1223 University of Oregon ordan Schnitzer Museum of Art Eugene, OR 97403–1223 J annual report 2008–09 Street address: 1430 Johnson Lane, Eugene, OR 97403 On the University of Oregon Campus

Phone: (541) 346-3027 Fax: (541) 346-0976 Website: http://jsma.uoregon.edu/

Kang, Ik-Joong, Korean, b. 1960. Happy Buddha, 2007. Crayon and tempera on pine board with Envirotex Lite polymer coating, 30 x 30 x 2 inches. From the James and Haya Wallace Purchase Fund. 2008:13.1. Courtesy of the artist and the Kang Collection

Front cover: Iwami Reika, Japanese, b. 1927. Song of the Sea C. 1983. Woodblock print, 27 ½ x 27 ¼ inches. Gift of Yoko McClain. 2008:21.32. © Iwami Reika Jordan Schnitzer Museum of Art ANNUAL REPORT 2008 – 2009 China. Decorated Jar, Majiayao Culture, Banshan Phase, Neolithic period, ca. 3rd millennium BCE. Painted earthenware, 14 ½ inches high. Gift of James and Barbara Walker in Honor of the Museum’s 75th Anniversary. 2008:27.1. Photo by Richard Gehrke

Elsa Mora, Cuban, b. 1971. Perda do Sentido (Loss of Reason), 2000. Ink pigment print, ed. 8/25, 12 x 13 ¼ inches. Gift of Dr. and Mrs. Irwin R. Berman. 2008:11.5. © Elsa Mora

Previous Page: Yang Yongliang, Chinese, b. 1971. Heavenly City, #1, 2008. Inkjet print on Epson paper, 2 ed. 1/7, 50 x 30 inches. Acquisition Fund Purchase. 2008:28.2. Courtesy of the artist and LIMN Gallery, San Francisco The Year in Review

There is always an element of uncertainty when a museum art as a bridge between cultures for the purpose of build- chooses a new director and a new director chooses a museum. ing understanding and peace. It was a noble vision and Qualifications aside, is it a good match? Are the museum’s remains an enduring commitment. challenges, the director’s interests, and the community’s This museum has stood the test of time. With hundreds values in alignment? For an art museum at a major research of steadfast and new friends we celebrated our 75th anni- university, are the expectations of the academy attainable? Is versary this year! The timing was, indeed, fortuitous for there a proper balance between that academic mission and me. Preparing for the birthday celebration, which included service to the community, from K-12 education and lifelong a special exhibition drawn from the collection, a new learning to cultural and civic partnerships? collections highlights publication, and celebratory events For those of us who have chosen a career in univer- offered me a crash course in the museum, from its history sity museum administration, the opportunity to bridge to its generous and hard-working supporters. communities and cultures and enhance learning through the visual arts is a passion. Leading such a major univer- sity art museum—major in terms of both its physical size Setting Goals: Mission, Planning, and Restructuring and the importance of its collections—is both rewarding Since reopening the museum in 2005—at double its previ- and challenging. The search for faculty members—even ous size—the museum staff has dedicated itself to operating beyond the usual suspects in the arts—whose research and at the highest standards despite little growth in its numbers. teaching can be enriched and expanded through a museum The lack of an experienced museum director for more than interface is invigorating, and the resulting collaborations two years meant that much of 2008–09 was spent defining can, at their best, transform our understanding of our baseline operations and staff expertise and then determin- world. For University of Oregon students, our first constit- uency, we have the charge to train future generations, not Leadership Council President Lee Michels speaks with a student in a Japanese print class held in the JSMA’s Gilkey Center. Photo by Debbie just in art appreciation, but in world citizenship. Finding Williamson-Smith. new ways to keep the museum relevant and inspiring is at the heart of all we do. The past year has been exciting and invigorating for all of us associated with the Jordan Schnitzer Museum of Art. It has been a year of assessment: Why are we doing what we’re doing and how do we judge success? At the same time as we’ve been refining and revising our course, we’ve also been laying the groundwork for our re-accreditation application to the American Association of Museums, due in August 2010. For me, this year has focused first on learning about the museum’s history, staff, and collections, the university’s goals and strengths, and our community of supporters. From our distinguished founder, Gertrude Bass Warner, we inherited an obligation to acquire and present the finest examples of art from around the world and to make those objects matter to people on- and off-campus. Warner saw

3 ing what might be possible. It became apparent that with the re-accreditation deadline looming, priorities and strate- gies had to be identified and pursued quickly. Fortunately, prior to my arrival, the university’s leader- ship, interim director Robert Melnick, and the museum’s previous advisory board created a new Leadership Council for the JSMA that reflects our on- and off-campus constit- uencies. This year the Council’s Long-range Planning Committee, under the able leadership of Greg Fitz-Gerald Carl Hall, American, 1924–1996. Eight Eggs, 1959. Oil on masonite, and Kurt Neugebauer, the museum’s associate director 52 1/8 x 49 inches. Gift of the Estate of William Mitchell. 2009:2.1. of administration and exhibitions, worked closely with Photo by Richard Gehrke the staff to draft a new mission and long-range plan, drawing input from faculty, students, UO administrators, JSMA Welcomes Planned Gifts and community members at numerous stages throughout the process. Our new mission, values, and strategies are presented on page 14 of this report. The Legacy of The strategy sections form the headings of the long-range plan, which covers a five-year period and begins with the William Mitchell projects necessary for re-accreditation. The plan also details “Bill Mitchell frequently gathered people from finance, who is responsible for completing the assignment (in many cases the tasks are ongoing), others involved, resources business and the arts to his home with no particular needed, deadlines, and criteria for judging success. Progress agenda beyond sharing fine wines and friendships,” will be evaluated monthly at senior staff meetings and quar- terly with the Long-range Planning Committee, which will recalls Larry Fong, Curator of Regional and American Art also help manage the re-accreditation process. at the JSMA. “His approach to collecting was similar, with Prior to my arrival, President Frohnmayer moved the a determination to develop relationships with artists and museum’s reporting line from that of the Senior Vice President and Provost to the Vice President of Advancement, gallerists. Since Bill planned for his art collection to be a move that concerned many faculty members who worried donated to the JSMA, whenever he saw an appealing that the museum would no longer meet its academic obli- gations. Reporting first to Allan Price and then to Michael piece at the Karin Clarke or White Lotus galleries in Redding in the restructured University Relations area, I Eugene he would call or arrange for the gallery to and the museum have benefited from their strong support contact us about his most recent discovery to determine and advocacy. In fact, our collaborations with departments, faculty, and students have never been stronger. It is likely if the artwork was also fitting for our collection. It’s not that a joint reporting system, reflecting the museum’s new surprising to view one of his artworks in the Schnitzer mission of serving both academic and public audiences, Gallery of American and Regional Art.” will be implemented soon. “The JSMA is deeply grateful to William Mitchell (1925–2006) for his lifetime participation and planned Planning for Re-Accreditation Ten years ago, when the museum was last accredited, the giving commitment to the museum,” says Executive reviewers identified two areas of concern—our facility and Director Jill Hartz. “We are also deeply appreciative of the level of curatorial staffing. With the recent renovation his financial bequest, which provides essential operating and expansion, made possible with the great generosity of the state of Oregon, numerous private donors, and the support for the Museum’s exhibitions and public university, the museum has become a state-of-the-art facil- programs.” ity for the exhibition, storage, and interpretation of its the collection and the university, his research into artists collections and exhibitions. From our loading dock and of the Pacific Northwest, including Carl Morris and Morris freight elevator to our expanded storage and new design, Graves, his mentoring of students, and his fresh ideas for photography, mount-making, and shop areas, we are well exhibitions and re-installations of the collection are garner- equipped to support the care and presentation of art. Our ing welcome attention and support. 20,000 square feet of galleries, new children’s interactive Charles Lachman, the museum’s former part-time gallery, art studio, reception and lecture spaces, café and curator of Asian art, made the decision this year to return shop are the envy of many university museums and allow to full-time teaching in the Department of Art History, us to provide a full range of experiences to an increasingly and his presence is sorely missed. Recognizing the impor- diverse audience. With the reworking of our driveway to tance of having a full-time curator of its Asian collec- accommodate large trucks and a few maintenance renova- tions—approximately three-quarters of our holdings—the tions, we will meet, if not exceed, accreditation standards. university will provide three years of start-up financing As noted earlier, the last accreditation report directed for the new position. A national search has ensued and its concern also to our curatorial staffing level, urging the we anticipate filling this most senior-level position (in museum to add two full-time curators in addition to its addition to curating the Asian art collection, the position director. Since that time, Larry Fong, then registrar and manages the curatorial department and serves as the direc- associate director, has assumed the full-time position of tor of academic programs) in spring 2010; an endowment curator of American and regional art. Larry’s knowledge of campaign for the curatorship will soon be underway.

Korea. Tiger Skin Screen, 19th century. Ink and slight color, six-panel folding screen, each panel 70 x 25 ¼ inches. Gift of Robert and Sandra Mattielli in Honor of Kyung Sook Cho Gregor. 2008:20.1. Photo by Richard Gehrke

5 Gifts by Yoko McClain Continue Tradition of Giving “I have enjoyed a long-standing relationship with the art museum, starting in 1953 when I worked there as a student receptionist,” says Yoko McClain. “It was the most natural choice for me to give my collection of Japanese prints to the JSMA, where people from all over

Takagi Shiro, Japanese, 1934– would be able to experience these fine 1998. Utamaro and I – 783, 1978. works of art for many years to come.” Woodblock print, 20 ½ x 17 ¾ inches. Gift of Yoko McClain. Thank you, Yoko! 2008:21.62. © Estate of Takagi Shiro. Photo by Richard Gehrke

Also strengthening the curatorial program will be Collections a two-to-three year assistant curator position, directed The museum welcomed 172 works through gift and primarily toward work on the McCosh collection, made purchase in 2008–09 (a complete list begins on page 15). possible by the David John McCosh and Anne Kutka Among the most significant is a collection of Japanese McCosh Memorial Museum Endowment Fund. Internships prints, given by Yoko McClain, including works by Sekino and practicums (independent study) by undergraduate and Jun’ichiro. Yoko, and her late husband, Robert, have graduate students further enrich our collections and exhi- been instrumental in advancing the study of Japanese bitions activities. art at the museum. We closed the year with a very A few other key staff changes occurred during 2008-09. special exhibition—On The Road: Two Visions of the Deidre Sandvick joined the museum during the summer as Tokaido—which presented, side by side, the traditional our new director of development. She has spent the year series by Hiroshige and the creative prints by Sekino. The meeting many of the museum’s past and present support- McClains had championed Sekino’s work and acquired his ers and making new friends. Assisting her fund-raising Tokaido series, created over a fourteen-year period. Nearly efforts is Peg Renkert, on loan from the central develop- thirty-five years ago, they mounted the first exhibition ment office, who has managed our newly activated grants comparing these works and wrote essays and entries in program. With Peg’s assistance we have submitted propos- catalogues that continues to enhance our understanding als to governmental and private foundations in Salem and of these artists, Japan, and Japanese printmaking. We are across the country. Erick Hoffman, who completed his honored that Yoko and her son, Robert, have continued to first year as director of communications, was recognized support the museum. as one of only a handful of UO staff members to receive an While director at the University of Virginia Art Outstanding Officer of Administration Recognition Award. Museum, I had developed an interest in contemporary Gretchen Ranger, who worked in the museum’s collections Cuban art (following two trips to Cuba), as had one of area while a student, became our associate registrar for my advisory board members. Dr. Irwin Berman and his loans and has made significant advances in the planning wife, Linda, donated six pieces by major Cuban artists of our ambitious exhibitions. Two interim positions—Kurt to the museum upon my arrival, and I am deeply grate- Neugebauer’s as associate director and Richard Gehrke’s as ful for their ongoing interest and support. These works, chief preparator—were finalized. in addition to photographs by Manuel Bravo and a new

6 Robert Canaga (right) and Allen Cox. Allen Cox, American, b. 1950. Willendorf, 2007. Wax, oil, and alkyd on linen, 64 x 70 inches. Gift of Linda Lawrence and Robert Canaga. 2008:17.1. © Allen Cox 2008. Photo by Richard Gehrke

Linda Lawrence and Robert Canaga Give Art Today and Plan for Tomorrow Robert Canaga and his wife, Linda Lawrence, gave the museum a major work by Allen Cox (pictured) and facilitated the gift of a second painting from the artist. “The art of the Pacific Northwest is, and will always be, a central interest of the museum,” says Executive Director Jill Hartz. “We are thrilled to accession these major works by a living Western artist into our collection.” The JSMA also thanks Linda and Robert for their planned gift. “Linda and I decided that one of the most sustaining and important venues that we could invest in, that would continue long after we are gone, would be the Jordan Schnitzer Museum of Art,” says Robert Canaga. “Being a small part of something that will last—giving pleasure, entertainment, and education to many generations to come—gives us a true feeling of satisfaction.”

work that I purchased at Art Basel Miami Beach in 2008 by noted Mexican photographer Tatiana Parcero launch the museum in a new direction of collecting Latin American art. This expansion in our collecting philosophy responds to a new major in Latin American studies at the univer- sity and a growing Latin American presence in Eugene/ Springfield. Complementing our Asian art holdings are signifi- cant works by Pacific Northwest artists. Local collec- tors Robert Canaga and his wife, Linda Lawrence, and Portland collectors Brian and Gwyneth Booth extended our representation in this area with works by Alan Cox and Charles Heaney, respectively. Our photography collection welcomed new work by Binh Danh, Yu Hang, Elsa Mora, George Tice and Yang Yongliang, among others. Works on paper by Rembrandt, Franz Klein, Helen Hyde, Mark Clarke, and Salvador Dali further enhanced our western holdings. In recognition of the museum’s anniversary and the significant role President Dave Frohnmayer and his wife, Lynn, have played in assuring the museum’s future, Jordan Schnitzer announced the promised gift of the major print Purple/Red/Gray/Orange by Ellsworth Kelly. Leadership Council board member James Walker and his wife, Barbara, donated a magnificent Neolithic Chinese pot to the museum, also in honor of the museum’s 75th. Tatiana Parcero, Mexican, b. 1967, Re-Invento #16, 2006. Acetate and Collections care and management are central concerns lambda print (edition of 5), 43 x 45 inches. Acquisition Fund Purchase. of the museum. A grant from the Oregon Cultural Trust 2008:29.1. Courtesy of the artist and Bernice Steinbaum Gallery

7 Cuba Avant-Garde: Contemporary Art from The Farber Collection. Joseph Mallord William Turner, English, 1775–1851. Pope’s Villa Photo by Richard Gehrke at Twickenham, ca. 1808. Oil on canvas, 36 x 47 ½ inches. Private Collection. Photo by Richard Gehrke

Generous Loans Many of the museum’s galleries benefited from short- and long-term loans throughout the year. Significant works by Yue Minjun, Alice Neel, J.M.W. Turner, Maillot, Nevelson, Rothko, and Warhol, among many others, were enjoyed by visitors and incorporated into the curriculum. These loans are only possible because we have space and a facility that meets the highest professional standards and lenders who recognize the value of sharing their treasures with the public. We are deeply grateful to all of them. In the case of MFA 2009: Damon Harris, American, b. 1980. Untitled, 2009, conduit and Turner’s Pope’s Villa at Twickenham we were especially fluorescent tubes, 180 x 259 x 189 inches. Photo by Richard Gehrke fortunate to have on hand the expertise of Kate Nicholson, a professor in the Department of Art History, who is renowned internationally as a Turner scholar. will give our collections management database a much needed upgrade and a searchable engine on our new, improved website. Unpacking of decorative objects since Special Exhibitions the move back into the building, inventory, photographic Our handsome Coeta and Donald Barker Gallery hosted an documentation, and conservation—all are being addressed exciting and unusual series of exhibitions this year. Three in a systematic way that also offers students in art history, during the summer were planned in conjunction with the arts administration, and museum studies valuable collec- Olympic track and field trials, including The Thinking tions experience. While works in the Schnitzer Gallery of Body, organized by Art faculty Kate Wagle and Anya American and Pacific Northwest Art are changed regularly, Kivarkis, which traveled to the San Francisco Museum of we await the arrival of our new curator for fresh installa- Craft + Design. Interim director of the museum and former tions in our Asian art galleries. Architecture and Allied Arts Dean Robert Melnick booked One gallery that did change this year was the A. Dean the fall 2009 exhibition Cuba Avant-Garde: Contemporary and Lucille I. McKenzie Gallery of Russian icons. Originally Cuban Art from The Farber Collection. The exhibition designed as a central triangle within our Focus Gallery, we was not only well matched to my own interest and knowl- reconfigured the space to better support the academic edge of the field, but the growing Latino community curriculum. By locating it to the west end of the gallery, on- and off-campus warmed to the show and its accom- we were able to design the Focus Gallery to show works panying programs, setting opening attendance records. from the collection and on loan as requested by faculty in Inspired by the shows bilingual catalog, the museum support of their research and teaching. provided bilingual wall text, audio tours, and press materials. Working with leaders in the Latin American

