narrative in the films of Sam Peckinpah Carbondale : Southern Illinois Univ. Press, 1993. ______. “The conclusion of ‘The wild bunch’” in Doing it right [see below] (p. 158-68) Blum, William. “Towards a cinema of cruelty” Cinema journal 10/2 (spring 1972), p. 19-33. Bowman, James. “It’s a man’s world” American spectator 28/6 (Jun 1995), p. 56. Boyero, C. “Grupo salvaje” Casablanca 1/12 (Dec 1981), p. 42. Brode, Douglas. Films of the sixties [GB] (p. 181-3) Brooks, Fred R. “Real heroes of the West” times (Apr 17, 1995), p. F3. Brown, Georgia. “Once were westerns” Village voice 40 (Mar 7, 1995), p. 54. [Reprinted in Film review annual 1996] Brown, Kenneth R. [Wild bunch] Cineaste 3/3 (winter 1969-70), p. 18-20, 28. Buscombe, Edward. “The wild bunch” Sight and sound 5 (Oct 1995), p. 62. [Reprinted in Film review annual 1996] “The Business: The climate and Sam Peckinpah...” Sight and sound 3/5 (May 1993), p. 4. Butler, Terence. Crucified heroes : the films of Sam Peckinpah London : Gordon Fraser, 1979. Byrd, Larry. “The wild bunch” Classic images n. 155 (May 1988), p. C33-5. Cagin, Seth and Dray, Philip. Hollywood films of thge seventies: sex, drugs, violence rock n’ roll and politics [GB] (p. 17, 166-69) Camy, Gerard. “Sur le sentier de l’oubli: Sam Peckinpah” Jeune cinema n. 142 (Apr- May 1982), p. 1-12. Canby, Vincent. “Violence and beauty mesh in ‘Wild bunch’” New York times (Jun 26, 1969), p. 45. [Reprinted in The American west on film : myth and reality (compiled by Richard A. Maynard) Rochelle Park, N.J. : Hayden Book Co., 1974] [Reprinted in Sam Peckinpah’s The wild bunch (p. 203-5)] ______. “Which version did you see?” New York times (Jul 20, 1969), sec. D, p. 1, 7. [Reprinted in Sam Peckinpah’s The wild bunch (p. 205-9)] Caprara, Valerio. Peckinpah : Sam Peckinpah Firenze : La nuova Italia, 1976. Clark, Arthur B. [Wild bunch] Films in review 20 (Aug/Sep 1969), p. 446-7. Clark, Mike. “‘Wild’ is still an exhilarating ride” USA today (Mar 7, 1995), p. D4. Combs, Richard. “The first cut is still the bleakest: The wild bunch...” TLS, the Times literary supplement n. 4832 (Nov 10, 1995), p. 35. Cook, David. “The wild bunch” International dictionary of filmmakers 1st ed. [GB] (v. 1, p. 521-5); 2nd ed. [GB] (v. 1, p. 979-80) Cook, David A. “Ballistic balletics: Styles of violent representation in The wild bunch and after” in Sam Peckinpah’s The wild bunch (p. 130-54) ______.. Lost illusions : American cinema in the shadow of Watergate and Vietnam, 1970-1979 New York : Scribner’s, 1999. (p. 82-84+) ______. “‘The wild bunch,” fifteen years after” North Dakota quarterly 51/3 (1983), p. 123-30. Cotter, Jerry. “Movie reviews” Sign 48 (Jul 1969), p. 46. Crowther, Bosley. Reruns : fifty memorable films New York : G.P. Putnam’s Sons, 1978. (p. 224-7) Culp, Robert. “Sam Peckinpah, the storyteller and ‘The wild bunch’ : An appreciation” in Doing it right [see below] (p. 3-16) Cumbow, Robert C. “The wild bunch” Vietnam war feature filmography (1992 draft) [GB] (p. 444-6) and Vietnam war films [GB] (Entry 661) Cutts, John. “Shoot!: Sam Peckinpah talks to John Cutts” Films and filming 16/1 (Oct 1969), p. 4-8. Devine, Jeremy M. Vietnam at 24 frames a second [GB] (p. 56) Dixon, Wheeler Winston. “Re-visioning the western: Code, myth, and genre in Peckinpah’s The wild bunch” in Sam Peckinpah’s The wild bunch (p. 155-74) Doing it right : the best criticism on Sam Peckinpah’s The wild bunch (edited by Michael Bliss) Carbondale : Southern Illinois Univ. Press, 1994. Dray, Philip (see under Cagin, Seth) Emami, Mansour. Violence in films of Sam Peckinpah Thesis (M.A.)