CD-Liste Cda1206 10.09.12
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cast Amendment for Il Trovatore
8 DECEMBER 2015 CAST AMENDMENT IL TROVATORE (Giuseppe Verdi) 2, 4, 5, 7, 8, 9, 11, 12, 14 and 15 July at 7.15pm ; 17 July at 6.30pm Italian soprano Carmen Giannattasio has withdrawn from singing the role of Leonora in Il trovatore on 4, 7, 9, 12 and 15 July. The role will now be sung by Italian soprano Anna Pirozzi , who will make her Royal Opera debut in this new production by German director David Bösch . She will share the role with Armenian soprano Lianna Haroutounian (2, 5, 8, 11, 14 and 17 July) as previously announced. Anna Pirozzi was born in Naples and studied at the Istituto Musicale in Valle d’Aosta and at the Turin Conservatory with Silvana Moyso. She has won widespread acclaim for her performances as Abigaille ( Nabucco ), the role in which she made her Salzburg Festival debut in 2013 conducted by Riccardo Muti and which she has sung in Florence, Bologna, Parma, Leipzig, Stuttgart, Tel Aviv, Beijing, Valencia, and for Arena di Verona. Her other engagements include Amelia ( Un ballo in maschera ) for Teatro Regio, Turi, and in Parma, Lady Macbeth ( Macbeth ) in São Paulo and Bologna, Leonora (Il trovatore ) in Bologna, Santuzza ( Cavalleria rusticana ) for Rome Opera and Teatro di San Carlo, Naples, Elvira ( Ernani ) in Rome, Tosca for Deutsche Oper Berlin and in Leipzig and Turin, Luisa Miller in Genoa, Leonora and Maddalena ( Andrea Chénier ) for Teatro di San Carlo, Santuzza and Nedda ( Pagliacci ) in Macerata, Aida in Turin, and Elisabetta ( Roberto Devereux ) at the ABAO Bilbao. The rest of the cast remains unchanged, -
RSTD OPERN Nov Dez 212X476 15.10.12 17:48 Seite 1
RSTD OPERN_Nov_Dez_212x476 15.10.12 17:48 Seite 1 Opernprogramm November 2012 November Franz Liszt Legende der heiligen Elisabeth 20.00 - 22.35 Hermann: Kolos Kováts, Sophie: Éva Farkas, Ludwig: Sándor Sólyom-Nagy, Elisabeth: Éva Marton, 1 Friedrich II. von Hohenstaufen: József Gregor, Ungarischer Magnat: István Gáti, Seneschal: István Gáti. Donnerstag Ungarische Nationalphilharmonie, Leitung: Árpád Joó, 1984. November Léo Delibes Lakmé 20.00 - 21.55 Nilakantha: Clifford Grant, Lakmé: Joan Sutherland, Mallika: Huguette Tourangeau, Hadji: Graeme Ewer, 3 Gerald: Henri Wilden, Frederick: John Pringle, Ellen: Isobel Buchanan. Samstag Australian Opera Chorus, Elizabethan Sydney Orchestra, Leitung: Richard Bonynge, 1976. November Bedrichˇ Smetana Die verkaufte Braut 20.00 - 22.25 Marenka: Dana Burešová, Jenik: Tomáš Juhás, Kecal: Jozef Benci, Vašek: Aleš Vorácek, 6 Mícha: Gustáv Belácek, Háta: Lucie Hilscherová, Krušina: Svatopluk Sem, Ludmila: Stanislava Jirku. Dienstag BBC Singers, BBC Symphony Orchestra, Leitung: Jirí Belohlávek, 2011. November Wolfgang Amadé Mozart Le nozze di Figaro 20.00 - 23.00 Almaviva: Tom Krause, Gräfin: Anna Tomowa-Sintow, Susanna: Ileana Cotrubas, Figaro: José van Dam, Cherubino: Frederica 8 von Stade, Bartolo: Jules Bastin, Marcellina: Jane Berbié, Basilio: Heinz Zednik, Don Curzio: Kurt Equiluz. Donnerstag Chor und Orchester der Wiener Staatsoper, Leitung: Herbert von Karajan, 1977. November Christoph Willibald Gluck Alceste 20.00 - 22.25 Admete: Paul Groves, Alceste: Anne Sofie von Otter, Oberpriester: Dietrich Henschel, Euandros: Yann Beuron, 10 Herakles: Dietrich Henschel, Herold: Ludovic Tézier, Orakel: Nicolas Testé, Apollo: Ludovic Tézier. Samstag Monteverdi Choir, English Baroque Soloists, Leitung: Sir John Eliot Gardiner, 1999. November Christoph Willibald Gluck Paride ed Elena 20.00 - 22.30 13 Paride: Magdalena Kožená, Elena: Susan Gritton, Amore: Carolyn Sampson, Pallade: Gillian Webster. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
