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(You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
(You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182. -
Asheville, Tenth Month 2009
Southern Appalachian Young Friends Epistle Asheville October, 2009 This weekend was amazing. Everything from the maze to the tacos and the dancing was great. I hadn’t really heard of the Jerk until now but its really fun, even though I can barely do it yet. I got more sleep this retreat than most which is good and I wish we could all just stay here and not go back to school. I missed the last one so this time I got to see a lot of 2bies who had come to the last one. Jacob and Xavier’s dancing was great lo,=) I had fun talking with Heather and Chantal is really awesome. Anyway, I hope the November one is just as good and everyone and more comes. ~ Emanuel Huber Feely SAYF was fun this weekend. For me it was a relaxing weekend compared to my first retreat. This is my second and I feel like you all are like family to me. Although I was betrayed four times by a certain someone and once by another certain someone I forgive them. But watch your backs next time I come here. I will have revenge! I love you guys. You take me away from the real world and put me in a world where everyone’s happy and always having fun. To Chrissy I love you and thanks for allowing me to tag along again. To Santha thanks for my neck-a-lace. To Katie thanks for hugs. And to everyone else thanks for accepting me. I still cannot write passive aggressive haikus but I wrote a pretty beasty poem. -
Black Beauty
Black Beauty Black Beauty The story Black Beauty was a handsome horse with one white foot and a white star on his forehead. His life started out on a farm with his mother, Duchess, who taught him to be gentle and kind and to never bite or kick. When Black Beauty was four years old, he was sold to Squire Gordon of Birtwick Park. He went to live in a stable where he met and became friends with two horses, Merrylegs and Ginger. Ginger started life with a cruel owner who used a whip on her. She treated her cruel owner with the lack of respect he deserved. When she went to live at Birtwick Park, Ginger still kicked and bit, but she grew happier there. The groom at Birtwick Park, John, was very kind and never used a whip. Black Beauty saved the lives of Squire Gordon and John one stormy night when they tried to get him to cross a broken bridge. The Squire was very grateful and loved Black Beauty very much. One night a foolish young stableman left his pipe burning in the hay loft where Black Beauty and Ginger were staying. Squire Gordon’s young stableboy, James, saved Black Beauty and Ginger from the burning stable. The Squire and his wife were very grateful and proud of their young stableboy. James got a new job and left Birtwick Park and a new stableboy, Joe Green, took over. Then, one night Black Beauty nearly died because of Joe’s lack of experience and knowledge. The Gordons had to leave the country because of Mrs Gordon’s health and sold Black Beauty to Lord Westerleigh at Earlshall Park. -
The Reflection of Sancho Panza in the Comic Book Sidekick De Don
UNIVERSIDAD DE OVIEDO FACULTAD DE FILOSOFÍA Y LETRAS MEMORIA DE LICENCIATURA From Don Quixote to The Tick: The Reflection of Sancho Panza in the Comic Book Sidekick ____________ De Don Quijote a The Tick: El Reflejo de Sancho Panza en el sidekick del Cómic Autor: José Manuel Annacondia López Directora: Dra. María José Álvarez Faedo VºBº: Oviedo, 2012 To comic book creators of yesterday, today and tomorrow. The comics medium is a very specialized area of the Arts, home to many rare and talented blooms and flowering imaginations and it breaks my heart to see so many of our best and brightest bowing down to the same market pressures which drive lowest-common-denominator blockbuster movies and television cop shows. Let's see if we can call time on this trend by demanding and creating big, wild comics which stretch our imaginations. Let's make living breathing, sprawling adventures filled with mind-blowing images of things unseen on Earth. Let's make artefacts that are not faux-games or movies but something other, something so rare and strange it might as well be a window into another universe because that's what it is. [Grant Morrison, “Grant Morrison: Master & Commander” (2004: 2)] TABLE OF CONTENTS 1. Acknowledgements v 2. Introduction 1 3. Chapter I: Theoretical Background 6 4. Chapter II: The Nature of Comic Books 11 5. Chapter III: Heroes Defined 18 6. Chapter IV: Enter the Sidekick 30 7. Chapter V: Dark Knights of Sad Countenances 35 8. Chapter VI: Under Scrutiny 53 9. Chapter VII: Evolve or Die 67 10. -