8 University President Richard Lariviere, JSMA Executive Director Jill On The Road: Two Visions of the Tokaido. Photo by Richard Gehrke Hartz, and Hirofumi Murabayashi, Acting Consul General of the Consulate General of Japan in Portland, at the On The Road: Two Visions of the Tokaido donor reception. Photo by Erick Hoffman. communities at the university and in Springfield and Academic and Public Programs Eugene, we also planned and presented well-received The museum’s extensive outreach programs for both the programs for families and adults. This process has now university and the larger community are made possi- become an ongoing practice for the museum with staff ble thanks to the commitment of time, expertise, and members working closely with constituency representa- resources of volunteers, faculty, students, and staff. We tives to select, design, promote and present activities that are especially grateful to Cheryl Ramberg Ford and Allyn strengthen cross-cultural appreciation. Ford for creating an endowment to assure the health of our Our 75th anniversary became the subject of the Lasting outreach programs to youth and families. JSMA Exhibition Legacies: The First 75 Years, as we identified significant Interpreters provided tours to thousands of schoolchil- works throughout our collections and displayed both well- dren, many of them combining gallery presentations known objects as well as new and recent additions. With with hands-on art making. Courses in art, art history, arts the generous support of the David John McCosh and Anne administration, museum studies, history, Latin American Kutka McCosh Memorial Museum Endowment Fund and studies, Asian studies, languages, law, and education drew annual gifts, we published a beautiful handbook of the on the museum’s collections and exhibitions. A full list of collection, detailing the museum’s history, and highlight- these can be found in the Public Programs section of this ing more than one hundred works. Volunteers from our report. In addition, staff members throughout the museum Leadership Council and the Gourmet Groups worked gave lectures, presented tours, and provided individual closely with museum staff and Vanessa Papé of Cocoa learning opportunities to UO students as well as others in Belle Events, a professional party planner, to transform area community colleges, middle schools and high schools. the museum into a magical site for a memorable birthday Wednesday evening programs enhanced visitors’ apprecia- party. So many of those who were instrumental in the tion of our exhibitions and collections, bringing in artists museum’s capital campaign and who have continued to and curators as well as scholars on campus and elsewhere. support its collections, programs, and stability enjoyed The museum has long served as a significant partner in the celebration. K-12 education, providing on-site tours and other programs The spring MFA exhibition followed, with work that that support curricula, visual literacy and art appreciation, explored sculpture, photography, painting, installation, and and offering many off-site programs, including after-school mixed media, and we concluded the fiscal year with the activities, art kits, and student internships. Recognizing the exhibition noted earlier on the Tokaido Road. Our Focus difficulty many schools are having in the current economy, Gallery also accommodated changing shows, including a in the spring the museum initiated a “Fill Up the Bus” selection of remarkable metalwork designed by architects campaign, aimed at raising $15,000 that would help offset the from the collection of UO alumna Margo Grant Walsh, the cost of field trips for schools throughout the region. Subsidies exhibition Paterson by the photographer George Tice, and will be offered throughout the 2009-10 school year. Binh Danh’s In the Eclipse of Angkor. NewArt Northwest Family Days and our new Saturday Celebrations explored Kids graced our Ford Lecture Hall. Latin American and Asian cultures and drew partnerships

9 The April 2009 Saturday Celebration featured a Chinese brush demonstration in the museum’s art studio. Photo by Erick Hoffman.

with organizations on- and off-campus, including the student group MEChA and Adelante Sí, Fiesta Latina, Centro Latino Americano, Eugene-Springfield Asian Council, Japanese American Association of Lane County, Oregon Asian Celebration, DisOrient Film Festival, Chinese American Benevolent Association, Eugene-Springfield Obon Dancers, Eugene Taiko, Yujin Gakuen Japanese Immersion School, UO Museum of Natural and Cultural History, Oregon Bach Festival, and UO Center for Asian Pacific Studies, among others. Programs for preschoolers and summer camps were filled to capacity, and workshops teaching specific art making firmly for the challenges ahead. An expanded, experienced skills were popular. staff will address priorities in collections management, security, evaluation, exhibition planning, publications, museum studies, diversity, governance, and fund raising Looking Ahead and complete the self-study for reaccreditation. New initia- This report has offered an overview of the progress we’ve tives that support diversity, curriculum development, made during 2008-09 on so many fronts. Our accomplish- exhibitions, and staffing will add breadth and depth to our ments—made possible with literally hundreds of volun- programs and services. We look forward to sharing our teers within the university and in our larger community, goals, challenges, and successes with you. including alumni around the world—have positioned us Jill Hartz, Executive Director

Celebrating our 75th anniversary are (from left) Greg Fitz-Gerald, Vice President, Leadership Council, Susie Papé, and Jeff and Connie Huling.

The JSMA’s special exhibition Lasting Legacies highlighted important works in the collection. Photo by Richard Gehrke

Jordan Schnitzer announces his planned gift of the Ellsworth Kelly print in honor of President Dave Frohnmayer. Photos by Debbie Right: Cheryl and Allyn Ford enjoyed Williamson-Smith the 75th celebration. except where noted.

10 Volunteers

Gourmet Groups I and II average of 250 hours of their time, providing four tours each Sandi South and Nancy McMahon, month for the public. In addition to providing tours at the Co-chairs, Gourmet Group I museum for 4,000 school children, the volunteers increased Leanne Wong, Melanie MacKinnon and Kelli Bell, the museum’s visibility by providing programs offsite at Co-chairs, Gourmet Group II schools in Eugene, Oakridge, Springfield, and Veneta. Thanks to ongoing support from the Cheryl and Allyn JSMA’s long-standing volunteer corps, Gourmet Group I Ford Educational Outreach Endowment Fund the E.I.s were and Gourmet Group II, joined forces this year and made a able to lead tours and post-tour art activities for schools in major impact on two important projects. In celebration of the region with the highest numbers of children receiving the museum’s 75th anniversary, members of both groups free and reduced lunch. Bus subsidies provided transporta- helped to plan and execute the vibrant Champagne and tion for museum field trips to school children who would Diamonds event held on April 3, 2009. More than 200 normally not be able to attend due to financial hardships. attendees enjoyed an elegant and imaginative evening and The Fill Up the Bus campaign will assure that school chil- shared their pride in this cultural milestone. dren continue to visit the museum in the coming year. The Gourmet Groups also responded quickly to support Among other highlights of the year, the E.I.s added the Fill Up the Bus campaign. Upon hearing that many an art sale to the annual holiday luncheon and dedicated of the local school districts needed to cancel field trips ten percent of the sales to the Exhibition Interpreter Fund for budgetary reasons, the museum and its Exhibition for Education Programs. E.I. Camille Ronzio served as Interpreters launched the campaign to provide schools the leader of the new “Hattie Mae Nixon Project” with with funds to cover the cost of transportation and tour- the goal of meeting frequently with Nixon to document related activities. Thanks to the early efforts of the E.I.s her oral history of the museum and research projects and the Gourmet Groups, the JSMA was ready at the start on our collection for the benefit of current and future of the 2009 school year to provide funds to any school that E.I.s. The Exhibition Interpreters also visited Seattle for needed help bringing children to the museum. Our thanks a two-day tour in the spring, led by JSMA Director of go to all of the members of the Gourmet Groups and partic- Education Lisa Abia-Smith. The group enjoyed specialized ularly the co-chairs of each group. tours at the Seattle Asian Art Museum, Seattle Art Museum, Photo by Debbie Williamson-Smith Exhibition Interpreters and Olympic Sculpture Park and met with area museum educa- Dee Carlson, Chair tors, docents and arts educators Linda Schaefers and Nancy Fletcher, Vice Chairs to discuss tour strategies. The museum is deeply grateful to our Exhibition Interpreters, who give countless hours of their time to provide dynamic tours for our visitors. They are an important frontline to Hattie Mae Nixon: the public and inspire thousands of visitors of all ages each First Gertrude Bass Warner year with their enthusiasm and understanding of art. Awardee During 2008-09, ten new volunteers were selected to join On February 18, 2009, Hattie Mae the E.I. program, bringing the total number of volunteer Nixon became the first recipient of tour guides to fifty. Shirley McNaught and Dorothy Frear the Gertrude Bass Warner Award, became Emeritus Exhibition Interpreters. Each E.I. gave an given in recognition of her long,

11 dedicated, and selfless commitment to advancing the mission offers advice and assistance on a broad range of subjects and goals of the Jordan Schnitzer Museum of Art. Since 1973, and supports the museum in a variety of ways. she has served as a docent, Exhibition Interpreter, and volun- The Council met five times during the fiscal year and teer curator at the museum. its six committees—Executive, Nominating, Development, Born in Ohio in the early 1920s, Nixon attended Collections, Long-range Planning, and Public Programs— Miami University of Ohio where she earned her degree in met frequently to identify and advance specific goals, Home Economics Education. While working as a Home including the adoption of a new mission and long-range Economics County Extension Agent in Butler County, plan. Future plans will focus on extending Council member- Ohio, she was selected as one of four national 4-H interns ship to friends and alumni throughout the country and to work at the U.S. Department of Agriculture. Through abroad, fund-raising strategies, adding a student advisory her internship and graduate work at George Washington committee, and evaluating and recommending programs. University, she was encouraged to move to Oregon by a staff member of the Oregon State University Extension Service. The Legacy of Randy Papé In Oregon, Nixon worked as a Recreation Arts and Crafts The museum and university lost one of its most beloved Program Developer and Teacher for the City of Eugene Park friends, Randy Papé, in November. As chair of the recent Department, taught Home Furnishing and Textiles and Campaign Oregon, he was instrumental in raising a record Home Economics at the University of Oregon, and was $853 million. Assistant Professor of Textiles and Home Furnishings at Papé was the third in a family succession at The Papé Oregon State University. She was also the first director, Group, Inc. After receiving his finance degree from the exhibition developer and coordinator for the Maude Kerns University of Oregon in 1972, he joined the parts department Art Center in Eugene. of the company and by the time he became president and “It is only fitting that the first person to receive this CEO in 1983 he had diversified its products and expanded award be a woman with such a strong interest in world the company into a seven-state conglomerate. Randy and cultures and a deep desire to share her knowledge with Susie’s three sons—Ryan, Christian, and Jordan—joined everyone she knows. We are all fortunate to have been him in the family business. touched by the bright spirit and enthusiasm of this amazing Papé’s civic-mindedness led him to positions as state person,” said Jill Hartz, JSMA Executive Director, at the transportation commissioner, head of the United Way of award ceremony. Lane County campaign, and as a UO Foundation Board of Trustee member. “He was the most positive person,” said his wife, Susie Papé, a long-time member of the museum’s A New JSMA Leadership Council advisory board. “I want everyone to know how wonderful Lee Michels, President he was and how much he cared about this community,” Greg Fitz-Gerald, Vice President she added. The museum will In 2008, the museum, under the interim leadership of Photo by Michael McDermott remember him most Robert Melnick, worked closely with members of the for his surprise fiftieth university administration to reorganize the JSMA’s major birthday gift to his wife: support group into a Leadership Council. Outgoing presi- the naming of the Susie dent of the former advisory board, Connie Huling, passed Papé Reception Hall in the reins to incoming chair Lee Michels. the museum. A new charter for the organization confirmed its role “as the primary advisory body with a goal of ensuring the artistic quality, educational integrity, and financial strength of the Museum, and serving as one of the custodians of a public trust of the Museum and its functions that promote excellence and sustainability.” Composed of faculty, staff, students and community members, the Leadership Council

12 Jordan Schnitzer Museum of Art

Programs, Collections and Honor Roll 2008 – 2009 Our Vision for the JSMA

Vision Collections Risk Management We will become one of the finest university The Museum collects, preserves, studies, exhibits, The Museum develops, implements, and art museums in the world. and interprets works of the art for the benefit of monitors preventative measures and intervention the University of Oregon curriculum and for the plans and maintains a comprehensive security enrichment of the general public. The JSMA is program for minimizing risk to the collections, Be l i e f dedicated to strengthening its Chinese, Japanese, human life, and the Museum facility at all times, We believe that knowledge of art enriches Korean, American and Pacific Northwest art during regular operations and from unexpected eople’s lives. collections and to acquiring fine examples from threats and emergencies. the history of art, from earliest times to the present, representing cultures throughout the world. Management & Governance Mi s s i o n The Museum employs strong, competent The Jordan Schnitzer Museum of Art enhances Research and Publications leadership that is financially prudent, encourages the University of Oregon’s academic mission and The Museum supports high-quality research achievement, and measures performance furthers the appreciation and enjoyment of the on its collections and programs by its staff, against standards of excellence. The university’s visual arts for the general public. University of Oregon faculty, students and administration and the Museum’s Leadership others who use its resources. Research is made Council are supportive and informed advocates Our Constituents accessible through teaching, exhibitions, of the Museum. programs, publications, and online. The Museum’s primary constituents are the The Executive Director and senior staff are University of Oregon’s students, faculty and staff responsible for developing, implementing, as well as regional residents and visitors. Our Funding and Development reviewing and revising the long-range plan with varied activities extend our service to an even The University allocates funds for staff, input from the Museum’s constituents, including wider audience of scholars, artists, collectors, operations, security, and facility maintenance to the Leadership Council. critics, and museum professionals. the greatest extent possible. The Museum raises revenue for all programs Human Resources Guiding Principles not covered by the university’s general fund The JSMA employs and trains competent • The museum experience enriches people’s from diverse sources, including earned income, staff and volunteers who strive for excellence. lives. individuals, foundations, corporations, and local, The Museum supports diversity, training and • We contribute to the education of university state, and federal grants agencies. The Museum is professional advancement opportunities for students and help them become culturally committed to a balanced budget model. its staff and volunteers and provides training competent global citizens. opportunities for students interested in the The Leadership Council is a key support group, museum profession. The Museum follows • We recognize our visitors’ different learning raising money and advocating for the Museum. styles and the needs of a multigenerational the university’s human resources procedures, including annual evaluations. and diverse audience. Communications & Marketing • Our visitors have enjoyable museum Internal communications are proactive, direct, Ethics, Academic & Professional Standards experiences that make them want to return. and honest, aiming for transparency and The Museum, its employees, and volunteers • Our collections, programs, and research are of inclusivity by and among all University of Oregon adhere to the highest academic, ethical and the highest quality. staff and volunteers. External communications professional standards of the university and the represent the full range of Museum functions and • We follow the highest ethical, academic and American Association of Museums in all that they services and are proactive, direct and engaging, professional standards. do on behalf of the Museum. This commitment while delivering a clear consistent message. • We find collaborative opportunities on- and is realized in the Museum’s commitment to off-campus that make the Museum central to maintaining its accreditation from the American Visitor Experience learning and build diverse audiences. Association of Museums. The Museum aims to provide consistently high- quality programs and customer service that Leadership Council & Support Groups enhance visitors’ on-site and online experiences, The Leadership Council serves as the Museum’s leading to ongoing engagement with the STRATEGIC OBJECTIVES primary advisory and fund-raising body of Museum. volunteers and helps to ensure the Museum’s Programs artistic quality, educational integrity, and The Museum presents stimulating, innovative Facilities financial strength. Museum members, Exhibition and inclusive programs and exhibitions that The Museum performs effective and efficient Interpreters, and other support groups are integral enhance the academic curriculum, emphasize maintenance for the overall care of the Museum to the Museum’s ability to fulfill its mission. cross-cultural understanding, provide broad facilities, including following preventive education experiences, and support collaborative maintenance schedules, conducting timely and interdisciplinary opportunities on- and HVAC/mechanical and equipment inspections, off-campus. Ongoing evaluation measures how and other related work. The Museum ensures effectively the Museum’s program goals are that exhibition and work areas are clean and being realized. maintained at the highest standard possible and that detailed condition reviews and reports are completed on a regular basis.