Opera Le Pays Du Sourire
OPERA HEATRE D^ÂVIGNON ET DES PAYS DE VAUCLUSE LE PAYS DU SOURIRE 2004 2005 LE FORUM Restaurant - Bar - Cocktails - Glacier Une coupe de champagne vous sera offerte gracieusement avant votre dîner sur présentation du billet d'entrée. 20, place de l'Horloge - 84000 AVIGNON TéL 04 90 82 43 17 - Fax 04 90 82 28 37 Samedi 7 mai 2005 - 20h30 Dimanche 8 mai 2005 - I4h30 Clôture de la Saison d'Opérette LE PAYS DU SOURIRE Opérette romantique en trois actes Livret d'André Mauprey et Jean Marietti d'après Victor Léon, Ludwig Herzer et Fritz Lohner Musique de Franz Lehar (Editions musicales Max Eschig) En co-production avec l'Opéra de Nancy et de Lorraine En partenariat avec France Bleu Vaucluse DISTRIBUTION Direction musicale Jean-François VERDIER Direction des chœurs Stefano VISCONTI Etudes musicales Muriel BÉRARD Mise en scène Jacques DUPARC Chorégraphie Eric BÉU\UD Décors et Costumes Arthur ABALLAIN Lumières Noël LEMAÎTRE Princesse Lisa Anne-Sophie SCHMIDT Princesse Mi Sophie HAUDEBOURG Comtesse de Lichtenfels Suzy BONET Laure Isabelle MONPERT Prince Sou-Chong Gilles RAGON Gustave de Pottenstein Jacques DUPARC Prince Tchang Patrick VILET LEunuque Jean-Claude CALON Lichtenfels Ludovic CROMBÉ Le Général Alain CHARLES Fou-Li Olivier DUBOIS Un serviteur Serge MIONE Conseiller artistique Raymond DUFFAUT ORCHESTRE LYRIQUE DE REGION AVIGNON-PROVENCE CHŒUR DE LOPÉRA-THÉÂTRE D'AVIGNON ET DES PAYS DE VAUCLUSE Direction : Stefano Visconti BALLET DE LOPÉRA-THÉÂTRE D'AVIGNON ET DES PAYS DE VAUCLUSE Direction : Eric Bélaud Directeur de la Scène et des Services Techniques Patrick RICHALET Directeur de Production Philippe TURCHI Régisseur Général Patrice BLANCKE Régisseurs de Scène Nathalie BRUNO - Michele SORO Chef Costumière Marie ROUSSEAU Coiffeuse-Perruquière Christiane BRUNO Maquilleuse Laurence LABROUSSE Les perruques sont fournies par la Maison Buteux IRouenl et les chaussures par la Maison Pompeï iParisj. -
La-Traviata-Extract.Pdf
OVERTURE OPERA GUIDES in association with We are delighted to have the opportunity to work with Overture Publishing on this series of opera guides and to build on the work English National Opera did over twenty years ago with the Calder Opera Guide Series. As well as reworking and updating existing titles, Overture and ENO have commissioned new titles for the series and all of the guides will be published to coincide with the repertory being staged by the company. We hope that these guides will prove an invaluable resource now and for years to come, and that by delving deeper into the history of an opera, the libretto and the nuances of the score, readers’ understanding and appreciation of the opera and the art form in general will be enhanced. Daniel Kramer Artistic Director, ENO The publisher John Calder began the Opera Guides series under the editorship of the late Nicholas John in association with English National Opera in 1980. It ran until 1994 and eventually included forty-eight titles, covering fifty-eight operas. The books in the series were intended to be companions to the works that make up the core of the operatic repertory. They contained articles, illustrations, musical examples and a complete libretto and singing translation of each opera in the series, as well as bibliographies and discographies. The aim of the present relaunched series is to make available again the guides already published in a redesigned format with new illustrations, revised and newly commissioned articles, updated reference sections and a literal translation of the libretto that will enable the reader to get closer to the meaning of the original. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Portrait of Caterina Cornaro (1454 –1510) Dressed As St Catherine of Alexandria C.1542 (Oil on Canvas) by Titian (C.1588 –1576)
ORC48 Box cover and CD faces : Portrait of Caterina Cornaro (1454 –1510) dressed as St Catherine of Alexandria c.1542 (oil on canvas) by Titian (c.1588 –1576). Galleria degli Uffizi, Florence, Italy/ The Bridgeman Art Library Book cover : Caterina Cornaro by Hans Makart (1840 –1884). © Belvedere, Vienna Opposite : Gaetano Donizetti (Opera Rara Archive) –1– Gaetano Donizetti CATERINA CORNARO Tragedia lirica in a prologue and two acts Libretto by Giacomo Sacchèro Caterina Cornaro............................................................Carmen Giannattasio Andrea Cornaro, Caterina’s father ..........................................Graeme Broadbent Gerardo, a young Frenchman ( in the prologue bethrothed to Caterina ).....................................................................Colin Lee Lusignano, King of Cyprus ..................................................................Troy Cook Mocenigo, a counsellor of the Dieci in Venice and Venetian ambassador in Cyprus .................................................................Vuyani Mlinde Strozzi, a leader of mercenary cut-throats ...............................................Loïc Félix A Knight of the King...........................................................................Loïc Félix Matilde, Caterina’s confidante .........................................................Sophie Bevan Knights, Ladies, Gondoliers, Populace, Soldiers, Cut-throat ruffians, Guards BBC Singers Renato Balsadonna, chorus director BBC Symphony Orchestra Stephen Bryant, leader David Parry, conductor -
Music Catalogue 2021
SUMMARY ELECTRONIC MUSIC p.04 CONTEMPORARY DANCE p.06 JAZZ p.12 OPERA p.14 CLASSICAL p.25 MUSIC DOCUMENTARY p.37 WORLD MUSIC p.40 4K CONCERTS p.42 3 4 The Sonar Festival ZSAMM ISAAC DELUSION LENGTH: LENGTH: 50’ 53’ DIRECTOR: DIRECTOR: SÉBASTIEN BERGÉ ERIC MICHAUD PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCER: COPRODUCER: ARTE France M_Media COPYRIGHT: COPYRIGHT: 2018 2018 Live concert Live concert ARTIST NATIONALITY: ARTIST NATIONALITY: Slovenia, Austria France 27.10.22 07.09.22 Watch the video Watch the video 5 6 Contemporary dance MONUMENTS IN MOTION MONUMENTS IN MOTION SCREWS AND STONES I REMEMBER SAYING GOODBYE LENGTH: LENGTH: 11’ 11’ DIRECTOR: DIRECTOR: GAËTAN CHATAIGNER TOMMY PASCAL PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCERS: COPRODUCERS: Centre des mouve- Centre des mouve- ments nationaux ments nationaux COPYRIGHT: COPYRIGHT: 2020 2019 LANGUAGE AVAILABLE: LANGUAGE AVAILABLE: Live concert Live concert 18.02.29 11.06.24 Watch the video Watch the video Choreography by Alexander Vantournhout Choreography by Christian and François Ben Aïm From the SCREWS performance At the Sainte Chapelle at La Conciergerie de Paris. Performers: Music : Nils Frahm Christien Ben Aïm Dancers : Josse De Broeck, Petra Steindl, Emmi François Ben Aïm Väisänen, Hendrik Van Maele, Alexander Vantournhout, Louis Gillard Felix Zech Piers Faccini (musician) 7 Contemporary dance MONUMENTS IN MOTION 3X10’ SCENA MADRE* LENGTH: LENGTH: 3x10’ 63’ DIRECTOR: DIRECTOR: YOANN GAREL, JULIA GAT, GAËTAN CHATAIGNER THOMAS -
