V. Braginsky Hikayat Hang Tuah; Malay Epic and Muslim Mirror; Some Considerations on Its Date, Meaning and Structure
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Representation of Pluralism in Literary History from Riau Island, Indonesia
Athens Journal of Philology - Volume 6, Issue 2 – Pages 83-104 Representation of Pluralism in Literary History from Riau Island, Indonesia By Mu᾽jizah One kind of the genre in literature is literary history, often called historiography traditional. In 17th--19th century this type of work was commonly found in the Riau Island manuscripts, especially in Pulau Penyengat. This area in ancient times became a scriptorium of Malay manuscripts. Several authors and scribes’ works, such as Raja Haji, Raja Ali Haji, Raja Ibrahim, and Salamah Binti Ambar and a descendant of Encik Ismail bin Datuk Karkun, were found in the region. Their works among others are Tuhafat An-Nafis, Silsilah Melayu, dan Bugis, and Hikayat Negeri Johor. In Indonesia, the manuscripts are kept in the National Library of Indonesia in Jakarta and Indrasakti Foundation in Riau Island. Some manuscripts among others were found in the Leiden University Library and KITLV Library in Netherlands. The historiography is useful to explore the source of historical knowledge, especially in search for understanding the process in the formation of Malay ethnic group with plural identities in Indonesia. The aim is to find representation of pluralism in the past Malay literary history which has contributed and strengthened nationalism. In the study we use qualititative research and descriptive methods of analysis. The research has found that the Malay ethnic group in Indonesia derived from various ethnic groups that integrated and became a nation with pluralities. According to the myth, the Malay ethnic group came from the unity between the upper-world or the angelic world and the under-world depicted as the marriage between Putri Junjung Buih and a human being. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First Permalink https://escholarship.org/uc/item/61q8p086 Author Reilly, Brandon Joseph Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Brandon Joseph Reilly 2013 © Copyright by Brandon Joseph Reilly 2013 ABSTRACT OF THE DISSERTATION Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First by Brandon Joseph Reilly Doctor of Philosophy in History University of California, Los Angeles, 2012 Professor Michael Salman, Chair My dissertation, “Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First,” examines the study and uses of oral epics in the Philippines from the late 1500s to the present. State institutions and cultural activists uphold epics linked to the pre-colonial era as the most culturally authentic, ancient, and distinctive form of Filipino literature. These “epics” originated as oral traditions performed by culturally diverse groups. Before they could be read, they had to be written down and translated into, first, the colonial language of Spanish, and later, the national languages of English and Filipino. Beginning from the earliest Spanish colonial times, I examine the longer history of writing about, describing, summarizing, and beginning in the late nineteenth century, transcribing the diverse sorts of oral narratives that only in the twentieth century came to be called epics. -
And Bugis) in the Riau Islands
ISSN 0219-3213 2018 no. 12 Trends in Southeast Asia LIVING ON THE EDGE: BEING MALAY (AND BUGIS) IN THE RIAU ISLANDS ANDREW M. CARRUTHERS TRS12/18s ISBN 978-981-4818-61-2 30 Heng Mui Keng Terrace Singapore 119614 http://bookshop.iseas.edu.sg 9 789814 818612 Trends in Southeast Asia 18-J04027 01 Trends_2018-12.indd 1 19/6/18 8:05 AM The ISEAS – Yusof Ishak Institute (formerly Institute of Southeast Asian Studies) is an autonomous organization established in 1968. It is a regional centre dedicated to the study of socio-political, security, and economic trends and developments in Southeast Asia and its wider geostrategic and economic environment. The Institute’s research programmes are grouped under Regional Economic Studies (RES), Regional Strategic and Political Studies (RSPS), and Regional Social and Cultural Studies (RSCS). The Institute is also home to the ASEAN Studies Centre (ASC), the Nalanda-Sriwijaya Centre (NSC) and the Singapore APEC Study Centre. ISEAS Publishing, an established academic press, has issued more than 2,000 books and journals. It is the largest scholarly publisher of research about Southeast Asia from within the region. ISEAS Publishing works with many other academic and trade publishers and distributors to disseminate important research and analyses from and about Southeast Asia to the rest of the world. 18-J04027 01 Trends_2018-12.indd 2 19/6/18 8:05 AM 2018 no. 12 Trends in Southeast Asia LIVING ON THE EDGE: BEING MALAY (AND BUGIS) IN THE RIAU ISLANDS ANDREW M. CARRUTHERS 18-J04027 01 Trends_2018-12.indd 3 19/6/18 8:05 AM Published by: ISEAS Publishing 30 Heng Mui Keng Terrace Singapore 119614 [email protected] http://bookshop.iseas.edu.sg © 2018 ISEAS – Yusof Ishak Institute, Singapore All rights reserved. -
Upin & Ipin: Promoting Malaysian Culture Values Through Animation
Upin & Ipin: Promoting malaysian culture values through animation Dahlan Bin Abdul Ghani Universiti Kuala Lumpur [email protected] Recibido: 20 de enero de 2015 Aceptado: 12 de febrero de 2015 Abstract Malaysian children lately have been exposed or influenced heavily by digital media entertainment. The rise of such entertainment tends to drive them away from understanding and appreciating the values of Malaysian culture. Upin and Ipin animation has successfully promoted Malaysian folklore culture and has significantly portrayed the art of Malaysian values including Islamic values by providing the platform for harmonious relationship among different societies or groups or religious backgrounds. The focus of this research is to look into the usage of Malaysian culture iconic visual styles such as backgrounds, lifestyles, character archetypes and narrative (storytelling). Therefore, we hope that this research will benefit the younger generation by highlighting the meaning and importance of implicit Malaysian culture. Key words: Upin and Ipin; animation; narrative; folklore; culture; character archetypes. Upin e Ipin: promoviendo la cultura malasia a través de los valores de la animación Resumen Recientemente los niños en Malasia están siendo fuertemente expuestos cuando no influenciados por los medios masivos de entretenimiento digital. Esto les lleva una falta de comprensión y apreciación de la importancia de los valores de su propia cultura. La serie de animación propia Upin & Ipin ha promovido con éxito las diferentes culturas de Malasia y obtenido valores culturales significativos que representan a su arte, incluyendo el islámico, y proporcionando así una plataforma de relación armónica entre los diferentes grupos que componen la sociedad en Malasia, ya sea civil o religiosa. -
Text and Screen Representations of Puteri Gunung Ledang
‘The legend you thought you knew’: text and screen representations of Puteri Gunung Ledang Mulaika Hijjas Abstract: This article traces the evolution of narratives about the supernatural woman said to live on Gunung Ledang, from oral folk- View metadata, citation and similar papers at core.ac.uk brought to you by CORE lore to sixteenth-century courtly texts to contemporary films. In provided by SOAS Research Online all her instantiations, the figure of Puteri Gunung Ledang can be interpreted in relation to the legitimation of the state, with the folk- lore preserving her most archaic incarnation as a chthonic deity essential to the maintenance of the ruling dynasty. By the time of the Sejarah Melayu and Hikayat Hang Tuah, two of the most impor- tant classical texts of Malay literature, the myth of Puteri Gunung Ledang had been desacralized. Nevertheless, a vestigial sense of her importance to the sultanate of Melaka remains. The first Malaysian film that takes her as its subject, Puteri Gunung Ledang (S. Roomai Noor, 1961), is remarkably faithful to the style and sub- stance of the traditional texts, even as it reworks the political message to suit its own time. The second film, Puteri Gunung Ledang (Saw Teong Hin, 2004), again exemplifies the ideology of its era, depoliticizing the source material even as it purveys Barisan Nasional ideology. Keywords: myth; invention of tradition; Malay literature; Malaysian cinema Author details: Mulaika Hijjas is a British Academy Postdoctoral Fel- low in the Department of South East Asia, SOAS, Thornhaugh Street, Russell Square, London WC1H 0XG, UK. E-mail: [email protected]. -
