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2013 Pow Wow Program
The Kathryn M. Buder Center for American Indian Studies promotes preparation of professionals to assume leadership positions in social services and governmental institutions dedicated to improving the lives of American Indians. Scholarships The Brown School has one of the largest social work financial aid programs in the country including scholarships, loans, and work-study programs. The Kathryn M. Buder Charitable Foundation offers full scholarships to American Indian/Alaska Native students who plan to practice social work in American Indian communities. These scholarships provide tuition, monthly stipends, professional development opportunities, and books for two years of full-time study. The Brown School’s Center for Social Development provides a Buder Doctoral Fellowship. This fellowship is awarded to an outstanding doctoral student with expressed interest in American Indian studies and social work. 2013 Pow Wow Agenda A Special Thank You! The Pow Wow Committee would like to take a moment to express our gratitude to the 10:00 am Contest Registration Opens people who helped make our Pow Wow a success. We appreciate their time, donations, Vendor Booths Open financial assistance, and attention. 11:00 am Gourd Dancing Dean Edward F. Lawlor School of Law Angela Gilbreath Music Department 12:00 - 4:00 pm Grand Entry Monica Matthieu Performing Arts Department Flag Song American Culture Studies Program Religious Studies Department Veteran Song Department of Anthropology Faculty, Staff, and Students of the Art History & Archeology Department Brown School Victory Song (Post Colors) East Asian Languages & Cultures Washington University in St. Louis Invocation Program St. Louis Community Introductions History Department St. Louis Convention & Visitors Kathryn M. -
2020 Dixie Fellowship Guidelines Section SR-5, Order of the Arrow
2020 Dixie Fellowship Guidelines Section SR-5, Order of the Arrow Revised 1/15/2020 Section Officers Hunter Hackett Robert Bolton William Webb Section Chief Section Vice Chief Section Secretary Coordinators Joshua Kirchner Service Lodge Coordinator Chandler Hackett Zach Kontenakos Special Events Coordinator Administration Coordinator Tommy Kepley Alex Barton Shows Coordinator American Indian Events Coordinator Patrick Bailey Shea Lighton OA High Adventure Program Coordinator Trent Kokay Blake Parker Section Promotions Training Coordinator Cole Taylor Josh Morrow Associate Coordinator Ceremony Events Coordinator Letter from the Chief Dear Key Three members: We wish for the Dixie Fellowship to continue to be the best conclave in America as it celebrates its 68th anniversary. Due to the great amount of time and energy it has taken to prepare this document, we ask that you review it very carefully. This information will also be available online at www.sr5.org. Once again, thank you so much for everything you do to serve your lodge and thus make our Section stronger. I look forward to serving with all of you in the year ahead to prepare for the best Dixie Fellowship yet! In Service and Brotherhood, Hunter Hackett | SR-5 Section Chief Robert Bolton, Jr. | SR-5 Section Vice Chief William Webb | SR-5 Section Secretary 2020 Dixie Fellowship SR-5 Section Conclave April 24-26, 2020 Atta Kulla Kulla Lodge 185 Blue Ridge Council Camp Old Indian Guidelines Contents Contents…………………………………………… 5 SR-5 Officers and Advisers………………………. 8 Dixie Rotation Schedule…………………………. 9 Dixie Deadlines/Calendar………………………. 10 I.Serivce Lodge…………………………………… 11 A. Code of Conduct B. General Information C. -
Pow Wow Program
The Kathryn M. Buder Center for American Indian Studies promotes preparation of professionals to assume leadership positions in social services and governmental institutions dedicated to improving the lives of American Indians. Scholarships The Brown School has one of the largest social work financial aid programs in the country including scholarships, loans, and work-study programs. The Kathryn M. Buder Charitable Foundation offers full scholarships to American Indian/Alaska Native students who plan to practice social work in American Indian communities. These scholarships provide tuition, monthly stipends, professional development opportunities, and books for two years of full-time study. The Brown School’s Center for Social Development provides a Buder Doctoral Fellowship. This fellowship is awarded to an outstanding doctoral student with expressed interest in American Indian studies and social work. 2015 Pow Wow Agenda A Special Thank You! The Pow Wow Committee would like to take a moment to express our gratitude to 10:00 am Contest Registration Opens the people who helped make our Pow Wow a success. We appreciate their time, Vendor Booths Open donations, inancial assistance, and attention. 11:00 am Gourd Dancing Dean Edward F. Lawlor Kemper Art Museum 12:00 ‐ 4:00 pm Grand Entry Angela Gilbreath Metro St. Louis American Indian Student Association Music Department Flag Song Art History & Archeology Performing Arts Department Veteran Song Department Kathryn M. Buder Charitable Victory Song (Post Colors) Biology Department Foundation Center for Diversity Inclusion Faculty, Staff, and Students of the Invocation Center for Humanities Brown School Introductions Diversity Awareness Partnership Washington University in St. Louis East Asian Languages & Cultures St. -
