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Studi Proses Pembuatan Calung Banyumasan Di Papringan Banyumas

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Studi Proses Pembuatan Calung Banyumasan Di Papringan Banyumas STUDI PROSES PEMBUATAN CALUNG BANYUMASAN DI PAPRINGAN BANYUMAS SKRIPSI Diajukan kepada Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta untuk Memenuhi Sebagian Persyaratan guna Memperoleh Gelar Sarjana Pendidikan Oleh Sudiawan NIM 08208244026 JURUSAN PENDIDIKAN SENI MUSIK FAKULTAS BAHASA DAN SENI UNIVERSITAS NEGERI YOGYAKARTA APRIL 2015 MOTTO TEPAT WAKTU DI WAKTU YANG TEPAT v PERSEMBAHAN Dengan rasa hormat, penulis persembahkan Tugas Akhir Skripsi ini kepada yang tercinta Bapak Karsidi dan Mama Sani (Almh) atas semua kepercayaan, perhatian, cinta, doa serta kasih sayang tulus tanpa pamrih yang diberikan. vi KATA PENGANTAR Alhamdulillah, segala puji dan syukur dipanjatkan ke hadirat Allah SWT, atas segala rahmat serta karuniaNya, cita dan cinta yang hakiki pada akhirnya penulis dapat menyelesaikan tugas akhir untuk memperoleh gelar Sarjana Pendidikan (S.Pd) di Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta. Shalawat dan salam senantiasa tercurahkan kepada sang revolusioner sejati, pembawa cahaya bagi umat manusia junjungan kita Nabi Muhammad SAW. Sebagai sebuah skripsi tentunya ini bukanlah apa-apa. Akan tetapi berangkat dari semua keterbatasan itulah penulis mencoba belajar dan terus belajar menjadi yang terbaik. Walaupun hanya berupa karya sederhana penulis berharap apa yang tertuang di dalamnya dapat bermanfaat serta menjadi konstribusi positif terhadap khasanah keilmuan khususnya dalam bidang seni musik. Lahirnya karya ilmiah sederhana ini tentu tidak terlepas dari bantuan dan dukungan dari berbagai pihak sehingga dapat selesai. Untuk itu, ucapan terima kasih penulis sampaikan kepada : 1. Drs. Pujiwiyana, M.Pd., selaku Pembimbing I yang telah berkenan memberikan bimbingan yang progresif dan konstruktif kepada penulis dalam menyelesaikan penulisan skripsi; 2. Tumbur Silaen, S.Mus., M.Hum., selaku Pembimbing II yang berkenan membimbing penulis dengan baik; 3. Bapak Hadi Sumarto Sukendar selaku nara sumber berkenan berdiskusi dan berbagi informasi dengan penulis guna menyelesaikan TAS sebagai syarat memperoleh gelar sarjana; 4. Teman-teman Jurusan Pendidikan Seni Musik angkatan 2008; dan 5. Semua pihak yang tidak dapat disebutkan satu persatu, yang telah memberikan motivasi dan dukungan luar biasa disertai doa yang tulus. Sudiawan vii DAFTAR ISI JUDUL ............................................................................................................. i PERSETUJUAN ............................................................................................... ii PENGESAHAN ................................................................................................ iii PERNYATAAN ................................................................................................ iv MOTTO ............................................................................................................ v PERSEMBAHAN ............................................................................................. vi KATA PENGANTAR ...................................................................................... vii DAFTAR ISI ..................................................................................................... ix DAFTAR TABEL ............................................................................................ xii DAFTAR GAMBAR ........................................................................................ xiii ABSTRAK ........................................................................................................ xvi BAB I : PENDAHULUAN ........................................................................... 1 A. Latar Belakang Peneltian ............................................................ 1 B. Fokus Penelitian ......................................................................... 6 C. Tujuan Penelitian ........................................................................ 6 D. Manfaat Penelitian ...................................................................... 6 BAB II : KAJIAN TEORI ............................................................................. 8 A. Deskripsi Teori ........................................................................... 8 1. Organologi dan Klasifikasi Alat Musik ............................... 8 2. Calung ................................................................................. 9 a. Calung Rantay .............................................................. 10 b. Calung Jinjing .............................................................. 11 c. Calung Banyumasan ..................................................... 11 1) Gambang Barung ................................................... 15 2) Gambang Penerus .................................................. 16 3) Slenthem ................................................................ 16 4) Kenong .................................................................. 17 5) Gong ...................................................................... 17 3. Bagian-bagian Calung Banyumasan ................................... 18 a. Wilahan atau Bilah Bambu .......................................... 19 b. Bumbungan ................................................................... 20 c. Godhongan ................................................................... 20 d. Jalur ............................................................................. 21 e. Kowekan ....................................................................... 21 f. Lambe atau Bibir Godhongan ...................................... 22 ix g. Lubang Godhongan ...................................................... 22 4. Penggunaan alat ................................................................... 23 a. Gergaji Potong .............................................................. 23 b. Gergaji Cedet ................................................................ 23 c. Bendo ........................................................................... 24 d. Lading Kecil ................................................................. 24 e. Lading Sedang .............................................................. 25 f. Bor Listrik .................................................................... 25 g. Tali atau Tambang ......................................................... 26 h. Meteran ......................................................................... 27 i. Penggaris Siku .............................................................. 27 j. Amplas ......................................................................... 28 k. Mesin Planner ............................................................... 29 l. Tatah Kecil ................................................................... 29 m. Tatah Besar ................................................................... 30 n. Palu ............................................................................... 30 o. Tabuh ............................................................................ 31 p. Vernis ........................................................................... 31 q. Kuas .............................................................................. 32 B. Penelitian yang Relevan ............................................................. 32 C. Pertanyaan Penelitian ................................................................. 34 BAB III : METODE PENELITIAN ............................................................... 35 A. Metode Penelitian ....................................................................... 35 B. Tempat dan Waktu Penelitian .................................................... 35 C. Tahap Penelitian ......................................................................... 35 1. Tahap Pra Lapangan ............................................................ 36 2. Tahap Lapangan .................................................................. 36 3. Tahap Pasca Lapangan ........................................................ 36 D. Data Penelitian ............................................................................ 36 E. Sumber Data ............................................................................... 37 1. Sumber Primer ..................................................................... 37 2. Sumber Sekunder ................................................................ 37 F. Tehnik Pengumpulan Data ......................................................... 38 1. Studi Kepustakaan ............................................................... 38 2. Observasi ............................................................................. 38 3. Wawancara .......................................................................... 39 4. Dokumentasi ........................................................................ 40 G. Instrumen Penelitian ................................................................... 40 H. Tehnik Penelitian Kehandalan dan Keabsahan Data .................. 40 1. Ketekunan Pengamatan ....................................................... 41 2. Triangulasi ........................................................................... 41 I. Analisis Data .............................................................................. 42 1. Data Reduction .................................................................... 42 2. Data Display ........................................................................ 43 3. Verification .......................................................................... 43 x BAB IV : PROSES PEMBUATAN
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