14 Exhibitions & Public Programs

John Piper: Through the Lens Cuba Avant-Garde: Contemporary Cuban Donors to the Catalog: Major support from the April 23 – July 13, 2008 Art from The Farber Collection David John McCosh and Anne Kutka McCosh October 4, 2008 – January 4, 2009 Memorial Museum Endowment Fund; additional Supported by Photography at Oregon support from the Malott Family Foundation and Organized by the Samuel P. Harn Museum, Christine and Chris A. Smith. University of Florida; toured by Curatorial Faster, Higher, Farther: Assistance Traveling Exhibition (CATE), Pasadena, Annual giving support from Gerald The Spirit of Track and Field Sports California. Alexanderson, Frank W. and Dorothy D. June 14 – August 31, 2008 Anderson, Phoebe S. Atwood, Donald R. and Cosponsored at the UO by the Coeta and Donald Arline M. Bahret, Virginia and Chandler Barkelew, Organized by Contact Press Images in conjunc- Barker Foundation with major funding from Daniel and Kelli Bell, Marcia Berman, Mary K. tion with the Olympic Track & Field Trials at UO Connie and Jeff Huling Bovelle, Bill Brandt, Margaret Crisler Byrne, Supported in part by the Office of the President, October 3: Opening Reception, featuring the Julie Collis, Martha C. Crist, Charlie and Marilyn UO music of Jessie Marquez Deaton, Robert and Delyn Dunham, James W. August 9: Free Family Day, Art Olympics October 10: Teacher In-Service Day, organized by Earl, Essex General Construction, Inc., Colleen JSMA staff Lisa Abia-Smith, Director of Education, Fitzgibbons, Donald F. Ford , Dr. Rhea Forum, and Sharon Kaplan, Museum Educator, and Lane Jo-Mae and Joseph Gonyea II, David and Lois Edward Burtynsky: The China Series Community College professor of education Hagen, Mary Ann Holser, Geraldine T. Leiman, June 26 – September 7, 2008 Merrill Watrous Joe and Phyllis Lewis, Phyllis J. Lichenstein, Dr. Michael Liebling, Rita and Bob Litin, James Organized by the Southeastern Center for October 15: Lecture, “Self-Portrait of the Artist and Nicola Maxwell, Nancy McFadden, Contemporary Art, Winston Salem, North as an Organic Intellectual” by Tonel, artist and H. Glenn Meares, Robert and Christie Newland, Carolina art critic Natalie and Robin Newlove, Hattie Mae Nixon, Cosponsored at the UO by the Coeta and Donald October 18 and November 22: Saturday Michael and Carol Olsen, James H. Peterson, Barker Foundation and Photography at Oregon Celebrations Lee Pettigrew, Dorothy Porter, Otto and Sharon Poticha, David and Paula Pottinger, Hope July 30: Lecture, “Looking at China, Seeing Our October 29: Lecture, “What’s Political?” by Rachel Hughes Pressman, Rennie’s Landing, Steve Global Economy” by Richard Kraus, Professor Weiss, Professor of Arts Administration and Rhodes, Dr. Dwayne and Bette Rice, Keith and Emeritus of Political Science, UO Policy, School of Art Institute of Chicago Carol Richard, Linda and Tom Roe, Joyce H. August 20: Film Screening, Manufactured November 5 and December 3: Chamber Music Sanders, Lynette Saul, Sally and Everett Smith, Landscapes on Campus Charles and Yvonne Stephens, Stephen Stone, Robert and Ruth Sylwester, Esther Jacobsen- November 7: Music at the Museum: Jessie Tepfer and Gary Tepfer and Jim and Sally Weston The Thinking Body Marquez Concert 75th Anniversary Celebration Honorary June 26 – September 7, 2008 November 12: Lecture, “Re-writing the Committee: Cheryl Ramberg Ford, Yongsoo Huh, Revolution: The Special Period in the Cuban Funded by the Office of the President, UO Susie Papé, Hope Hughes Pressman, Ginevra Imagination” by Dr, Tania Triana, Assistant Ralph and Jordan Schnitzer Catalog sponsored by the Rotasa Foundation Professor of Spanish, Department of Romance 75th Anniversary Celebration Committee: Lisa August 16: Curators’ Talk by Kate Wagle, chair, Languages Clevenger, Cheryl Ramberg Ford, Connie Huling, UO Department of Art, and Anya Kivarkis, UO November 19: Latin Dance Workshop with Linda Lee Michels, Sandi South, and Leanne Wong visiting assistant professor Staver of StaverDanceSport January 23: Opening Reception, featuring music Traveling Venue: San Francisco Museum December 13: Holiday Family Day and Open of Halie Loren and Matt Treder of Craft + Design House: Celebrate the Holidays, Cuban Style October 17, 2008 – January 4, 2009 January 28: Gallery Talk by Larry Fong, Curator of American and Regional Art, and Charles NewArt Northwest Kids Lachman, Curator of Asian Art Designed by Architects: Metalwork from November 22, 2008 – February 22, 2009 February 18: A Tribute to Gertrude Bass Warner, the Margo Grant Walsh Collection Sponsored by an anonymous donor with original play and presentations by Jean Dorl, September 23, 2008 – January 25, 2009 December 7: Opening Reception Marge Ramey, Hattie Mae Nixon Organized by the Museum of Fine Arts, Houston March 11: Lecture, “Contemplating the Buddha” Supported in part by UO School of Architecture by Venerable Lobsang Thubten and Allied Arts Ellis Lawrence: Architectural Renderings of the University of Oregon Museum of Art March 21 and April 11: Saturday Celebrations October 21: Exhibition lecture by Margo Grant January 9 – April 12, 2009 April 1: Chamber Music on Campus, “Music of the Walsh (’60, UO School of Architecture and Allied Eras,” performed by students and faculty from Arts), director of interior design, Gensler and Organized by the JSMA; works on loan from the UO School of Music and Dance Associates Knight Library April 3: Champagne and Diamonds 75th January 25: Gallery Talk by Margo Grant Walsh Anniversary Celebration hosted by President Lasting Legacies: The First 75 Years Dave Frohnmayer and Lynn Frohnmayer January 24 – April 12, 2009 April 23: Panel Discussion, “Museum Design Organized by the JSMA and the Practice of Planning,” with Tom Hacker, Major support from the Coeta and Donald Tom Hacker Architects in Portland; Randy Gragg, Barker Foundation and the William A. Haseltine editor, Portland Spaces; and Larry Fong, Curator of Endowment Fund; additional support from the American and Regional Art Max and Hattie Mae Nixon Endowed Fund 15 George Tice: Paterson Permanent Collections Academic Support February 17 – April 5, 2009 Galleries: Special Exhibitions Organized by the JSMA; sponsored in part by During the past year close to 100 classes, and Photography at Oregon A Gaze of Her Own: approximately 3,500 university students used the JSMA as an academic and cultural resource. Japanese Women in Art February 28: Artist Lecture: “Fifty Years of The title of the course, its name and professor May 7, 2008 – October 10, 2009 Photography,” by George Tice are listed on the first line, followed by the date September 24: Lecture by curators Miwako and topic. Okigami and Patrick Terry, graduate students in Binh Danh: In the Eclipse of Angkor: Japanese Literature, Department of East Asian ARH 349 (History of Prints) Tuol Sleng, Choeung Ek, and Khmer Languages and Literatures. Joby Patterson Temples July 7, presentation of prints from the collection April 11 – June 28, 2009 and loaned by Patterson from which students 14 Views of Mt. Fuji selected a work to research for the term Organized by Haines Gallery, San Francisco; October 14, 2008 – August 30, 2009 supported at the UO by the Farwest Steel ARTO 349 (Alternative Photographic Process) Endowment Fund. Iconicity Camilla Dussinger May 16: Talk and Reading, “The Beautiful Ongoing July 30, registrar presented selected works from Uncut Hair of Graves: Art, Poetry, Memory and collection Vietnam,” and workshop, “Poetry & Photographs: Elizabeth Keith in Korea the Illuminated Moment,” by Robert Schultz, UO Psychology Department Professor of English, Roanoke College, Salem, Ongoing SAIL Summer Camp Virginia August 14 – 15, guided museum tour June 5: Artist’s Lecture, “The Leaves of Grace,” by Osher Lifelong Learning Institute Binh Danh August 22, guided museum tour June 6: Artist’s Workshop, “Making Becquerel- Other Programs Developed Daguerreotypes,” with Binh Danh August 12: Chamber Music on Campus LCC photography class Students and faculty from the UO School of Susie Morrill Music and Dance August 28, instructor-guided class visit of galleries MFA 2009 May 3 – June 14, 2009 November 7: Faculty and Staff Open House Vivian Olum Child Development Center Sponsored by the Coeta and Donald Barker August 28, 2008 & March 6, 2009, guided Foundation, the Duck Store, Gamblin Artists January 14: Concert, “Columns and Cones: Music museum tour Colors, Mrs. Susan T. Ballinger in Memory of for Flute and Horn,” UO School of Music students American English Institute/Rachel Sardel Court Ballinger and Mrs. Geraldine Leiman of professors Molly Barth and Lydia Van Dreel August 29, instructor-guided tour of galleries May 2: Opening Reception with special event February 7: Simplify Shibori, Easy Indigo “Rock The Quad, Art For Students By Students” Workshop Life of the Mind Insight Seminars October 4, 11, 18, and 25, “The Story of King May 6 and 20: Gallery Talks by MFA candidates Barbara Setsu Pickett and Michael Tadao Pickett, Mihara Shibori Studio David,” Jim Earl (English) November 1, 8, 15, and 22, “Marcus Aurelius’s On the Road: Two Visions of the Tokaido March 7: Gallery Talk on Russian Icons by UO Meditations,” Jim Earl (English) June 25 – September 13, 2009 Emeritus Professor A. Dean McKenzie January 10, 17, 24, and 31, Machiavelli’s Prince, Organized by the JMSA; supported by the Coeta March 14: Happy Birthday JSMA! Family Day Deborah Baumgold (Political Science) and Donald Barker Foundation Sponsored by Lisa and Tim Clevenger February 7, 14, 21, and 28, “Thomas More’s June 25: Opening Reception with performances Utopia,” Jim Earl (English) by the ON Ensemble, Eugene Taiko and Eugene- May 29: Lecture, “Transcending Intentions: April 4, 11, 18, and 25, “Shakespeare’s Henry V,” Springfield Obon Dancers in conjunction with Early Japanese Photographs at the Intersection Jim Earl (English) World Harmony Project of Science and Souvenir” by David Odo, Lecturer in Anthropology, Harvard University June 27: Gallery Talk by Dick Easley, co-owner, ES 399 (Caribbean Migrations in the Literary Cosponsored by Architecture and Allied Arts White Lotus Gallery Imagination) Irmary Reyes-Santos June 28: World Harmony Project supported by June 10: JSMA Meeting of the Members October 13, instructor and museum educator led the Oregon Arts Commission Cultural Tourism tour of Cuba Avant-Garde. Grant and Lane County Tourism Special Projects Grant. Performances by Gamelan Sari Pandhawa, October 15, visiting artist and critic Tonel David Hopkins, Mitzuki Dazai, and Yujin Gakuen presented a talk in Reyes-Santos’ class, attended (Japanese Immersion School) by faculty and students in Latin American Studies and Romance Languages.

ARTR 449 (Lithography) Oran Miller October 16, registrar presented selected works from the collection

16 Computer Science Department Lecture session on Japanese prints and a behind-the- Binh Danh exhibition with students and faculty October 17 scenes museum tour for a seminar on Japanese in the creative writing program. literature. BA 199 (Business, Art, and Human Values AAD Master’s Research Presentations Freshman Interest Group) Western Environmental Law Conference May 15 Michele Henney February 27 October 21, guided museum tour Arts Administration AAD 252 (Art and Gender) Doug Blandy PD 484 Studio (Product Design) Janice Rutherford May 21, curator Larry Fong presents a lecture for John Arndt April 4, JSMA Director of Education Lisa Abia- AAD program on public art and the U.S. Federal November 6, tea ceremony Smith and Executive Director Jill Hartz led class Courthouse project. November 7, curator Larry Fong presented session. selected works of Japanese decorative art from DANC 271 (Dance Improvisation) collection. ARTR (Japanese woodblock printing) Valerie Ifill Margaret Prentice May 26, museum educator Sharon Kaplan led a History (“Nomads and Empires” Freshman April 14, instructor-guided tour of Japanese print gallery tour focusing on using visual art to inspire Interest Group) gallery movement. Students performed their art-inspired Lisa Wolverton pieces as part of their end-of-term dance concert. November 6, guided museum tour English (Cultures of the U.S. Empire) Cynthia Tolentino Political Science Department High School Equivalency Program April 15, guided tour of Asian collection May 29, reception Teodoro Reyes Ramirez UO Photography Department November 7, guided museum tour Art Law Dom Vetri June 5, visiting artist Binh Danh participated in a ANTH 199 (“Digging Up History” Freshman April 20, Executive Director Jill Hartz led session critique with MFA photography candidates. Interest Group) on bequests. Art History Department Jon Erlandson June 12, graduation ceremony November 17, guided tour of Asian collection Art History Symposium April 24 and 25 ARH 399 (History of Prints) Oregon Humanities Center Joby Patterson November 21, reception ARTO 352 (Large Format Photography) Camilla Dussinger June 23, registrar presented selected works from collection “Introduction to US Hispanic Literatures” and April 28, registrar presented selected works from “Survey of Spanish American Lit,” the collection UO Continuing Education Elderhostel Pedro Garcia-Caro June 28, guided museum tour December 4, guided tour of Cuba Avant-Garde ARTR 448 (Screen Printing) Oran Miller PSY 201 (Mind and Brain) April 28, registrar presented selected works from AAD 430/530 (Youth Art Curriculum Methods) Jagdeep Kaur-Bala the collection. Lisa Abia-Smith Visual perception assignment required all Winter 2009, met weekly in art museum students in this introductory psychology class to Campaigns Class use the museum. ARH 488/588 (Japanese Prints) April 29, May 13, May 27, class sessions with Director of Communications Erick Hoffman Ann Wetherell Art History January 15, January 29, February 12, February 26, Curator Larry Fong serves as advisor to Danielle University of Oregon Alumni Association and March 12, registrar presented selected works Knapp for her art history graduate thesis May 1, guided museum tour for 50th reunion from the collection. and an advisor of undergraduate and graduate internships in art history. College of Education Life of the Mind Insight Seminars Matthew Dennis (History) January 21, reception Art Department May 2, 9, 16, and 30, “The Bill of Rights” Chief Preparator Rick Gehrke and Curator Larry Center for Study of Women and Society Fong served as coordinators and advisors for the January 22, reception ARH 399/ (Sp. St. Ausp Imag China) Master of Fine Arts exhibition Ann Wetherell May 7 and June 4, registrar Jean Nattinger ARTR 449 (Lithography) Education Foundations provided a session. Oran Miller Jeanne Hall January 26, registrar presented selected works Spring term, four College of Education students European Studies Symposium from collection in Gilkey Research Center conducted their field service by teaching elemen- May 7 and 8 tary students in museum education programs. HC 431H (18th Century Things) UNESCO Peace Project Display and Panel Dan Rosenberg ARH 609/AAD 609 Discussion, Reception and Tour February 18, curator Charles Lachman and Graduate students worked as Laurel interns May 9 and 10 registrar Jean Nattinger presented session on conducting research and providing support to 18th material culture. the education and curatorial departments. UO Center for International Dialogue JPN 607 (Seminar Lit New Media/Pub) May 10, guided museum tour Special Note: Curator Charles Lachman and Alisa Freedman Registrar Jean Nattinger served as thesis advisors February 19, registrar Jean Nattinger led a UO Creative Writing Program to Heather Hanson, Master’s candidate, art history, May 15, visiting poet Robert Schultz met in the for her research on objects in JSMA collection.