--California State University, --1973. (138 p.) Engel, Leonard. “Space and enclosure in Cooper and Peckinpah: Regeneration in the open spaces” Journal of American culture 14/2 (1991), p. 86-93. Evans, Max. Sam Peckinpah: master of violence Vermillion, S.D. : Dakota Press, 1972. Farber, Manny. [Wild bunch] Artforum 8 (Oct 1969), p. 80-1. Farber, Stephen. “Peckinpah’s return: An interview” Film quarterly 23/1 (fall 1969), p. 2-11. [Reprinted in Doing it right] Fine, Marshall. Bloody Sam New York : D.I. Fine, 1991. (p. 142-9, 183-4) Flynn, Charles. [Wild bunch] Focus n. 5 (Oct 1969), p. 5-8. Galperin, William. “History into allegory: ‘The wild bunch’ as Vietnam movie” Western humanities review 35 (summer 1981), p. 165-72. Garcia Tsao, Leonardo. Sam Peckinpah Guadalajara, Jalisco, : Universidad de Guadilajara/Xalli, 1990. Garfield, Brian. “‘The wild bunch’ revisited” Armchair detective 13/2 (1980), p. 141- 4. Gaydos, Steven. “Peckinpah’s ‘Wild’ vision restored after 26 years” Variety 358 (Feb 27-Mar 5, 1995), p. 70, 73. Gibson, James William. Warrior dreams : paramilitary culture in post-Vietnam America [GB] (p. 45, 110) Gilliatt, Penelope. “The current cinema: A western for Villon” New Yorker 45 (Jul 5, 1969), p. 74-5. Girard, Martin. “The wild bunch” Sequences n. 177 (Mar/Apr 1995), p. 45-8. Gliatto, Tom. “The wild bunch” People weekly 43/11 (Mar 20, 1995), p. 18. Harmetz, Aljean. “Man was a killer long before he served God” New York times (Aug 31, 1969), sec. 2, p. 9. [Reprinted in Doing it right] Hartung, Philip T. “The screen: Pluck and fury” Commonweal 90 (Jul 25, 1969), p. 465. Hatch, Robert. “Films” Nation 209/2 (Jul 14, 1969, p. 60-61. Hedges, Charles. [Wild bunch] Film (autumn 1969), p. 31-2. Heredero, Carlos F. Sam Peckinpah Madrid : Ediciones JC, [1982?] Higson, Charles. “The shock of the old” Sight and sound 5 (Aug 1995), p. 36. Hinson, Hal. “In defense of violence” in Flesh and blood : the National Society of Film Critics on sex, violence, and censorship (edited by Peter Keough) : Mercury House, 1995. (p. 287-94) ______. [Wild bunch] Washington post (Apr 1, 1995), p. C5. Hodenfield, Chris. “Sam Peckinpah breaks a bottle” Rolling stone (May 31, 1971), p. ? Holtsmark, Erling B. “The katabasis theme in modern cinema” Bucknell review 35/1 (1991), p. 60-80. Howe, Desson. “Peckinpah: ‘Wild’ at heart” Washington post (Mar 31, 1995), Weekend, p. 39. Humphries, Reynold. “The function of Mexico in Pechinpah’s films” Jump cut n. 18 (Aug 1978), p. 17-20. [Translated and reprinted as “Merikos betydelse i Peckinpahs filmer” Film rutan 22/4 (1979), p. 136-45] Jameson, Richard T. “The wild bunch” Movietone news n. 55 (Sep 1977), p. 23. Jones, Allan. “: The wild bunch directed by Sam Peckinpah” Melody maker 72/41 (oct 14, 1995), p. 30. Jubak, James. [Wild bunch] Focus n. 5 (Oct 1969), p. 9. Jud, Reinhard. “Eine neun sechs neun” Logbuch n. 22 (Mar 1989), p. 32-7. Kauffmann, Stanley. “Stanley Kauffmann on films: The wild bunch” New