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The Lie of the Land' by Toby Whithouse - TONE DRAFT - 22/11/16 1 PUBLIC INFORMATION FILM
DOCTOR WHO SERIES 10 EPISODE 8 "X" by Toby Whithouse TONE DRAFT (DRAFT TWO) 22/11/16 (SHOOTING BLOCK 6) DW10: EP 8 'The Lie of the Land' by Toby Whithouse - TONE DRAFT - 22/11/16 1 PUBLIC INFORMATION FILM. 1 Space. The sun rising over the peaceful blue Earth. VOICE OVER The Monks have been with us from the beginning. Primordial soup: a fish heaves itself from the swamp, its little fins work like pistons to drag itself up the bank, across the sandy earth. The most important and monumental struggle in the planet’s history. It bumps into the foot of a Monk, waiting for it. VOICE OVER (CONT’D) They shepherded humanity through its formative years, gently guiding and encouraging. Cave paintings: primitive man. Before them, what can only be a Monk. It holds a spear, presenting it to the tribe of men. VOICE OVER (CONT’D) Like a parent clapping their hands at a baby's first steps. Another cave painting: a herd of buffalo, pursued by the men, spears and arrows protruding from their hides. Above and to the right, watching, two Monks. Benign sentinels. VOICE OVER (CONT’D) They have been instrumental in all the advances of technology and culture. Photograph: Edison, holding a lightbulb. The arm and shoulder of a Monk next to him, creeping into the frame. VOICE OVER (CONT’D) They watched proudly as man invented the lightbulb, the telephone, the internet... Photograph: the iconic shot of Einstein halfway through writing the equation for the theory of relativity on a blackboard. -
Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman. -
Mcsporran, Cathy (2007) Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction
McSporran, Cathy (2007) Letting the winter in: myth revision and the winter solstice in fantasy fiction. PhD thesis http://theses.gla.ac.uk/5812/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction Cathy McSporran Thesis submitted for the degree of Doctor of Philosophy Department of English Literature, University of Glasgow Submitted October 2007 @ Cathy McSporran 2007 Abstract Letting the Winter In: Myth-Revision and the Winter Solstice in Fantasy Fiction This is a Creative Writing thesis, which incorporates both critical writing and my own novel, Cold City. The thesis explores 'myth-revision' in selected works of Fantasy fiction. Myth- revision is defined as the retelling of traditional legends, folk-tales and other familiar stories in such as way as to change the story's implied ideology. (For example, Angela Carter's 'The Company of Wolves' revises 'Red Riding Hood' into a feminist tale of female sexuality and empowerment.) Myth-revision, the thesis argues, has become a significant trend in Fantasy fiction in the last three decades, and is notable in the works of Terry Pratchett, Neil Gaiman and Philip Pullman. -
Chatterton 64 Ackroyd, Peter
Index Abacus 47, 62 Aussiecon 2 (World Science Baxter, Stephen: Traces 47 Broderick, Damien: Reading by Ace 46, 73 Fiction Convention, Baxter, Stephen: Voyage 47 Starlight 49 Acker, Cathy 49 Melbourne, September 1985) BCSFAzine 45 Broderick, Damien: ‘Signposts Ackroyd, Justin 14 36 Bear, Greg: Foundation and back to the Future’ 32–3 Ackroyd, Peter: Chatterton 64 Aussiecon 3 (World Science Chaos 63 Broderick, Damien, and Barnes, Ackroyd, Peter: Dan Leno and the Fiction Convention, Bear, Greg: Moving Mars 72–3 Rory: Zones 47 Limehouse Golem 64 Melbourne, September 1999) Bear, Greg: Slant 76 Brookmyre, Christopher: Boiling Ackroyd, Peter: Hawksmoor 64 13–14, 24, 32, 36, 43 Benford, Gregory 29 a Frog 43 Ackroyd, Peter: House of Doctor Australian 14, 32 Benford, Gregory: Foundation’s Brooks, Ned 43 Dee, The 64–5 Australian and New Zealand Fear 63 Brosnan, John 30, 33 Acnestis 12–14 Journal of Serials Librarianship Benford, Gregory: Matter’s End Brosnan, John: Damned and Adams, Douglas 49 48 74 Fancy 69 Adams, Phillip 12 Australian Literary Studies 48 Benford, Gregory: Timescape 16 Brosnan, John: Future Tense 30 Adelaide University Science Australian National University Benford, Gregory: ‘We Could Brosnan, John: Opoponax Fiction Association 39 48 Do Worse’ 74 Invasion, The 53 Aikin, Jim: Wall at the End of the Australian Science Fiction Berry, John 12 Brosnan, John: Primal Screen 29 World, The 73 Foundation 19 Bertrand, Frank 31 Brunner, John 12, 48 Airlie Beach convention 44 Australian Science Fiction Review Bester, Alfred 39 Brunner, John: Stand on Aldiss, Brian 15, 32, 48–9, 57–8, (ASFR) (first series) 12, 33 Bester, Alfred: Demolished Man, Zanzibar 11 61, 64 Avon Books 46, 52 The 34–5 Brust, Steven: To Reign in Hell Aldiss, Brian: ‘Foam’ 56 AvoNova Morrow 47 Bibby, James: Ronan the 21 Aldiss, Brian: ‘God Who Slept Bailey, K. -
Dc Entertainment Feb20 0392 Joker 80Th Anniv 100 Page Super Spect #1 $9.99 Feb20 0393 Joker 80Th Anni
