Siv\Es, ^On1 We \Oves Do*N9 ^ a C\Ubvj»«A9

Total Page:16

File Type:pdf, Size:1020Kb

Siv\Es, ^On1 We \Oves Do*N9 ^ a C\Ubvj»«A9 JOCK on1 siv\es, ^ we \oves Do*n9 ^ a freddy fresh an ON HIS BOX c\ubvJ»«A9» ' comp\e\e'. 'REVELATIOMS' SYNTH IT (ATMOSPHERE) produced"This 12-inch this, changed but it was techno André music 'Phénix' as IEstrada was to whoknow was il. Mundothe genius Muzique behind co- thisbassline classic. arrangement Estrada is and a musical the création composer of fuluristic who understands sounds and chord haunting structure, vocal todaysamples. is the The best man talent is the hiding most inunderrated N.Y.C." producer in N.Y.C. and possibly even 'ORIGINAL BIG APPLE NOISE' VOL 2 J&T (BOOTLEG) Stadium."I heard this It is 12-inch a mega-mix on a mixmade show with while non-stop, watching reel-to-reel a baseball edits. game It does at Shea not list the producers, The Latin Rascals, anyplace on the record. A trainspotter's I dream,vinyl. it utilisedTo this wellday no-oneover 75 has12-inches ever made to make anything this incrediblelike this record." journey on 'DANCE' EARTH PEOPLE (APEXTON/UNDERWORLD) distribution"1997, and 92,000in N.Y.C. copies has ever on, thissold. is Itthe was besl-selling produced singleby 'Pal' that Joey M.T.I. Longo, who autographedsurprised himself mine! by An the incredible way it exploded houselhumper Worldwide. that LuckyI still playfor meregularly." Joey "This record uses 'IT'Sthe melody YOUR fromROCK' Crash FANTASY Crew's 3 'We're(SPECIFIC) on the radio' (Boy City Records)can bust from it today 1980. and But people it has stillso muchrun up bounce, to the tables.flavour The and instrumentalstamina that isyou amazing, My friend Aldoit Marin, stays inwho your runs mind Cutting forever." Records in N.Y.C., edited it. "Singer'I WON'T 'Diamond STOP LOVING Eyes' takesYOU' thisC BANK Latin (NEXTfreestyle PLATEAU) record inl another dimension with her melancholy voice. A freestylevery popular charm record unequalled in The Bronx,by other Brooklyn C Bank orrecords." ail of New Y rk for that matter, when it came out. It has a "In 1990,SI.15 New PLEASE' York City METRO raised transit(NU GROOVE) fares to $1.15, 'LOST ENTITY' BRING THAT(NU BEAT GROOVE) BACK hencethis the peaceful, name oftranquil, this track. housey There number are four but mixes the of inch"Number was co-produced 46 on Nu Groove's by Mike catalogue, 'Paradise' this Munoz 12- 'Brownstoneme back express' to New mixYork. with Amazing its lush record." chords takes hauntingwith tracks Joey that Beltram. for me Four were expérimental a revolutionary and "R&SAPHEX number TWIN (R&S) 9201, you know, the one with digeridoo turningIN THE point BOTTLE' in the C.O.D. future of(EMERGENCY) electronic music." theon it!times Forget that about it changes making the a waysong the that earth is so rotâtes far ahead on itsof Rodriguez"This was andproduced made bywith Mann a Pro-1 Parrish keyboard and Roui and onaxis this - and one! Richard Unbelievable, went ahead even andtoday." made four of them somesounded minimal so equipment. futuristic itIt was,came to out me, in at1983 the and GAMES OF LIFE' JUS' 4 MC'S (EXPRESS) ihen I was on the #1 train heading uptown. niceforefront guy, Mannof electro Parrish music. was Legendary,hot with his and Hiphop- very When"I first I heardgot back this toon St WBLS Paul, MrMinnesota, Magic Show I began one tryingday in to the track mid-Eightiet this som lown and found out it was extremely rare Bebop and his Sugar Scoop labels. I still play this and virtually no record stores in new York or Minnesota had it, or had r mlavour heard with of it. Marley's Through patented perseverance beats andI oneat 118bpm." finallyhaunting fpund chords it was and Marley bassline." Marl/T.J. Swan. This record has the old skoi BORN; Minneapolis In the 1960s. LIFE BEFORE DJING: Worked at Xanadu Rècoftfs Tn IhWron*. FIRST DJ GIGilocai foltef rink parties In Mlnneapolis St Paul.Besl-"Klnsetla's "My llrst European Club. Melbourne, glg was In thewith early llve N10-loot. nelles movlngIn