St Petersburg Philharmonic Orchestra St Petersburg on 2 Cds Philharmonic Signumclassics Orchestra
St Petersburg Philharmonic Orchestra St Petersburg on 2 CDs Philharmonic SIGNUMCLASSICS Orchestra VERDI Requiem Yuri Temirkanov Carmen Giannattasio Veronica Simeoni Alexander Timchenko Carlo Colombara www.signumrecords.com Mikhailovsky Available through record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 Theatre Chorus ' VERDI Requiem VERDI Requiem Giuseppe Verdi (1813-1901) CD 1 1 No.1 Requiem 8.39 By the time Verdi came to compose Aïda in he did not quite follow Rossini’s example of 2 No.2 (i) Dies Irae 2.15 1870, it seemed as if his time as a composer laying down his pen for the latter part of his 3 (ii) Tuba Mirum 3.25 was nearing its end. With some 23 operas to adult life. 4 (iii) Liber scriptus 5.34 his name, he was the grand old man of the 5 (iv) Quid sum miser 3.45 6 (v) Rex tremendae 3.54 genre in Italy and was revered throughout his The death of the poet and novelist Alessandro 7 (vi) Recordare 4.27 homeland and much of the rest of Europe as Manzoni in 1873 spurred Verdi immediately 8 (vii) Ingemisco 3.47 one of the most important musical figures of back into compositional action. He proposed 9 (viii) Confutatis 5.20 the age. His first great operatic success story to the Mayor of Milan, via his publisher bl (ix) Lacrymosa 6.02 Total timings 47.10 was Nabucco, which had catapulted him to Ricordi, that he would like to compose a instant fame as a young man, 30 years before requiem for the great man to commemorate CD 2 1 No.3 Offertorio 4.38 Aïda and, after the incredible trio of Rigoletto, the first anniversary of his death. -
Il Reste Quelques Places Disponibles…. Depêchez-Vous……
DEPLACEMENTS DU CERCLE LYRIQUE DE METZ Saison 2017-2018 Notre programme de déplacement vers d’autres scènes lyriques se poursuit. Notre prochaine date : Le dimanche 4 février à 15h pour Carmen de G. Bizet à Depuis 1979 Opéra – Théâtre – Danse l’Opéra Royal de Wallonie. IL RESTE QUELQUES PLACES DISPONIBLES…. DEPÊCHEZ-VOUS……. Le prix des places en 1ère Catégorie - qui tient compte de la diminution « tarif N° 45 Janvier 2018 Le Petit Lyricophile groupe »- inclut le prix du voyage en car confortable, une présentation de l’œuvre au cours du voyage et, au retour, une collation avec champagne. Cher(e)s Ami(e)s de l’Opéra, du Théâtre et de la Danse, Pour Carmen, la date correspond à la seconde représentation d’Eugen Oneguin Le Conseil d’Administration, le Bureau et moi-même souhaitons à le dimanche 4 FéVier à 15H. Vous pouVez – si Vous Vous y prenez à l’aVance – contacter M.Huppert à la Billetterie de l’OTMM et changer Vos places. tous nos Membres ainsi qu’à ceux qui suivent nos activités une : Nous vous invitons au Cours de Cette année à Opéra Royal de Wallonie : CARMEN LE 4 FéVrier 2018 À 15H partiCiper à nos activités : animations autour des œuvres à l’OTMM ainsi qu’à l’Arsenal, nos Cafés Déplacement de Prestige dans une grande maison d’Opéra Lyriques, nos déplacements, nos repas Conviviaux Une présentation de l’œuvre sera faite au cours du voyage + vidéo ainsi que nos rencontres avec les artistes lyriques de passage à Metz. Chef d’Orchestre : Pierre Dumoussaud Metteur en Scène : Henning Brockhaus Carmen : Nino Surguladze Don José : Marc Laho Vous trouverez à l’intérieur de Ces pages toutes les informations Micaela : Silvia Della Benetta Escamillo : Lionel Lhote concernant les aCtivités de notre association dans les divers lieux culturels. -