Rhythms of Relation: Black Popular Music and Mobile Technologies
Rhythms of Relation: Black Popular Music and Mobile Technologies Alexander G. Weheliye In this essay I focus on the singular performances of the interface between (black) subjectivity and informational technologies in popular music, ask- ing how these performances impact current definitions of the technologi- cal. After a brief examination of those aspects of mobile technologies that gesture beyond disembodied communication, I turn to the multifarious manifestations of techno-informational gadgets (especially cellular/mobile telephones) in contemporary R&B, a genre that is acutely concerned, both in content and form, with the conjuring of interiority, emotion, and affect. The genre’s emphasis on these aspects provides an occasion to analyze how technology thoroughly permeates spheres that are thought to represent the hallmarks of humanist hallucinations of humanity. I outline the extensive and intensive interdependence of contemporary (black) popular music and mobile technologies in order to ascertain how these sonic formations refract communication and embodiment and ask how this impacts rul- ing definitions of the technological. The first group of musical examples surveyed consists of recordings released between 1999 and 2001; the sec- ond set are recordings from years 2009–2010. Since ten years is almost an eternity in the constantly changing universes of popular music and mobile technologies, analyzing the sonic archives from two different historical moments allows me to stress the general co-dependence of mobiles and music without silencing the breaks that separate these “epochs.” Finally, I gloss a visual example that stages overlooked dimensions of mobile tech- nologies so as to amplify the rhythmic flow between the scopic and the sonic. -
Cham : the Best Comic Strips and Graphic Novelettes, 1839-1862 Pdf, Epub, Ebook
CHAM : THE BEST COMIC STRIPS AND GRAPHIC NOVELETTES, 1839-1862 PDF, EPUB, EBOOK David Kunzle | 538 pages | 30 May 2019 | University Press of Mississippi | 9781496816184 | English | Jackson, United States Cham : The Best Comic Strips and Graphic Novelettes, 1839-1862 PDF Book A chapter on fashionable ball dress is also included. Recensioner i media. DC, As mentioned in the description, this Sanjulian book was a Kickstarter project. He is one much deserving, at last, of this first account of his huge oeuvre as a caricaturist. Because the process took so long, the voting window for comic book professionals is shorter, but the awards are still going to be given out in July. Halfway the serialisation the originals were clumsily redrawn by a staff member possibly Cham? L'Exposition de Londres by Cham Book 12 editions published between and in French and held by 43 WorldCat member libraries worldwide. During his lifetime he was one of the most popular French cartoonists. Rows: Columns:. The tall man holding a woman with an umbrella's hand is a self-caricature. This edit will also create new pages on Comic Vine for: Beware, you are proposing to add brand new pages to the wiki along with your edits. Yet beneath the surface, tensions linger sixteen years after a failed rebellion. Presenting the history of corsetry and body sculpture, this edition shows how the relationship between fashion and sex is closely bound up with sexual self-expression. In several scenes Cham introduces concepts like close-ups, wide shots, jumpcuts and different perspectives. Since his back catalogue is so immense, few art historians have taken time to explore and study his work in its entirety. -
Freakish, Feathery, and Foreign: Language of Otherness in the Squire’S Tale
Trinity University Digital Commons @ Trinity The Expositor: A Journal of Undergraduate Research in the Humanities English Department 2016 Freakish, Feathery, and Foreign: Language of Otherness in the Squire’s Tale Laurel Meister Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/eng_expositor Part of the Literature in English, British Isles Commons Repository Citation Meister, L. (2016). Freakish, feathery, and foreign: Language of otherness in the Squire's tale. The Expositor: A Journal of Undergraduate Research in the Humanities, 12, 48-57. This Article is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in The Expositor: A Journal of Undergraduate Research in the Humanities by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Freakish, Feathery, and