Vector 240 Butler 2005-03 BSFA
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Takashi Miike 34
2014 · 4 FILM-KONZEPTE 34 iike M Takashi Takashi T anja Prokic´ (Hg.) Takashi Miike 34 -KONZEPTE FILM FILM-KONZEPTE Begründet von Thomas Koebner Herausgegeben von Michaela Krützen, Fabienne Liptay und Johannes Wende Heft 34 · April 2014 Takashi Miike Herausgegeben von Tanja Prokic´ Redaktion: Ulrike Hoier ISSN 1861-9622 ISBN 978-3-86916-334-5 E-ISBN 978-3-86916-340-6 Umschlaggestaltung: Thomas Scheer Umschlagabbildung: Yatta¯man (R. Takashi Miike, Japan 2009). BluRay-Edition WVG Medien 2010. Das Titelbild und die Abbildungen sind Screenshots von DVDs. Die Reihe »Film-Konzepte« erscheint mit vier Nummern im Jahr. Die Hefte können einzeln oder im vergünstigten Abonnement für € 56,– oder im UN!-Abo für € 39,– durch jede Buchhandlung oder über den Verlag bezogen werden. Die Kündigung des Abonnements ist bis zum Oktober eines jeden Jahres für den folgenden Jahrgang möglich. Preis für dieses Heft € 20,– / Preis f ür dieses E-Book € 19,99 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen National- bibliografie; detaillierte bibliografische Daten sind im Internet über www.dnb.de abrufbar. Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung, die nicht ausdrücklich vom Urheberrechtsgesetz zugelassen ist, bedarf der vorherigen Zustimmung des Verlages. Dies gilt insbesondere für Vervielfältigungen, Bearbeitungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektroni- schen Systemen. © edition text + kritik im Richard Boorberg Verlag GmbH & Co KG, München 2014 Levelingstraße 6a, 81673 München www.etk-muenchen.de Satz: Satz+Layout Fruth GmbH, München Druck und Buchbinder: e. kurz + co gmbh, Kernerstraße 5, 70182 Stuttgart 4006_Bd34_Miike_U2_AK2.indd U2 10.04.14 10:41 FILM-KONZEPTE 34 Takashi Miike Herausgeberin: Tanja Prokic´ 003 Tanja Prokic´ Vorwort 006 Tanja Prokic ´ / Alexander Schlicker Yatterman – Superhelden: eindeutig unentschieden 022 Arno Meteling Morgendämmerung des Samuraifilms. -
Shangri-La (Japan Goes Bankrupt) Julien Fonfrède
Document generated on 09/27/2021 3:06 a.m. 24 images Shangri-La (Japan Goes Bankrupt) Julien Fonfrède Le cinéma de genre au féminin Number 179, October–November 2016 URI: https://id.erudit.org/iderudit/83654ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this article Fonfrède, J. (2016). Shangri-La (Japan Goes Bankrupt). 24 images, (179), 43–43. Tous droits réservés © 24/30 I/S, 2016 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ CHEMINS DE TRAVERSE AUDITION udition (2001) a été en 2001 le On pense immédiatement à Vertigo premier ®ilm de Takashi Miike d’Alfred Hitchcock avec cet homme qui, exploitéA en salles à Montréal, hors le comme Scottie Ferguson, rencontre festival de Fantasia où le cinéaste avait une femme mystérieuse dont il tombe trouvé auparavant de fervents admira- amoureux et qui se révélera tout autre. teurs. Extrêmement maîtrisée, l’œuvre Shigehiro et Asami vont être entraînés nous a révélé un auteur japonais qui avait dans un jeu de cache-cache funeste dont déjà touché à tout, du ®ilm de yakusas au elle est en premier lieu l’artisane. -
Dossier 40 Anys Sitges Festival Internacional De
2 INDEX / ÍNDICE/ SUMMARY I Edició, 1968 ..................................................... p. 3 II Edició, 1969 ..................................................... p. 4 III Edició, 1970 ..................................................... p. 5 IV Edició, 1971 ..................................................... p. 6 V Edició, 1972 ..................................................... p. 8 VI Edició, 1973 ..................................................... p. 10 VII Edició, 1974 ..................................................... p. 12 VIII Edició, 1975 ..................................................... p. 14 IX Edició, 1976 ..................................................... p. 16 X Edició, 1977 ..................................................... p. 18 XI Edició, 1978 ..................................................... p. 20 XII Edició, 1979 ..................................................... p. 22 XIII Edició, 1980 ..................................................... p. 24 XIV Edició, 1981 .................................................... p. 26 XV Edició, 1982 .................................................... p. 28 XVI Edició, 1983 .................................................... p. 30 XVII Edició, 1984 .................................................... p. 32 XVIII Edició, 1985 .................................................... p. 34 XIX Edició, 1986 ................................................... p. 36 XX Edició, 1987 .................................................... p. 38 XXI Edició, 1988 -
HARA KIRI Pressbook Español
LA HISTORIA Con el fin de morir dignamente, Hanshiro, un samurái sin recursos, solicita llevar a cabo un suicidio ritual en la residencia del clan Li, liderado por Kageyu. Este intenta hacerle desistir de su idea contándole la trágica historia de un joven ronin, Motome, que poco tiempo atrás había llegado a ese lugar con las mismas intenciones. A pesar del impacto que provocan en él los espeluznantes detalles del destino de Motome, Hanshiro persiste en su decisión de morir con honor. Cuando llega el momento de practicarse el hara-kiri, realiza una última petición: desea ser asistido por tres tenientes de Kageyu que, por una extraña coincidencia, se encuentran ausentes. Receloso y enfadado, Kageyu pide explicaciones a Hanshiro. Este revela su vínculo con Motome y relata la historia agridulce de sus vidas. Kageyu pronto comprende que Hanshirose se ha sometido a una prueba de fuerza. La certitud del código de caballería de los samuráis empieza a tambalearse y resurge la humanidad. HARA-KIRI HARA-KIRI presenta dos universos opuestos: el doméstico y el militarista. La tensión dramática de la película está en la confluencia de ambos. Miike no necesita una retórica visual extravagante para poner de relieve la cruel inhumanidad del espíritu militar con los sombríos recovecos de un interior feudal, o la ardua supervivencia de una familia pobre con falta de luz de su humilde morada. Rescata algunos valores de directores nipones caídos en el olvido: una puesta en escena repleta de matices, una interpretación humana y sobria, una emoción intensa. Sin embargo, la película en ningún momento suscita una nostalgia de la “edad de oro” perdida del cine japonés. -
The Festival Daily
TheFestivalDaily THURSDAY, SEPTEMBER 16, 2004 PUBLISHED BY THE TORONTO INTERNATIONAL FILM FESTIVAL® WWW.BELL.CA/FILMFEST DAY Akerman Italian goes cinema’s slapstick, new day, 8 page 3 page 2 Festival Frames BY CAITLIN STAROWICZ ith never a dull mo- ment, the past week Whas been a whirlwind of events for actors, filmmakers and producers from all corners of the world. PHOTO BY KATIA TAYLOR Sunday’s Directors Dinner at Bistro 990 played host to (above, left to right) writer-pro- ducer J.W. Galuchovsky and John Waters, director of the hi- lariously lewd A Dirty Shame. PHOTO BY SEAN JACQUEMAIN Director Velcrow Ripper fields questions during the Q & A following the world premiere of his film ScaredSacred at the ROM Theatre on Tuesday. The film, which received production assistance from the National Film Board and Vision TV, has already attracted attention from several distributors and sales agents. ScaredSacred will also screen at the Vancouver International Film Festival at the end of September, where it will be the first feature documentary to open the Canadian Images programme. PHOTO BY KATIA TAYLOR Monday saw (above, left to Dasgupta’s everyday people dream big right) Jacques Bensimon, com- missioner and chairman of the Meanwhile, Paresh’s driver Chapal (Ra- “Instead, he has an elliptical, poetic ap- National Film Board, Festival Di- BY ALLAN TONG jesh Sharma) dreams of making it rich in proach to film which is rare and beautiful.” rector Piers Handling, Pierre Per- fter shooting in India’s poor hinter- Dubai. In the course of their journeys, they The film’s overall atmosphere and rault’s widow Yolande Perrault lands, legendary director Bud- pick up Ameena (Rimi Sen), a pregnant evocative visuals, courtesy of cinematog- and David Clandfield, author of Adhadeb Dasgupta could have Muslim girl fleeing Gujarat in northwest- rapher Venu, are surreal and painterly. -
Arbiter, September 25 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 9-25-2006 Arbiter, September 25 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. THE INDEPEND~NT STUDENT VOICE OF BOISE STATE SINCE 1933 • I' MONDAY, SEPTEMBER 25,2006 ar Iferc)!lllnC',i;i ISSUE 12, VOLUME 19. FIRST ISSUE FREE OPINION ._----------------------._-- PAGE 3 The Arbiter editorial board gives ASBSUfive helpful hints on how Newsafehouse 0 ens for bikes to better run Its organization. olse Mayor Dave Bieter speaks opening ceremony of the Bike CULTURE rn in the Kinesiology building. ---------------------------- PAGE.4 The Arbiter gets a taste for "Cootchle Magic," while reviewing the "Spitfire Grill" and Elton John's stay In Boise. SPORTS ---------------------------- PAGE 6 The Bronco football team collected Its first WACwin of the year as quarterback Jared Zabransky gave his best performance of the year. ARBITERONUNE.COM ---------------~------------ Hear Managing Editor Dustin Lapray and Sports Editor Jake Garcln give their thoughts on all things sports In the latest "Arbiter Sports Talk" podcast. PHOTOS BY RICHAE SWANBECK/THE ARBITER BY RYAN RASMUSSEN , deterred from attending the cer- Get Infomed In the 2006 chords of her acoustic guitar to challenge and encourages all to at- cycling attire with bike in tow. -
Outlaw Masters of Japanese Film Dedicated to the Memory of My Late Father, Paul R
Outlaw Masters Of Japanese Film Dedicated to the memory of my late father, Paul R. Desjardins, 1919–2003, who went through hell his last few years and was consequently unable to finish his own book on his pioneering work in electron microscopy (in the field of plant pathology). Also to my mother, Rosemary, who has had her own gauntlet to run in the last year and has managed to come out the other side. Both my parents have always been loyal, loving and there for me, never turning their backs on me during my extended period of raising hell. To my girl, Lynne Margulies, a truly great soulmate in all things, including the creative process. And to the memory of late director Kinji Fukasaku, a great inspiration to anyone daring to think of giving up in the face of adversity. I was lucky to get to know him and to consider him as a mentor as well as a friend. OUTLAW MASTERS OF JAPANESE FILM CHRIS D. Advisory Editor: Sheila Whitaker Published in 2005 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Chris Desjardins, 2005 The right of Chris Desjardins to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. -
Downloads on the Internet
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://eprints.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details The Major and the Minor On Political Aesthetics in the Control Society Seb Franklin Dphil University of Sussex August 2009 I hereby declare that this thesis has not been and will not be submitted, in whole or in part, to any other university for the award of any other degree. Seb Franklin Abstract This thesis examines the crucial diagnostic and productive roles that the concepts of minor and major practice, two interrelated modes of cultural production set out by Gilles Deleuze and Félix Guattari in Kafka: toward a Minor Literature (1975), have to play in the present era of ubiquitous digital technology and informatics that Deleuze himself has influentially described as the control society. In first establishing the conditions of majority and majority, Deleuze and Guattari’s historical focus in Kafka is the early twentieth century period of Franz Kafka’s writing, a period which, for Deleuze, marks the start of a transition between two types of society – the disciplinary society described by Michel Foucault in Discipline and Punish and the control society that is set apart by its distribution, indifferent technical processes and the replacement of the individual with the dividual in social and political thought. -
Af7c99ddd192febe3febc8b725b
Takashi MIIKE SYNOPSIS SELECTIVE FILMOGRAPHY / FILMOGRAPHIE SÉLECTIVE “Kill Kunihide Kiyomaru, and I will pay you 1 billion Yen”. This is the ad placed in all the main newspapers in Japan. In placing the ad, 2013 SHIELD OF STRAW (Wara No Tate) the powerful multi-billionnaire Ninagawa puts an irresistible price 2012 ACE ATTORNEY (Gyakuten Saiban) on the head of the man he believes to be his granddaughter’s killer. 2012 FOR LOVE’S SAKE (Ai To Makoto) Realising he has become a target for millions of people, Kiyomaru 2012 LESSON OF THE EVIL (Aku No Kyoten) turns himself in at the Fukuoka Police Station. Four officers are 2011 NINJA KIDS!!! (Nintama Rantaro) dispatched to bring Kiyomaru back to Tokyo, risking their own 2011 HARA-KIRI: DEATH OF A SAMURAI (Hara-Kiri: Mort d’un samouraï / Ichimei) life, but now any number of assassins lie in wait on the 1.200km 2010 ZEBRAMAN 2: ATTACK ON ZEBRA CITY ( Zeburaman-Zebura Shiti No Gyakushu) journey. The trip becomes a hellish chase, with potential killers at 2010 THIRTEEN ASSASSINS (13 assassins / Jusannin No Shikaku) every turn. Will the police get Kiyomaru to Tokyo to face justice, or 2009 YATTERMAN (Yattaman) will justice of a different nature prevail? 2009 CROWS II (Crows Zero 2 / Kurozu Zero II) 2008 GOD’S PUZZLE (Kamisama No Pazuru) « Tuez cet homme et vous toucherez 1 milliard de yens de 2007 SUKIYAKI WESTERN DJANGO récompense ». Avec cette publicité parue dans tous les journaux 2007 CROWS-EPISODE 0 (Crows Zero / Kurozu Zero) japonais, le milliardaire Ninagawa met à prix la tête de Kiyomaru, 2004 ONE MISSED CALL (La Mort en ligne / Chakushin Ari) l’assassin présumé de sa petite-fille. -
Un Film De Takashi MIIKE
Festival de Cannes 2003 Quinzaine des Réalisateurs GOZU Un film de Takashi MIIKE Japon – 2003 - 127 mn – couleur Sortie Nationale 14 juillet 2004 Distribué par Pretty Pictures 42 rue Edouard Vaillant – 93100 Montreuil Tel : 01 48 51 16 12 / Fax : 01 48 51 16 10 [email protected] www.prettypictures.fr Presse: Bossa Nova Michel Burstein 32 Bd Saint Germain 75005 Paris Tél: 01 43 26 26 / fax: 01 43 26 26 36 [email protected] www.bossa-nova.info GOZU Synopsis Minami et Ozaki sont deux yakuza inséparables depuis que le second a sauvé la vie du premier. Ozaki ne supporte plus le stress de son existence de criminel et présente des signes de paranoïa aggravée. Alors qu’il soupçonne un chien d’être anti-yakuza, son boss décide qu’il est temps de l’envoyer ad-patres et demande à Minami de l’emmener à Nagoya et de s’en débarasser. En route, Ozaki disparaît mystérieusement. S’ensuit un road-movie décalé dans la province de Nagoya, ville étrange peuplée de gens sortis tout droit de Twin Peaks. Oserez-vous venir à Nagoya ? LE RÉALISATEUR: Takashi MIIKE Takashi MIIKE est le réalisateur phare des années 90 au Japon. A la différence d'un Takeshi KITANO qui a dû attendre d'être reconnu à l'étranger avant d'obtenir un succès local, MIIKE a littéralement explosé en 1995 avec son second film cinéma Shinjuku Kuroshakai (Les Affranchis de Shinjuku). Proclamé " grande découverte de l'année " par la très respectueuse Association Japonaise des Producteurs de Films, MIIKE n'a depuis lors pas arrêté de créer l'événement à chaque nouvelle sortie d'un de ses films. -
