Kearny Street Workshop Archives CEMA 33
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AAPI National Historic Landmarks Theme Study Essay 14
National Park Service U.S. Department of the Interior A National Historic Landmarks Theme Study ASIAN AMERICAN PACIFIC ISLANDER ISLANDER AMERICAN PACIFIC ASIAN Finding a Path Forward ASIAN AMERICAN PACIFIC ISLANDER NATIONAL HISTORIC LANDMARKS THEME STUDY LANDMARKS HISTORIC NATIONAL NATIONAL HISTORIC LANDMARKS THEME STUDY Edited by Franklin Odo Use of ISBN This is the official U.S. Government edition of this publication and is herein identified to certify its authenticity. Use of 978-0-692-92584-3 is for the U.S. Government Publishing Office editions only. The Superintendent of Documents of the U.S. Government Publishing Office requests that any reprinted edition clearly be labeled a copy of the authentic work with a new ISBN. Library of Congress Cataloging-in-Publication Data Names: Odo, Franklin, editor. | National Historic Landmarks Program (U.S.), issuing body. | United States. National Park Service. Title: Finding a Path Forward, Asian American and Pacific Islander National Historic Landmarks theme study / edited by Franklin Odo. Other titles: Asian American and Pacific Islander National Historic Landmarks theme study | National historic landmark theme study. Description: Washington, D.C. : National Historic Landmarks Program, National Park Service, U.S. Department of the Interior, 2017. | Series: A National Historic Landmarks theme study | Includes bibliographical references and index. Identifiers: LCCN 2017045212| ISBN 9780692925843 | ISBN 0692925848 Subjects: LCSH: National Historic Landmarks Program (U.S.) | Asian Americans--History. | Pacific Islander Americans--History. | United States--History. Classification: LCC E184.A75 F46 2017 | DDC 973/.0495--dc23 | SUDOC I 29.117:AS 4 LC record available at https://lccn.loc.gov/2017045212 For sale by the Superintendent of Documents, U.S. -
UNIVERSITY of CALIFORNIA, SAN DIEGO After the I-Hotel
UNIVERSITY OF CALIFORNIA, SAN DIEGO After the I-Hotel: Material, Cultural, and Affective Geographies of Filipino San Francisco A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnic Studies by Thea Quiray Tagle Committee in Charge: Professor Sara Clarke Kaplan, Chair Professor Curtis Marez, Co-Chair Professor Patrick Anderson Professor Kirstie Dorr Professor Kalindi Vora Professor Daniel Widener 2015 Copyright © Thea Quiray Tagle, 2015 All rights reserved. The Dissertation of Thea Quiray Tagle is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _______________________________________________________________ _______________________________________________________________ _______________________________________________________________ _______________________________________________________________ _______________________________________________________________ Co-Chair _______________________________________________________________ Chair University of California, San Diego 2015 iii DEDICATION In loving memory of my best teachers: Aurelio Muñoz Quiray Rosemary Marangoly George Candice Tamika Rice (Thank you.) iv TABLE OF CONTENTS Signature Page.………………………………………………….…………........... iii Dedication.……………………………………………………………………….. iv Table of Contents.………………………………………………………………... v Acknowledgements………………………………………………………………. vi Vita……………………………………..…………………………...……………. xii Abstract of the Dissertation……………..…………………………..……………. xiii Introduction.………………………………………………………………………. -
Stomping Grounds: the Effects & Affects of Youth
STOMPING GROUNDS: THE EFFECTS & AFFECTS OF YOUTH ACTIVISM IN SAN FRANCISCO CHINATOWN A Thesis submitted to the faculty of San Francisco State University In partial fulfillment of 3 the requirements for the Degree A AS * Q S 2? Master of Arts In Asian American Studies by Kathlyn Marie Quan San Francisco, California May 2017 Copyright by Kathlyn Marie Quan 2017 CERTIFICATION OF APPROVAL I certify that I have read Stomping Grounds: The Effects & Affects of Youth Activism in San Francisco Chinatown by Kathlyn Marie Quan, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Asian American Studies at San Francisco State University. Wesley Ueunten, Ph.D. Professor of Asian American Studies Valerie Soe, MFA. Professor of Asian American Studies STOMPING GROUNDS: THE EFFECTS & AFFECTS OF YOUTH ACTIVISM IN SAN FRANCISCO CHINATOWN Kathlyn Marie Quan San Francisco, California 2017 Stomping Grounds: Exploring the Effect and Affect of San Francisco Chinatown Youth Activism is a multimedia culmination project focused on bringing relevancy to Chinatown as a social laboratory during the Asian American Movement (1968-1974). Set in the formation years, youth groups used the arguable 15-block setting as a stomping ground for production, experimentation, and activism. The results not only created social programs and opportunities for residents and students, but also became an atmosphere for reclaiming identity and vision. Today, this energy captivates a new audience, inspiring action and discussion. Through a series of digital projections, posters, and photography, Stomping Grounds captures a younger generation eager to explore the political identity of Asian America. -
