Chapter Title: INFORMATION IN FORM: “THE TENSION OF THINGS-WORDS IN SPACE- TIME” Book Title: Designed Words for a Designed World Book Subtitle: The International Concrete Poetry Movement, 1955-1971 Book Author(s): JAMIE HILDER Published by: McGill-Queen's University Press. (2016) Stable URL: http://www.jstor.org/stable/j.ctt1d988xz.9 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms McGill-Queen's University Press is collaborating with JSTOR to digitize, preserve and extend access to Designed Words for a Designed World This content downloaded from 192.246.229.127 on Wed, 07 Sep 2016 12:29:31 UTC All use subject to http://about.jstor.org/terms 5 INFORMATION IN FORM: “THE TENSION OF THINGS-WORDS IN SPACE-TIME” Spaces of Concrete In 1955, the Swiss artist and poet Andre Thomkins began collecting words that carried meaning in two or more of the German, French, and English languages. A member of the Darmstadt Circle of experimental poets and artists, a group that included the American Emmett Williams, the Icelandic Dieter Roth, the German Claus Bremer, and the Romanian Daniel Spoerri, Thomkins was used to operating in a polylinguistic environment. Much in the same way that Augusto de Campos, in his “City Poem” (1963; see fig.