Indonesia's Transformation and the Stability of Southeast Asia
INDONESIA’S TRANSFORMATION and the Stability of Southeast Asia Angel Rabasa • Peter Chalk Prepared for the United States Air Force Approved for public release; distribution unlimited ProjectR AIR FORCE The research reported here was sponsored by the United States Air Force under Contract F49642-01-C-0003. Further information may be obtained from the Strategic Planning Division, Directorate of Plans, Hq USAF. Library of Congress Cataloging-in-Publication Data Rabasa, Angel. Indonesia’s transformation and the stability of Southeast Asia / Angel Rabasa, Peter Chalk. p. cm. Includes bibliographical references. “MR-1344.” ISBN 0-8330-3006-X 1. National security—Indonesia. 2. Indonesia—Strategic aspects. 3. Indonesia— Politics and government—1998– 4. Asia, Southeastern—Strategic aspects. 5. National security—Asia, Southeastern. I. Chalk, Peter. II. Title. UA853.I5 R33 2001 959.804—dc21 2001031904 Cover Photograph: Moslem Indonesians shout “Allahu Akbar” (God is Great) as they demonstrate in front of the National Commission of Human Rights in Jakarta, 10 January 2000. Courtesy of AGENCE FRANCE-PRESSE (AFP) PHOTO/Dimas. RAND is a nonprofit institution that helps improve policy and decisionmaking through research and analysis. RAND® is a registered trademark. RAND’s publications do not necessarily reflect the opinions or policies of its research sponsors. Cover design by Maritta Tapanainen © Copyright 2001 RAND All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, -
International Seminar for UNESCO Integral Study of the Silk Roads: Roads of Dialogue: “Manila As an Entrepot in the Trans-Pacific Commerce”
International Seminar for UNESCO Integral Study of the Silk Roads: Roads of Dialogue: “Manila as an entrepot in the trans-pacific commerce”. 5-6, February, 1991. Manila, The Philippines. Twentieth Century Trengganu: The Royal Birth-Marks of the Melakan Empire Shaharil Talib The picture-book Trengganu Sultanate facing the South China Sea experienced overwhelming change in the last quarter of the twentieth century. Its leap into the global industrial economy was spectacular with the discovery of off-shore oil and gas in the 1970s. Massive infra-structure building in recent decades linked this flood-prone Sultanate of 14 river systems with major ports, commercial and administrative centres of east and west coast Peninsular Malaysia. Equally important advances were made in the agriculture sector. Although production capital arrived in the late nineteenth century1, in 1964 only 20,000 acres were committed to plantation agriculture. Ten years later it grew phenomenally to bring under cultivation a further 210,000 acres and this expansion continued to spiral in the next decade, spearheaded by the massive Trengganu Tengah Development Scheme.2 Standing back from these breath-taking changes, there is yet another unheralded discovery that awaits announcement to the world. The twentieth century Sultanate of Trengganu is the successor of the grand traditions of 15th century Melaka. The cultural heritage of the Melakan trading diaspora never floundered in the marsh-lands of Johor as was made out by leading colonial scholars such as Sir R.O. Winstedt. Indeed, it was only five years ago that an unknown Trengganu Tuhfat al-Nafis (The Precious Gift) manuscript surfaced, which dramatically altered previous interpretations of Malaysian history.3 The discovery of the manuscript placed the Sultanate of Trengganu as the successor of Melaka - the 15th century emporia of the silk route in scholar’s attention to the regal traditions of twentieth century Trengganu Sultanate, which distinctly bore the four hundred year-old Royal birth-marks of Melaka. -
Jurnal Melayu Jilid 11 Disember 2013 ISSN 1675-7513 99 SIMBOL
Jurnal Melayu Jilid 11 99 Disember 2013 SIMBOL KEBESARAN DAULAT, MAHKOTA DAN KERIS DALAM HIKAYAT HANG TUAH TENGKU INTAN MARLINA TENGKU MOHD ALI Universiti Malaya [email protected] SALINAH JA’AFAR Universiti Malaya [email protected] ABSTRAK Kesultanan Melayu merupakan satu identiti penting bagi masyarakat Melayu tradisional. Taat dan setia kepada raja sudah bertapak kukuh dalam jiwa dan kehidupan seharian mereka. Persepsi kesetiaan masyarakat Melayu tradisional terhadap raja atau sultan jelas dapat dilihat dalam karya-karya sastera tradisional seperti Hikayat Hang Tuah, Sejarah Melayu, dan lain-lain . Kebanyakan epik atau hikayat menceritakan tentang kebesaran sultan atau raja dan kesetiaan rakyat terhadap raja-raja Melayu. Walaupun terdapat gambaran berkenaan ketidakadilan yang dilakukan oleh raja-raja Melayu, persepsi ketuanan raja dalam masyarakat Melayu tidak dapat dipisahkan daripada amalan kehidupan mereka. Kajian ini berfokus kepada analisis simbol daulat, mahkota dan keris yang dilihat dapat menjadi ikon, simbol dan indeks bagi masyarakat Melayu tradisional dalam persepsi mereka melihat dan berkhidmat kepada raja yang menjadi ketua pentadbiran dan ketua agama yang terkandung dalam teks Hikayat Hang Tuah. Kata Kunci: Kesultanan Melayu; kebesaran sultan; simbol; Hikayat Hang Tuah; identiti SOVEREIGN SYMBOLS OF DAULAT, MAHKOTA AND KERIS IN HIKAYAT HANG TUAH ABSTRACT Malay Sultanate is an important identity for the Malay traditional community. Obedient and loyal to the king is a must in their daily life. The perception of Malay traditional community loyalty towards their king or sultan can be seen in such of works of literature in the form of an epic like Hikayat Hang Tuah, Sejarah Melayu, and others. Most of the epics or hikayats elaborate more on the throne and the devotion of the people to the Malay rulers. -
Re-Writing Malay History and Identity in Faisal Tehrani╎s Novel 1515
Kunapipi Volume 32 Issue 1 Article 9 2010 The empire strikes back: Re-Writing malay history and identity in Faisal Tehrani’s novel 1515 MD. Salleh Yaapar Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Yaapar, MD. Salleh, The empire strikes back: Re-Writing malay history and identity in Faisal Tehrani’s novel 1515, Kunapipi, 32(1), 2010. Available at:https://ro.uow.edu.au/kunapipi/vol32/iss1/9 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The empire strikes back: Re-Writing malay history and identity in Faisal Tehrani’s novel 1515 Abstract Published in 2003, 1515 by Faisal Tehrani is a unique text within contemporary Malay literature. Among recent novels in Malaysia it is one of the most difficulteadings, r but probably the most refreshing and rewarding one. Perhaps it is also one of the most multifaceted narratives, with elements of romance, adventure, history, legend, postcolonial discourse, postmodernism, socio-political criticism, feminism, and even fantasy. Consequently, the novel also lends itself to various ways of reading: from the perspective of postcolonial, postmodern, socio-political, and feminist theories, or a blending of all of them. Although the novel appears to be postmodern and unique, it in fact is connected not only to postmodernism and magic realism (as associated with Carlos Fuentes and Gabriel Garcia Marquez), but perhaps more importantly it draws on a long established tradition of Malay folk literature, specifically the folk omancer known as cerita penglipur lara (tales of soother of cares). -
Swish of the Kris: the Story of the Moros by Vic Hurley
Swish Of The Kris: The Story Of The Moros By Vic Hurley Original publication © 1936 E. P. Dutton & Co., Inc. Filipiniana Reprint Series © 1985 Cacho Hermanos, Inc. This publication (HTML format & original artwork) © 1997 Bakbakan International http://www.bakbakan.com/swishkb.html ÿThe kris may be of any length and two or three inches wide. All of the knives, no matter what shape, are encased in wooden scabbards, and have a keenness of edge equaling that of a Damascus blade.þ Major O. J. Sweet 22nd Infantry U.S. Army This book is part of a selection of rare Filipiniana books which have long been out of print and are no longer available. Through the admirable efforts of concerned groups such as the Filipiniana Book Guild, the Historical Conservation Society, Cacho Hermanos and the Eugenio Lopez Foundation, more Filipiniana materials have been reprinted and made available to the general public. These rare books, selected by Professor Renato Constantino, form part of the Filipiniana Reprint Series published by Cacho Hermanos. "It is to be expected that American author Vic Hurley would regard Muslim leaders and resistance groups as bandits and terrorists. But if we read his