Rank Film 1997 Change Seen It Or Not 1 Citizen Kane

Total Page:16

File Type:pdf, Size:1020Kb

Rank Film 1997 Change Seen It Or Not 1 Citizen Kane RANK FILM 1997 CHANGE SEEN IT OR NOT 1 CITIZEN KANE (1941) 1 0 2 GODFATHER, THE (1972) 3 1 3 CASABLANCA (1942) 2 -1 4 RAGING BULL (1980) 24 20 5 SINGIN' IN THE RAIN (1952) 10 5 6 GONE WITH THE WIND (1939) 4 -2 7 LAWRENCE OF ARABIA (1962) 5 -2 8 SCHINDLER'S LIST (1993) 9 1 9 VERTIGO (1958) 61 52 10 WIZARD OF OZ, THE (1939) 6 -4 11 CITY LIGHTS (1931) 76 65 12 SEARCHERS, THE (1956) 96 84 13 STAR WARS (1977) 15 2 14 PSYCHO (1960) 18 4 15 2001: A SPACE ODYSSEY (1968) 22 7 16 SUNSET BLVD. (1950) 12 -4 17 GRADUATE, THE (1967) 7 -10 18 GENERAL, THE (1927) N/A 19 ON THE WATERFRONT (1954) 8 -11 20 IT'S A WONDERFUL LIFE (1946) 11 -9 21 CHINATOWN (1974) 19 -2 22 SOME LIKE IT HOT (1959) 14 -8 23 GRAPES OF WRATH, THE (1940) 21 -2 24 E.T. THE EXTRA-TERRESTRIAL (1982) 25 1 25 TO KILL A MOCKINGBIRD (1962) 34 9 26 MR. SMITH GOES TO WASHINGTON (1939) 29 3 27 HIGH NOON (1952) 33 6 28 ALL ABOUT EVE (1950) 16 -12 29 DOUBLE INDEMNITY (1944) 38 9 30 APOCALYPSE NOW (1979) 28 -2 31 MALTESE FALCON, THE (1941) 23 -8 32 GODFATHER PART II, THE (1974) 32 0 33 ONE FLEW OVER THE CUCKOO'S NEST (1975) 20 -13 RANK FILM 1997 CHANGE SEEN IT OR NOT 34 SNOW WHITE AND THE SEVEN DWARFS (1937) 49 15 35 ANNIE HALL (1977) 31 -4 36 BRIDGE ON THE RIVER KWAI, THE (1957) 13 -23 37 BEST YEARS OF OUR LIVES, THE (1946) 37 0 38 TREASURE OF THE SIERRA MADRE, THE (1948) 30 -8 39 DR. STRANGELOVE (1964) 26 -13 40 SOUND OF MUSIC, THE (1965) 55 15 41 KING KONG (1933) 43 2 42 BONNIE AND CLYDE (1967) 27 -15 43 MIDNIGHT COWBOY (1969) 36 -7 44 PHILADELPHIA STORY, THE (1940) 51 7 45 SHANE (1953) 69 24 46 IT HAPPENED ONE NIGHT (1934) 35 -11 47 STREETCAR NAMED DESIRE, A (1951) 45 -2 48 REAR WINDOW (1954) 42 -6 49 INTOLERANCE (1916) N/A 50 LORD OF THE RINGS: THE FELLOWSHIP OF THE RING, THE (2001) N/A 51 WEST SIDE STORY (1961) 41 -10 52 TAXI DRIVER (1976) 47 -5 53 DEER HUNTER, THE (1978) 79 26 54 M*A*S*H (1970) 56 2 55 NORTH BY NORTHWEST (1959) 40 -15 56 JAWS (1975) 48 -8 57 ROCKY (1976) 78 21 58 GOLD RUSH, THE (1925) 74 16 59 NASHVILLE (1975) N/A 60 DUCK SOUP (1933) 85 25 61 SULLIVAN'S TRAVELS (1941) N/A 62 AMERICAN GRAFFITI (1973) 77 15 63 CABARET (1972) N/A 64 NETWORK (1976) 66 2 65 AFRICAN QUEEN, THE (1951) 17 -48 66 RAIDERS OF THE LOST ARK (1981) 60 -6 67 WHO'S AFRAID OF VIRGINIA WOOLF? (1966) N/A 68 UNFORGIVEN (1992) 98 30 69 TOOTSIE (1982) 62 -7 70 CLOCKWORK ORANGE, A (1971) 46 -24 71 SAVING PRIVATE RYAN (1998) N/A 72 SHAWSHANK REDEMPTION, THE (1994) N/A 73 BUTCH CASSIDY AND THE SUNDANCE KID (1969) 50 -23 RANK FILM 1997 CHANGE SEEN IT OR NOT 74 SILENCE OF THE LAMBS, THE (1991) 65 -9 75 IN THE HEAT OF THE NIGHT (1967) N/A 76 FORREST GUMP (1994) 71 -5 77 ALL THE PRESIDENT'S MEN (1976) N/A 78 MODERN TIMES (1936) 81 3 79 WILD BUNCH, THE (1969) 80 1 80 APARTMENT, THE (1960) 93 13 81 SPARTACUS (1960) N/A 82 SUNRISE (1927) N/A 83 TITANIC (1997) N/A 84 EASY RIDER (1969) 88 4 85 NIGHT AT THE OPERA, A (1935) N/A 86 PLATOON (1986) 83 -3 87 12 ANGRY MEN (1957) N/A 88 BRINGING UP BABY (1938) 97 9 89 SIXTH SENSE, THE (1999) N/A 90 SWING TIME (1936) N/A 91 SOPHIE'S CHOICE (1982) N/A 92 GOODFELLAS (1990) 94 2 93 FRENCH CONNECTION, THE (1971) 70 -23 94 PULP FICTION (1994) 95 1 95 LAST PICTURE SHOW, THE (1971) N/A 96 DO THE RIGHT THING (1989) N/A 97 BLADE RUNNER (1982) N/A 98 YANKEE DOODLE DANDY (1942) 100 2 99 TOY STORY (1995) N/A 100 BEN-HUR (1959) 72 -28.
Recommended publications
  • The Impossible Object of Love: Shakespeare, Billy Wilder and Freud
    PROBLEMIThe INTERNATIONAL, Impossible Object ofvol. Love: 1 no. Shakespeare, 1, 2017 © Society Billy for Wilder Theoretical and Freud Psychoanalysis The Impossible Object of Love: Shakespeare, Billy Wilder and Freud Gregor Moder After killing the old, inept Polonius, the young prince hides the dead body somewhere inside the Elsinore palace. This is a great nuisance to King Claudius, who dispatches his two henchmen, Rosencrantz and Guildenstern, to retrieve the body of the late Lord Chamberlain. Upon being asked where the body was, prince Hamlet delivers a rather cryptic line: “The body is with the King, but the King is not with the body” (Hamlet, 4.2.26–27). It is a very well known line, but it is hard to say what exactly to make of it. It seems to be a reference to King Claudius himself more than it is a reference to Polonius. It seems to hint at the doctrine of King’s two bodies, the political theological notion of the separation of the King’s mortal natural body and the King’s immortal political body. Hamlet clearly doesn’t think much of Claudius as he continues: “The King is a thing […] of nothing” (Hamlet, 4.2.27–29). While there are many interpretations of these words readily available, we shall turn to one in particular, to Jacques Lacan’s, because it will lead us to a series of comic examples whose func- tioning is at the core of this essay. In Seminar VI on Desire and its Interpretation, Lacan quotes Hamlet’s words and presents a perhaps surprisingly simple explanation: “I would ask you simply to replace the word king by the word phallus in order to see that it precisely is what is in question, namely that the body is engaged in this affair of the phallus, and how, but that on the contrary, the phallus, itself, is not engaged in anything, and that it always slips between your fingers” (Lacan 2002, p.
