Press Kit 28.04
PRESS KIT 28.04. → 20.08.18 centrepompidou-metz.fr #couplesmodernes , Zurich, 1920. Stiftung Arp e.V., Berlin/Rolandswerth Sophie Tauber-Arp avec Tête Dada ; Nic Aluf, © Adagp, Paris, 2018 Exhibition organized by c. 1926, Centre Pompidou-Metz in collaboration with Barbican Centre, London Jean Arp avec Monocle-nombril, Jean Arp, BAT_DP_COVER_v1.indd 3-4 09/05/12 11:56 SUMMARY INTRODUCTION 2 EXHIBITION LAYOUT 4 1. RHYTHM AND FREEDOM 4 2. A SHARED SPACE 12 3. LOVE REINVENTED 18 4. NATURE ILLUMINATED 26 EXHIBITION LAYOUT 31 CATALOGUE 31 RELATED PROGRAMMING 32 PARTNERS OF THE CENTRE POMPIDOU-METZ 34 VISUALS FOR THE PRESS 36 1 INTRODUCTION “ENCOUNTERS – What was the most significant couple formed by Duchamp and Martins, the Modern encounter of your life? To what extent did you have - Couples exhibition explores the creative process do you have - the impression that this was a chance generated by passionate, complex, sometimes encounter? Or one of necessity?”1 subversive, loving relationships, which united artists in the first half of the 20th century. Whether The Modern Couples (couples modernes) exhibition they were officially couples, exclusive or open, explores more than forty essential or incidental these couples brought together not only painters, encounters between artist couples, from 1900 to sculptors, photographers, poets, writers, musicians 1950. and dancers, but also architects and designers. The latter elevated architecture, a new organic unit, in In his essay/manifesto “Beaubourg, un musée où hitherto unexplored ways. A machine for living, a explosera la vie” (Beaubourg [the Pompidou Centre], receptacle for regenerated intimacies, the house no a gallery where life ignites), from 1974 onwards, longer represented a simple shelter, but, from that Pontus Hulten saw art as “a catalyst and a transfer time onwards, revealed the state of the couple’s soul, of the energy of love” and galleries as “places of transcending geometry, becoming a dwelling-place great sensual concentration”.
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