graphic accounts of Muslim resistance from the people's point of view, we will see these battles for what they really were -- a determined heroic defense by the Muslim of the integrity of their societies. "And despite the colonialist bias, there is in the author's accounts a grudging acknowledgement of the fighting prowess of the Filipino Muslims." -- Renato Constantino, 1985 Due to the many requests for copies of the reprinted book which, ironically, have become as rare as the original, Bakbakan International has undertaken to publish the complete manuscript on the Internet so that we may be able to share with many this priceless record of our history. -
Hikayat Hang Tuah: Malay Epic and Muslim Mirror
V.I. BRAGINSKY HIKAYAT HANG TUAH: MALAY EPIC AND MUSLIM MIRROR SOME CONSIDERATIONS ON ITS DATE, MEANING AND STRUCTURE Hikayat Hang Tuah (the epic of Hang Tuah), one of the pinnacles of Malay classica1 literature, described as early as the eighteenth century by F. Valentijn as a 'very rare gem', still remains a largely mysterious work which allows of opposed interpretations.1 The study of Hikayat Hang Tuah as a work of literature and, hence, as a research object of the science of literature, was launched by A. Teeuw in articles which described the system of its characters in their quite complex interrelationships. More importantly, perhaps, Teeuw has indicated ways of studying this hikayat as a work which, though heterogeneous in terms of its components, pos- . sesses a single structure and meaning based on a fundamental conception in medieval Malay culture of the relationship between the ruler and his subjects that is favourable for the state (see Teeuw 1960; 1961; 1964). While supporting Teeuw's main ideas, the present author hopes to develop these somewhat further and, perhaps, to add to them some ideas of his own. So far the problem of dating Hikayat Hang Tuah remains unsolved. In a series of interesting articles on this hikayat, B.B. Parnickel asserts that the romance acquired its present shape in the sultanate of Johor, during the 'golden thirty years' of its history (1 640- 1670s), so that its account of the valour displayed by Laksamana Hang Tuah might have redounded to the glory of his very distant successor in that function, Laksamana Abd al-Jamil, the most powerful courtier in Johor at that time (Parnickel 1962:148-9). -
Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings
Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings TAJUK PERKARA MALAYSIA: PERLUASAN LIBRARY OF CONGRESS SUBJECT HEADINGS EDISI KEDUA TAJUK PERKARA MALAYSIA: PERLUASAN LIBRARY OF CONGRESS SUBJECT HEADINGS EDISI KEDUA Perpustakaan Negara Malaysia Kuala Lumpur 2020 © Perpustakaan Negara Malaysia 2020 Hak cipta terpelihara. Tiada bahagian terbitan ini boleh diterbitkan semula atau ditukar dalam apa jua bentuk dan dengan apa jua sama ada elektronik, mekanikal, fotokopi, rakaman dan sebagainya sebelum mendapat kebenaran bertulis daripada Ketua Pengarah Perpustakaan Negara Malaysia. Diterbitkan oleh: Perpustakaan Negara Malaysia 232, Jalan Tun Razak 50572 Kuala Lumpur Tel: 03-2687 1700 Faks: 03-2694 2490 www.pnm.gov.my www.facebook.com/PerpustakaanNegaraMalaysia blogpnm.pnm.gov.my twitter.com/PNM_sosial Perpustakaan Negara Malaysia Data Pengkatalogan-dalam-Penerbitan TAJUK PERKARA MALAYSIA : PERLUASAN LIBRARY OF CONGRESS SUBJECT HEADINGS. – EDISI KEDUA. Mode of access: Internet eISBN 978-967-931-359-8 1. Subject headings--Malaysia. 2. Subject headings, Malay. 3. Government publications--Malaysia. 4. Electronic books. I. Perpustakaan Negara Malaysia. 025.47 KANDUNGAN Sekapur Sirih Ketua Pengarah Perpustakaan Negara Malaysia i Prakata Pengenalan ii Objektif iii Format iv-v Skop vi-viii Senarai Ahli Jawatankuasa Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings ix Senarai Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings Tajuk Perkara Topikal (Tag 650) 1-152 Tajuk Perkara Geografik (Tag 651) 153-181 Bibliografi 183-188 Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings Sekapur Sirih Ketua Pengarah Perpustakaan Negara Malaysia Syukur Alhamdulillah dipanjatkan dengan penuh kesyukuran kerana dengan izin- Nya Perpustakaan Negara Malaysia telah berjaya menerbitkan buku Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings Edisi Kedua ini.