Thiruvaiyaru Thyagaraja Aradhana Is for the Soul
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Srinivasan College of Arts and Science
SRINIVASAN COLLEGE OF ARTS AND SCIENCE (Affiliated to Bharathidasan University, Tiruchirappalli) Perambalur-621 212 COURSE MATERIAL OF INTRODUCTION TO FILM STUDIES-16ACCJM8 For II B.A Journalism and Mass Communication Prepared by V.ChandraChowdry & Dr.S.Revathi Core Course VIII - Introduction to Film Studies Objective: To enable the students understand and appreciate the historical, social, political, cultural and economical aspects of film locally, nationally and globally. UNIT I Film as a medium: Characteristic - Film perception: levels of understanding - Film theory and semiotics - formalism and neo formalism - film language - film and psycho - analysis - film and cultural identity: hermeneutics, reception aesthetics and film interpretation. UNIT II Film forms: narrative and non-narrative - Acting, costume and music - Film and post modernism -post structuralism and deconstruction. Impressionism, expressionism, and surrealism. UNIT III Film production: Visualisation - script - writing - characterization - storyboard - tools and techniques. Continuity style: composing shots - spatial (mise en scene) - temporal (montage) - Camera shots: pan, crane, tracking, and transition. Sound in cinema: dimensions and functions. UNIT IV Film festival - Film awards - Film institute’s censorship certification - Cinema theatres and Projections. UNIT V Film business and Industry - Economic- finance and business of film - film distribution - import and export of films - regional cinema with special reference to Tamil cinema. Budgeting and schedules UNIT-I Movie Film, also called movie or motion picture, is a visual art used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.[1] The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Eros International
Result Update June 2, 2016 Rating matrix Rating : Hold Eros International (EROINT) | 206 Target : | 225 Target Period : 12 months Improving clarity on transfer pricing… Potential Upside : 9% • Revenues were expected to be subdued in the quarter as it had no What’s changed? big budget movie release. During the quarter, there were six medium Target Changed from 164 to | 225 and six low budget movies, respectively. Hence, revenues came in at EPS FY17E Changed from | 23.8 to | 25.2 | 269.9 crore, down 39.9% YoY and 19.5% QoQ EPS FY18E Introduced at | 28.2 • EBITDA came in at | 32.1 crore vs. our expectation of | 37.9 crore Rating Unchanged while margins came in at 11.9% (estimated 14.9%). Margins came in Quarterly performance lower than estimated owing to higher-than-expected operating Q4FY16 Q4FY15 YoY (%) Q3FY16 QoQ (%) expenses, which came in at | 208.3 crore vs. estimate of | 199 crore Revenue 269.9 449.1 -39.9 335.4 -19.5 • PAT came in at | 32.7 crore, higher than our estimate of | 21.9 crore. EBITDA 32.1 68.2 (52.9) 66.8 -52.0 The beat was due to tax credit of | 5 crore EBITDA (%) 11.9 15.2 -329 bps 19.9 -803 bps Leading producer/distributor with one of the largest film libraries PAT 32.7 51.7 (36.8) 37.8 -13.4 Eros, a producer/distributor, has a large film library of over 2000 films. Key financials Also, it has launched Trinity Pictures to focus on franchise films. -
Aayirathil Oruvan 2010 Hd Full Movie Uncut Version 16
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Influence of Celebrity Endorsement of Advertisement on Students
PJAEE, 17(6) (2020) CELEBRITY ENDORSEMENT AND EMOTIONAL APPEAL: A STUDY ON ADVERTISEMENTS BY POPULAR TAMIL CINEMA ACTORS Dr. Rajesh R Head, Department of Visual Communication, Faculty of Science and Humanities, SRM Institute of Science and Technology Kattankulathur- 603 203, Chengalpattu Dist., Tamil Nadu, INDIA Dr. Rajesh R, Celebrity Endorsement And Emotional Appeal: A Study On Advertisements By Popular Tamil Cinema Actors– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020). ISSN 1567-214X. Keywords: Celebrity, Endorsement, Advertising, Tamil Cinema, Emotional Appeal. Abstract: Advertising industries have executed various techniques in persuading customers to increase constructive responses about their products and services. Celebrity endorsement, one such popular advertising technique employed in influencing the customers. The construction of Brand or Product promotion that engages a popular personality using the reputation of the Brand, Product, or service is known as celebrity endorsement. That is, a celebrity endorsement is a promotional approach of a brand or product recommended by the famous person in the society to the customers or buyers. Here, the notable thing is that the celebrity endorses the brand or product powerfully evoking emotional feelings instead of usual appeal to the customers. In the fast movie world, the public likely to pay less attention to any advertisements in printed or visual form but optimistically get noticed when the advertisements are referred or recommended by their favorite celebrity. People in country like India, always grace about their stars from sports, politics, and particularly from the film industry. This article analyzes and evaluates various celebrity endorsements and emotional appeal, particularly the Tamil cinema actors. -
Big Honour For
SUNDAY 8 20 JANUARY 2019 newstodaynet.com newstodaydaily ntchennai CHENNAI | NT Bureau | irector Shankar’s 2.0 was huge hit in DTamil cinema. The 3D fi lm starring Ra- jinikanth and Akshay Kumar won apprecia- tion for its technical expertise. The big news is that the movie has been VIJAY63 GOES nominated for Sound Design at Golden Reel Awards. It has been chosen for the Golden Reel Award in the Sound Editing - Foreing Lan- guage Feature category. Golden Reel Awards is considered to be one of the highest recognition award event in the fi eld of sound design. Resul Pookutty, Oscar award winning sound designer, who worked on 2.0, tweeted, ON FLOORS ‘Absolutely delighted to announce #2Point0 is nominated for the highest recognition in Sound Design , Golden Reel Award at @ | NT Bureau | Actor Vijay, mpseorg in USA, I’m elated...Indian Cinema irector Atlee will be seen col- fi lmmaker Atlee march forward...thank you so much #Team- laborating with actor Vijay among others at the Canaries @shankarshanmugh @arrahman @ D for the third time after deliv- pooja of Vijay63 rajinikanth.’ ering two hits in Theri and Mersal. in Chennai To be produced by AGS Entertain- ments, the movie went on fl oors with a grand muhurrat. Sources say that the movie is a sports based fl ick. Nayanthara plays Vijay’s ladylove in BIG it. Music is by AR Rahman. The cast also includes Kathir of Pariyerum Perumal, Yogi Babu, Nandhraj among others. Buzz is that talks are on with HONOUR Keerthy suresh to play a meaty role in the fi lm. -
EROS INTERNATIONAL PLC (Translation of Registrant’S Name Into English)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 6-K REPORT OF FOREIGN PRIVATE ISSUER PURSUANT TO SECTION 13a-16 OR 15d-16 UNDER THE SECURITIES EXCHANGE ACT OF 1934 For the month of June, 2016 001-36176 (Commission file number) EROS INTERNATIONAL PLC (Translation of registrant’s name into English) 550 County Avenue Secaucus, New Jersey 07094 (Address of principal executive office) ________________________________________ Indicate by check mark whether the registrant files or will file annual reports under cover Form 20-F or Form 40-F. Form 20-F ☑ Form 40-F ☐ Indicate by check mark whether the registrant by furnishing the information contained in this Form is also thereby furnishing the information to the Commission pursuant to Rule 12g3-2(b) under the Securities Exchange Act of 1934. Yes ☐ No ☑ If “Yes” is marked, indicate below the file number assigned to the registrant in connection with Rule 12g3-2(b): Other Events This report on Form 6-K is being furnished to disclose the press release issued by the Registrant on June 28, 2016. The purpose of the press release, furnished as Exhibit 99.1, was to announce the Registrant’s results of operations for the fourth quarter and fiscal year ended March 31, 2016. The information in this Form 6-K and Exhibit 99.1 attached hereto shall not be deemed “filed” for purposes of Section 18 of the Securities Act of 1934. SIGNATURE Pursuant to the requirements of the Securities Exchange Act of 1934, the registrant has duly caused this report to be signed on its behalf by the undersigned, thereunto duly authorized. -
Trade Marks Journal No: 1861 , 06/08/2018 Class 36 1816623 11
Trade Marks Journal No: 1861 , 06/08/2018 Class 36 1816623 11/05/2009 ITZ ONLINE PAYMENTS LIMITED trading as ;ITZ ONLINE PAYMENTS LIMITED 10TH FLOOR, TIMES TOWER, KAMALA CITY, SENAPATI BAPAT MARG, LOWER PAREL, MUMBAI-400 013. SERVICE PROVIDERS A COMPANY INCORPATED IN INDIA Address for service in India/Agents address: VISHESH & ASSOCIATES. 2, 3 RD FLOOR, YESHWANT CHAMBERS, 18 - B, BHARUCHA MARG, KALAGHODA, FORT, MUMBAI - 400 023. Used Since :29/01/2009 MUMBAI INSURANCE,FINANCIAL AFFIRA,MONETARY AFFAIRS,REAL ESTATE AFFIARS,CAPITAL INVESTMENTS,FINANCIAL CONSULTANCY,INSURANCE CONSULTANCY,FINANCIAL EVALUATION,FUND INVESTMENTS, FINANCIAL MANAGEMENT,MUTUAL FUNDS,STOCK AND BONDS BROKING,ELECTRONIC FUND TRANSFER, ONLINE BANKING,ONLINE PAYMENT SERVICES, ONLINE CREDIT SERVICES,CASH CARD SERVICES, CASH CARD SERVICES,CREDIT CARD SERVICES,DEBIT CARD SERVICES, PRE PAID CARD SERVICES,FISCAL VALUATION". 5996 Trade Marks Journal No: 1861 , 06/08/2018 Class 36 Priority claimed from 10/03/2011; Application No. : 2011-017409 ;Japan 2200160 05/09/2011 NIPPON COMMERCIAL DEVELOPMENT CO., LTD YODOYABASHI MITSUI BLDG. 4F, IMABASHI 4-1-1 CHUO -KU OSAKA 541-0042 JAPAN MANUFACTURERS, TRADERS AND SERIVCES PROVICERS A JAPANESE CORPORATION Address for service in India/Agents address: ANAND AND ANAND. B-41,NIZAMUDDIN EAST, NEW DELHI - 110 013. Proposed to be Used DELHI DESIGN AND DEVELOPMENT ON ESTABLISHMENT AND OPERATION OF REAL-ESTATE INVESTMENT FIIND FOR OTHERS; PROVIDING INFORMATION ABOUT DESIGN AND DEVELOPMENT ON ESTABLISHMENT AND OPERATION OF REAL-ESTATE INVESTMENT -
Siyahi-Catalogue-2015-16.Pdf
Siyahi, in Urdu means ‘ink’, the dye that stains the shape of our thoughts. Tell us your story. And we’ll help you tell it to the world. Here at Siyahi, we’re with you right from the beginning. From assessing and editing the manuscript to finding the right publisher and promoting the book after publication, we stand firm by our authors through it all. While we deal primarily with manuscripts in English, we are actively involved in facilitating translation of books to and from various languages. We also organize literary events – everything from intimate readings to international literary festivals. RIGHTS LIST ALL RIGHTS AVAILABLE WORLD RIGHTS AVAILABLE LANGUAGE RIGHTS AVAILBLE AUTHORS FORTHCOMING PUBLISHED EVENTS TEAM RIGHTS LIST ALL RIGHTS AVAILABLE FICTION All Our Days by Keya Ghosh An Excess of Sanity by Anshumani Ruddra In Another Time by Keya Ghosh Indophrenia by Sudeep Chakravarti Men Without God by Meghna Pant Mohini’s Wedding by Selina Hossain (English Translation by Arunava Sinha) No More Tomorrows by Keya Ghosh Poskem by Wendell Rodricks The Ceaseless Chatter of Demons by Ashok Ferrey You Who Never Arrived by Anshumani Ruddra NON-FICTION Dream Catchers: Business Innovators of Bollywood by Priyanka Sinha Jha Dream Moghuls: Business Leaders of Bollywood by Priyanka Sinha Jha Folk Music and Musical Instruments of Punjab by Alka Pande Indian Street Food by Rocky Singh, Mayur Sharma Like Cotton from the Kapok Tree by Kalpana Mohan Managing Success...and Some Seriously Good Food by Rocky Singh, Mayur Sharma Magician in the Desert -
Banner Name Proprietor Partner BANNER LIST
BANNER LIST Banner Name Proprietor Partner 1234 Cine Creations C.R.Loknath Anand L 1895 Dec 28 the World Ist Movie Production S.Selvaraj No 2 Streams Media P Ltd., Prakash Belavadi S.Nandakumar 21st Century Lions Cinema (P) Ltd., Nagathihalli Chandrashekar No 24 Frames Pramodh B.V No 24 Frames Cine Combines Srinivasulu J Gayathri 24 Frames Movie Productions (p) Ltd K.V.Vikram Dutt K.Venkatesh Dutt 3A Cine Productions Sanjiv Kumar Gavandi No 4D Creations Gurudatta R No 7 Star Entertainment Studios Kiran Kumar.M.G No A & A Associates Aradhya V.S No A B M Productions P.S.Bhanu Prakash P.S.Anil Kumar A' Entertainers Rajani Jagannath J No A Frame To Frame Movies Venkatesh.M No A.A.Combines Praveen Arvind Gurjer N.S.Rajkumar A.B.C.Creations Anand S Nayamagowda No A.C.C.Cinema - Shahabad Cement Works. M.N.Lal T.N.Shankaran A.G.K.Creations M.Ganesh Mohamad Azeem A.J.Films R.Ashraf No A.K.Combines Akbar Basha S Dr. S.R.Kamal (Son) A.K.Films Syed Karim Anjum Syed Kalimulla A.K.K. Entertainment Ltd Ashok Kheny A.Rudragowda (Director) A.K.N.D.Enterprises - Bangalore N.K.Noorullah No A.L.Films Lokesh H.K No A.L.K.Creations C.Thummala No A.M.J.Films Janardhana A.M No A.M.M.Pictures Prakash Babu N.K No A.M.M.Pictures Prakash Babu N.K No A.M.Movies Nazir Khan No A.M.N.Film Distributor Syed Alimullah Syed Nadimullah A.M.V.Productions Ramu V No A.N.Jagadish Jagadish A.N Mamatha A.J(Wife) A.N.Pictures U.Upendra Kumar Basu No A.N.Ramesh A.N.Ramesh A.R.Chaya A.N.S.Cine Productions Sunanda M B.N.Gangadhar (Husband) A.N.S.Films Sneha B.G B.N.Gangadhar (Father) A.N.S.Productions Gangadhar B.N No A.P.Helping Creations Annopoorna H.T M.T.Ramesh A.R.Combines Ashraf Kumar K.S.Prakash A.R.J.Films Chand Pasha Sardar Khan A.R.Productions K.S.Raman No A.R.S.Enterprises H.M.Anand Raju No A.S.Films Noorjhan Mohd Asif A.S.Ganesha Films Dr.T.Krishnaveni No A.S.K.Combines Aruni Rudresh No A.S.K.Films A.S.Sheela Rudresh A.S.Rudresh A.T.R.Films Raghu A.T. -
NATION Pg DECCAN CHRONICLE | HYDERABAD | SATURDAY | 15 FEBRUARY 2020 8
NATION pg DECCAN CHRONICLE | HYDERABAD | SATURDAY | 15 FEBRUARY 2020 8 SHORT TAKES Remembering martyrs Kanhaiya’s convoy KERALA MULLS LAW AGAINST attacked in Bihar NAYEAR AZAD | DC with Kanhaiya Kumar said. SUPERSTITION PATNA, FEB. 14 The state-wide ‘Jan Gan GILVESTER ASSARY | DC Man Yatra’ which began on THIRUVANANTHAPURAM, Former JNUSU President December 30 from Bhit- FEB. 14 Kanhaiya Kumar’s convoy iharwa Gandhi Ashram in was attacked while he was West Champaran is sched- Kerala government has been travelling from Buxar to uled to conclude with a rally contemplating to bring a Bill Arrah in Bihar on Friday. on the theme “nagrikta for effectively curbing super- This was the eighth attack bachao, desh bachao” (save stition, practices like sorcery in two weeks against citizenship, save the coun- and exorcism. The draft rec- Kanhaiya Kumar, who is try) in Patna on Feb. 29. ommendations are currently leading a massive state-wide “We had met the state under consideration of Law ‘Jan Gan Man Yatra’ against administration but nothing Reforms Commission. The the CAA, NPR, and NRC. was done to prevent such Kerala Exploitation by Sources said prior to attacks. Kanhaiya Kumar's Superstition (Prevention) Act reaching the venue in Arrah car was vandalised but he drafted and proposed by home a group of youth chanting somehow escaped unhurt,” department, warranted strin- pro-CAA slogans began pelt- Social activist Nivedita Jha gent punishment against those ing stones at his convoy. told this newspaper. Left responsible for spreading However, no one is said to be leaders in Patna on Friday superstition and putting peo- injured in the attack. -
Spoofs and the Politics of the Film Image's Ontology in Tamil Cinema
Spoofs and the Politics of the Film Image’s Ontology in Tamil Cinema * Constantine V. Nakassis All Film Spoofs, No Spoof Films Commercial Tamil cinema has long been a travesty of itself, its textuality woven from so many citational allusions, homages, and self-parodies; and yet, until recently there was no such recognized genre of the spoof film, only “comedy tracks” trailing in the shadows of the grandiose hero and his more serious narrative, parodying his potent image here and there, most often through scenes of comically inverted or failed heroism (Nakassis 2010:209–221). In 2010, this was seen to have changed, with the release of a surfeit of spoof films—Venkat Prabhu’s Goa, Simbudevan’s Irumbu Kottai Mirattu Singam, and, most importantly for this paper, C. S. Amudhan’s aptly titled Thamizh Padam, or ‘Tamil Movie.’1 And then of course, there was that unwitting spoof hero, the self-proclaimed “Power Star,” Dr. S. Srinivasan, who entered the scene in 2011 with his unbel- ievably absurd, yet ambiguously self-serious, film (Lathika) and public persona (figure 1).2 Industry insiders and film enthusiasts often explain this seeming par- adox that Tamil cinema is all spoof with no spoofs by pointing to the self- seriousness of the industry—that is, that it can’t take a joke; or alter- natively by pointing to its cultural and historical particularity—that is, that “spoofs” are a foreign genre. But what is so notable is that the ind- ustry has long made jokes at its own expense. Think, for example, of Nagesh’s memorable comedy track from Sridhar’s classic 1964 romantic comedy Kadhalikka Neeramillai (‘No Time for Love’), which turns on Nagesh’s nascent film production: a parody of the film producer, Nagesh * Constantine V.