Your Guide to Understanding and Enjoying Powvwows
Indian Education for All Your Guide to Understanding and Enjoying Pow Wows Thanks to: Murton McCluskey, Ed.D. Revised January 2009 TABLE OF CONTENTS Introduction ...................................................................... 1 History of the Pow Wow ............................................... 2-3 The Pow Wow Committee ............................................ 4 Head Staff ............................................................. 4 Judges and Scoring................................................ 4-6 Contest Rules and Regulations ................................... 7 Singers..................................................................... 7 Dancers................................................................... 8 The Grand Entry................................................... 8 Pow Wow Participants.......................................... 9 The Announcer(s) ................................................ 9 Arena Director....................................................... 9 Head Dancers......................................................... 9 The Drum, Songs and Singers..................................... 10 The Drum...............................................................10 Singing..................................................................... 10-11 The Flag Song........................................................ 12 The Honor Song.................................................... 12 The Trick Song.......................................................12 Dances and Dancers....................................................... -
Northern Style Powwow Music: Musical Features and Meanings Anna Hoefnagels
Northern Style Powwow Music: Musical Features and Meanings Anna Hoefnagels Abstract: Modern powwows are important social rituals closely linked to expressing affirmations of Native identities. Based on her fieldwork in southwestern Ontario and Southern Alberta, Anna Hoefnagels explores methods of classifying powwow music that may serve as pedagogical tools, and ways of teaching and understanding Northern- style powwow music._____________________________________________________________________________ Music is the central feature of contemporary powwows, around which other activities—including dancing, socializing, and shopping—revolve. Physically, the musicians and their drums, called drum groups or Drums, are at the centre of the powwow, with a series of concentric circles emanating from the Drums in the form of dance area, audience, vendors and the camping area. The Drums provide the music that accompanies the dancers, which is the central and most spectacular aspect of the powwow. Powwow songs have common features with one another; yet when one listens closely to these songs, one realizes that the songs are quite distinct from one another. There are regional differences in powwow singing, due to the geographical and tribal origins of both the songs and the musicians. However, to the uninitiated, powwow songs may all sound the same. Fortunately, as Tara Browner (2000) indicates, “pow-wow music exists in a Pan-tribal (as opposed to tribal-specific) context, [so] the vocabulary its musicians use when talking about song making and performance is almost entirely in English...” (p. 215). Despite potential political conflicts regarding language and terminology, this shared vocabulary makes conversations with musicians about their music much easier than they would be if there were different or specific descriptive vocabulary. -
Pow-Wow Guide | Page 2 Stories You Should Be Aware of by Marci Becking Restoule from Dokis First Nation
SOCIAL DEVELOPMENT DEPARTMENT Ph: 705-497-9127 | Toll Free: 1-877-702-5200 /Anishinabek Nation #anishnation Message from Grand Council Chief Aanii,Boozhoo! community celebration. Every detail you attend to On behalf of the Anishinabek ensures that your community Nation, it gives me great upholds tradition, celebrates new pleasure to welcome you to the life, and honours our ancestors, 24th Annual Great Lakes Pow- our warriors, and our Elders. Wow guide. I am always proud to dance in This incredible publication your circle. serves as the planning tool for Tradition. The sharing of our many families who rely on it to customs throughout generations plan their pow-wow trail journey is the thread that binds us within Anishinabek territory and together and makes us stronger. beyond. While we see many things After the winter of 2018, change as progress infl uences our which at the time of writing, lives, those ole ways of knowing doesn’t seem to want to end, I and doing that have been tried am certain that we will dance and tested throughout time have a little harder, sing a bit louder, survived for a reason. and laugh a whole lot more as we Our worldview and unrelenting come together to celebrate being commitment to reclamation of Anishinaabe and showcasing our our language, our lands, our proud heritage. dance and our songs – our identity my pleasure to represent our As I refl ect over the years as as Anishinabek are worthy of proud and mighty nation over Grand Council Chief and the celebration and this is what pow- these many years. -