    [Show full text]
  • The Hollywood Romantic Comedy
    the hollywood romantic comedy the hollywood the hollywood romantic comedy romantic hollywood the though rarely explored in analytical detail, the romantic comedy remains a stalwart romantic comedy contributor to hollywood entertainment. this book offers a comprehensive history of Leger grindon the hollywood romantic comedy film, from the coming of sound to the twenty-first century, examining the conventions of the genre and surveying the controversies arising from the critical responses to these films. hollywood’s romantic comedies can be seen as a series of productions whose form and meaning change in response to conditions in the film industry, courtship culture, and society at large. this book provides an essential overview of the continuities within the genre as well as its historical evolution. a full analysis is provided of the range of romantic comedy conventions, including dramatic conflicts, characters, plots, settings, and the function of humor. in doing so, leger grindon develops a survey of historical cycles and clusters and builds a canon of key films fromh ollywood’s classical era right up to the present day, which are analyzed in detail in the second part of the book. Films analyzed include Trouble in Paradise, His Girl Friday, The Miracle of Morgan’s Creek, Adam’s Rib, Some Like It Hot, The Graduate, Annie Hall, When Harry Met Sally, There’s Something About Mary, and Waitress. Leger Grindon is Professor of Film and Media Culture at Middlebury College, Usa. he has written widely on film and is ates i C so the author of Shadows on the Past: Studies in the Historical s a Fiction Film (1994) and Knockout: The Boxer and Boxing in sign e American Cinema (2011).
    [Show full text]
  • CITIZEN KANE by Herman J. Mankiewicz & Orson Welles PROLOGUE FADE IN
    CITIZEN KANE by Herman J. Mankiewicz & Orson Welles PROLOGUE FADE IN: EXT. XANADU - FAINT DAWN - 1940 (MINIATURE) Window, very small in the distance, illuminated. All around this is an almost totally black screen. Now, as the camera moves slowly towards the window which is almost a postage stamp in the frame, other forms appear; barbed wire, cyclone fencing, and now, looming up against an early morning sky, enormous iron grille work. Camera travels up what is now shown to be a gateway of gigantic proportions and holds on the top of it - a huge initial "K" showing darker and darker against the dawn sky. Through this and beyond we see the fairy-tale mountaintop of Xanadu, the great castle a sillhouette as its summit, the little window a distant accent in the darkness. DISSOLVE: (A SERIES OF SET-UPS, EACH CLOSER TO THE GREAT WINDOW, ALL TELLING SOMETHING OF:) The literally incredible domain of CHARLES FOSTER KANE. Its right flank resting for nearly forty miles on the Gulf Coast, it truly extends in all directions farther than the eye can see. Designed by nature to be almost completely bare and flat - it was, as will develop, practically all marshland when Kane acquired and changed its face - it is now pleasantly uneven, with its fair share of rolling hills and one very good-sized mountain, all man-made. Almost all the land is improved, either through cultivation for farming purposes of through careful landscaping, in the shape of parks and lakes. The castle dominates itself, an enormous pile, compounded of several genuine castles, of European origin, of varying architecture - dominates the scene, from the very peak of the mountain.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Filmtemplate May2020 COMP
    Our current favourite films Our recommended watch This feel-good, funny, escapist film from 1985 is exactly what we all need right now - whether we're watching it for the umpteenth or first Back To The Future time! The central character is Marty McFly, a 17 year old high school student, who accidentally travels thirty years into the past in a time- travelling DeLorean car, invented by his eccentric scientist friend Emmett "Doc" Brown. This is a wonderful classic for both adults and children. Action and Adventure Fantasy and Science Fiction Batman Avengers End Game Four Brothers Back to the Future Indiana Jones Blade Runner John Wick Guardians of the Galaxy True Romance Harry Potter Inception Lord of the Rings Crime and Suspense Planet of the Apes City of God X Men Godfather 2 Knives Out Limitless Historical - Drama Scarface Dead Poet’s Society The Accused Hidden Figures Trainspotting Madame x - Lana Turner The Blind Side (sport) The Favourite The Help Comedy - Romantic The King’s Speech 50 First dates The Lady in the Van About Time The Two Popes Amelie Gregory’s Girl Isn’t it Romantic Miss Congeniality Musical When Harry Met Sally A Star is Born (1976) Barbra Streisand (Classic) Beaches Chicago Dirty Dancing Classic) Comedy Grease Bad Boys 3 Kayote Ugly Saving Mr Banks Les Miserables The Green Book Mamma Mia The Kingsman Some like it Hot (Classic) West Side Story Yesterday Drama 10 Things I Hate About You Imagine Me & You Thrillers Shawshank redemption Shutter Island The Quiet American Silence of the Lambs Family Films Aladdin Beauty and the Beast (Musical) Chitty Chitty Bang Bang (musical) Christopher Robin Coco Django Home Alone Mary Poppins (Musical) Matilda (Musical) Oddball Paddington Secret Lives of Pets 2 The Lion King The Sound of Music (Musical) The Wizard of Oz (musical) Toy Story Up .
    [Show full text]
  • FILMS and THEIR STARS 1. CK: OW Citizen Kane: Orson Welles 2
    FILMS AND THEIR STARS 1. CK: OW Citizen Kane: Orson Welles 2. TGTBATU: CE The Good, the Bad and the Ugly: Clint Eastwood 3. RFTS: KM Reach for the Sky: Kenneth More 4. FG; TH Forest Gump: Tom Hanks 5. TGE: SM/CB The Great Escape: Steve McQueen and Charles Bronson ( OK. I got it wrong!) 6. TS: PN/RR The Sting: Paul Newman and Robert Redford 7. GWTW: VL Gone with the Wind: Vivien Leigh 8. MOTOE: PU Murder on the Orient Express; Peter Ustinov (but it wasn’t it was Albert Finney! DOTN would be correct) 9. D: TH/HS/KB Dunkirk: Tom Hardy, Harry Styles, Kenneth Branagh 10. HN: GC High Noon: Gary Cooper 11. TS: JN The Shining: Jack Nicholson 12. G: BK Gandhi: Ben Kingsley 13. A: NK/HJ Australia: Nicole Kidman, Hugh Jackman 14. OGP: HF On Golden Pond: Henry Fonda 15. TDD: LM/CB/TS The Dirty Dozen: Lee Marvin, Charles Bronson, Telly Savalas 16. A: MC Alfie: Michael Caine 17. TDH: RDN The Deer Hunter: Robert De Niro 18. GWCTD: ST/SP Guess who’s coming to Dinner: Spencer Tracy, Sidney Poitier 19. TKS: CF The King’s Speech: Colin Firth 20. LOA: POT/OS Lawrence of Arabia: Peter O’Toole, Omar Shariff 21. C: ET/RB Cleopatra: Elizabeth Taylor, Richard Burton 22. MC: JV/DH Midnight Cowboy: Jon Voight, Dustin Hoffman 23. P: AP/JL Psycho: Anthony Perkins, Janet Leigh 24. TG: JW True Grit: John Wayne 25. TEHL: DS The Eagle has landed: Donald Sutherland. 26. SLIH: MM Some like it Hot: Marilyn Monroe 27.
    [Show full text]
  • Highlands High School
    Film History and Appreciation Campbell County High School Instructor: Mr. Joe Bertucci Email: [email protected] Phone: 859-635-4161 x2219 Drama Website: www.cchsdrama.org Grade level: 10 -12 Credit: 1 credit Description: Students of this course will develop an understanding and appreciation of the art of film-making. They will understand the elements of film, as a method of story-telling related to literature and theatre but unique to cinema. They will know the history of film and understand the variety of genres of film. They will know major influences on the art of film- making, including specific films, directors, and actors. They will understand the variety of ways in which film affects and is affected by culture. They will be able to analyze films using valid criteria, and will be experienced and knowledgeable critics. The course will focus on analysis and writing. The course is an opportunity to learn and practice skills in analysis of both text and visual and performing arts. The course is also an opportunity to learn and practice skills of transactive writing. Course Standards: Students will: Understand the history of film, and its impact on and reflection of culture Understand the filmmaking process and define elements of film Understand that filmmakers choose and manipulate elements to express ideas/feelings Analyze and evaluate elements of film, including: screenwriting, editing, cinematography, art direction, music composition, acting, and directing Identify and analyze film styles and movements Describe the significance and process of critiquing a film Write informed and effective critiques of films Strengthen skills in analysis and writing Materials: Agenda Folder Notebook Flashdrive Grading: Your grade will reflect your performance on: Formative Assessments (class work and participation in class discussions) Quizzes Chapter tests Unit tests Written film critiques Completion of assignments, on time and following provided rubrics, is required for success in this class.
    [Show full text]
  • Classic Film Series
    Pay-as-you-wish Friday Nights! CLASSIC PAID Non-Profit U.S. Postage Permit #1782 FILM SERIES White Plains, NY Fall 2014/Winter 2015 Pay-as-you-wish Friday Nights! Bernard and Irene Schwartz Classic Film Series Join us for the New-York Historical Society’s film series, featuring opening remarks by notable directors, writers, actors, and historians. Justice in Film This series explores how film has tackled social conflict, morality, and the perennial struggles between right and wrong that are waged from the highest levels of government to the smallest of local communities. Entrance to the film series is included with Museum Admission during New-York Historical’s Pay-as-you-wish Friday Nights (6–8 pm). No advanced reservations. Tickets are distributed on a first-come, first-served basis beginning at 6 pm. New-York Historical Society members receive priority. For more information on our featured films and speakers, please visit nyhistory.org/programs or call (212) 485-9205. Classic Film Series Film Classic Publication Team: Dale Gregory Vice President for Public Programs | Alex Kassl Manager of Public Programs | Genna Sarnak Assistant Manager of Public Programs | Katelyn Williams 170 Central Park170 West at Richard Gilder (77th Way Street) NY 10024New York, NEW-YORK HISTORICAL SOCIETY MUSEUM LIBRARY Don Pollard Don ZanettiLorella Collection of the Supreme Court of the United States Justice in Film Chang Lia Friday, October 17, 7 pm Flower Drum Song | 1961 | 133 min. Judge Denny Chin and distinguished playwright David Henry Hwang introduce this classic adaptation of C. Y. Lee’s novel, where Old World tradition and American romanticism collide in San Joan MarcusJoan Denis Racine Denis Francisco’s Chinatown.
    [Show full text]
  • 3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
    1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20.
    [Show full text]
  • Desire, Narcissism and Crisis in Citizen Kane Saiyeed
    Desire, Narcissism and Crisis in Citizen Kane Saiyeed Shahjada Al Kareem [Abstract: This is a critical review of the cinema Citizen Kane (1941) directed by Orson Welles. The review seeks to understand the inner psychic drivers which lead human throughout the life, through the case of Charles Foster Kane and argues that the most primitive desire developed Kane's character in a narcissistic way which led him to fall in different types of crises. The review employs psychoanalysis as an approach to establish the argument.] Key Words: desire, narcissism, crisis, ego, psyche, citizen kane “Love, that's why he did everything.” _ Leyland “But he never believed in anything except Charlie Kane.” _ Leyland “He was a man who got everything he wanted and then lost it.” _ Thompson A desire, a strong feeling to have something, which can lead one throughout the life, albeit he or she may not be satisfied meeting with the desired object because may be one himself or herself does not really know consciously what the ultimate desired object is. In some cases, this strong feeling may convert into narcissism which is somewhat self-centeredness, a lack of empathy, a need for admiration and this can lead one to different types of crises. Citizen Kane (1941) of Orson Welles is still a matter of debate to the film scholars with its confusing messages about the life and views of the great newspaper lord portrayed in the cinema. From Previous Literatures: There are two leading interpretations of the film Citizen Kane (1941) where one is enigma interpretation and another is Rosebud interpretation which Carroll1 thinks incongruous.