DC ENTERTAINMENT FEB20 0392 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 $9.99 FEB20 0393 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1940S ARTHUR ADAMS VAR ED $9.99 FEB20 0394 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1950S DAVID FINCH VAR ED $9.99 FEB20 0395 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1960S F MATTINA VAR ED $9.99 FEB20 0396 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1970S JIM LEE VAR ED $9.99 FEB20 0397 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1980S SEINKIEWICZ VAR ED $9.99 FEB20 0398 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 1990S G DELLOTTO VAR ED $9.99 FEB20 0399 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 2000S LEE BERMEJO VAR ED $9.99 FEB20 0400 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 2010S JOCK VAR ED $9.99 FEB20 0401 JOKER 80TH ANNIV 100 PAGE SUPER SPECT #1 BLANK VAR ED $9.99 FEB20 0402 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 $9.99 FEB20 0403 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1940S ADAM HUGHES VAR ED $9.99 FEB20 0404 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1950S TRAVIS CHAREST VAR ED $9.99 FEB20 0405 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1960S STANLEY LAU VAR ED $9.99 FEB20 0406 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1970S FRANK CHO VAR ED $9.99 FEB20 0407 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1980S J SCOTT CAMPBELL VAR ED $9.99 FEB20 0408 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 1990S GABRIELLE DELL OTTO VAR ED $9.99 FEB20 0409 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 2000S JIM LEE VAR ED $9.99 FEB20 0410 CATWOMAN 80TH ANNIV 100 PAGE SUPER SPECT #1 2010S JEEHYUNG LEE VAR ED $9.99 FEB20 -
July – September 2017 CD, MP3 CD, Playaway & Rbdigital
UNABRIDGED AUDIOBOOKS NEW RELEASES July – September 2017 CD, MP3 CD, Playaway & RBdigital SELECTED TITLES NOW PUBLISHED SIMULTANEOUS TO THE FIRST PRINT EDITION – SEE INSIDE FOR DETAILS INTERNATIONAL SENSATION Contents CLIPPER DAN BROWN Clipper 3 – 16 RETURNS Lamplight 17 – 22 Jammer 24 – 29 Jammer 30 – 31 ORIGIN young adult Wavesound 31 – 33 THE MOST ANTICIPATED THRILLER OF THE YEAR COMING OCTOBER 2017 Avid 33 – 35 thrillers TO ENSURE SIMULTANEOUS RELEASE TO PRINT PRE-ORDER YOUR COPIES NOW FROM THE PROMOTIONS SECTION OF THE ORDER FORM Rosa 36 – 38 SEE PAGE 38 FOR MORE DETAILS Key: Selected titles from our range will be published at the same time as the first print edition in the UK! = CD = Multicap = OneUser Look out for included titles; they’ll have a red banner, with the release date at the foot of the listing. = Playaway = MP3 CD JULY 3 Clipper Clipper | | BESTSELLERS BESTSELLERS AND AND AWARD AWARD A Perfect Husband The Last Secret Rather Be The Devil Rattle - of the Deverills - WINNERS DELIVERED DELIVERED WINNERS Hilary Boyd SIMULTANEOUSRETAIL RELEASE TO Santa Montefiore SIMULTANEOUSRETAIL RELEASE TO Ian Rankin Fiona Cummins Thought-provoking women’s fiction from the The dramatic conclusion to the bestselling No.1 bestseller Ian Rankin returns with a tale A gripping psychological thriller from a debut author of the number one eBook bestseller Deverill Chronicles. of twisted power, deep-rooted corruption and author that gives a glimpse into the mind of a Thursdays In The Park. bitter rivalries. Rather Be the Devil showcases psychopath – more frightening than you could It is 1939 and peace has flourished since the Great War Rankin and Rebus at their unstoppable best. -
Rationale for Magneto: Testament Brian Kelley
SANE journal: Sequential Art Narrative in Education Volume 1 Article 7 Issue 1 Comics in the Contact Zone 1-1-2010 Rationale For Magneto: Testament Brian Kelley Follow this and additional works at: http://digitalcommons.unl.edu/sane Part of the American Literature Commons, American Popular Culture Commons, Art Education Commons, Comparative Literature Commons, Creative Writing Commons, Curriculum and Instruction Commons, Educational Assessment, Evaluation, and Research Commons, Educational Methods Commons, Educational Psychology Commons, Feminist, Gender, and Sexuality Studies Commons, Higher Education Commons, Illustration Commons, Interdisciplinary Arts and Media Commons, Rhetoric and Composition Commons, and the Visual Studies Commons Recommended Citation Kelley, Brian (2010) "Rationale For Magneto: Testament," SANE journal: Sequential Art Narrative in Education: Vol. 1: Iss. 1, Article 7. Available at: http://digitalcommons.unl.edu/sane/vol1/iss1/7 This Rationale is brought to you for free and open access by DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in SANE journal: Sequential Art Narrative in Education by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Kelley: Rationale For Magneto: Testament 1:1_______________________________________r7 X-Men: Magneto Testament (2009) By Gregory Pak and Carmine Di Giandomenico Rationale by Brian Kelley Grade Level and Audience This graphic novel is recommended for middle and high school English and social studies classes. Plot Summary Before there was the complex X-Men villain Mangeto, there was Max Eisenhardt. As a boy, Max has a loving family: a father who tinkers with jewelry, an overprotective mother, a sickly sister, and an uncle determined to teach him how to be a ladies’ man. -