17 Collections Activity Attendance Acquisitions: Western Art Ambrose Patterson, American, b. Australia, 1877–1967. Coconut Palms, Hawaii, n.d. July 4,790 Woodblock print, 14 1/8 x 9 5/8 inches. Gift of Paintings August 3,521 Joan Wahlman. 2008:22.4. September 1,756 Charles Heaney, American, 1897–1981. Columbia Ambrose Patterson, American, b. Australia, October 4,692 River – Gray Evening, n.d. Oil on board, triptych, 1877–1967. Untitled [two dinosaurs], n.d. November 4,361 18 x 75 inches. Gift of Brian and Gwyneth Booth. Woodblock print, 17 x 10 5/8 inches. Gift of December 3,364 2008:10.1. Joan Wahlman. 2008:22.6. January 4,998 Allen Cox, American, b. 1950. Willendorf, 2007. Ambrose Patterson, American, b. Australia, February 5,885 Wax, oil, and alkyd on linen, 64 x 70 inches. Gift 1877–1967. Cagnes, South of France, n.d. March 5,459 of Linda Lawrence and Robert Canaga. 2008:17.1. Woodblock print, 14 7/8 x 10 5/8 inches. Gift April 5,457 of Joan Wahlman. 2008:22.7. Allen Cox, American, b. 1950, Jane’s Meadow, May 6,408 2008. Wax, oil, and alkyd on linen, 36 x 24 inches. Ambrose Patterson, American, b. Australia, June 4,408 Gift of the Artist. 2008:18.1. 1877–1967. Luau, Hawaii, n.d. Woodblock print, 16 1/2 x 10 1/2 inches. Gift of Joan Wahlman. Total onsite 55,099 (counted) Ambrose Patterson, American, b. Australia, 1877- 2008:22.8. Offsite: 31,000 (estimated; the JSMA offered 1967. Untitled [colorful abstract/floral scene], n.d. educational programs at these community Oil on canvas, 27 3/4 x 20 inches. Rembrandt van Rijn, Dutch, 1606–1669. events: Art in the Vineyard Fiesta Latina, Dia de Gift of Joan Wahlman. 2008:22.17. Rembrandt Drawing at a Window, 1648. Etching, drypoint, and engraving, 6 3/16 x 5 1/16 inches. los Muertos, Oregon Asian Celebration, DisOrient Viola Patterson, American, 1898–1984. Sails, Gift of Mary Corrigan Solari. 2008:25.1. Asian American Film Festival of Oregon, Rotary n.d. Oil on canvas, 27 1/2 x 32 inches. Gift of Joan groups, OSHER Lifelong Learning Institute, Lane Wahlman. 2008:22.18. Joseph Albers, American, b. Germany, 1889– County Chapter of Military Officers Association of 1976. Homage to the Square, 1962. Silkscreen, ed. Viola Patterson, American, 1898–1984. Untitled America and schools in the region). 152/250, 10 prints, each 16 3/8 x 17 inches. Gift of [abstract scene with patches of color], n.d. Oil on the Estate of Henry Alexander. 2009:3.1-10. canvas, 25 x 37 inches. Gift of Joan Wahlman. Campus and 2008:22.19. Works on Paper: Paintings Community Engagement Margaret Coe, American, b. 1941. La Plage Bonaparte, 2008. Acrylic and oil on canvas, Franz Kline, American, 1910-1962. Untitled, 15 3/4 x 31 1/2 inches. Acquisition Fund Purchase. The following on- and off-campus businesses, ca. 1961. Oil, 8 1/4 x 11 1/2 inches. Gift of Ruth 2008:30.1. departments, and individuals partnered with Alexander from the Estate of Henry Alexander. the museum on events or used the museum for Margaret Coe, American, b. 1941. La Plage 2008:26.1. their own programs. We thank them for their Bonaparte #1, 2008. Oil on canvas, 40 x 70 inches. Mark Clarke, American, b. 1935. Rock Study, participation. Acquisition Fund Purchase. 2008:30.2. ca. 1980s. Acrylic, 13 1/2 x 21 3/4 inches. Gift of the Off-campus businesses, organizations and Carl Hall, American, 1924–1996. Eight Eggs, 1959. Estate of Richard Paulin. 2009:1.1. individuals: Adelante Sí, Paul Biondi (jazz Oil on masonite, 52 1/8 x 49 inches. Gift musician), Centro Latino Americano, Chinese of the Estate of William Mitchell. 2009:2.1. American Benevolent Society, Comcast, Mitzuki Works on Paper: Drawings Dazai (Koto musician), DisOrient Film Festival, Ambrose Patterson, American, b. Australia, Works on Paper: Prints Enterprise Rent-a-Car, Eugene Chamber of 1877–1967. Gary, n.d. Pencil and charcoal, Commerce, Eugene/Springfield Asian Council, Agustín Bejarano Caballero, Cuban, b. 1964. 18 x 12 inches. Gift of Joan Wahlman. 2008:22.1. Fiesta Latina, Gamalan Sari Pandhawa, Gourmet La Coqueta VII (Mujer Embarazada), 1998. Etching, Group II, Holt International, David Hopkins Ambrose Patterson, American, b. Australia, 41 3/4 x 28 1/16 inches. Gift of Dr. and (Shakuhachi musician), Japanese American 1877–1967. Wrestlers, 1961. Ink, 19 x 13 1/2 inches. Mrs. Irwin R. Berman. 2008:11.1. Association of Lane County, Junior League of Gift of Joan Wahlman. 2008:22.2. Eugene, Jessie Marquez (vocalist), McKenzie Helen Hyde, American, 1868–1919. Hide and Seek, Ambrose Patterson, American, b. Australia, River Broadcasting, Oakhill School, Oregon Asian 1897. Hand-colored etching, 5 7/8 x 7 15/16 inches. 1877–1967. Grand Canal, Venice, n.d. Ink Celebration, Oregon Medical Group, Oregon Gift of Dr. Don E. and Carol Steichen Dumond. and watercolor, 10 1/2 x 8 inches. Gift of Joan Public Broadcasting, Springfield Chamber of 2008:14.1. Wahlman. 2008:22.3. Commerce, Western Environmental Law Center, Helen Hyde, American, 1868–1919. Spring Ambrose Patterson, American, b. Australia, and Yujin Gakuen Japanese Immersion School Blossoms, 1898. Hand-colored etching, 1877–1967. Untitled [man in bowler hat], 1899. On-campus departments and programs: 6 7/8 x 4 15/16 inches. Gift of Dr. Don E. and Ink, 13 1/2 x 9 inches. Gift of Joan Wahlman. Academic Affairs, Arts and Administration Carol Steichen Dumond. 2008:14.2. 2008:22.5. Department, Alumni Association, Art History Helen Hyde, American, 1868–1919. Imps of Ambrose Patterson, American, b. Australia, Association, Art History Department, College Chinatown, 1898. Hand-colored etching, 1877–1967. Untitled [figures with wine glasses], of Education, Center for Study of Women and 7 1/2 x 6 inches. Gift of Dr. Don E. and Carol 1905. Pencil, 12 x 9 inches. Gift of Joan Wahlman. Society, Computer Science, Corporate Relations, Steichen Dumond. 2008:14.3. 2008:22.9. European Studies, Human Resources, Life of the Mind, MEChA, Museum of Natural and Salvador, Dalí, Spanish, 1904–1989. La Vache Ambrose Patterson, American, b. Australia, Cultural History, Oregon Bach Festival, Oregon Sacrée (The Sacred Cow), from the suite Les 1877–1967. Seattle, 1922. Ink, 12 1/2 x 9 1/2 inches. Humanities Center, Oregon Planning Institute, Hippies (The Hippies), 1969. Drypoint, ed. 31/100 Gift of Joan Wahlman. 2008:22.10. on Japon paper, 26 x 20 inches. Gift of Barry Political Science, Department of Romance Ambrose Patterson, American, b. Australia, Raber. 2008:16.1. Languages, University of Oregon Foundation, 1877–1967. Untitled [dog, 1 of 4], n.d. Pencil, and UNESCO Peace Project. 7 x 5 3/8 inches. Gift of Joan Wahlman. 2008:22.11. 18 Ambrose Patterson, American, b. Australia, Gerlach, 2004. Chromogenic development print, Untitled [roof of Japanese house with fishermen’s 1877–1967. Untitled [dog, 2 of 4], n.d. Pencil, 9 x 16 x 20 inches. Gift of the Artist. 2009:7.1. flags in background], n.d. 28 x 22 inches. 7 1/8 inches. Gift of Joan Wahlman. 2008:22.12. Peter Goin, American, b. 1951. Fly Geyser, 2002, Shimabarasumiya, 1980. Woodblock print, Ambrose Patterson, American, b. Australia, printed 2008. Chromogenic development 22 x 29 1/4 inches. 1877–1967. Untitled [dog, 3 of 4], n.d. Pencil and print, 16 x 20 inches Photography at Oregon marker, 10 1/4 x 7 1/8 inches. Gift of Joan Wahlman. Acquisition Fund Purchase. 2009:8.1. Yoshida Ayomi, b. 1958. 2008:22.13. Linear Composition L19-RUC, 1983. 25 7/8 x 25 3/4 Ambrose Patterson, American, b. Australia, inches. Ceramics 1877–1967. Untitled [dog, 4 of 4], n.d. Pencil, Linear Composition L10-EGLI, 1981. 26 x 26 inches. 10 x 8 3/8 inches. Gift of Joan Wahlman. Ken Standhardt, American, b. 1961. Squash Vessel, Linear Composition L2-RSG, 1981. 25 7/8 x 25 3/4 2008:22.14. 2008. Red stoneware clay with red iron oxide inches. wash in recesses, 5 1/2 x 10 x 10 inches. Gift of the Ambrose Patterson, American, b. Australia, 1877– Linear Composition L5-MPK, 1981. 25 7/8 x 25 3/4 Artist. 2008:31.1. 1967. Untitled [woman in hat], 1925. Pencil, 19 1/8 inches. x 15 3/4 inches. Gift of Joan Wahlman. 2008:22.15. Ambrose Patterson, American, b. Australia, 1877– Metalwork Kitaoka Fumio, b. 1918. 1967. Reclining Nude, n.d. Conté crayon, 29 1/8 x Max Nixon, American, 1915–2000. Jam Pot with Stone-fenced Fisherman’s House, 1976. 25 1/8 inches. Gift of Joan Wahlman. 2008:22.16. Lid, ca. 1949–50. Sterling silver and semi-precious 14 1/2 x 18 3/8 inches. stone, 6 1/2 x 4 x 4 inches. Gift of Max and Hattie Mt. Houki Fuji, 1977. 14 1/2 x 18 3/8 inches. Mae Nixon. 2008:23.1ab. Mixed Media Matsuo Gyoko (Bay of Matsuo), 1976. 18 3/4 x 25 1/8 Max Nixon, American, 1915–2000. Martini José Manuel Fors, Cuban, b. 1958. Parasol, 2003. inches. Stirrer with Lid and Spoon, ca. 1955. Sterling silver, Mixed media, color emulsion film on celluloid, Atsuta Beach, 1975. 19 x 25 inches. stirrer, 12 x 3 1/4 x 3 1/4 inches; spoon, metal umbrella frame, 10 x 45 x 45 inches. Gift of 14 3/4 inches long. Gift of Max and Hattie Mae Fishing Village of Hokuriku, 1971. 18 3/4 x 25 inches. Dr. and Mrs. Irwin R. Berman. 2008:11.3. Nixon. 2008:23.2abc. Ishizuchi Field, 1976. Woodblock print, Ken Shores, American, b. 1928. Fetish Bowl, No. 18 3/4 x 25 inches. 8, n.d. Mixed media, ceramic, feathers, mirror, Windy Day, 1975. 18 7/8 x 25 inches. Plexiglas, 6 1/2 x 6 1/2 x 6 1/2 inches. Gift of Marilyn Textiles Easly. 2009:6.1. Ibrahim Miranda Ramos, Cuban, b. 1969. Sin Kurosaki Akira, b. 1937. Título (Untitled), 1998. Textile, 54 x 56 inches. Gift Lost Paradise 9 W-137, 1972. 26 1/8 x 18 1/4 inches. of Dr. and Mrs. Irwin R. Berman. 2008:14.1. Photography Lost Paradise 8 W-136, 1972. 26 1/4 x 18 1/4 inches. Juan Carlos Alom, Cuban, b. 1964. Curando la Flame Traces W-302, 1982. 26 1/2 x 19 inches. Tierra, from El Libro Oscuro, 2002. Gelatin silver Between Moments A W-328, 1984. 26 1/2 x 19 1/4 print on stainless steel, 23 x 30 inches. Gift of Dr. Acquisitions: Asian Art inches. and Mrs. Irwin R. Berman. 2008:11.2. Between Moments B W-329, 1984. 19 x 26 1/4 Works on Paper: Prints Elsa Mora, Cuban, b. 1971. Perda do Sentido (Loss inches. of Reason), 2000. Ink pigment print, ed. 8/25, Shikitei Sanba, Japanese, 1776-1822 (author), Out of Sleep W-320, 1974. 26 1/2 x 19 inches. 12 x 13 1/4 inches. Gift of Dr. and Mrs. Irwin R. and Utagawa Toyokuni (Toyokuni I), Japanese, Traces in the Wind W-303, 1982. 26 1/2 x 19 inches. Berman. 2008:11.5. 1769-1825 (illustrator). Ehon Imayô Sugata, one of two volumes, 1802. Woodblock print book, 8 Elsa Mora, Cuban, b. 1971. Perda do Sentido (Loss x 6 inches (closed). Gift of Ellen Johnston Laing. Iwami Reika, b. 1927. of Reason), 2000. Ink pigment print, ed. 8/25, 2008:24.10. Water Fantasy A, 1983. 20 1/2 x 27 1/4 inches. 11 1/2 x 13 1/4 inches. Gift of Dr. and Mrs. Irwin R. Water Fantasy B, 1983. 20 1/2 x 27 1/4 inches. Berman. 2008:11.6. Group of Japanese woodblock prints, various Song of the Sea C, 1983. 27 1/2 x 20 1/4 inches. Tatiana Parcero, Mexican, b. 1967, Re-Invento artists as noted below. Gift of Yoko McClain.

#16, 2006. Acetate and lambda print (edition of 2008:21.1-96. 5), 43 x 45 inches. Acquisition Fund Purchase. Shimoyama Tsutomu, b. 1945. Early Morning on Sekino Jun’ichirô, 1914–1988. 2008:29.1. Hekura Island, 1976. 17 x 22 1/4 inches. Nakamura Kichiemon [kabuki actor], 1947. George Tice, American, b. 1938. The Passaic Falls, 24 1/2 x 20 1/2 inches. Paterson, New Jersey, July, 1968, printed 1988. Oyamatsu Takashi, b. 1945. Miyazawa Kenji [poet-writer], 1953. 26 1/4 x 20 1/4 Gelatin silver print, 11 x 14 inches. Acquisition Dance-1, n.d. 17 3/8 x 23 3/8 inches. inches. Fund Purchase. 2009:4.1. Dance-2, n.d. 17 3/8 x 23 1/4 inches. Ayuko in Japanese Kimono, 1964. 37 1/2 x 25 5/8 George Tice, American, b. 1938. Sammy’s Bar, inches. “HIP!”-2, n.d. 18 1/4 x 18 inches. Main Street, Paterson, New Jersey, September, Black Boy, n.d. 28 5/8 x 14 1/2 inches. 2005, 2005. Gelatin silver print, 11 x 14 inches. Clock Tower (Italy), 1966. 25 x 30 inches. Saito Kiyoshi, 1907–1997. Acquisition Fund Purchase. 2009:4.2. Hill of Kyoto, 1980. 21 3/4 x 28 3/4 inches. Sacred Mt. Fuji (1), 1980. 20 1/2 x 27 1/4 inches. George Tice, American, b. 1938. Café Avellino, Toledo, n.d. 25 x 30 inches. Sacred Mt. Fuji (2), 1980. 20 1/2 x 27 1/4 inches. Cianci Street, Paterson, New Jersey, September, Untitled [waves and lighthouse],1977. Sacred Mt. Fuji (4) Meadow (B), 1980. 27 1/4 x 20 1/2 2003, printed 2005. Gelatin silver print, 16 x 20 inches inches. Gift of Jennifer Tice Spagnoli. 2009:5.1. 21 3/4 x 29 1/2 inches. Ze’ve B. Orzech [Oregon State University professor], Sacred Mt. Fuji (5), 1980. 20 1/2 x 27 1/4 inches. Peter Goin, American, b. 1951. Shell Station, n.d. 21 1/2 x 16 inches. Sacred Mt. Fuji (6), 1980. 20 1/2 x 27 1/4 inches.

19 Sacred Mt. Fuji (7), 1980. 20 1/2 x 27 1/4 inches. Nara Kofukuji (Kofuku Temple in Nara), 1937. Mixed Media 16 3/4 x 11 3/8 inches. Sacred Mt. Fuji (8), 1980. 20 1/2 x 27 1/4 inches. Kang, Ik-Joong, Korean, b. 1960. Happy Sacred Mt. Fuji (9), 1980. 20 1/2 x 27 1/4 inches. Asakusa Niomon, 1938. 17 x 111/4 inches. Buddha, 2007. Crayon and tempera on pine Sacred Mt. Fuji (10), 1980. 20 1/2 x 27 1/4 inches. board with Envirotex Lite polymer coating, Sacred Mt. Fuji (11), 1980. 20 1/2 x 27 1/4 inches. Okuyama Gihachiro, 1907–1981. 30 x 30 x 2 inches. From the James and Haya Wallace Purchase Fund. 2008:13.1. Sacred Mt. Fuji (12) Autumn (C), 1980. Waterwheel Yagiri Paddies, 1980. 19 x 9 3/4 inches. 20 1/2 x 27 1/4 inches. Old Time Hearth, 1978. 19 x 9 3/4 inches. Sacred Mt. Fuji (14) Larch [tree], 1980. 20 1/2 x 27 1/4 Honjoji (Honjo Temple), 1975. 10 x 19 1/8 inches. Photography inches. Himejijyo (Himeji Castle), 1979. 9 3/4 x 19 1/4 inches. Binh Danh, American, b. Vietnam, 1977. Ancestral Sacred Mt. Fuji (15) Fine Weather, 1980. Morning at Miyajima, 1949. 19 x 16 1/2 inches. Altar #16, 2006. Chlorophyll print and resin, 20 1/2 x 27 1/4 inches. Noto Shin Nanao Hakkei, 1943. 10 x 15 inches. 27 1/2 x 13 1/2 x 1 3/8 inches. From the James and Sacred Mt. Fuji (17) Autumn (A), 1980. 20 1/2 x 27 1/4 Lake in Summer, n.d. 10 3/8 x 15 1/2 inches. Haya Wallace Purchase Fund. 2008:12.1. inches. Viewing the Edo River from the Pier under Ichikawa Yu Hang, Chinese, b. 1981. Glory Age 1, 2008. Sacred Mt. Fuji (18) Autumn (B), 1980. 20 1/2 x 27 1/4 Bridge, n.d. 11 x 15 3/4 inches. Digital print, ed. 3/4, 43 x 45 inches. Acquisition inches. Nikko Ryuhon Kannon no Akiiro, 1949. Fund Purchase. 2008:28.1. Sacred Mt. Fuji (19) Buddha of Field, 1980. 10 1/4 x 15 5/8 inches. Yang Yongliang, Chinese, b. 1971. Heavenly 27 1/4 x 20 1/2 inches. New Snow on Nikkoshinbashi, 1949. 10 1/4 x 16 1/2 City, #1, 2008. Inkjet print on Epson paper, ed. inches. 1/7, 50 x 30 inches. Acquisition Fund Purchase. Nishijima Katsuyuki, b. 1945. 2008:28.2. Shin Oumihakkei (Eight Views of New Oumi), n.d. Yoshida Toshi, 1911–1995. 14 3/4 x 20 5/8 inches. Rice Field in Suizu, 1951. 10 7/8 x 15 5/8 inches. Ceramics Hexagonal Store, n.d. 13 1/2 x 18 1/4 inches. Benkei Bridge, 1941. 10 1/2 x 7 3/4 inches. Japan. Satsuma Stamp Box with Lohan/Lohan Kyo Horiya (Wood Carving Shop of Kyoto), n.d. Okaramon, 1940. 10 1/2 x 8 inches. and Buddhas on Interior, ca. 1920. Ceramic, diam- 13 5/8 x 18 1/2 inches. Matsumoto, 1940. 7 7/8 x 10 3/8 inches. eter 4 1/2 inches, signed. James M. Kidd Asian Teahouse of Kusatsu, n.d. 13 1/2 x 18 1/8 inches. Nikko, 1940. 8 x 10 1/2 inches. Collection. 2008:19.4. Umbrella, 1940. 10 1/2 x 7 3/4 inches. China. Ding Ware Shallow Bowl with Incised Ikezumi Kiyoshi, b. 1913. Miso Store, n.d. Stone Garden, 1963. 14 x 9 3/4 inches. Design, Northern Song dynasty, 960–1126. 16 1/2 x 13 inches. Ginkakuji Garden, 1963. 9 1/2 x 14 inches. Porcelain, diameter 8 inches. Gift of Ellen Johnston Laing. 2008:24.3. Nagai Kiyoshi, 1911–1984. Cherry Blossoms by the Gate, 1951. 15 5/8 x 10 1/2 China. Small Lobed Bowl with Incised Design, The White and Blue, 1971. 17 1/4 x 12 1/4 inches. inches. Morinji in Spring, 1951. 10 3/4 x 15 7/8 inches. Northern Song dynasty, 960-1126. Porcelain with Untitled [yellow gatehouse of temple in forest], n.d. pale celadon glaze (qingbai), diameter Seahorses, 1952. 16 x 10 3/4 inches. 12 1/2 x 19 inches. 5 inches. Gift of Ellen Johnston Laing. 2008:24.4. Summer Leaves, n.d. 12 1/2 x 19 inches. Yoshida Fujio, 1887–1987. Garden, 1954. China. Decorated Jar, Majiayao Culture, Banshan 16 x 10 5/8 inches. Phase, Neolithic period, ca. 3rd millennium BCE. Fujita Fumio, b. 1933. Red Leaves (Fall Colors), Painted earthenware, 14 1/2 inches high. Gift 1978. 10 1/2 x 8 3/4 inches. Yoshida Hiroshi, 1876–1950. Nigatsudo Temple, of James and Barbara Walker in Honor of the 1925. 15 3/4 x 11 inches. Museum’s 75th Anniversary. 2008:27.1. Takagi Shiro, 1934–1998. Utamaro and I – 783, 1978. 20 1/2 x 17 3/4 inches. Metalwork Works on Paper: Paintings Sano Takao, dates unknown. Ojima Island (Moon), Japan. Cigarette Case with Mt. Fuji, n.d. Metals 1974. 12 3/8 x 10 5/8 inches. Korea. Tiger Skin Screen, 19th century. Ink and with enamel overlay, 6 1/8 x 3 1/8 x 3/8 inches. slight color, six-panel folding screen, each panel James M. Kidd Asian Collection. 2008:19.5. Mabuchi Toru, 1920–1994. Shiroumadake, n.d. 70 x 25 1/4 inches. Gift of Robert and Sandra 9 x 12 1/4 inches. Mattielli in Honor of Kyung Sook Cho Gregor. Japan. Cigarette Case, Kômei era, 1846–1867. 24K 2008:20.1. gold inlaid into iron with silver, 6 3/8 x 3 1/8 x 1/2 inches. James M. Kidd Asian Collection. 2008:19.6. Sakamoto Koichi, b. 1932. Attributed to Luo Ping, Chinese, 1733–1799. Plum Sekirei (Wagtail), 1978. 11 1/4 x 15 inches. Branch, inscription signed by artist, copy dated China. Horse Trapping, Warring States period, Stand Still 2 (Dove), 1976. 10 3/4 x 14 1/2 inches. 1740 or 1800. Hanging scroll, ink, 73 1/2 x 17 1/4 probably Ordos Culture, 5th–3rd century BCE. Openwork bronze with stippling, 2 x 4 inches. Kitsutsuki (Woodpecker), 1978. 15 x 11 1/4 inches. inches. Gift of Ellen Johnston Laing. 2008:24.1. Gift of Ellen Johnston Laing. 2008:24.2. Distant View 1, 1979. 13 1/4 x 19 1/4 inches. Attributed to Ding Yunpeng, Chinese, active 1584–1638. Pot of Calamus Grass on a Rock, China. Group of Three Small Buddhist Figures from inscription signed by artist, early 17th century. an Altarpiece [Guardian figure, Standing Buddha in Unno Mitsuhiro, b. 1939. Hanging scroll, ink, 74 x 24 1/4 inches. Gift of Ellen the Abhaya Vara Mudra, Guanyin], Tang dynasty, Close to Autumn, 1976. 12 1/2 x 15 1/2 inches. Johnston Laing. 2008:24.8. 618–906. Gilt bronze, tallest, 3 inches high. Gift of Mid-Summer Sun, 1977. 12 x 15 1/2 inches. Ellen Johnston Laing. 2008:24.5.1-3. Attributed to Songxi Li Jun, Chinese, dates unknown. Seven-leaf Album of Landscapes, 19th China. Mirror with Interlace Design, Warring Tsuchiya Koitsu, 1879–1949. century. Ink, 14 x 9 inches (closed). Gift of Ellen States period, 5th–3rd century BCE. Bronze with Nara Horyuji, 1938. 17 x 111/2 inches. Johnston Laing. 2008:24.11. turquoise patina, diameter 4 inches. Gift of Ellen Johnston Laing. 2008:24.6.

20 Textiles Lent to the Hallie Ford Museum of Art for a China. Jade Boulder with Figures in a Boat, 18th new installation in the Sponenburgh Gallery from century. Green nephrite, 5 1/2 x 3 1/2 x 1 1/4 inches. Japan. Set of Two Small Stencils with Fisherman’s February 2009 through January 2011. On loan from the collection of George Romero. Coat Motifs [related to textiles in the Murray Warner Collection of Oriental Art], 15 1/8 x 13 3/8 inches. Gift Gandhara. Maitreya Stele, 4th–5th century. Stone, China. Vase with Mille Fleurs (“Thousand Flowers”) of Susanna Campbell Kuo. 2008:15.1ab. 18 x 12 inches. Gift of the Junior Service League. Pattern, Qing dynasty-early Republican period, late 19th–early 20th century. Enamel on porce- Japan. Set of Two Large Stencils with Fisherman’s India. Standing Shiva, early 17th century. Bronze, lain, 14 x 6 x 6 inches. On loan from the collec- Coat Motifs [related to textiles in the Murray Warner 25 inches high. Gift of the Friends of the Museum. tion of Diane Widler Wenzel. Collection of Oriental Art], 27 3/4 x 15 1/2 inches. Gift China. Ceremonial Wine Jar, 4th–2nd century China. Bowl with Floral Overlay, 18th century. of Susanna Campbell Kuo. 2008:15.2ab. BCE. Bronze, 12 1/2 inches high. Murray Warner Carved glass, 3 1/4 x 8 1/2 x 8 1/2 inches. On loan Collection of Oriental Art. from Mr. Erick Schiess. Stone China. Head of Guanyin, Qianlong period, Japan. Tea Bowl, 1600–1630. Stoneware, Hizen, 1736–1795. Ivory, 12 inches high. Murray Warner India. Hindu Tantric Fragment Depicting 2 3/8 x 5 1/8 x 5 1/8 inches. On loan from the Collection of Oriental Art. Karittikeya, 12th–16th century. Carved gray Peabody Essex Museum, Salem, Massachusetts, stone, 5 inches high. Gift of Ellen Johnston Laing. Japan. Amida with Lotus Throne, 18th century. E29767. 2008:24.7. Wood covered in gold lacquer, 14 inches high. Japan. Tea Bowl, 1700–1800. Earthenware, Murray Warner Collection of Oriental Art. Musashi, 2 15/16 x 4 3/4 x 4 3/4 inches. On loan from the Peabody Essex Museum, Salem, Rubbing Massachusetts, E18588. China. Rubbing of a 6th-century Buddhist Stele, Japan. Tea Bowl, 1700–1800. Stoneware, 20th century. Ink on paper, mounted as a Incoming Loans Tsushima, 4 1/2 x 5 1/8 x 5 1/8 inches. On loan hanging scroll, 61 x 29 1/2 inches. Gift of Ellen from the Peabody Essex Museum, Salem, Johnston Laing. 2008:24.9. Ellsworth Kelly, American, b. 1923. Purple/Red/ Gray/Orange, 1988. Lithograph, ed. 16/18, Massachusetts, E23998. 51 3/4 x 225 1/2 inches. Collection of the Jordan Japan. Tea Bowl, 1750–1850. Stoneware, Omi/ Ivory Schnitzer Family Foundation/Promised gift of Shiga, 3 x 4 3/16 x 4 3/16 inches. On loan from Jordan Schnitzer on the occasion of the 75th Peabody Essex Museum, Salem, Massachusetts, Japan. Oval Jar with Dancing Monkeys Motif, n.d. Anniversary of the Jordan Schnitzer Museum E29868. Carved ivory, jade bead on lid, 5 inches high, of Art and in honor of Lynn Frohnmayer and signed. James M. Kidd Asian Collection. 2008:19.1. Japan. Tea Bowl, 1800–1900. Stoneware, Nagato/ David Frohnmayer, the 15th president of the Yamaguchi, 7 1/16 x 7 7/8 x 7 7/8 inches. On loan University of Oregon from 1994–2009. from the Peabody Essex Museum, Salem, Lacquer James Rosenquist, American, b. 1933. Space Dust, Massachusetts, E29932. 1989, from the Welcome to the Water Planet series. Japan. Six-case Inrô with Horse and Cockerel Motifs, Japan. Tea Bowl, 1760–1840. Stoneware, Nagato/ Pressed paper pulp, acrylic, dye, lithograph and n.d. Lacquer with moriage and inlay, Yamaguchi, 2 3/8 x 6 1/16 x 6 1/16 inches. On loan collage on paper, ed. 56/56, 66 1/2 x 105 1/4 inches. 3 1/2 inches high. James M. Kidd Asian Collection. from the Peabody Essex Museum, Salem, Collection of Jordan D. Schnitzer. 2008:19.2. Massachusetts, E30288. Mark Sponenburgh, American, b. 1916. Perpetua, Japan. Six-case Inrô, n.d. Lacquer with moriage, Japan. Tea Caddy, 1570–1650. Stoneware and 1995-96. Bronze, 16 x 16 x 12 1/2 inches. On loan 3 3/4 inches high. James M. Kidd Asian Collection. ivory, Bizen, 3 3/8 x 2 3/4 x 2 3/4 inches. On loan from the Artist. 2008:19.3. from the Peabody Essex Museum, Salem, Marsden Hartley, American, 1877–1943. Black Massachusetts, E29749. Duck No. 1, 1941. Oil on canvas, 28 x 22 inches. Guy Anderson, American, 1906–1998. Totemic Loan from the Detroit Institute of Arts, Gift of Image, n.d. Oil on paper, 118 3/4 x 66 3/4. Collection Robert H. Tannahill, 49:512. Outgoing Loans of Jordan D. Schnitzer. Clayton S. Price, American, 1874–1950. The China. Wrist Rest, n.d. Jade, 2 3/4 x 8 1/2 inches. Lent to the Yokohama Doll Museum for Fisherman, late 19th–20th century. Oil on canvas, Kindly loaned by the Spirit of the Stone Collection. Friendship Doll traveling exhibition, November 34 x 42 inches. Loan from the Detroit Institute 10, 2000 – July 31, 2002, with extension for other of Arts, Founders Society Purchase, General China. Brush Washer, n.d. Jade, 1 7/8 x 5 1/16 exhibitions through December 2010. Membership Fund, 43:432. inches. Kindly loaned by the Spirit of the Stone Collection. Japan. Miss Fukuoka, Japanese Friendship Clayton S. Price, American, 1874–1950. Wolves, Doll, 32 1/2 inches tall, her accessories, and Miss 1944. Oil on paperboard panel, 26 x 30 inches. China. Inkstone, n.d. Jade, 6 1/4 x 4 1/2 inches. Kindly Kanagawa letters. Brooklyn Museum, Gift of the Edith and Milton loaned by the Spirit of the Stone Collection. Lowenthal Foundation, Inc., 76.71. China. Lingbi Rock, n.d. Jade, 9 3/4 x 5 3/4 x 3 China. Jade in the Form of a Scholar’s Rock, 18th inches. Kindly loaned by the Spirit of the Stone Lent to the National Gallery of Art for the exhi- century. Green nephrite, 4 1/2 x 6 x 3 inches. On Collection. bition George de Forest Brush: The Indian Paintings, loan from the collection of George Romero. September 14, 2008 – January 4, 2009; and the China. Square Seal, n.d. Jade, 2 3/8 x 2 3/8 x 2 3/8 Seattle Art Museum, February 26 – May 25, 2009. China. “Buddha’s Hand” Citron (Foshou), 18th inches. Kindly loaned by the Spirit of the Stone century. White nephrite, 6 x 9 x 4 inches. On loan Collection. George de Forest Brush, American, 1855–1941. from the collection of George Romero. Indians Hunting Cranes in Florida, 1887. Oil on China. Pair of Scroll Weights, n.d. Jade, each, canvas, 22 x 27 inches. Gift of Mr. and Mrs. Harold China. Jade in the Form of a Ginseng Root, 18th 7 1/4 x 1 1/4 inches. Kindly loaned by the Spirit of F. Wendel. century. White nephrite, 3 1/2 x 9 x 2 inches. On the Stone Collection. loan from the collection of George Romero.