republic 161 (Jul 19, 1969), p. 24, 35. [Reprinted in his Figures of light : film criticism and comment New York : Harper and Row, 1971. (p. 179-83)] Keogh, Tom (see under Martin, Strother) Kitses, Demetrius John. Horizons west : Anthony Mann, Budd Boetticher, San Pechinpah : studies of authorship within the western London : Thames and Hudson, 1969. [Reprinted, Bloomington, Ind. : Univ. Press, 1970; and in part in Doing it right] Knight, Arthur. “SR goes to the movies: Violence flares anew” Saturday review 52/27 (Jul 5, 1969), p. 21. Koltai, Agnes. “Vad bande” Film vilag 29/5 (1986), p. 56. Leff, Leonard J. Film plots : scene-by-scene outlines for feature film study Ann Arbor, Mich. : Pierian Press, 1983-88. (v. 1, p. 375-84) Man, Glenn. Radical visions : American film renaissance, 1967-1976 Westport, Conn. : Greenwood Press, 1994. (p. 77-82+) “Man and myth” Time 93 (Jun 20, 1969), p. 85. [Reprinted in Sam Peckinpah’s The wild bunch (p. 201-3)] Marshall, Susan Elaine. Within the moral eye : Peckinpah’s art of visual narration Thesis (Ph.D.)--University of Florida, 1984. (183 p.) Martin, Strother and Keogh, Tom. “” Film comment 17 (Jan/Feb 1981), p. 37. Martini, Emanuela. “Perche no? Ovvero pistole net pomeriggio” Cineforum 36/351 (Jan/Feb 1996), p. 2-6. Maslin, Janet. [Wild bunch] New York times (Mar 10, 1995), p. C17. Matta, Ricardo Mendez. A survey and analysis of the films of Sam Peckinpah Thesis (M.A.)--Ohio State University, 1978. (284 p.) Maynard, Richard A. The American west on film : myth and reality Rochelle Park, N.J. : Hayden, 1974. (p. 122-27) McCarthy, John Allen. “Sam Peckinpah and ‘The wild bunch’” Film heritage 5/2 (winter 1969-70), p. 1-10, 32. McKinney, Devin. “The wild bunch: Innovation and retreat” in Sam Peckinpah’s The wild bunch (p. 175-200) McKinney, Doug. Sam Peckinpah Boston : Twayne, 1979. (p. 81-98) Meisel, Myron. [Wild bunch] Focus n. 5 (Oct 1969), p. 5-8. Meyer, William R. The making of the great westerns New Rochelle, N.Y. : Arlington House, 1979. (p. 395-408) Meyerson, Harold. “The Wild bunch” Magill’s survey of cinema--English language films, first series Englewood Cliffs, N.J. : Salem Press, 1980. (v. 4, p. 1845-7) Miller, Mark Crispin. “In defense of Sam Peckinpah” Film quarterly 28/3 (spring 1973), p. 2-17. Milne, Tom. [Wild bunch] Sight and sound 38/4 (autumn 1969), p. 208-9. Morgenstern, Joseph. “Movies: The bloody bunch” Newsweek 74/2 (Jul 14, 1969), p. 85. Murray, William. “Playboy interview: Sam Peckinpah” Playboy 19/8 (Aug 1972), p. ? Neelley, Julius W. “Movie mailbag: About ‘The wild bunch’” New York times (Aug 17, 1969), sec. 2, p. 23. Parish, James Robert and Pitts, Michael. The great western pictures Metuchen, N.J. : Scarecrow, 1976. Parrill, William. Heroes’ twilight : the films of Sam Peckinpah Hammond, La. : Bay- Wulf Books, 1980. [Reprinted, Minneapolis : Alpha Editions, 1983] Peary, Danny. Cult movies [GB] (p. 386-9) Peary, Gerald. “Collector’s choice: Westerns” American film 8 (Sep 1983), p. 72-4+ [4 p.] Pechter, William. “Anti-Western” in 24 times a second New York : Harper and Row, 1971. ______. [Wild bunch] Film comment 6/3 (fall 1970), p. 55-7. “Peckinpah hits ‘Butchery’” Variety (Mar 4, 1970), p. 5, 26. Pettit, Arthur G. Images of the Mexican American in fiction and film College