    [Show full text]
  • Reading in the Dark: Using Film As a Tool in the English Classroom. INSTITUTION National Council of Teachers of English, Urbana, IL
    DOCUMENT RESUME ED 456 446 CS 217 685 AUTHOR Golden, John TITLE Reading in the Dark: Using Film as a Tool in the English Classroom. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3872-1 PUB DATE 2001-00-00 NOTE 199p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 38721-1659: $19.95, members; $26.95, nonmembers). Tel: 800-369-6283 (Toll Free); Web site http://www.ncte.org. PUB TYPE Books (010) Guides Non-Classroom (055) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Classroom Techniques; *Critical Viewing; *English Instruction; *Film Study; *Films; High Schools; Instructional Effectiveness; Language Arts; *Reading Strategies; Units of Study IDENTIFIERS *Film Viewing; *Textual Analysis ABSTRACT To believe that students are not using reading and analytical skills when they watch or "read" a movie is to miss the power and complexities of film--and of students' viewing processes. This book encourages teachers to harness students' interest in film to help them engage critically with a range of media, including visual and printed texts. Toward this end, the book provides a practical guide to enabling teachers to ,feel comfortable and confident about using film in new and different ways. It addresses film as a compelling medium in itself by using examples from more than 30 films to explain key terminology and cinematic effects. And it then makes direct links between film and literary study by addressing "reading strategies" (e.g., predicting, responding, questioning, and storyboarding) and key aspects of "textual analysis" (e.g., characterization, point of view, irony, and connections between directorial and authorial choices) .The book concludes with classroom-tested suggestions for putting it all together in teaching units on 11 films ranging from "Elizabeth" to "Crooklyn" to "Smoke Signals." Some other films examined are "E.T.," "Life Is Beautiful," "Rocky," "The Lion King," and "Frankenstein." (Contains 35 figures.
    [Show full text]
  • Princeton University Graduate School July 2015
    PRINCETON UNIVERSITY GRADUATE SCHOOL JULY 2015 MONDAY - 7PM THURSDAY - 7-9PM GC COFFEE HOUSE CARL FIELDS CENTER CLASS OF 1985 SATURDAY- 1PM 06 23 EWING, NJ SUMMER SPEED DATING TRIVIA NIGHT! 25 Are you single and interested in meeting Which team has the most NBA wins? Who RIVERHORSE BREWERY someone new this summer? If so, give speed was the 3rd president of the US? From pop TOUR dating a try. It’s fun and easy and helps you meet culture to science, from sports to politics, Come see how this local craft beer is made! new people quickly. Sessions will be offered there will be something for everyone! The tour will start at the mill and end with for opposite-sex and same-sex participants, Partners and children are welcome. We will packaging of the beer. The event is free! all within the cool, air-conditioned comfort of have fun prizes and light snacks. Teams Drivers are needed. Sign-up is required - the Coffee House. Sign-up is required. Email will be organized on that day. Please email email Matt at [email protected] and Olivia at [email protected] to sign up [email protected] to participate and for space is limited. Cancelations with less than and indicate whether you will participate in the further details. 24 hour notice will be charged $5. Partners/ opposite or same-sex sessions when you reply. Sponsored by the Graduate School. spouses welcome. Sponsored by the Graduate School. Sponsored by Palmer Square and the Graduate School. THURSDAY - 8:30PM THURSDAY - 7PM 23 BROWN DOD LAWN MONDAY - 6PM 09 WEST WINDSOR, NJ SOME LIKE IT HOT (1959) 27 CAMPUS COURTS DINNER AT SHANGHAI BUN Have you ever watched a movie outside, TENNIS Mingle with fellow grad students over a local under the moonlight? It’s pretty fantastic.
    [Show full text]