Russell Group Gender Pay Gap Nearly Twice National Average
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Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
10 April VLUS Weekly
http://vassallane.cpsd.us/school_news/school_newspaper/ April 10, 2015 VLUS WEEKLY Stories by and About the Vassal Lane Upper School’s Scholars Vassal Lane Upper School, 197 Vassal Lane, Cambridge, MA 02138 Image by Susan Peloquin Connect to the VLUS Update on the April 17th VLUS Day of Silence Weekly: By Susan Peloquin http://vassallane.cpsd.us/ school_news/school_newspaper/ Just a reminder that VLUS students and staff will be participating in the National Day of Silence as part of our In this issue of the work in the Gay Straight Alliance next Friday, April 17. VLUS Weekly: Students can choose to participate in 2 ways. The first is to wear a sticker stating that the student pledges to be silent Essays! Reviews! that day to recognize the silence that LGBTQ peers and Articles by New families feel regularly. The second is to wear a sticker that Authors! states the student supports the Day of Silence and its Our First Reader’s purpose but isn't committing to be silent. Teachers will be Write Original Story! modifying the classes that day to allow for students who are choosing to be silent to be able to participate through writing. http://vassallane.cpsd.us/school_news/school_newspaper/ !1 http://vassallane.cpsd.us/school_news/school_newspaper/ April 10, 2015 On the Road Again: Journalism for a Moving World Effects on Streets By Fiona O’Loughlin Image by Fiona O’Loughlin After three weeks of almost constant blizzards and snow, Cambridge streets were nearly impassable. Plows pushed snow to the sides of streets, causing them to lose one or more lanes of traffic. -
Lyrics and the Law : the Constitution of Law in Music
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work. -
Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Youth Encouraged to Work Hard for Success IT Doesn’T Matter Where You Come From, Confidence Ceremony Held by the Conference Scheduled for Trinidad and Pandemic”
Established October 1895 Spencer breaks silence on resignation PAGE 3 Friday July 10, 2020 $2 VAT Inclusive ‘REMAINMINISTER of Home Affairs, VIGILANT’ Edmund Hinkson, has urged Barbadians to be vigilant as the peak of the hurricane season has yet to arrive. Speaking to the media recently at a press briefing regarding the new traffic lights at the Westmoreland junction, Minister Hinkson also used the time to encourage Barbadians to be prepared for the hurricane season. “The reality is that we are very far from the height of the season and that Barbadians and residents must remain vigilant as to what can happen and nothing beats preparation,” stated Hinkson. The minister highlighted that for the first time, Barbados would be preparing for the season in the midst of a global pandemic. He explained that the current administration, through the National Advisory Committee, has been making preparations for the hurricane season and the committee has met five times over the last six weeks. “We would have met with social welfare, whose responsibility it is to ensure that people are protected socially, the most vulnerable. We have been involved with the Ministry of Agriculture to ensure that there will be food supplies to each area of Barbados in the event that any district in Barbados is cut off and that there would be sufficient food channelled to that area,” explained the minister. Hinkson also mentioned meetings with the Housing Ministry where stronger arrangements were made for the supply of building material, if there is a need for swift repairs for the houses of any residents impacted. -