21 China. Brush Pot, n.d. Jade, 2 7/8 x 2 7/8 x 4 5/8 inches. phoenixes, waves, and peonies, for younger higher- Keith Haring, American, 1958–1990. Pop Shop Kindly loaned by the Spirit of the Stone Collection. ranking women connected with the emperor as V, 1989. Screen print, ed. 153/200, 13 1/2 x 16 1/2 wives, princesses, or concubines, 21st century. inches. Collection of the Jordan Schnitzer Family China. Brush Pot with Poem, n.d. Jade, 4 1/2 x 4 1/2 Embroidered red and blue silk, 40 inches long. Foundation. x 5 7/8 inches. Kindly loaned by the Spirit of the On loan from the collection of Alexandra B. Stone Collection. Keith Haring, American, 1958–1990. Pop Shop Bonds VI, 1989. Screen print, ed. 9/200, 13 1/2 x 16 1/2 China. Water Pot, n.d. Jade, 1 3/8 x 2 1/2 x 2 Brice Marden, American (b. 1938). Bear, 1996–97. inches. Collection of the Jordan Schnitzer Family inches. Kindly loaned by the Spirit of the Stone Oil on linen, 84 x 60 inches. Private Collection. Foundation. Collection. Yue Minjun, Chinese, b. 1962. Untitled, 2003. Oil Andy Warhol, American, 1928–1987. Campbell’s China. Small Lion, n.d. Jade, 1 1/2 x 3 inches. Kindly on canvas, 86 3/4 x 86 3/4 inches. Loan courtesy of Soup II: New England Clam Chowder (II.57), loaned by the Spirit of the Stone Collection. Yongsoo Huh. 1969. Screen print, ed. 160/250, 35 x 23 inches. China. Brush Rest in the Shape of Scholar’s Rock, Collection of the Jordan Schnitzer Family Banksy, British. Untitled (Laugh now, but one day n.d. Jade, 2 1/2 x 6 1/8 x 2 1/4 inches. Kindly loaned Foundation. we’ll be in charge), 1998. Spray paint stenciled by the Spirit of the Stone Collection. on acrylic on board, 24 x 28 inches. Private Andy Warhol, American, 1928–1987. Campbell’s China. Table Screen, n.d. Ivory, 6 3/4 x 5 1/4 x 2 3/4 Collection. Soup II: Oyster Stew (II.60), 1969. Screen print, inches. Kindly loaned by the Spirit of the Stone unpublished trial proof, 35 x 23 inches. Collection Louise Nevelson, American, 1900–1988. Dark Collection. of the Jordan Schnitzer Family Foundation. Presence III, 1971. Wood painted black, 97 x 140 1/4 China. Scholar’s Table, n.d. Wood, 5 x 20 5/8 x 12 x 10 inches. Private Collection. Andy Warhol, American, 1928–1987. Electric inches. Kindly loaned by the Spirit of the Stone Chair, 1971. Screen print, unpublished trial proof Mark Rothko, American, born in Russia, Collection. [green], 35 1/2 x 47 7/8 inches. Collection of the 1903–1970. Composition, 1958. Oil on paper Jordan Schnitzer Family Foundation. Attributed to Jan Steen, Dutch, 1626–1679. The laid down on board, 29 x 22 1/2 inches. Private Doctor’s Visit, n.d. Oil on canvas, 15 1/2 x 13 inches. Collection. Andy Warhol, American, 1928–1987. Electric Gift of Roger Abbott, on loan from the University Chair, 1971. Screen print, unpublished trial proof Russia. Christ’s Entry into Jerusalem (Palm Sunday), of Oregon Foundation. [yellow], 35 1/2 x 47 7/8 inches. Collection of the late 19th century. Tempera on wood panel, 15 1/2 Jordan Schnitzer Family Foundation. James Lavadour, American (b. 1951). Interior x 11 5/8 inches. On loan from Phil and Shannon #2, 1999. Oil on wood, 31 x 31 inches. On loan Evonuk. Andy Warhol, American, 1928–1987. Electric from the collection of Ernest C. Swigert and Nate Chair, 1971. Screen print, unpublished trial proof Romania. Christ’s Entry into Jerusalem (Palm Overmeyer. [orange and blue], 35 1/2 x 47 7/8 inches. Collection Sunday), 20th century. Icon, oil paint on glass, 10 of the Jordan Schnitzer Family Foundation. China. Scholar Visiting a Pavilion in the Mountains x 13 inches. Private Collection. in Summer, Qing dynasty, 1644–1912. Fan paint- William Wylie, American, b. 1957. #01–59, Carrera, Russia. St. Nicholas, ca. 1500. Icon, Moscow ing, ink on paper, 9 1/2 x 9 1/2 inches. Kindly loaned 2001, printed in 2008. Archival digital pigment School, Tempera on wood panel, 12 1/4 x 10 1/4 by the Spirit of the Stone Collection. print, ed. 2/15, 29 1/2 x 37 inches. Promised gift of inches. Private Collection. Henry Bisbing, American, 1849–1933. Cows Jeanne and Richard S. Press. Russia. Cudo Svetogo Georgiya o Zmii (St. George Nooning, 1893. Oil on canvas, 52 1/2 x 87 inches. William Wylie, American, b. 1957. #01–83, Carrera, and the Dragon), 17th century. Icon, tempera on Gift of Ann and William Swindells Jr., on loan 2001, printed in 2008. Archival digital pigment wood panel, 17 x 14 inches. Private Collection. from the University of Oregon College of print, ed. 4/15, 29 1/2 x 37 inches. Promised gift of Education. Russia. Bogomater Neopalimaya Kupina (Burning Jeanne and Richard S. Press. Bush Mother of God), ca. 1800. Icon, bronze and Morris Graves, American, 1910–2001. Chalice William Wylie, American, b. 1957. #06–25, Carrera, blue enamel, 4 x 3 1/2 inches. Private Collection. Missing Pure Water Libation, 1939. Tempera and 2006, printed in 2008. Archival digital pigment beeswax on paper, 13 x 19 inches. On loan from Andrei Rublev, Russian, 1360s–ca. 1430. Old print, ed. 4/15, 29 1/2 x 37 inches. Promised gift of the Morris Graves Foundation. Testament Trinity. Icon, modern reproduction of Jeanne and Richard S. Press. 15th-century original, 27 1/2 x 22 1/8 inches. Private George Nakashima, American, 1905–1990. William Wylie, American, b. 1957. #06–07, Carrera, Collection. “Mira” chair, ca. 1970s. Hardwood, 32 x 19 1/2 x 2006, printed in 2008. Archival digital pigment 16 1/2 inches. On loan from the Morris Graves Russia. Uspenie Bogomateri (Dormition of the print, ed. 4/15, 23 3/4 x 19 inches. Promised gift of Foundation. Virgin). Icon, copy by Byron Birdsall (American, b. Jeanne and Richard S. Press. 1937) of a 15th-century Moscow icon, watercolor Alice Neel, American, 1900–1984. Carol Brand William Wylie, American, b. 1957. #06–17, Carrera, on poster board with gold leaf, 19 x 15 inches. with Cat, 1953. Oil on canvas, 38 x 28 inches. On 2006, printed in 2008. Archival digital pigment Private Collection. loan from the collection of Jonathan and Monika print, ed. 4/15, 23 3/4 x 19 inches. Promised gift of Brand. Max Pechstein, German, 1881–1955. Gladiolen Jeanne and Richard S. Press. (Gladioli), 1918. Oil on canvas, 46 1/2 x 35 3/8 Alice Neel, American, 1900–1984. Side of Building, William Wylie, American, b. 1957. #06–20, Carrera, inches. Private Collection. 1965. Oil on canvas, 50 x 29 inches. On loan from 2006, printed in 2008. Archival digital pigment the collection of Jonathan and Monika Brand. Joseph Mallord William Turner, English, 1775– print, ed. 4/15, 23 3/4 x 19 inches. Promised gift of 1851. Pope’s Villa at Twickenham, ca. 1808. Oil on China. Theatre Costume for Jingju, Beijing Opera Jeanne and Richard S. Press. canvas, 36 x 47 1/2 inches. Private Collection. Performance: Mang, Man’s Court Robe with Mark Rothko, American, born in Russia, 1903- dragons, waves, and clouds, for an emperor, Aristide Maillol, French, 1861–1944. Flore Nue 1970. Landscape (View of Portland, OR), ca. 21st century. Embroidered yellow silk, 58 inches (Nude Flora), executed 1911, cast later. Bronze, 1928. Oil on canvas, 26 x 22 1/4 inches. On loan long. On loan from the collection of Alexandra 65 3/4 inches high. Private Collection. from the Michael Rosenfeld Gallery, LLC and B. Bonds Chuck Close, American, b.1940. Self-Portrait, Mr. Jeffrey Schaper. China. Theatre Costume for Jingju, Beijing Opera 2002. 43-color woodcut, ed. 26/60, 31 x 25 Performance: Nümang, Woman’s Court Robe with inches. Collection of Jordan D. Schnitzer.

22 Honor Roll 2008-2009

The JSMA greatly values its members and donors without whose support our public programs, exhibitions, publications, and other special projects would not be possible. The following are supporters who gave a gift to the JSMA between July 1, 2008, and June 30, 2009. Every effort was made to compile a comprehensive list. Any omissions are inadvertent. Please call us at (541) 346-0960 with any updated information. Thank you for your support!