High-Fidelity-1955-D
br t /i, r,r, A DVORAK DISCOGRAPHY by Harold C. Schonberg 1 the mAC,Azine fort music listeneQs OecemBEa www.americanradiohistory.com how to select the best suited to your needs Standard Plastic -Base Audiotape meets strength and immunity to temperature all the requirements of the professional and humidity. Like all "Mylar" Audio - RELATIVE STRENGTH OF TAPE or home recordist to excellent advantage, tape, it will not dry out or embrittle BASE MATERIALS (at 75° F) providing unsurpassed recording quality with age. at minimum cost. It has consistently set II 50% Humidity the highest performance standards in Super -Thin Audiotape, on 1/2 -mil 90% Humidity radio stations, sound studios and record "Mylar," doubles the footage obtainable manufacturing companies throughout the on a standard reel. Its use, however, is where Yield Strength Breaking Strength world. The standard 11 /2 -mil cellulose limited to special applications acetate base has ample strength for greatly increased playing time justifies trouble -free operation under all normal a sacrifice of mechanical strength and some increase in print- through. ME" operating conditions. AUDIOTAPE, STANDARD PLASTIC BASE of the base material, there LR Audiotape offers two important ad- Regardless 4.2 lb. 7.6 lb. is only one Audiotape quality -the fin- vantages which, for many applications, 4.1 Ib. 7.6 Ib. more than outweigh the slight addi- est obtainable. All tapes are precision LR AUDIOTAPE, 1-MIL "MYLAR" tional cost per foot. First, it gives 50% coated with the same carefully formu- oxide and meet the same exacting more uninterrupted playing time on a lated 6.3 Ib. -
Performer Biographies
TOSCA Performer Biographies Making both her San Francisco Opera and role debuts as Tosca, soprano Carmen Giannattasio first received international notice after a first-place win at the 2002 Operalia competition in Paris, followed in 2007 by a tour-de-force performance as Violetta in Scottish Opera’s production of La Traviata. As equally comfortable in bel canto as she is in Verdi and Puccini, she has distinguished herself in the title role of Norma at Munich’s Bavarian State Opera, Violetta at the Metropolitan Opera, Mimì in La Bohème at the Deutsche Oper Berlin, Alice Ford in Falstaff at Teatro alla Scala and Vienna State Opera, Leonora in Il Trovatore at Vienna State Opera, and Nedda in Pagliacci at Dresden’s Semperoper and the Royal Opera House, Covent Garden, among other roles. Upcoming engagements include Hélène in Les Vêpres Siciliennes at the Bavarian State Opera, Margherita in Mefistofele at the Bavarian State Opera and Chorégies d'Orange, and Amalia in I Masnadieri at the Opéra de Monte-Carlo. Tenor Brian Jagde (Mario Cavaradossi) made his San Francisco Opera debut in 2010 as Joe in La Fanciulla del West and most recently returned to the Company as Calaf in Turandot, Radames in Aida, Don José in Carmen, and Pinkerton in Madama Butterfly. Last season, Jagde made role debuts as Maurizio in Adriana Lecouvreur at the Royal Opera House, Covent Garden and Froh in Das Rheingold in his first appearance with the New York Philharmonic. He also performed as Pinkerton in a house debut at Washington National Opera, and he sang for the first time at Madrid’s Teatro Real as Macduff in Macbeth and at Oper Stuttgart as Cavaradossi.