Historical Dictionary of Japanese Cinema
HISTORICAL DICTIONARIES OF LITERATURE AND THE ARTS Jon Woronoff, Series Editor Science Fiction Literature, by Brian Stableford, 2004. Hong Kong Cinema, by Lisa Odham Stokes, 2007. American Radio Soap Operas, by Jim Cox, 2005. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. Fantasy Literature, by Brian Stableford, 2005. Australian and New Zealand Cinema, by Albert Moran and Errol Vieth, 2006. African-American Television, by Kathleen Fearn-Banks, 2006. Lesbian Literature, by Meredith Miller, 2006. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. British Radio, by Seán Street, 2006. German Theater, by William Grange, 2006. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. Sacred Music, by Joseph P. Swain, 2006. Russian Theater, by Laurence Senelick, 2007. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. Postmodernist Literature and Theater, by Fran Mason, 2007. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. Australian Radio and Television, by Albert Moran and Chris Keating, 2007. Polish Cinema, by Marek Haltof, 2007. Old Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. Renaissance Art, by Lilian H. Zirpolo, 2008. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. American Theater: Modernism, by James Fisher and Felicia Hardison Londré, 2008. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. Horror Cinema, by Peter Hutchings, 2008. Westerns in Cinema, by Paul Varner, 2008. Chinese Theater, by Tan Ye, 2008. Italian Cinema, by Gino Moliterno, 2008. Architecture, by Allison Lee Palmer, 2008. Russian and Soviet Cinema, by Peter Rollberg, 2008. African American Theater, by Anthony D. Hill, 2009. -
Our 40Th Fantasy Fest Brought out Everyone's Colorful Alte
OCTOBER 31 -NOVEMBER 6, 2019 Our 40th Fantasy Fest Brought Out Everyone’s 2019 Grand Marshall LOFTON “COFFEE” BUTLER Colorful Alter Egos! Florida Keys 3-9 • Upper Keys 10-13 • What's Happening 14 • Real Estate 26 Photos: Guy DeBoer • Cover: JT Thompson FLORIDA KEYS Crosstown Greenway Bahama Hurricane Public Workshop Relief Effort November 5th, 6 pm, Commission Chambers, City Hall s. Julie McEnroe from the Conch fleet will be the flagship of the Conch MRepublic Navy and Key West Republic Navy, the schooner Wolf. Ms he City of Key West is seeking in- art, and other in-street infrastructure. Cares Transportation Coordinator will McEnroe will be speaking at the One Tput from the community for the Working with urban planning firm review the progress of the Bahama’s re- Island Family, 801 Georgia St, service creation of a Neighborhood Greenway Street Plans, the City will be testing lief effort. She will talk about the plans on Sunday, November 3. The service along Staples Ave. and Von Phister St. out the selected design strategies using for delivery of boat loads of donations starts at 11:00 AM. This event is open between 12th and Reynolds Streets, low-cost, temporary materials, a project to Green Turtle Cay and Marsh Har- to the public. For more information called the Crosstown Greenway. approach known as Tactical Urbanism. bor. One of the boats in the delivery call Dave Arnold 757-285-1609. n A Neighborhood Greenway is a street The community is a crucial component with low motorized traffic volumes -- of this process is you.