$10,000+ $500 – $999 Natalie and Robin Newlove Martha and Robert Crist Lane County Public Works Dorothy and Frank Anderson Hattie Mae Nixon ’61 John Crocker Oregon Arts Commission Linda Lawrence-Canaga and Eiko Politz Crocker Corporate Design Oregon Cultural Trust Robert Canaga ’90 Ivy ’76 and Mark Pruett Ellen and Lawrence Crumb Charles Schwab Bette and Dwayne Rice ’70 Marilyn and Charles Deaton, Jr. Douglas DeWitt Victor Richenstein ’77 Diane and Jerome Diethelm $5,000 – $9,999 Margaret and Peter Gontrum Pamela Whyte ’77 and Loimae ’66 and Bertrand Dotson ’51 Anonymous (2) Janine and Joseph Gonyea III Ronald Saylor ’70 Dotson’s Coburg Antiques Lisa ’87 and Timothy Clevenger ’86 Elizabeth ’89 and Mark Holden Eric Schabtach Elaine Svigel ’84 and Stefan Dunda Susan Cox and F. Gregory Fitz-Gerald Michael Liebling C. Randall Tosh MaryAlice Dwyer Gourmet Groups I & II Yoko Matsuoka McClain ’56 Sarah and James Weston Frances Jordan ’86 and Thomas Dyke Malott Family Foundation Patricia Harris Noyes Altabelle Hoadley Wildish ’49 Louise Bishop and James Earl Lee and Mary Jean Michels Pacific Women’s Center Nancy and Thomas English ’65 James Peterson Enterprise Dorothy Porter ’45 $100 - $299 Anne ’83 and Gregory Erwin ’83 $2,500 – $4,999 Marjory Allingham Ramey ’47 Hal Abrams and Jennifer Lowery Kimberly and David Esrig Susanne Ettinger Anonymous (2) Stephen Rhodes ’69 Sandra Adams ’74 Angela and Kristian Ferry Joy & Jerry Monkarsh Lynette Johnson Saul ’65 Gregory Ahlijian ’71 Ann Cahill ’77 and David Fidanque Family Foundation Mary and Everett Smith Gerald Alexanderson ’55 Jean Crakes ’72 and Michael Foster ’65 Hope Hughes Pressman ’42 Tamara Stenshoel ’77 F. Burnell Ambrose Don Fox ’48 Carol ’75 and Keith Richard ’64 Yvonne and Charles Stephens ’72 Terri and Jon Anderson Jessie French Kenda Hills ’74 and Kenneth Singer Nathaniel Teich Joyce Ford ’67 and Richard Anderson Carolyn Glasier Kimberly A. and Dominick Vetri Andrea Arlington ’67 and Rhoda Glover William R. Swindells ’78 Margaret and Wali Via David Arlington ’69 Marcia Cameron ’72 and Sharon Margolin Ungerleider ’70 Margo Grant Walsh ’60 Yvonne and James Wildish ’54 Ina Asim Dallas Graham Arline and Donald Bahret Kyungsook ’61 and John Gregor ’56 Dawn and David Guenther $1,000 – $2,499 Kathryn Thomas and $250 – $499 Bobby Baldwin ’91 Karli French ’05 and John Gundry ’88 Carol Angle Judith and Stanley Baldwin Lois O’Connor ’87 and David Hagen Sarah and Thomas Bascom Susana and Edward Anderson ’49 Virginia and Chandler Barkelew James Harper Karen and William Boyd Phoebe Smith Atwood ’45 Patti ’82 and Thomas Barkin Ruth Miller ’76 and Richard Hayward Anne and Terrence Carter Ruth ’51 and Owen Bentley, Jr. ’50 Philip ’68 and Florence Barnhart ’75 Andrea ’71 and Edward Heid ’73 Dow Chemical Foundation Lynne Mumaw-Black and John Black Kelli Bell and Daniel Bell ’90 Olivia Lindberg ’96 and James Delyn Dark ’72 and Gwyneth and Brian Booth ’58 Carol and Marvin Berkman Helmers ’57 Robert Dunham ’73 Thomas Boyatt ’97 Marcia Berman Helen ’56 and Gordon Howard ’53 Margaret Fisher ’70 and W. H. Brandt Francine and Scot Berryman Dawne Harris ’71 and Clifford Fisher Jacqueline and Robert Bryson ’82 Janice Jurisich ’85 and Bill Bishop Gregory Howard ’74 Colleen and James Fitzgibbons Julie Collis Cristen ’71 and Frederick Braatz III Corinne Coleman Hunt ’75 Cheryl ’66 and Allyn Ford Comcast Cable Audrey Allen ’59 and Thomas Ing Marcia and David Hilton Ruth Cross Ray Bradshaw ’86 Corinne Andersson ’88 and Ann G. Lyman ’55 and Frances and Michael Curtis ’67 Thomas Brase David Jacobs ’88 Ronald G. Lyman ’54 Marilyn ’94 and De Wayne Ditto ’64 Patricia and William Brommelsiek Janet Baker ’74 and John Jacobsen Estate of Gladys McCready Margot Fetz Barbara Bryan ’58 Laura ’78 and Kent Jennings Merrill Lynch & Company Foundation Jill Hartz and Richard Herskowitz Julia and Hamilton Budge, Jr. D. Joe Jenson, DMD Emma Pettigrew ’76 Jerrlyn ’80 and Kip Henery Margaret Crisler Byrne Kathleen and Darrel Jenson ’76 Rennie’s Landing Judith Johnson Sophia Snyder ’04 and Thomas Katharine Smith Joyce ’72 Nancy ’68 and Michael Rose ’62 James Kitterman ’73 Cardwell ’04 Emiko and John Kageyama ’58 Barbara and Jon Schleuning Deborah ’48 and Barbara Cargill ’62 Lisa ’92 and Steven Korth ’92 Thelma Seufert Charles Larson, Jr. ’44 Kenar Charkoudian ’57 McDonald Kranzler Joint Trust Catherine Tribe Siegmund ’54 Anne Leavitt ’84 and William Leavitt Norman Chun ’72 Cornelia and Michael Lafferty Mary and Leslie Smoluch Geraldine Tripp Leiman ’41 Judith Fleisig and Steven Collier ’75 Kelly ’84 and James Lanzarotta ’84 Sandra ’92 and Jerry South Melinda Grier ’88 and Jerome Lidz ’77 Katherine ’81 and Zoe and Norman LeCompte, Jr. ’76 Stephen Stone ’49 Marc Lipson Michael Coughlin ’79 Hope Lewis Karen and Charles Warren ’62 Ann ’86 and Erik Muller ’65 23 Jennifer ’82 and Thomas Lindsey Judith and Curtis Simic Ruth and Charles Bader Paula ’78 and Dennis Conn Norma Latimer Lockyear ’53 Alice Callicott ’83 and Gwendolyn Gaetjen ’87 and Lisa Corrigan Melanie and Malcolm MacKinnon ’79 W. Sherwin Simmons Dennis Bailey ’70 April Cosgrove ’01 Robin Manela ’65 Ellen Singer Patricia Baker ’78 Dorothy and Paul Cossaboon Laura ’75 and James Marshall Dana ’76 and Paul Skillern ’72 Sally Baker Laurie Cracraft ’69 Nancy and Ralph Martin Karen ’78 and Glenn Smeed, Jr. ’76 Will Baldwin Ann Craig ’00 Sandra and Robert Mattielli Marilyn ’50 and Calvin Smith ’50 Mary Battin ’75 Kathleen and Gary Craven ’68 Nicola Laird ’86 and James Maxwell ’67 Maureen and Craig Smith ’76 John Bauguess Priscilla and David Croft Hally McCabe ’90 Catherine and John Smith Mary Ann Beauchamp Linda and John Cummens Jacqueline and Joel McClure, Jr. Adriana Huyer and Robert Smith ’59 Jane and Alec Bentley Jean-Paul Cunningham Shaun McCrea ’79 Joan Soderstedt Elizabeth ’68 and Richard Berg Jr. ’77 Carole and Jim Daly Carolyn Kranzler ’80 and McKay and Olof Sohlberg Anne DeLaney ’89 and Rudy Berg ’89 Janet Danowski David McDonald Mary Stephan Carolyn Knox ’87 and John Bergland Linda Dawn Nancy Morris McFadden ’68 Sheila and Richard Stokes, Jr. ’58 Patricia ’60 and Noel Berkeley ’61 Rebecca Sofge ’87 and Mark Delavan Susan Polchert and Stephen McGirr Tris O’Shaughnessy and Linda and Irwin Berman Brigitte and John Delay J. Douglas McKay ’59 Gregory Stripp ’85 Laura and Daniel Betty Barbara Novorolsky DeRobertis ’79 Nancy and Thomas McMahon ’74 Richard Stumpf ’87 Lori and Richard Beyerlein Elizabeth Brinton DeShetler ’48 H. Glenn Meares Janell Sorensen ’79 and Margaret Bidart Caroline DeVorss ’94 Andrea Messenger William Sullivan ’79 Mary Birmingham Kirsten Diechmann ’82 Judy ’98 and Jamie Moffett Merrily and Martin Sutton ’78 Carol Gillingham Blackwell ’69 Frederick Dodge ’51 Elizabeth and James Mohr Ruth Maier ’70 and Margaret Blaine Eliel Fionn and Mark Donahue Joan ’50 and Richard Moll ’50 Robert Sylwester ’53 June and Lee Boles ’56 Mary Hudson Douda ’55 Connie and Dale Mueller ’68 Ingeborg ’00 and Leonard Tarantola Melva Edrington and Shawn Boles May Steele ’64 and John Downey Patricia and J. William Neuner ’63 Esther Jacobson-Tepfer and Adrienne Borg Downey Family Trust Christie ’73 and Robert Newland ’71 Gary Tepfer ’75 Mary Bovelle Martha Murray and Kent Duffy ’71 Sharane and Sidney Norris Roxi Thoren Mary and Chester Bowers Sharon and James Duncan Carol and Michael Olsen Hildur Casey ’90 and Todd Tritch George Braddock Lou Ann and James Dunn Linda and R Gail Overgard Barbara Eckton ’68 and Donald Truax Donald Bradshaw MaryJane Dunphy Jill ’03 and Jack Overley Allison Fisher ’76 and Richard Walker Mary and Bruce Branchaud Rogena Degge ’75 and Christina Svarverud ’94 and Terri Warpinski Karen and Peter Brandt Douglas DuPriest ’77 Mark Pangborn Frances Watzek Warren ’37 Sally Larson ’58 and Ryan Dwyer Georgann Pasnick Anne Korn ’87 and Terry Way ’85 Richard Briggs ’56 Arthur Edelmann ’82 Phyllis and Edgar Peara Michael Webb Linda ’71 and Donald Brodie Barbara Wright and William Edwards Emaly and Hugh Perrine Margaret and Daniel Weill Gesell Brook ’70 Ann ’75 and Gerald Eichelberg Sharon and Michael Posner Barbara West ’75 Patrisha ’90 and Michael Brown Rina and Lee Eide ’69 Albert Poston ’69 Patricia West Diana and Gary Budd ’81 Jesse Elliott ’05 Susan Poston* Anita Griggs ’75 and John White ’74 Patricia Stahr and Ronald Budd Judith and Dennis Ellison Sharon and Otto Poticha Pamela Perryman ’74 and Anne Burke Sheila and Frank Elsener David Pottinger Robert Whitman Lynn ’71 and Bill Buskirk ’71 Josephine Destefano-Elting and Paula Pottinger Karen Downes Wilts ’73 Colleen Bell and Eric Bylund Donald Elting Camilla Pratt Patricia and William Wiswall ’56 Karrin Olson ’80 and Susan Engbretson ’85 Klaus Putjenter Leanne and John Wong Theodore Calhoun Joann and Benjamin Epstein Sonja Foss ’72 and Joan Wozniak ’70 Nancy Callaghan Essex General Construction, Inc. Anthony Radich ’71 Cynthia Wenks ’03 and Janet and Leonard Calvert ’55 Norma Etter Raven Frame Works, Inc. Michal Young ’83 John Camp Eugene Foot Health Center Severena Johnston ’88 and Tom Caples Susan Martin ’68 and Michael Rear ’89 Jean Vicksell Carley Thomas Fagan ’70 Robert Reeves ’97 $1 – $99 Amy and Mark Carson Sherilyn and Michael Farris Linda and Thomas Roe ’61 Martha Abbott ’71 Katharine Cashman Gloria and Edward Feinstein Gary Rondeau Larry Abel Jessica Greene and Hubert Chang ’08 Cathleen ’85 and John Roupe ’04 Keith Achepohl Janis Checchia Robert Fenstermacher ’72 Janice Williams Rutherford ’63 Janice Addi ’76 Tess Chedsey Patricia Flake Deidre and Clinton Sandvick ’08 Patricia Reese Adlum ’51 Craig Cherry Donald Ford Elaine Bernat ’78 and Anna Alden ’88 Sandra and Craig Cheshire ’58 Walter Forsiak Roger Saydack ’80 Darwin Allison ’54 Karen French and Robin Chitwood Rhea ’74 and Donald Forum Linda Schaefers ’69 Lucille Schmidt ’69 and Linda ’76 and Gary Christensen ’74 Dorothy ’56 and Samuel Frear ’56 Dorothy Schuchardt Thomas Allsen ’69 Catherine Clark Jennifer Frenzer-Knowlton and Nancy and Gerald Schwecke Susan Anderson Joan and Craig Clark II ’63 Peter Frenzer Beverly Holmes ’76 and Blake Andrews Karin Clarke ’92 Shirley Froyd Richard Sept ’74 Cecilia and Robert Armour ’67 Nancy and George Classen ’71 John Fuerth Joan and John Shipley Vernon Arne ’71 Josephine ’52 and Allen Cohen ’52 Lee Fuerth* Mary Silver Harriet and John Attig Joyce Sanders and James Conklin Betty and Del Funk ’64

24 Margaret and James Funkhouser ’67 Marcia and John Jarrett Sonja and Jeffrey Madsen Melvyn Oberman ’66 Joyce Gardner Vicki Jefferson ’79 Mary and James Manwill ’86 Nancy and Thomas O’Brien Elizabeth and Michael Garfinkel Barbara and Timothy Jenkins Joan Mariner Dina Wills ’80 and D. Bjorn Olson ’84 Katja Kohler-Gause and Andrew Jensen Susan Markley ’63 David Orique ’07 Marshall Gause Korey and Brian Johansen ’90 Rose Marie and Mills Marsh, Jr. ’51 Elizabeth Page* ’85 Bill Gilbert Beverly Stephens Johnson ’48 Stephanie Winsor ’80 and Steven Page ’86 John Gilbert ’69 Constance Osgood Johnson ’79 George Marshall, Jr. ’68 Gary Pape ’73 Barbara Gleasman Christine and Peter Johnson Vicki and Donald Marvel Bev Parish Virginia and Vernon Gleaves ’51 Pamela Berrian and Jeffrey Johnston Katherine ’86 and Louis Marzano Elizabeth and Kenneth Paul Hannah and Daniel Goldrich Lucia Hardy ’90 and Donald Jones Alexander Mathas ’84 Sylvie and Eric Pederson Jo Mae and Joseph Gonyea II Karin Clarke Gallery, LLC Terry Mauney ’67 Diane and Barry Perlman Elizabeth and Edward Gordon Kaylyn Jones Beverly Mazzola Virginia Wolf Peticolas ’86 Patricia ’71 and Dennis Gory ’71 Gayle Landt ’75 and Martin Jones, Jr. Suzanne Schweitzer ’78 and Warner Peticolas* Annie Gould Janice Anderson ’70 and David McCrae ’78 Ashleigh Phaneuf Donna Walters Gould ’62 John Joyce ’70 Kate McGee ’93 Nan and Robert Phifer Nancy and Joseph Graham Joan Kelley ’92 Deborah and Mark McGinley Carol Philips Denise and Joseph Grannan Sharon ’88 and Alexander Kelly ’76 Marina McIntire and Julie and Stephen Phillips Riley Grannan Norma Haxby Kesey ’59 Elliot McIntire ’68 Jolene Pinkney ’53 David Green Nancy Chin ’68 and David Kim Elizabeth Tildesley ’92 and Nancy Pobanz ’81 Denise Gudger Karen Baldwin-King ’83 and Hugh McKay ’82 Linda and David Pompel, Jr. ’61 Kathryn and Herbert Hahn Alton King ’76 Joann and Merrill McKern ’48 Elisabeth Walton Potter ’60 Sue Hamilton Lind ’70 and John Kirk, Jr. ’70 Nancy and James McKittrick ’57 Jane and Kenn Poznar Drew Harrington ’76 Carolyn and Robert Kline Adell McMillan ’63 Susan and Allan Price Jane Sanford Harrison ’62 Lynn and Philip Klingensmith Martha Lanning McMillen Shawn Susee ’92 and Mark Provost Carol Watt ’83 and Richard Harrison Ruth Koenig ’68 Shirley and D. Robert McNaught Gary Rabideau Debbi Hartel Marilyn Robert ’74 and Julie McNutt Marie Rasmussen ’78 Bonnie and Michael Hartley Bernard Koenigsberg ’71 Mona Meeker Carolyn Rayborn ’58 Antoinette ’50 and Mark Hatfield Cynthia and George Kokis Mary Meikle Kathleen Lindlan ’92 and Rosaria P. Haugland Foundation Pamela Love and George Koris Marcy and Herbert Merker ’60 Michael Raymer Carole Kabot ’78 and Dana and Eric Kvernland ’73 Gloria Merriam Heather Young ’95 and Robert Hausmann Judith Lamb ’79 Buster Messmer Alain Rebeyrol ’94 Becki LaBarre and Kenneth Hawk ’67 Elizabeth Beairsto-Lamont ’56 and Joan Claffey and Anthony Meyer Nancy and Joshua Reckord Kathryn and Mark Heerema George Lamont ’51 Diane Sandall ’86 and Stanley Ginny ’64 and Roger Reich Eleanor Hein Michael Landes ’91 Micklavzina ’82 Christy McMannis ’72 and John Heintz Claudia Lapp Coleen Miller Ronald Renchler ’78 John Heinzkill Larry Robidoux Design & David Miller Peggy Renkert Lynne ’79 and Dennis Hellesvig ’60 Construction, Inc. Marsha Rome ’86 and Leland Miller Becca Perkins and Wanda Roush ’67 and James Henson Marylyn and Thomas Larsen ’78 Nancy and Morton Miller Robert Reynolds ’96 David Herman ’83 Anita and Ronald Larson Donna Ward ’90 and John Moore Gwen and George Rhoads ’76 Camille and Robert Hewlett Darlene and John Lashbrook Daniel Moret ’84 Thelma Soderquist and Larry Anne and Chris Hohenemser Leslie Scott ’88 and Laree and Larry Morgenstern Robidoux Marie Hammerquist Holm ’50 Charles Lefevre ’90 Lynn and Donald Morris James Robinson ’72 Mary Harris Holser ’90 Charlotte Stimson and David Leggett Robin and James Morris Helen Merritt ’76 and Gordon Rockett Diane and Jeremiah Horgan Nancy Leon Twinkle Morton ’78 Maryann Roos Shekinah Horowitz Sharlean and Mark Lerfald ’79 Patricia and Robert Moser Peggy and Charles Roseberry Sharon and Mark Housen ’66 Phyllis and Joe Lewis Catherine Cheleen-Mosqueda ’87 and Frank Rossini ’74 James Howard ’62 Martha MacRitchie and Rafael Mosqueda Ruth and Kenneth Ross Kathi Wiederhold ’76 and Michael Lewis Ana Romo ’99 and Joseph Mross ’93 Sheila Roth Kent Howe ’78 Susan Lewis ’76 Teresa Mueller ’93 Richard Ruf ’69 Jill Hubbard Phyllis Lichenstein W. Bruce Mulligan Karen ’94 and Nicholas Russo Maurice Hudson ’52 Madeline and Winfrid Liepe Arden Munkres ’71 Victor Sabin ’59 Joseph Hudzikiewicz Rita and Robert Litin Sharon and Keith Munson Joelle and Robert Sandvick, Jr. Angelika Bayley ’70 and Littman Family Trust Rhonda Stoltz ’88 and Nancy and Thomas Santee ’70 Harold Huestis ’72 Isabelle ’71 and Richard Littman John Mustoe ’76 Derek Saxman Ann Hughey ’81 Mary Llorens Linda Koblick ’69 and Carol Smit ’69 and David Schaerer ’69 Laura and Robert Illig Diane ’71 and Robert Longcore ’71 Joseph Myers ’69 John Schellman Stephanie Jennings and William Losie ’78 Paula Naas Mindy Schifberg Robert Inerfeld Susan Lowdermilk ’91 Lynn Nakamura ’76 Jan and Andrew Schink Melvin Ingeroi Mervyn Loya Sally ’57 and Herbert Nill ’51 Arline and Hyman Schneider Cathryne Irwin ’88 Loniann Stedman and Kevin Ludwig Ronald Norberg Megan Schosboek Elaina LaBoda Jamieson ’91 Sandra and Eugene Luks Joyce Norman Robert Schwartz Donnel Jansen ’90 Ellen and Jack Maddex, Jr. Ingolf Noto Alice Davenport and