Paris, hydraulic France, withrobots. Jelf Amazlngl Mills and PlusDanton I gotto Wild play for Expérimentala night of old Records."skool electro MOST and MEMORABLE hip hop...loved GIG; two-year-oldit!" Worst-b daughler glg in East who Germany Is prohably In the now moun sut erlngalns where from hearingthey had loss. no llyers Atnazingly, and no no-one promotion Ihought and thisno-one was knew slrangel" 1 was FAVOURITEcoming and CLUBS:some lool "Evety had broughtMelbourne his , wayclub cooli"was amazing. NEXT THREE Also theGIGS; DP Open42 clubs ait parly,hosled Çleveland by Roland (April Caspar 19); and Aids Claus Benelil, Bachor Boston - and (May generally 3); Holz the Platton whole TourCologne (5). sceneOJ TRADEMARK: that supports "Playing the lunky a wlde stutl is ' specltum0 Records. ol "Réellegood music and chaolic-1 try to and mix family-orleiilated up classlçs and thewith new my skoolwlle and with Ihree dicing klds (scralching) and tunning thrown my AnalogfSocketl/Boriqua in lor good measure." LIFElabels." OUTSIDE DJING: Artisl on Eye ' «S s SE = ; Site > <o r- oo o> < > to ^ C i§ .
Recommended publications
  • 9Rgrou / F BT Expra6s
    f- r n r:l I h. l_ i U ll tl L L. I I l--.- a I "bt" transeau t I : 'q a I I l ? kl I \ € 7 I \ 0 T a I I F II I , L r ^ I \ l t XI ?ortv 9rgrou / F BT expra6s... I \ .a 12 I ! ! I ./ J L. I tl I n I I I a 1 / T / t f I , t I I - \ \ \ ,/ 7 ll 7 / E t / / WWW.EIEH'I, ,1LL.EtrIM TICHTO RAP HOUSE REGGAE ROCK DAIiCEHATL ACIO IUI{GLE AMBIEI{T II{OUSTRIAI- BHAIiGRA FREESTYI"E SOUI. fUI{K R&B LATIII IiI,tR o 'AZZ o alternativelndusttiol . bhongro . blues . dub. freestyle . hi-nry / house. iozzvibes . jungle.latin. rop. reggoe/dancehall remix poradiso . rock . techno music & business: take o ride on the bt express... prem um music zine: print * web I tl v f! t) \ I ) , I t a , ) 1 1 I' ! t I I --l t I E l = ti _) http : / /www.streetso u n d.co m Eorror.rn.orrrr richdmrnrlil*'t^Ll'^fl-t##fhHffiJt**nurr,*r.ro* o,,,"oo, t)ag (IuExTED,ToRS: lonnld.msrAP.&ltLry.s !g'f.mll:rin ($htiff) S P.lnnrle BoG TECtltO. r Todd "Lrh" BlGe T!(H. L.dh tdno.& *O(t. b f!t|rlc! Ht.tPG. ocrnc. rd tDtlOa-AI-tARGE. trtrl.t flodtE SoUL flJ N( R&B.Syu.li Houde aLrtRNATlVt. B.mrd io6lit G FREESIYLE . Rody lrp..t xtE jU . SEwTCES ?.d E. top.E JAZZ VIEES . Ri.l Edl.i NGIE Cl.rl.s lftGlyrn REGGAE Dlrc & T.ry D.hopo los HOUSE lnita E( vldta BHANGRA Iln Frhry / lcI sn€graour{D u( .woorba ( coxla rS um$ | M.td and uiai 6olg.
    [Show full text]
  • Rock, Rhythm, & Soul
    ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notes NO. 13 / WINTER 2008-2009 Rock, Rhythm, & Soul: The Black Roots of Popular Music liner notes final 031009.indd 1 3/10/09 5:37:14 PM aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for the purpose of research and I write this column on January music critics and scholars to discuss study of African American 20, 2009, the day our country and the socio-political history, musical music and culture. the world witnessed history being developments, and the future of black www.indiana.edu/~aaamc made with the swearing-in of the 44th rock musicians and their music. The President of the United States, Barack AAAMC will host one panel followed Obama, the first African American by a light reception on the Friday elected to the nation’s highest office. afternoon of the conference and two Table of Contents The slogan “Yes We Can” that ushered panels on Saturday. The tentative in a new vision for America also fulfills titles and order of the three panels are From the Desk of part of Dr. Martin Luther King, Jr.’s “What Is Rock: Conceptualization and the Director ......................................2 dream for a different America—one Cultural Origins of Black Rock,” “The that embraces all of its people and Politics of Rock: Race, Class, Gender, Featured Collection: judges them by the content of their Generation,” and “The Face of Rock Patricia Turner ................................4 character rather than the color or their in the 21st Century.” In conjunction skin.