Foreign: Language of Otherness in the Squire’s Tale Laurel Meister hough setting a standard for English literature in the centuries to follow, The Canterbury Tales was anything but standard in its Town time. Written in a Middle English vernacular that was only recently being used for poetry, and filtered through the minds and mouths of the wackiest of characters, Geoffrey Chaucer’s storytelling explores the Other: an unfamiliar realm set apart from the norm. One of the tales whose lan- guage engages with the Other, the Squire’s Tale features a magical ring al- lowing its wearer to understand any bird “And knowe his menyng openly and pleyn / and answere hym in his langage again,” a rhyme that repeats like an incantation throughout the tale.1 Told from the perspective of a young and inexperienced Squire, the story has all the makings of a chivalric fairy- tale—including a knight and a beautiful princess—with none of the finesse. -
Trey Songz LOL
LOL :-) Trey Songz I Luvvv Fisher Price 804 335 0051 (LOL smiley face LOL smiley face... Soulja boy Tell'Em) 804 335 0051 (GUCCI... LOL smiley face, LOL smiley face) Shawty just text me, say she wanna sex me (LOL smiley face, LOL smiley face) Shawty sent a Twit pic saying come and get this (LOL smiley face, LOL smiley face) Shawty called me phone I was busy (I was busy yup) Cruisin' in that Benz around the city (yup) Then I felt my phone buzz, I know that she like thugs I'm a bad boy like Diddy (take that) Then she sent a text that had said, "baby, I'm at home" Then she sent another one that said she's all alone So I texted her a smiley face and said, "let's do the grown" She said, "LOL boy you crazy, come on" Then she said "actually, you ain't gotta ask me" Sent that little face with the tongue 'cause I'm nasty I'm on my way (way), girl I can't wait (wait) Twitter me a picture, lemme see that OK Shawty just text me, say she wanna sex me (LOL smiley face, LOL smiley face) Shawty sent a Twit pic saying come and get this (LOL smiley face, LOL smiley face) Go to my page and follow And if you got a body like a Coke bottle Shawty sent a Twit pic (it's me Gucci) saying come and get this (LOL smiley face, LOL smiley face) You got me shawty, text Mane Send ya boy a smiley face Gucci Mane, X rated we can make a sex tape Pics on my iPhone Gucci on her iPod When she turn around, ass make ya say oh God Mami real beautiful Manicured cuticles Office job Student girl Holding down her cubicle And she got my number tell her man that's like a miracle Said she love my swag Pull up 6's on my vehicle G.A. -
NOT for RESALE - for REVIEW ONLY Squire with Fire · a Happy Dragon Tale ·
NOT FOR RESALE - FOR REVIEW ONLY www.squirewithfire.com Squire With Fire · A Happy Dragon Tale · WRITTEN & ILLUSTRATED BY Joseph Cassis “Grandpa, what is that?” Mac asked as the curious young child pointed to Grandfather’s wrinkled but strong hand. 1 “You mean this gold ring?” responded Grandpa, who was dressed in his favorite royal purple shirt. He proudly curled his hand into a tight fist to show Mac his gold ring better. Mac nodded. “Yep, it’s so shiny.” Grandpa leaned into Mac and said in a soft voice, “My father gave it to me and his father gave it to him and his grandfather gave it to him. Well, you get the idea. It was a very long time ago. This special family ring is over 600 years old.” Mac’s big brown eyes widened, staring at the “Well, it’s just not that easy, Mac. You must gleaming ring. “Wow, like you, Grandpa?” show me that you have all the qualities of a squire,” said Grandpa. Grandpa chuckled. “Well, no. I am a bit younger than 600. When they were seven years old, Mac looked puzzled and stared at Grandpa. “A our ancestors competed to be squires. They squire? What’s a squire?” learned the ways of being a knight, and then Grandpa answered with a slight grin, “A squire is if they proved they were worthy, they became young person who is a knight’s helper.” squires at fourteen and received this beautiful gold ring.” Mac smiled. “I know. You mean he helps knights fight dragons?” “Oh,” Mac said, excitedly. -
BARSTOW, Robert Squire, 1936- the THEATRE MUSIC of DANIEL PURCELL