A Conference for Science Fiction Writers
#sci4scifi A Conference for Science Fiction Writers Proudly supported by the A Conference for Science Fiction Writers Sunday, 10th September, 2017 8:30am to 5:00pm The Royal Society of Victoria 8 La Trobe Street, Melbourne “I was in China in 2007, at the first party-approved science fiction and fantasy convention in Chinese history. And at one point I took a top official aside and asked him Why? SF had been disapproved of for a long time. What had changed?” “It’s simple, he told me. The Chinese were brilliant at making things if other people brought them the plans. But they did not innovate and they did not invent. They did not imagine. So they sent a delegation to the US, to Apple, to Microsoft, to Google, and they asked the people there who were inventing the future about themselves. And they found that all of them had read science fiction when they were boys or girls.” Neil Gaiman, Lecture for the Barbican in London, 14 October 2013 Our first ever “Science for Science Fiction” writers’ conference kicks off this year at the historic Royal Society of Victoria. We will provide current and aspiring authors with expert insights on the finer points of the writer’s craft from some of Australia’s finest SF authors and editors. Spend a day learning new techniques for honing your craft and learn to pitch your big idea to literary agents and publishers. In Chinese author Liu Cixin's “Three We will also get your imagination firing from a foundation of solid Body” trilogy, the entire solar system is flattened into a two-dimensional science. -
22Nd Annual Aurealis Awards
22nd Annual Aurealis Awards Metro Hotel Perth 14 April, 2017 Table of Contents From the Judging Coordinator …………………………………………1 From Chimaera Publications ……………………………………………3 Best Children’s Fiction ………………………………………………………4 Best Illustrated Work / Graphic Novel ………………………………5 Best Young Adult Short Story ……………………………………………6 Best Young Adult Novel ……………………………………………………7 Best Horror Short Story ……………………………………………………8 Best Horror Novella …………………………………………………………9 Best Fantasy Short Story ……………………………………………… 10 Best Fantasy Novella …………………………………………………… 11 Best Science Fiction Short Story …………………………………… 12 Best Science Fiction Novella ………………………………………… 13 Best Collection ……………………………………………………………… 14 Best Anthology ……………………………………………………………… 15 Best Horror Novel ………………………………………………………… 16 Best Fantasy Novel………………………………………………………… 18 Best Science Fiction Novel …………………………………………… 19 The Convenors’ Award for Excellence …………………………… 20 Meet the Judges …………………………………………………………… 21 From the Judging Coordinator… And so the Aurealis Awards have come to Perth for the first time since 2004, when Chronopolis hosted the 2003 Aurealis Awards ceremony. Back then the awards list would have been much shorter, not containing categories for Anthology, Collection, or Illustrated Work, and certainly not our newish novellas! The Golden Aurealis has come and gone, as has the Sara Douglass Book Series Award (which we do hope to run again—perhaps in 2018. This year we saw over 800 entries, with high numbers of electronic submission, holding consistent with previous years in all areas. -
The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000. -
THE MENTOR 86 “The Magazine Ahead of Its Time”
THE MENTOR 86 “The Magazine Ahead of its Time” APRIL 1995 page 1 So this is the world that “swirls around us”, here where we A PLANET MUCH LIKE live in the most quite and forgotten of sites, shielded to our west by the Santa Barbara Range, (perhaps 2,500 metres high, or higher maybe); to our south by the valley’s own heights where lie the vast domains of El EARTH Fuerte... and beyond it there’s a national park, too far to reach easily from here, at the every centre of a geological fault, so that severe earthquakes can occur. To our east just beyond another ridge stretch the wastes of Chaco, becoming more and more swampy as the great BY Mae Strelkov rivers coming down from Brazil encounter difficulty in emptying their burdens into the Atlantic Ocean far to the south-east of us here. Somewhere in the wilds to our east, moreover lies the mysterious homeland of the Guaranies, now called Paraguay To our north there are not cities, just some sugar-producing ingenios employing thousands of peones, so that small thriving towns cluster around such sites. The brisk north wind, whoever, by the time it comes roaring across our own piece of land where we are, halfway This is the story of a bulldozer in a steamy jungle. It is the up this great valley, is so pure it’s a pleasure to have it as our steadiest story of myself, born in China, married to a Russian refugee, with wind the whole year through. -
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