    [Show full text]
  • Freddy Fresh Abstract Funk Theory Mp3, Flac, Wma
    Freddy Fresh Abstract Funk Theory mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Abstract Funk Theory Country: UK Released: 2001 Style: Breaks, Techno, Electro MP3 version RAR size: 1606 mb FLAC version RAR size: 1216 mb WMA version RAR size: 1670 mb Rating: 4.8 Votes: 241 Other Formats: DTS MP3 DMF AU AAC AHX DTS Tracklist Hide Credits Matrix 1 –Cherry Bomb 5:42 Written-By, Producer – Richard Brown –Man Parrish & Freddy Smooth 2 5:42 Fresh Written-By, Producer – Freddy Fresh, Man Parrish Body Mechanic 3 –Quadrant Six 7:13 Written-By, Producer – Jon Robey* Showroom Dummies 4 –DMX Krew 6:47 Written-By – Ralph Huetter* In The Bottle (Instrumental) 5 –C.O.D. 5:40 Written-By, Producer – Man Parrish Was Dog A Doughnut 6 –Cat Stevens Producer – Cat Stevens, Dave Kershenbaum*Written-By – Cat 4:09 Stevens Mortuary 7 –Freddy Fresh 5:40 Written-By, Producer – Freddy Fresh Voices From Another Age 8 –Dan Curtin 6:43 Written-By, Producer – Dan Curtin Groovin' Without A Doubt 9 –Intercity 5:10 Written-By, Producer – Derrick May, Kevin Saunderson Airbourne 10 –Russ Gabriel 5:55 Written-By, Producer – Russ Gabriel $1.15 Please (Brownstone Express) 11 –Metro 4:10 Written-By – Burrell* Chocolate 12 –Wicked Lester 5:54 Written-By, Producer – Brian Carson , Scott Arkwell, Wicked* Free Your Mind 13 –Politicians* 2:47 Written-By – Brian Holland/Lamont Dozier/Eddie Holland* Credits Compiled By, Presenter – Freddy Fresh Notes Tracks 2 & 7 are exclusives. Track 05 is listed without the mix title, as just In The Bottle Track 11 is listed without the mix title, as just $1.15 Please.
    [Show full text]
  • User's Manual
    USER’S MANUAL 2.5 ARTURIA – JUPITER-8V – USER’S MANUAL 1 PROGRAMMING: Nicolas Bronnec Fabrice Bourgeois Gavin Burke Vincent Travaglini Jean–Michel Blanchet Philippe Wicker Cristian Kreindler Damien Vanderbeyvanghe Thomas Diligent Robert Bocquier MANUAL: Thomas Diligent (English version) Christiaan de Jong (English version) Houston Haynes (English version) Richard Phan (English version) Jean-Michel Blanchet (French version) Antoine Back (French version) Kenta Sasano (Version japonaise) Kiriko Ishida (Version japonaise) Tomoya Fukushi (Version japonaise) DESIGN: Yannick Bonnefoy (Beautifulscreen) Elisa Noual SOUND DESIGN: Jean–Michel Blanchet Thomas Binek (Tasmodia) Stephan Muësh (Rsmus7) Celmar Engel Ruff & Jam Katsunori Ujiie Sato Fujimori Richard James Nori Ubutaka © ARTURIA SA – 1999-2010 – All rights reserved. 4, Chemin de Malacher 38240 Meylan FRANCE http://www.arturia.com Information contained in this manual is subject to change without notice and does not represent a commitment on the part of Arturia. The software described in this manual is provided under the terms of a license agreement or non-disclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. No part of this manual may be produced or transmitted in any form or by any purpose other than purchaser’s personal use, without the express written permission of ARTURIA S.A. The mark “Jupiter-8V” and “Roland” are property of Roland Corporation. The Jupiter-8 interface is also owned by Roland Corporation, the design and model being registered trademarks. All other products, logos or company names quoted in this manual are trademarks or registered trademarks of their respective owners. 2 ARTURIA – JUPITER-8V – USER’S MANUAL Thank you for purchasing the ARTURIA Jupiter-8V 2.5! In this package you will find: • This paper manual for the Jupiter-8V 2.5 • One CD-ROM containing the Jupiter-8V 2.5 installer for MAC OSX and Windows XP/Vista/7 • The registration Card Carefully store your card! In order to be able to use the software, you have to register your product.