Investigating the Engagement of College Students in an Activist Exhibition Fierce-Browed and Head-Bowed: Bay Area Asian American Movement
Investigating The Engagement Of College Students In An Activist Exhibition Fierce-Browed And Head-Bowed: Bay Area Asian American Movement by Danielle Alexandra Coates B.F.A in Art and Visual Technology, May 2013, George Mason University A Thesis submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Master of Exhibition Design May 19, 2019 Thesis directed by Andrea Hunter Dietz Assistant Professor of Exhibition Design © Copyright 2019 by Danielle Alexandra Coates All rights reserved ii Dedication The author wishes to dedicate this work to her parents. This is our degree. iii Acknowledgments The author wishes to acknowledge the Office of Diversity, Inclusion, and Multicultural Education at George Mason University and Kylie Stamm for inspiring her research into the Asian American Movement and Christopher Kardambikis for guidance on the printmaking studio and activities. iv Abstract of Thesis Investigating The Engagement Of College Students In An Activist Exhibition Fierce-Browed And Head-Bowed: Bay Area Asian American Movement The present document will investigate the engagement of college students in an activist exhibition through the topic of the Bay Area Asian American Movement. The narratives of the movement will be organized by the locations around the Bay Area, beginning on the college campuses then expanding to San Francisco’s Chinatown- Manilatown. Each content section has a brief description of the narratives that will be presented to the visitor and their flow within the exhibition. The exhibition will explore the development of the Asian American Movement through the perspective of college students and young adults. -
E^WIND: Publications
COFY Editor: John Ota Advisors: BOSTON: Managing Editor: Julian M. Low Siu-wai Anderson, songwriter/musician; Eric Donato, graduate Production Director: Deborah Lowe student, MIT Suzanne Lee, Chinese Progressive Association; Art Director: Leon Sun Ramsey Liem, associate professor, psychology, Boston College; Carlton Sagara, administrative director, Asian American Resource Layout Designers: Sonny Kim, Pam Matsuoka, Leon Sun Workshop; Wen-ti Tsen, painter, moralist, community graphic Staff: Bruce Akizuki, Anthony Cody, Gina Hotta, artist Denise Imura, Leslee Inaba-Wong, Don Misumi, David Monkawa, Janice Sakamoto, Ken Yamada BOWLING GREEN, OHIO: Typesetting: Paul Lew R. Errol Lam, librarian at the University of Ohio, Bowling Green Photo/Darkroom: Perry Chow, Ben Ferris, Gary Kozono EUGENE, OREGON: Advertising Business and Circulation: El Lee Misa Joo, teacher and Asians Together EAST WIND Representatives: BOSTON: Vivian Wu; L O S A N G E L E S : HONOLULU: Mark Matsumoto; LOS ANGELES: Richard Marion Fay, attorney; Lloyd Inui, director of Asian American Katsuda, Meg Thornton, Evelyn Yoshimura; NEW YORK: Studies at California State University at Long Beach; Akemi Sasha Hohri; SACRAMENTO: Elaine Lew, Diane Tomoda; Kikumura, Ph.D., author; Mike Murase, California executive SAN DIEGO: Luke La Roya, Anson Hisao Pang; SAN director of the Rainbow Coalition; Joyce Nako, Pacific Asian FRANCISCO: Ernestine Tayabas; SAN JOSE: Duane Kubo; American Women Writers' West; Bert Nakano, National SEATTLE: TVacy Lai Spokesman of the National Coalition for Redress/Reparations; -
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Remapping Topographies of Race and Public Space: Asian American Artists in California (1970s to Present) Permalink https://escholarship.org/uc/item/1gm532s4 Author Gavino, Julianne Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Remapping Topographies of Race and Public Space: Asian American Artists in California (1970s to Present) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in the History of Art and Architecture by Julianne P. Gavino Committee in charge: Professor E. Bruce Robertson, Chair Professor Swati Chattopadhyay Professor Miriam Wattles Professor Celine Parreñas Shimizu December 2018 The dissertation of Julianne P. Gavino is approved. _____________________________________________________ Celine Parreñas Shimizu _____________________________________________________ Miriam Wattles _____________________________________________________ Swati Chattopadhyay _____________________________________________________ E. Bruce Robertson, Committee Chair December 2018 Remapping Topographies of Race and Public Space: Asian American Artists in California (1970s to 2000s) Copyright © 2018 by Julianne P. Gavino iii ACKNOWLEDGEMENTS This work would not have been possible without the generous support of University of California Santa Barbara, notably the Department of the History of Art and Architecture, Department of Asian American Studies, Graduate Division, Interdisciplinary Humanities Center, and Special Research Collections - UCSB Library. I would like to express my deepest gratitude to my Dissertation Chair Bruce Robertson for sharing considerable warmth, patience, and mentorship throughout my graduate work. I have grown in immeasurable ways—personal, academic, and professional—because of his firm commitment to my research, curatorial work, and digital projects.