Grade 4 LIVE Arts with Terrance Littletent: Aboriginal Dance
Strand: Dance Level: Grade 4 Content: 45 minute broadcast + Grade 4 LIVE Arts with Terrance hands-on activity Littletent: Aboriginal Dance Terrance Littletent, Grass Dancer and world renowned Hoop Dancer, will lead students through Grass Dance steps and movements. Terrance will engage students through storytelling, demonstrations, and student practice. Students will learn about the evolution of Grass Dancing from historical to contemporary, and gain skill and knowledge in basic traditional and contemporary Grass Dance steps and movements. Both girls and boys will be encouraged to personalize their movements as every Pow Wow Dancer does. The main objectives are to learn timing and rhythm, how to move with the beat of the drum, and how to showcase space and symmetry with the body. Students with previous experience in Aboriginal Dance may choose to focus on their style of choice, such as jingle dress style or fancy dance style. Terrance's Hoop Dancing will also be showcased with a performance! As a dancer from Saskatchewan, Terrance will share how his dances are specific to the First Nations people of our province. This program is suited not only for Arts Education but Physical Education as well. Please see page 2 for a Pre-Broadcast Activity, and pages 6-18 for a selection of Teacher Guided Post-Broadcast Activities. These activities will give students the opportunity to apply what they have learned during the broadcast and to further their learning. About the Artist Curriculum Aims & Goals Terrance Littletent is a member of the Kawacatoose Creative/Productive: Cree Nation and was born and raised in Regina. -
FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No
FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No. 5 (December 2020), inclusive Written by Karen Bennett. Not indexed: most editorials and like content written by editors while they hold that position; most letters, ads, cartoons, coming events, and photographs; and social announcements, sometimes made in a column whose title varied a lot, including “Hiers Ek Wiers,” “Tidbits,” “From the Grapevine” and “The Back Page”). Not all content was attributed (especially that of Walter Bye and Karen Bennett while they were editors), and reports by OFDA executives aren’t listed under their names, so this combination index/bibliography doesn’t include under a person’s name everything they wrote. Abbreviations used: ''AGM'' stands for Annual General Meeting, "bio" for biography, “fd” for folk dance, IFD for international folk dance,“info.” for information, "J/J/A" for June/July/August, and "OFDC" for Ontario Folk Dance Camp, and “IFDC” for the International Folk Dance Club, University of Toronto. The newsletter title has been variously OFDA, OFDA Newsletter, Ontario Folk Dance Association Newsletter, Ontario Folk Dance Association Magazine, Ontario Folkdancer, Ontario FolkDancer, Folk Dancer: The Magazine of World Dance and Culture, and Folk Dancer Online: The Magazine of World Dance and Culture. A Alaska: --folk dance cruise, Oct. 15/90 --visit by Ruth Hyde, J/J/A 85 Acadia, see French Canada Albania: Adams, Coby: obituary, J/J/A 86 --dance descriptions: Leši, Oct. 76; Valle Adamczyk, Helena: Jarnana, Jan. 15/96 (p. 8) --“Macedonian Celebration in Hamilton, 27 --dance words:Valle Jarnana, Jan. 15/96 (p. -
WABC-TV a Native American Festival Congratulates
Lotus Music & Dance presents the Tenth Annual ® DRUMS ALONG THE HUDSON WABC-TV A Native American Festival congratulates t s Honorees u h c S n a l l A y LaDonna Harris b o T y b n g i s & e d a n o d e s Jane Schachat a B for their contributions to humanitarian and environmental Sunday, May 20th, 2012 - 11 am to 6 pm - Inwood Hill Park 218 th Street & Indian Rd. New York City, at the north tip of Manhattan causes at the Tenth Annual Honoring: Drums Along the Hudson LaDonna Harris President of Americans for Indian Opportunity and Jane Schachat Former N. Manhattan Parks Dept. Administrator Featuring: The Thunderbird American Indian Dancers Tom Porter - Mohawk Elder The Mohawk Singers and Dancers with Special Guests: The New York Chinese Cultural Center Jacques d'Amboise's National Dance Institute Kasibahagua Taino Cultural Society Harambee Dance Company Kahurangi Maori Dance Company Tetiana Anderson, Producer & Reporter Hosted by Sandra Bookman Weekend Anchor Eyewitness News WABC-TV LOTUS MUSIC A FREE EVENT & DANCE Please visit one of our Wishing Wells in the park to make a donation in City of New York Parks & Recreation support of Drums Along the Hudson and Lotus Music & Dance, or go online to www.lotusmusicanddance.org/donate As the producer of DRUMS ALONG THE HUDSON, LOTUS MUSIC & DANCE gratefully acknowledges the support of... WABC-TV NYC & Company Foundation New York City Department of Cultural Affairs Mutable Music Captain Planet Foundation New York City Council Member Robert Jackson Manhattan Borough President Scott Stringer Erich Ely - Associate Athletics Director for Facilities Operations, Columbia University Special thanks to: Sandra Bookman WABC-TV Thomas Buckner Saundra Thomas WABC-TV Jeanne Parnell, WHCR-FM Radio, 90.3 FM Manhattan Community Board 12 Michelle & Richard Turner Family C-Town Supermarket Domino's Pizza Carrot Top Pastries Tetiana Anderson Desiree Gayle Barbara Lewis Bob Gray Special Groups of Volunteers: TimeBanksNYC Build On St. -