    [Show full text]
  • Jupiter History
    USER’S MANUAL PROGRAMMING: Nicolas Bronnec Fabrice Bourgeois Gavin Burke Vincent Travaglini Jean–Michel Blanchet Philippe Wicker Cristian Kreindler Damien Vanderbeyvanghe Thomas Diligent Robert Bocquier MANUAL: Thomas Diligent (English version) Christiaan de Jong (English version) Houston Haynes (English version) Richard Phan (English version) Jean-Michel Blanchet (French version) Antoine Back (French version) Kenta Sasano (Version japonaise) Kiriko Ishida (Version japonaise) Tomoya Fukushi (Version japonaise) DESIGN: Yannick Bonnefoy (Beautifulscreen) Elisa Noual SOUND DESIGN: Jean–Michel Blanchet Thomas Binek (Tasmodia) Stephan Muësh (Rsmus7) Celmar Engel Ruff & Jam Katsunori Ujiie Sato Fujimori Richard James Nori Ubutaka © ARTURIA SA – 1999-2014 – All rights reserved. 30, Chemin du Vieux Chêne 38240 Meylan FRANCE http://www.arturia.com Information contained in this manual is subject to change without notice and does not represent a commitment on the part of Arturia. The software described in this manual is provided under the terms of a license agreement or non-disclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. No part of this manual may be produced or transmitted in any form or by any purpose other than purchaser’s personal use, without the express written permission of ARTURIA S.A. The mark “Jupiter-8V” and “Roland” are property of Roland Corporation. The Jupiter-8 interface is also owned by Roland Corporation, the design and model being registered trademarks. All other products, logos or company names quoted in this manual are trademarks or registered trademarks of their respective owners. November 2014 edition Thank you for purchasing the ARTURIA Jupiter-8V! In this package you will find: This paper manual for the Jupiter-8V One CD-ROM containing the Jupiter-8V installer for MAC OSX and Windows XP/Vista/7 The registration Card Carefully store your card! In order to be able to use the software, you have to register your product.
    [Show full text]
  • User Manual Jup-8 V
    USER MANUAL ARTURIA – Jup-8 V – USER MANUAL 1 Direction Frédéric Brun Kevin Molcard Development Stefano D'Angelo Samuel Limier Baptiste Aubry Germain Marzin Corentin Comte Mathieu Nocenti Baptiste Le Goff Pierre Pfister Pierre-Lin Laneyrie Benjamin Renard Valentin Lepetit Design Glen Darcey Sebastien Rochard Yannick Bonnefoy Greg Vezon Morgan Perrier, Sound Design Jean-Baptiste Arthus Jean-Michel Blanchet Manual Jason Valax Special Thanks Alejandro Cajica Sergio Martinez Denis Efendic Shaba Martinez, Ruary Galbraith Miguel Moreno Dennis Hurwitz Daniel Saban Clif Johnston Carlos Tejeda, Koshdukai Scot Todd-Coate Joop van der Linden © ARTURIA S.A. – 1999-2016 – All rights reserved. 11 Chemin de la Dhuy 38240 Meylan FRANCE http://www.arturia.com ARTURIA – Jup-8 V – USER MANUAL 2 Table of Contents 1 INTRODUCTION ................................................................................................................. 6 1.1 Roland/Jupiter-8 Story ........................................................................................................................... 6 1.2 A unique synthesizer, Why? ................................................................................................................ 10 1.2.1 The Roland Jupiter-8 ....................................................................................................................... 10 1.2.2 The Arturia Jup-8 V ......................................................................................................................... 11 1.3 Arturia’s secret ingredient:
    [Show full text]
  • Getting Hip to the Hop: a Rap Bibliography/Discography
    Music Reference Services Quarterly. 1996, vol.4, no.4, p.17-57. ISSN: 1540-9503 (online) 1058-8167 (print) DOI: 10.1300/J116v04n04_02 http://www.tandfonline.com/toc/wmus20/current http://www.tandfonline.com/toc/wmus20/4/4 © 1996 The Haworth Press, Inc. All rights reserved. Getting Hip to the Hop: A Rap Bibliography/Discography Leta Hendricks ABSTRACT. This bibliographic/discographic essay examines works which may be used to develop a core collection on Rap music. A selected bibliography and discography is also provided. INTRODUCTION Research interest has recently emerged in the popular African-American musical idiom known as Rap and continues to grow as social and cultural scholars have embarked on a serious study of Rap music and culture. Therefore, the student, scholar, and general library patron may seek information on Rap and its relationship with the African-American community. During the 1970's, libraries rushed to include in their holdings culturally diverse materials, especially materials on African-American history, literature, and culture. Today, emphasis is placed on cultural diversity, Rap is sometimes deemed to be low art and may be overlooked in the collecting of diverse materials. However, Rap has already celebrated its sixteenth anniversary and, like Rock and Roll, Rap is here to stay. Rap music research is difficult because (1) the librarian or information provider generally lacks knowledge of the category,' and (2) primary/ephemeral materials are not widely accessible.2 This selective bibliographic and discographic essay examines a variety of Rap resources and materials including biographies, criticisms, discographies, histories, recordings, and serials to help fill the Rap knowledge and culture gap and assist in the development of a core collection on Rap music.