This dissertation has been microfilmed exactly as received 6 9 -4 8 4 2 BARSTOW, Robert Squire, 1936- THE THEATRE MUSIC OF DANIEL PURCELL. (VOLUMES I AND II). The Ohio State University, Ph.D., 1968 Music University Microfilms, Inc., Ann Arbor, Michigan Copyright by Robert Squire Barstow 1969 - THE THEATRE MUSIC OF DANIEL PURCELL .DISSERTATION Presented in Partial Fulfillment of the Requirements for_ the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Robert Squire Barstow, B.M., M.A. ****** The Ohio State University 1968 Approved by Department of Music ACKNOWLEDGMENTS To the Graduate School of the Ohio State University and to the Center of Medieval and Renaissance Studies, whose generous grants made possible the procuring of materials necessary for this study, the author expresses his sincere thanks. Acknowledgment and thanks are also given to Dr. Keith Mixter and to Dr. Mark Walker for their timely criticisms in the final stages of this paper. It is to my adviser Dr. Norman Phelps, however, that I am most deeply indebted. I shall always be grateful for his discerning guidance and for the countless hours he gave to my problems. Words cannot adequately express the profound gratitude I owe to Dr. C. Thomas Barr and to my wife. Robert S. Barstow July 1968 1 1 VITA September 5, 1936 Born - Gt. Bend, Kansas 1958 .......... B.M. , ’Port Hays Kansas State College, Hays, Kansas 1958-1961 .... Instructor, Goodland Public Schools, Goodland, Kansas 1961-1964 .... National Defense Graduate Fellow, The Ohio State University, Columbus, Ohio 1963............ M.A., The Ohio State University, Columbus, Ohio __ 1964-1966 ... -
Superhero Origins As a Sentence Punctuation Exercise
Superhero Origins as a Sentence Punctuation Exercise The Definition of a Comic Book Superhero A comic book super hero is a costumed fictional character having superhuman/extraordinary skills and has great concern for right over wrong. He or she lives in the present and acts to benefit all mankind over the forces of evil. Some examples of comic book superheroes include: Superman, Batman, Spiderman, Wonder Woman, and Plastic Man. Each has a characteristic costume which distinguishes them from everyday citizens. Likewise, all consistently exercise superhuman abilities for the safety and protection of society against the forces of evil. They ply their gifts in the present-contemporary environment in which they exist. The Sentence Punctuation Assignment From earliest childhood to old age, the comics have influenced reading. Whether the Sunday comic strips or editions of Disney’s works, comic book art and narratives have been a reading catalyst. Indeed, they have played a huge role in entertaining people of all ages. However, their vocabulary, sentence structure, and overall appropriateness as a reading resource is often in doubt. Though at times too “graphic” for youth or too “childish” for adults, their use as an educational resource has merit. Such is the case with the following exercise. Superheroes as a sentence punctuation learning toll. Among the most popular of comic book heroes is Superman. His origin and super-human feats have thrilled comic book readers, theater goers, and television watchers for decades. However, many other comic book superheroes exist. Select one from those superhero origin accounts which follow and compose a four paragraph superhero origin one page double-spaced narative of your selection. -
PART 1 This Transcript Is Verbatim and Runs from June 13 Through November 13, 2014
PART 1 This transcript is verbatim and runs from June 13 through November 13, 2014. Where ellipses appear, they were in the original DM and do not indicate omissions made by the transcriber. Material in [brackets] has been inserted by the transcriber. JY = Jonathan Yaniv UW = Unnamed woman he's DM'ing on Twitter Time stamps are bolded when they mark the start of a new day. ____________________________________________________________________________________ [No time stamp appears at the beginning but the first time stamp to eventually appear shows a date of June 13, 2013] JY: hi UW: Hey JY: how are you? UW: good lol JY: can i ask u for some advice since ur from somewhere hot like texas lol UW: sure JY: Ok well I'm really sensitive to chlorine and i want to go to pools this summer. Before i used to go into pools wearing long pants and a shirt and that's so weird... so im wondering if it would be ok if i got a neutral one piece girls bathing suit? I looked at wet suits and they are awkward and expensive as heck.?? [frowny face] UW: Hahaha um best bet would probably takns and a short UW: sleeve surf top. My boyfriend is fat so he wears underarmor and trunks lol JY: That's what im doing and it doesn't help, i burn and rash so quickly UW: Hmmmm well then I'm not sure JY: could I get a one piece? UW: Like old school guys swim suit one piece? JY: like... JY: hold on 1 JY: [inserts an eBay link for a "training racing competition swimsuit, U.S., miss] UW: Lmao um probably not.