July 28Th 2018
Published Bi-Weekly for the Winnebago Tribe of Nebraska • Volume 46, Number 14 Saturday, July 28, 2018 Human Services Hosts Summer Blast Bago Bits… This year's Head Woman Dancer, Jalisa Horn and 2017-18 Sr. Miss Nebraska Winnebago, Martha Warner, shared the Powwow message with area residents at the Annual Rivercade Parade. Photo Courtesy of Momma Bear. This is the Whitewater allotment that HCI Farms grows west of Winnebago. This The Tribal Human Services Department last week hosted a Summer Blast event at the Land of Wellness Sports Complex in Winnebago. The fi eld is certifi ed organic and producing or- Summer Blast was organized for Department clients and community members. A number of activities were planned; jumpy houses, games ganic alfalfa this year. Ho-Chunk Farms and a cookout. Here Kellie Keets serves up the side dishes while participants got their Goo-goo prepared to order at the Food Truck. Good is making a big move towards value add- Job Human Services! ed crops, but also changing the dynamics of how our reservation is farmed. Winnebago Tribe About to get Snakey Here is the Hoit'e coni na participants that completed the entire 8-week HoChunk language course. Winnebagoes from every corner of this Great Turtle Island will converge this weekend onto the Winnebago Indian Reservation in Northeast Nebraska. Couple white guys might show up for their Special. The Winnebago will be here to Celebrate for the 152nd consecutive year the Ben St. Cyr and Jewel Parker recently Homecoming of Winnebago War Chief Little Priest, and his Warriors of Company “A” Fort Omaha Scouts 34th Nebraska Volunteers. -
Download 2015 Manito Ahbee Festival Program
Celebrating 10 Years! Presented By FESTival pRogRaM SEpTEMbER 9-13 2015 MTS CENTRE WINNIPEG, MANITOBA, CANADA indigenousmusicawards.com manitoahbee.com NeedNeed fundingfunding forfor youryour nextnext project?project? ApplyApply for for FACTOR FACTOR fundingfunding atat www.factor.cawww.factor.ca to to get get help help for for tours, tours, sound sound recordings,recordings, andand music music videos. videos. We acknowledge the financial support We ofacknowledge Canada’s private the financial radio broadcasters. support of Canada’s private radio broadcasters. contentsTABLE OF About Manito Ahbee ............................................................................. 4 Welcome/Messages ............................................................................. 5 Board of Governors .............................................................................. 6 Greetings ............................................................................................... 8 Event Staff ............................................................................................ 12 Special Thanks .................................................................................... 23 Our Sponsors ...................................................................................... 32 Official Schedule .................................................................................. 34 IMA EvEnts >>> Red Carpet ........................................................................................... 25 The Hosts ........................................................................................... -
Contest Powwow: Sport and Native American Culture
The Qualitative Report Volume 26 Number 1 Article 2 1-4-2021 Contest Powwow: Sport and Native American Culture Steven J. Aicinena Dr The University of Texas Permian Basin, [email protected] Sebahattin Ziyanak The University of Texas Permian Basin, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/tqr Part of the Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, Social Statistics Commons, and the Sports Studies Commons Recommended APA Citation Aicinena, S. J., & Ziyanak, S. (2021). Contest Powwow: Sport and Native American Culture. The Qualitative Report, 26(1), 27-51. https://doi.org/10.46743/2160-3715/2021.4517 This Article is brought to you for free and open access by the The Qualitative Report at NSUWorks. It has been accepted for inclusion in The Qualitative Report by an authorized administrator of NSUWorks. For more information, please contact [email protected]. Contest Powwow: Sport and Native American Culture Abstract The Native American powwow has served to maintain the culture of North America’s Indigenous peoples since before the arrival of European colonialists. In traditional forms of the powwow, competition is not common whereas contest powwows are characterized by the primacy of competition. We assess similarities and differences between the contest powwow and competitive sport found within the broader American society through in-depth semi-structured interviews with 14 competitive contest powwow dancers. We address a number of questions through the qualitative research process, such as what does the powwow mean to you? What are your primary goals for competing? We analyzed the qualitative data via a three-step coding process (open coding, axial coding, and theme development).