    [Show full text]
  • Artists in Transition New on the Charts This Month
    Artists In Transition New On The Charts This Month This is a listing of ARTISTS that previously recorded for a major label, and now control their own master rights, as noted in New On The Charts this past year. (Please note however, that some of these acts may have new situations since the original time of printing.) 2Cents Marty Balin Formerly: Atlantic- Punk Metal quartet that toured with GWAR and also performed at maximum-security Formerly: EMI- Founding member of Jefferson Airplane then later Jefferson Starship, he also enjoyed a solo youth correctional facilities- Now they’re working on their next LP and open to a new label partner career, and continues to write and perform Contact: Del Williams- Right Arm Ent. 1323 Lincoln Blvd. #240 Santa Monica CA 90401 Contact: Joe Viglione- Varulven Music P.O. Box 2392 Woburn MA 01888 (781)874-0485 e-mail: (310)458-1501FAX:(310)451-5698 e-mail: [email protected] [email protected] The 5 Browns Russ Ballard Formerly: Sony Classics- Three straight #1 Billboard Classical CD’s since ‘05 debut- Last year’s “Browns Formerly: Epic, EMI- Lead singer of Argent who wrote “God Gave Rock & Roll To You” and hit songs that In Blue” still #1- Touring booked by IMG- In production now w/Phil Ramone & Glen Ballard on Oscar have generated $60 million in sales, just completed a new album Winning Film Themes Contact: Michael Bisping- A.S.S. Concert & Promo GMBH Rahlstedter Strasse 92a Hamberg 22149 (49)40 Contact: Joel Diamond- c/o Silver Blue Prod’ns. 3940 Laurel Canyon Blvd.
    [Show full text]
  • Music-Week-1999-04-1
    FOR EVERYONE IN THE OUSINESS OF MUSIC Marsh seeks rôle aller BMG exil by Robert Ashton year helping Griffiths effect these the job he coveted. chairman of atJeremy the helm Marsh of ais recordseeking com a i day-to-daychanges and running has also of overseenArista, thebut ArnoldBMG UK, Bahlmann's had been former combined rôle -with as toat JohnBMG, Preston's Marsh déclinés decade-long to reveal reign lowingEntertainment his departure UK and Irelandfroi last whenhead Gedthe labelDoherty last was month appointed his rôle to chiefsented of to centrai Griffiths. Europe - and pre- energyhis future and plans. âge I "Rightwould nowlike towith run my a Friday afler seven years with the wasGriffiths less clear. says, "Now we have very RCADespite as managing this Marsh, director who in joined1992 record company."label. It's highly he says. likely to be a Marsh's exit, finally concluded on «F from WEA and assumed the post of He déclinés to comment on cornesFriday after15 monthsweeks ofafter negotiation, Richard 1995,président says of histhe workingUK music relationship division in whetherhead either he hasEast been West approached or Columbia to manGriffiths at assumedBMG UK theand rôles Ireland of chair- and entto keephim Marsh: looking withand heGriffiths is leaving has BMG been on exceptional an upward BMG A&R consultant Simon thenexecutive Griffiths, VP of centralwho replaced Europe. SinceJohn hsin January,and Marsh including seedsHowever, for Marsh'sinsiders latestsuggest career tl great run at BMG,' says M< fromCowell, Arista who wasby Marshrecruited in to1993, RCA Preston, hashiring restructured new MDs forthe both UK st at BMG InternationaFs HQ in Christmasmove were 1997 sown when as he earlyreturned as Takeenjoyed That, success Annie withLennox, acts I onesays, of "Jeremy the most has influential probably people been ie RCA ar Arista la thingiw York.
    [Show full text]