J Cole Can't Get Enough Free Mp3 Download Best of J
j cole can't get enough free mp3 download Best of J. Cole Mixtape (J. Cole Mp3 songs DJ Mix) Enjoy Best of J cole, Jermaine Lamarr Cole, known professionally as J. Cole is an American rapper, singer, songwriter, record producer, and record executive. Wikipedia Born: 28 January 1985 (age 35 years), Frankfurt, Germany. Best of J. Cole Mixtape is the compilation of Jcole mp3 rap songs. You will like this mix if your a fan of jcole. Download and share. J. Cole – A Tale of 2 Citiez J. Cole – High For Hours J. Cole – No Role Modelz J. Cole – Work Out J. Cole – Fire Squad J. Cole – Let Nas Down J. Cole – Love Yourz J. Cole – Deja Vu J. Cole – Lion King On Ice J. Cole – Neighbors J. Cole – Under The Sun J. Cole – 1985 J. Cole – G.O.M.D. J. Cole – Lights Please J. Cole – The Climb Back J. Cole – False Prophets J. Cole – Snow On Tha Bluff J. Cole – She Knows J. Cole – Kevin’s Heart J. Cole – In the Morning J. Cole – Apparently J. Cole – Change J. Cole – Power Trip J. Cole – January 28th J. Cole – MIDDLE CHILD J. Cole – Crooked Smile J. Cole – everybody dies J. Cole – Sacrifices J. Cole – Lost Ones J. Cole – ATM J. Cole – Wet Dreamz J. Cole – Shea Butter Baby. Download & Enjoy Best of J. Cole Mixtape (J. Cole DJ Mix) Tags: Best J. Cole Mixtape, jcole songs, j. cole mp3 songs Mix, best of j cole dj mix mp3 download, j cole best songs, best of j cole dj mix mp3 free download, best of j cole mixtape, j cole mix 2019, j cole mix, Year 2021 DJ Mix. -
Billboard Magazine
Lamar photographed Dec. 30, 2015, in downtown Los Angeles. GRAMMYPREVIEW2016 KENDRICK’S February 13, 2016 SWEET | billboard.com REVENGE No, Lamar doesn’t care about those past snubs. Because the Compton rapper with 11 nominations knows this is his best work ever: ‘I want to win them all’ ‘IT’S STILL TOO WHITE, TOO MALE AND TOO OLD’ Grammy voters speak out! ‘THE SECRET IS… TALENT’ How Chris Stapleton conquered country WE PROUDLY CONGRATULATE OUR GRAMMY® THE RECORDING ACADEMY® SONG OF THE YEAR BEST DANCE/ELECTRONIC ALBUM LIFETIME ACHIEVEMENT AWARD ED SHEERAN CARIBOU HERBIE HANCOCK “THINKING OUT LOUD” OUR LOVE RECORD OF THE YEAR BEST NEW ARTIST BEST DANCE/ELECTRONIC ALBUM ED SHEERAN COURTNEY BARNETT DISCLOSURE “THINKING OUT LOUD” CARACAL BEST POP SOLO PERFORMANCE RECORD OF THE YEAR ED SHEERAN BEST DANCE/ELECTRONIC ALBUM MARK RONSON* “THINKING OUT LOUD” SKRILLEX & DIPLO “UPTOWN FUNK” SKRILLEX AND DIPLO PRESENT JACK Ü BEST POP SOLO PERFORMANCE ALBUM OF THE YEAR ELLIE GOULDING* BEST DANCE/ELECTRONIC ALBUM ED SHEERAN “LOVE ME LIKE YOU DO” JAMIE XX BEAUTY BEHIND THE MADNESS IN COLOUR BY THE WEEKND BEST POP DUO/GROUP PERFORMANCE (featured artist) MARK RONSON* BEST ROCK PERFORMANCE ALBUM OF THE YEAR “UPTOWN FUNK” ELLE KING “EX’S & OH’S” FLYING LOTUS BEST POP VOCAL ALBUM TO PIMP A BUTTERFLY MARK RONSON* BEST ROCK PERFORMANCE BY KENDRICK LAMAR UPTOWN SPECIAL WOLF ALICE (producer) “MOANING LISA SMILE” BEST DANCE RECORDING ALBUM OF THE YEAR BEST ROCK SONG JACK ANTONOFF ABOVE & BEYOND “WE’RE ALL WE NEED” ELLE KING (OF FUN. AND BLEACHERS) “EX’S & OH’S” -
In Selected Rap and Hip Hop Lyrics: a Marker of Cultural Identity?