25 Ernest Schwintzer Karalyn Walker Precious Cargo – The Museum Store Yoko McClain Elizabeth and Charles Search, Jr. Michael Walsh ’72 QSL Printing Max and Hattie Mae Nixon Stephanie Miller ’80 and Marion Walter Safeway Grocery Stores Estate of Richard Paulin Douglas Sears ’69 Christian Watchie Saké One Barry Raber Karen Seidel Karelia Stetz Waters ’03 Skeie’s Jewelers Mary Corrigan Solari Donald Shaifer ’74 Elizabeth Naylor and TNT Specialty Advertising Jennifer Tice Spagnoli Kathleen King Shelley ’49 James Watson ’91 Trader Joe’s Ken Standhardt Mary and Ronald Sherriffs Alex Weber ’09 West Coast Event Productions Joan Wahlman Nancy and Robert Shinn Gerald Webking ’64 James and Barbara Walker in Honor Dene and John Sihler Patricia Wessman ’86 of the Museum’s 75th Anniversary Ruth Simon MaryEllen Burrell West ’53 JSMA Endowments Becky and Rodney Slade ’76 Carol Whipple Tom Autzen Museum of Art Michele ’97 and Arthur Smith Charles Whitman Endowment Fund Arnold Bennett Hall Society Elaine and Irby Smith Julia Brooks ’80 and James Whitmore Coeta and Donald Barker Foundation The ABHS honors individuals Jane and James Smith Lee and Ray Wiley Changing Exhibitions Endowment who provide for the future of Michael Smith Patricia Cahill ’83 and Fund the University of Oregon in Nancy Smith David Williams ’76 L. Clifton and Cleo M. Culp Museum their estate plans. The following Ronald Smith ’73 Jerold Williams ’53 of Art Endowment Fund individuals have included the Sonja and William Snyder Lauretta and Maurice Williams ’71 Farwest Steel Korean Art Jordan Schnitzer Museum of Art Judith McClarty ’82 and Maurice R. Williams CPA, PC Endowment Fund in their plans. We are grateful Raymond Sobba Julianne Newton and Rick Williams Cheryl and Allyn Ford Educational for their support. Denise and Abraham Sorom Susan Williams Outreach Endowment Fund Ruth Eades South ’50 Debbie Williamson-Smith William A. Haseltine Rozy Almes Marcy Butcher ’86 and Wanda Burton and Endowment Fund Anonymous Charles Spinner ’70 Robert Windeler, Jr. Edna Pearl Horton Memorial Phoebe Smith Atwood ’45 Denise and Peter Sprengelmeyer David Winett Endowment Fund Susan Ballinger Lynn Stephen Nancy ’90 and Jeffrey Wing ’90 LaVerne Krause Museum of Art Ann Brewer ’53 Elin and Albert Stetz Norma and Everett Winter ’56 Memorial Endowment Fund Linda Lawrence-Canaga and Robert Claire Stewart Jean Butler ’68 and Harold Wood David John McCosh and Anne Canaga ’90 Kimberley Still ’80 Nancy Peck Woodke Kutka McCosh Memorial Museum Julie Collis Lori O’Hollaren and Jeffrey Stolle ’01 Leslie and Charles Wright Endowment Fund Carol Steichen Dumond ’45 and “Don Lotte Streisinger Darlene Hazelton ’60 and Museum of Art Docent Council E. Dumond ’62 Constance and Michael Sullivan Robert York ’61 Endowment Fund Phyllis Hawk ’47 Donna and Norman Sundberg Yvonne Stocker Young ’88 Max and Hattie Mae Nixon H. Joan and Melvin Lindley Susan Sutton Clover Earl and Thomas Zell Endowed Fund Gladys McCready* Yvonne Swing Heather and Kurt Zimmer ’91 Soreng Museum of Art Internship Lucile ’78 and A. Dean McKenzie Katherine Parentice and Katie and Paul Zolezzi Endowment Fund Aileen ’41 and Arhtur McNett ’43 Mark Szymanski Jordan Schnitzer Museum of Art William C. Mitchell* Lyle Tavernier ’02 *deceased Operating Endowment Fund Jeanne Neville Kathy Bollons ’77 and University of Oregon Museum of Art Hattie Mae Nixon ’61 Fred Tepfer ’77 Endowment Fund Hope Hughes Pressman ’42 Annick Todd ’87 In-Kind Donors Margaret Wulff Ramsing Rita Thomas ’74 and Jerry Towle ’74 Allan Bros Coffee Nancy ’68 and Michael Rose ’62 Trans Watch Anonymous Donors of Art Terri Warpinski Gene Tresenfeld Baden & Co. Ruth Alexander, Diane and Clifford Trolin Brandborg Winery from the Estate of Henry * In memoriam; these estates Ann Frederick ’61 and Harold Tryk ’63 Cocoa Belle Events Alexander distributed between July 1, 2008 and Richard Turk ’91 Crocker Corporate Design Dr. and Mrs. Irwin R. Berman June 30, 2009 Elaina ’93 and Cubanisimo Vineyards Brian and Gwyneth Booth A.J. Ullmann ’00 The Duck Store Linda Lawrence and Robert Canaga Jason Valentine Fifth Street Public Market Allen Cox Kenneth Van Duyn ’50 Hult Center for the Performing Arts Dr. Don E. and Jan Vanderspeck Imagine Graphics Carol Steichen Dumond Kathryn and Patrick VanWinkle ’54 Image King Signs Marilyn Easly Daniel Velasco J-Tea International Estate of Henry Alexander Mary Ventura ’84 KLCC 89.7 FM Estate of William Mitchell Phyllis and Harry Villec M.E.C.C.A. Peter Goin Timothy Vinson ’87 Museum of Natural and Cultural James M. Kidd Asian Collection Harriot West ’79 and History Susanna Campbell Kuo Frederick Viscardi Ninkasi Brewing Company Ellen Johnston Laing Fay Sunada and Patrick Wagner Oregon Family Paper Robert and Sandra Mattielli in Honor Joan Walker ’90 Pioneer Natural Soap Company, LLC of Kyung Sook Cho Gregor

26 Staff & Volunteers

Staff Interns and Leadership Council Dominick Vetri Andre Brown Robert Melnick, Interim Practicum Lee Michels, President James Walker Alyssa Cain (graduate independent Alyssa Carrizales Director (–Aug.) Greg Fitz-Gerald, study) Gina Chin Vice President Executive Director Students and Nominating Linda Christensen Jill Hartz Volunteers Connie Huling, Committee Simone Coker Emeritus President Associate Director of Administration Kate Wagle, Chair Alexandra Combs Administration and Britney Whiting-Looze, Ina A. Asim Tim Clevenger Joe Cote Exhibitions practicum Terry Carter Jill Hartz Braeden Cox Kurt Neugebauer Tim Clevenger Deidre Sandvick Deirdre Edsall Cheryl Ramberg Ford Kim Eschelbach Curator of American and Collections & Curatorial Sharon Ungerleider James Harper Kim Esrig Regional Art Serin Kelley (undergrad), Jill Hartz, ex-officio Meaghan Flerlage Lawrence Fong intern Yongsoo Huh Noriko Foreman Danielle Knapp (graduate Public Programs Curator of Asian Art Sue Keene Malott Committee Edwin Galvin student), campus art Charles Lachman Hope Hughes Pressman Liz Garfinkel inventory survey team Ina Asim, Co-chair Nicole Riewe Megan Gex Registrar Tim Clevenger, Co-chair Lindsay Lantz Lynette Saul Daniella Giustina Jean Nattinger (undergraduate student), Chris A. Smith Lisa Abia-Smith Kathleen Glass Associate Registrar for practicum Greg Stripp, ex-officio Terry Carter Dawn Guenther Loans and Exhibitions Katie Loney Sharon Ungerleider Larry Fong Ali Guess Gretchen Ranger (undergraduate), intern Dominick Vetri Jill Hartz Stephanie Harris Kate Wagle Erick Hoffman Kari Hayenga Chief Preparator Olivia Miller (graduate James Walker Jan Katz-Buonincontro Megumi Kato Richard Gehrke student), practicum and Amanda Wojick Sue Keene Malott Lisa Korth intern Museum Technician/ Kate Mondloch Freeman Levinrad Preparator Katie Moss (graduate Lynette Saul Melanie Louie Jonathan Smith student), practicum Collections Steve Stone Laura Marshall Committee Amanda Wojick Director of Development Hattie Mae Nixon, Nancy McMahon Deidre Sandvick community volunteer James Walker, Chair Susan Moody Jenna Roelle (graduate Larry Fong Donna Moore Director of Education Admissions and student), practicum and James Harper Frank Moran Lisa Abia-Smith Event Staff intern Jill Hartz Marie Morrison Amanda Baker Patsy Moser Museum Educator Britney Whiting-Looze Yongsoo Huh Danielle Belfatto Emily Mosqueda Sharon Kaplan (graduate student), intern Charles Lachman Lee Michels Thomas Bennett-Stroud Emilie Murcia Studio Coordinator Jessica Wilks (graduate Jean Nattinger Adriane Bolliger Indra Nayelli Liz Parr student), Laurel Award Lucille Dawson Amy Nelson Director of Communications Intern, practicum, campus Erica Eschelbach Emily New Erick Hoffman art survey team Development Daniel Fein Susan Ogawa Communications Committee Alexandra Gallup Monica Ortiz Marketing and Public Sara Garfinkel Kelley Powell Relations Coordinator Simone Coker, marketing Hope Hughes Pressman, intern Co-chair Isla Globus-Harris Marti Ravits Debbie Williamson-Smith Kena Gomalo Bette Rice Olga Walsh, public Chris Smith, Co-chair Visitor Services Coordinator/ Bree Hocking Joel Rice relations intern Facility Rental Coordinator Carole Daly Serin Kelley Agnes Rivera Jamie Leaf Development Greg Fitz-Gerald Kyoung Eun Lee Rachel Rossi Joey Colbert, intern Cheryl Ramberg Ford Nicole Smedegaard Linda Schaeffers Financial Services Nicole Riewe, intern Jill Hartz Derek Verhoest Julia Sherman Coordinator Lee Michels Andrea Watkins Sandy Shields Christy McMannis Education Nicole Riewe Athena Wisotsky Ed Silling Lauren Suveges, Laurel Executive Assistant Deidre Sandvick Dana Skillern Intern Miriam Jordan Sandi South Eunju Nam, Laurel Intern Admissions and Amy Steckel Museum Facilities Services Kelly Tavares, practicum Long-Range Planning Event Volunteers Lauren Suveges Josh Chadwick Committee Priscilla Mendoza, Hannah Barron Romney Taylor Greg Fitz-Gerald, Co-chair Custodian practicum Caroline Bauer Lauren Taylor Sandra Shaffer Kurt Neugebauer, Co-chair Kelli Bell Eva Tweedie Jessica Wilks, volunteer Barbara Bergreen Daniel Velasco Security Officers Jill Hartz Erin Masterson, volunteer Noelle Blakely Veronica Vergara Bryan Begnaud Phaedra Livingstone Karen Brandt Mariam Wahed Travis Crocker Ashley McKean, Laurel Lee Michels Heather Bridgham Shanyou Wang Dawn Kimbell Intern Greg Stripp

27 Leanne Wong Ruth Koenig Gourmet Group I Gourmet Group II Diane Perlman Lauren Young Kelly Lanzarotta Susie Anderson Francine Berryman Laura Quinn Lea Zagorin Claudia Lapp Marie Baker Kelli Bell Bette Rice Anita Larson Barbara Bergreen Lori Beyerlein Susan Selig Liz Lawrence Carol Berkman Susan Boettcher Dana Skillern Exhibition Margaret Leutzinger Theresa Booch Karen Brandt Karen Smeed Interpreters Norma Lockyear Linda Christensen Julie Budge Mary Lou Smith Susie Anderson Jennifer Lowery Vi Fraser Kate Coughlin Mary Smoluch Wendelin Asbury Nicola Maxwell Adriana Guistina Fran Curtis Marcy Spinner Patti Barkin Cathy Mosqueda Carolyn Guistina Kathryn Daniel Hildy Tritch Ginger Beck Ann Muller Denise Gudger Marilyn Deaton Jane West Pepper Berkeley Kathleen Nahorney Edie Ireland Judy Ellison Leanne Wong Carol Blackwell Hattie Mae Nixon Kathy Jensen Sheila Elsener Sarah Zachem Patti Brommelsiek Sharane Norris Darlene Knecht Annie Erwin Joey Colbert Georgann Pasnick Donna Luby Kimi Ersig Dee Carlson Elaine Pruett Laura Marshall Angela Ferry Gayle del Grosso Bette Rice Nancy McMahon Janine Gonyea Delyn Dunham Colette Richardson Natalie Newlove Trish Gory MaryAlice Dwyer Camille Ronzio Charlotte Oien Dawn Guenther Norma Etter Judy Rinaldi Nancy Schwecke Kristy Henning Colleen Fitzgibbons Lolly Robertson Thelma Seufert Marcia Jarrett Teresa Finn Lynette Saul Sandi South Korey Johansen Nancy Fletcher Linda Schaefers Lisa Korth Dorothy Frear Sally Smith Melanie MacKinnon Jennifer Frenzer-Knowlton Mary Smoluch MaryKay Manwill Kay Fullerton Yvonne Stephens Kathy Marzano Maggie Gontrum Merrily Sutton Julie McNutt Trish Gory Allison Walker Martha McMillen Mary Halpert Dina Wills Donna Moore Marlene Iversen Leanne Wong Sarah O’Dell Janice Jurisich Gail O’Donnell

Jill Hartz, Editor Diane Nelson, Designer Printed at © 2010 University of Oregon Press. All rights reserved. No portion of this publication may be reproduced without the written permission of the publisher. An equal-opportunity, affirmative-action institution committed to cultural diversity and compliance with the Americans with Disabilities Act. This publication will be made available in accessible formats upon request. Accommodations for people with disabilities will be provided if requested in advance by calling (541) 346-3213. 28 1223 University of Oregon ordan Schnitzer Museum of Art Eugene, OR 97403–1223 J annual report 2008–09 Street address: 1430 Johnson Lane, Eugene, OR 97403 On the University of Oregon Campus

Phone: (541) 346-3027 Fax: (541) 346-0976 Website: http://jsma.uoregon.edu/

Kang, Ik-Joong, Korean, b. 1960. Happy Buddha, 2007. Crayon and tempera on pine board with Envirotex Lite polymer coating, 30 x 30 x 2 inches. From the James and Haya Wallace Purchase Fund. 2008:13.1. Courtesy of the artist and the Kang Collection

Front cover: Iwami Reika, Japanese, b. 1927. Song of the Sea C. 1983. Woodblock print, 27 ½ x 27 ¼ inches. Gift of Yoko McClain. 2008:21.32. © Iwami Reika