Station, Texas : Texas A&M Univ. Press, 1980. ______. “Nightmare and nostalgia: The cinema west of Sam Pechinpah” Western humanities review 29/2 (spring 1975), p. 105-22. ______. “The polluted garden: Sam Peckinpah’s double vision of Mexico” Southwest review (summer 1977), p. 280-94. ______. “The wild bunch” in Western movies (edited by William T. Pilkington and Don Graham) Albuquerque, N.M. : Univ. of Press, 1979. (p. ) Pitts, Michael (see under Parish, James Robert) Powers, John. “Movies: ... The wild bunch directed by Sam Peckinpah” National review 185/4 (Apr 1995), p. 208. “Press violent about film’s violence: Prod Sam Peckinpah following ‘Bunch’” Variety (Jul 2, 1969), p. 15. [Reprinted in Sam Peckinpah’s The wild bunch (p. 209-12)] Prince, Stephen. “Sam Peckinpah, savage poet of American cinema’ in Sam Peckinpah’s The wild bunch (p. 1-36) Quart, Leonard (see under Auster, Albert) Quintero, Maria del Pilar. Psicologia del colonizado Merida, Venezuela : Universidad de Los Andes, 1993. Quirk, Lawrence J. The films of William Holden Secaucus, N.J. : Citadel Press, 1973. (p. 234-8) Rafferty, Terence. “Artist of death” New Yorker 71 (Mar 6, 1995), p. 127-9. Ray, Robert B. A certain tendency of the Hollywood cinema, 1930-1980 Princeton, N.J. : Princeton Univ. Press, 1985. (p. 301-5, 310-18+) Redman, Nick. “Peckinpah and Sidney reconsidered” [book review] DGA news 20/1 (1995), p. 40-41. Reed, Rex. Big screen, little screen New York : Macmillan, 1972. (p. 339-41) Rentero, J. C. “Sam Peckinpah: El largo adios” Casablanca n. 47 (Mar 1985), p. 22-7. Rosenqvist, Janne. “Hidastettu kuolema” Filmihullu n. 5 (1996), p. 16-19. Ross, Sherwood. “Movie: Blood and circuses” Christian century 86 (Aug 20, 1969), p. 1095-97. Roth, Paul A. “Virtue and violence in Peckinpah’s ‘The wild bunch’” Post script 7/2 (winter 1988), p. 29-42. Rottenberg, Lenore. “Movie mailbag: No wonder” New York times (Ayg 17, 1969), sec. 2, p. 11, 23. Sadoul, George. Dictionary of films (translated, edited and updated by Peter Morris) Berkeley : Univ. of California Press, 1972. (p. 418-19) “Sam Peckinpah lets it all hang out” Take one 2/3 (Jan-Feb 1969), p. 18-20. Sam Peckinpah’s The wild bunch (edited by Stephen Prince) Cambridge ; New York : Cambridge University Press, 1999. Sanderson, James. “Identity and distance in ‘The wild bunch’” Classic images n. 92 (Feb 1983), p. 23-5+ [4 p.] Sarris, Andrew. [Wild bunch] Village voice (Jul 31, 1969), p. 39. [Reprinted in Confessions of a cultist : on the cinema 1955-1969 New York : Simon and Schuster, 1970. (p. 447-9)] Schickel, Richard. “Movie review: Mastery of the ‘dirty western’: The wild bunch” Life 67/4 (Jul 25, 1969), p. 8. [Reprinted in his Second sight : notes on some movies, 1965-1970 New York : Simon and Schuster, 1972. (p. 244-6) Schrader, Paul. “Sam Peckinpah going to Mexico” Cinema 5/3 (1970), p. ? [Reprinted in Doing it right] Segaloff, Nat. “Greenland” Film comment 29 (Jan/Feb 1993), p. 40-42+ [8 p.] Seydor, Paul. “Letters: Facts about Sam” Sight and sound 6 (Sep 1996), p. 64. ______. Peckinpah, the western films Urbana : Univ. of Illinois Press, 1980. (p. 84-139) ______. “Sam Peckinpah” Sight and sound 5/10 (Oct 1995), p. 18. ______. “Versions of ‘The wild bunch’” in Doing it right [see above] (p. 46-73) ______. “‘The wild bunch’ as epic” in Doing it right [see above] (p. 113-57) ______. “The wild bunch: The screenplay” in Sam Peckinpah’s The wild bunch (p. 37-78) Shaffer, Lawrence. “‘The wild bunch’ versus ‘Straw dogs’” Sight and sound 41/3 (summer 1972), p. 132-3. Sharrett, Christopher. “Peckinpah the radical: ‘The wild bunch’ reconsidered” Cineaction n. 13-14 (summer 1988), p. 94-100. ______. “Peckinpah the radical: The politics of The wild bunch” in Sam Peckinpah’s The wild bunch (p. 79-104) Shelton, Ron. “The wild bunch” American film 14/6 (Apr 1989), p. 18. 20. Simmon, Scott. “Review essay: Return of the bad men” Journal of popular film 9/3 (fall 1981), p. 149-51. Simmons, Garner. The cinema of San Peckinpah and the American western : a study of the interrelationship between an auteur/director and the genre in which he works Thesis (Ph.D.)--Northwestern University, 1975. ______. Peckinpah, a portrait in montage Austin: Univ. of Rexas Press, 1982. (p. 82-107) Simon, John. “On screen: Violent idylls” New leader 52/15 (Aug 22, 1969), p. 22-3. [Reprinted as “Violent idyll” in Film 1969/70 (edited by Hollis Alpert and Andrew Sarris) New York : Simon and Schuster, 1970; and in his Movies into film New York : Dial Press, 1971. (p. 173-6)] ______. “Wild and wilder” National review 47 (Apr 3, 1995), p. 65-7. Simons, John L. “The tragedy of love in ‘The wild bunch’” Western humanities review 39/1 (1985), p. 1-19. [Reprinted in Doing it right] Sinyard, Neil. Classic movies Salem, N.H. : Salem House, 1985. (p. 30-32) Skytte, Asbjorn. “Den vilde bande” Kosmorama 36/192 (summer 1990), p. 61-2. Slotkin, Richard. nation : the myth of the frontier in twentieth-century America New York : Atheneum, 1992. (p. 593-613) Smith, Julian. Looking away: Hollywood & Vietnam (book) [GB] (p. 29-30) Solomon, Stanley J. “The western as myth and romance: ... The wild bunch” in his Beyond formula : American film genres New York : Harcourt Brace Jovanovich, 1976. Sragow, Michael. “The Homeric power of Peckinpah’s violence” Atlantic 273 (Jun 1994), p. 116+ [6 p.] ______. “Sam Peckinpah, 1925-1984” in Doing it right [see above] (p. 177- 90) ______. [Wild bunch] Boston phoenix (Jan 8, 1985), p. ? [Reprinted in Love and hisses : the National Society of Film critics sound off on the hottest movie controversies (edited by Peter Rainer) San Francisco : Mercury House, 1992. (p. 260-2)] ______. “The wild bunch” Film society review 5/3 (Nov 1969), p. 31-7. ______. “The wild bunch revisited” in Flesh and blood : the National Society of Film Critics on sex, violence, and censorship (edited by Peter Keough) San Francisco : Mercury House, 1995. (p. 195-205) Sterritt, David. “Rediscovered gems play again” Christian Science monitor (Mar 10, 1995), p. 13. [Reprinted in Film review annual 1996] Strug, Cordell. “‘The wild bunch’ and the problem of idealist aesthetics, or, how long would Pechinpah last in Plato’s republic?” Film heritage 10/2 (winter 1974- 75), p. 17-28. [Reprinted in Doing it right] Sturham, Lawrence. “It’s a long way from your heart and on the wrong side ...” North American review 260 (spring 1975), p. 74-80. Taylor, Brian. “Ford and Peckinpah” Framework n. 5 (winter 1977), p. 30-31. Thomas, Bob. Golden boy: the untold story of William Holden New York : St. Martin’s, 1983. Torry, Robert. “Therapeutic narratives: ‘The wild bunch,’ ‘Jaws,’ and Vietnam” Velvet light trap n.31 (spring 1993), p. 27-38. Travers, Peter. “The wild bunch” Rolling stone n. 703 (Mar 9, 1995), p. 70+ [2 p.] Triggs, Jeffery Alan. “‘The wild bunch’: Scourges or ministers?” review 18/3 (1991), p. 64-9. Turan, Kenneth. “Bloody marvelous Peckinpah” (Feb 26, 1995), Calendar, p. 25. Tuska, Jon. The American west in film : critical approaches to the Western Westport, Conn. : Greenwood Press, 1985. (p. 124-27+) ______. Encounters with filmmakers: eight career studies New York : Greenwood Press, 1991. (p. 305-7+) ______. “Sam Peckinpah and the western with only villains” in his The filming of the West Garden City, N.Y. : Doubleday, 1976. (p. 566-74) Walsh, Moira. “Films: The last man et al.” America 121 (Jul 5, 1969), p. 19-21. ______. “Films: True grit” America 121 (Jul 19, 1969), p. 47-8. Weddle, David. “Dead man’s clothes: The making of ‘The wild bunch’” Film comment 30 (May/Jun 1994), p. 44-57. ______. If they move-- kill em! : the life and times of Sam Peckinpah New York : Grove Press, 1994. (p. 307-77) ______. “‘The wild bunch’: The script” Sight and sound 5 (Oct 1995), p. 30- 31. ______. “Wild things” Sight and sound 5 (Oct 1995), p. 24-9. Weldon, Michael. The psychotronic video guide New York : St. Martin’s Griffin, 1996. (p. 619) Western movies (edited by William T. Pilkington and Don Graham) Albuquerque, N.M. : University of New Mexico Press, 1979. “What the director’s are saying” Action (Sep-Oct 1969), p. ? Whitehall, Richard. “Talking with Peckinpah” Sight and sound 38 (autumn 1969), p. 308-9. “The Wild bunch” catalog [GB] (Entry F6.5574) [Wild bunch] CineAction! n. 13-14 (summer 1988), p. 94-100. [Wild bunch] Film daily (Jun 26, 1969), p. 6. [Wild bunch] [dialogue extract] Film ideal n. 220-221 (1970), p. 158-183. “Wild bunch, The (restored version” Film review annual 1996 Englewood, N.J. : J.S. Ozer, 1981- (p. 1547-53) [Wild bunch] Filmfacts 12 (1969), p. 217. [Wild bunch] Hollywood reporter 205/25 (Jun 16, 1969), p. 3. [Wild bunch] Kine weekly n. 3228 (Aug 23, 1969), p. 13. [Wild bunch] Monthly film bulletin 36/429 (Oct 1969), p. 211. “Wild bunch, The” Motion picture guide (edited by Jay Robert Nash and Stanley Ralph Ross) Chicago : Cinebooks, 1985. (v. 9, p. 3851-2) [Wild bunch] Motion picture herald 239/27 (Jul 2, 1969), p. 219. “The Wild bunch” Reids film index n.7 (1991), p. 199-200. [Wild bunch] St. Anthony messenger 77 (Sep 1969), p. 6. [Wild bunch] Today’s cinema n. 9714 (Aug 22, 1969), p. 6. [Wild bunch] TV times 84/32 (Jul 29, 1976), p. 4-5, 7. [Wild bunch] Velvet light trap n. 31 (spring 1993), p. 27-38. Williams, Whitney (Whit). “The wild bunch” Variety (Jun 18, 1969), p. 6. Wilmington, Michael. [Wild bunch] (Mar 17, 1995), Friday, p. C. Wolf, William. “Wasn’t that just lovely, the way his head exploded?” in The American west on film : myth and reality (compiled by Richard A. Maynard) Rochelle Park, N.J. : Hayden Book Co., 1974. Wright, Will. Sixguns and society Berkeley : Univ. of California Press, 1975. Yergin, Daniel. “Peckinpah’s progress: From blood and killing in the old West to siege and rape in rural Cornwall” New York times magazine (Oct 31, 1971), p. 16+

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