INST FÖR SPRÅK OCH LITTERATURER ENGLISH The Aspects of “Be” in selected rap and Hip Hop lyrics: A marker of cultural identity? Beatriz Helgotsson BA thesis Supervisor: Joe Trotta Examiner: Misuzu Shimotori Title: The Aspects of “Be” in selected rap and Hip Hop lyrics: A marker of cultural identity? Author: Beatriz Helgotsson Supervisor: Joe Trotta Abstract: The aim of this study is to investigate the use of the African American English (AAVE) verb be in lyrics written and performed by four African American rappers, Kendrick Lamar, J. Cole, Gucci Mane and Future. This paper also demonstrates how the verb be in AAVE is used by these rappers to construct cultural identity. The method used is a qualitative analysis and partly a quantitative study of the empirical data. Every instance of the verb be was written down and counted in order to examine the lyrics and to explore how often and in what context it occurs in the selected material. The result of the study shows that the copula absence has the highest rate in frequency and occurrence within the selected rap lyrics, after which comes the invariant/habitual be followed by the so-called equative copula. Keywords: African American Vernacular English, grammar, Hip Hop Nation Language, cultural identity, sociolinguistics 2 Contents 1. Introduction ....................................................................................................................................................... 4 2. Research aims and questions .............................................................................................................................. -
Trinity Tripod, 2019-10-22
The -Established 1904- rinity ripod T T Volume CXV “Scribere Aude!” Tuesday, October 22, 2019 Number V Board of Chartwells EAC Barnyard Hosts Trustees Annual Trintoberfest BRENDAN CLARK ’21 Employees Protest Over the past weekend, pretzels, and other festive MANAGING EDITOR Trinity College Entertain- foods to commemorate the The Tripod spoke Food Outsourcing ment Activities Council month of October. Pictured page with Board of Villegas, the in-house pro- (EAC) Barnyard hosted below is several mem- JAY PARK ’22 Trustees Chair duction can, and has been its annual Trintoberfest. bers of EAC Barnyard, NEWS EDITOR Cornelia Thorn- providing these food items The event had beer, who planned the event. burgh ’80 to During the spring se- with the same level of dili- discuss their fall mester of the 2018-2019 gence concerning allergens. 4 meeting. academic year, Trinity Villegas spoke with the College’s dining services Tripod and contends that provider—Chartwells—an- the real reason behind What is nounced their intention to Chartwells’ outsourcing outsource the production is in the interest of “sav- of their “Grab and Go” op- ing money,” which comes the Hunt? tions (otherwise known as at the expense of Lo- “Outtakes”) to New Jersey cal 217 Union members. GILLIAN REINHARD ’20 and New York. Outtakes is Villegas has stated that EDITOR-IN-CHIEF the brand of pre-made food the union has negotiated products, such as sand- “in good faith” with Chart- page The Tripod looks wiches and salads, sold in wells to keep the produc- at the Chadian the Bistro, the Cave, and tion in-house because “the phenomenon of Mather Hall. -
Dissertation
THE LIFE AND WORKS OF GEORGE LIPPARD DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Emilio De Grazia, B.A., M.A, The Ohio State University 1969 Approved by n ivU / ■ AaviserAdviser Department of English ACKNOWLEDGEMENTS I wish to express thanks to some of the people who have made this study possible. First, I greatly appreciate the efforts of the staffs of the Interlibrary Loan Service of the Ohio State University Library, the Historical Society of Pennsylvania, and the Library Company of Phila delphia. For her care and efficiency I also want to thank Sharon Fulkerson. A number of friends and teachers are greatly responsible for whatever virtues this study may have. Thai'iks first to Professor Keith Fenimore of Albion (Michigan) College, who suggested the subject, contributed notes, and made me read many American novels; to Professor Charles Held, also of Albion, a teacher and friend who first taught me to value books; to Professor John Muste, of the Ohio State University, for sharing his time and Insights; and, of course, to Professor Julian Markels, for providing careful and Just criticism, for giving often needed encouragement, and for teaching me new ways of seeing things. It goes without saying that this study is dedicated to Mom and Dad, and to Candy, the girl on the ship I brought home to Mom and Dad, ii VITA February 16, 1941.,,, B o m — Dearborn, Michigan 1 9 6 3.............. B.A., Albion College, Albion, Michigan 1 9 6 3 -1 9 6.......... -
Songs in the Key of Z
covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin.