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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
SOUNDGARDEN Superunknown (Hard Rock)
SOUNDGARDEN Superunknown (Hard Rock) Année de sortie : 1994 Nombre de pistes : 16 Durée : 70' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! Formé à Seattle, SOUNDGARDEN est généralement associé à la mouvance Grunge qui explose en 1991 avec NIRVANA et son album essentiel Nevermind. La musique du groupe emmené par le chanteur Chris CORNELL ne se résume toutefois pas à ce courant. Des similitudes peuvent être constatées, en premier lieu de par l’appartenance des deux formations à cette nouvelle scène de Seattle. Bruce PAVITT, fondateur du label Sub Pop, figure en effet parmi les amis du groupe, ce qui lui permet, avant NIRVANA, de devenir la première formation signée par l’incontournable officine Underground. Ensuite, la musique de SOUNDGARDEN est fréquemment caractérisée par la noirceur et la mélancolie. Cependant, Badmotorfinger, deuxième effort du groupe publié en 1991 par la compagnie nationale A & M, avec laquelle il vient de conclure un contrat avantageux, révèle des influences qui le rattachent davantage au Metal. L’album comporte de nombreuses compositions reposant sur des riffs plombés. Ainsi Jesus Christ Pose rappelle fortement LED ZEPPELIN, et le groupe paie sa dette à BLACK SABBATH sur le titre Slaves & Bulldozers. Après ce disque acclamé par la critique, SOUNDGARDEN connaîtra son apogée avec la sortie en 1994 de Superunknown, qui devient numéro un aux États-Unis avec trois millions d’exemplaires vendus. -
Soundgarden Badmotorfinger Mp3, Flac, Wma
Soundgarden Badmotorfinger mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Badmotorfinger Country: UK & Europe Released: 2016 Style: Alternative Rock, Hard Rock, Grunge MP3 version RAR size: 1567 mb FLAC version RAR size: 1577 mb WMA version RAR size: 1874 mb Rating: 4.5 Votes: 107 Other Formats: MMF DXD RA VOC WMA AU AAC Tracklist Hide Credits 1 Rusty Cage 4:26 2 Outshined 5:11 Slaves And Bulldozers 3 6:56 Music By – Shepherd*, Cornell* Jesus Christ Pose 4 6:51 Music By – Shepherd*, Cornell*, Thayil*, Cameron* Face Pollution 5 2:24 Music By – Shepherd* Somewhere 6 4:21 Music By, Lyrics By – Shepherd* 7 Searching With My Good Eye Closed 6:31 Room A Thousand Years Wide 8 4:06 Lyrics By – Thayil*Music By – Cameron* 9 Mind Riot 4:49 Drawing Flies 10 2:25 Music By – Cameron* 11 Holy Water 5:07 New Damage 12 5:40 Music By – Thayil*, Cameron* Companies, etc. Manufactured By – A&M Records Of Canada Limited Distributed By – PolyGram Distribution Inc. Phonographic Copyright (p) – A&M Records, Inc. Copyright (c) – A&M Records, Inc. Recorded At – Studio D Recorded At – Bear Creek Studios Recorded At – A&M Studios Mixed At – Can-Am Recorders Mastered At – Masterdisk Pressed By – Cinram Credits A&R – Bryan Huttenhower Art Direction – Len Peltier Bass – Ben Shepherd Design – Walberg Design Drums – Matt Cameron Engineer – Terry Date Engineer [Assisted By] – Efren Herrera Guitar – Kim Thayil Illustration [Front Cover] – Mark Dancey Lyrics By – Cornell* (tracks: 1 to 5, 7, 9 to 12) Management – Susan Silver Mastered By – Howie Weinberg Mixed By – Ron St. -
Complaint 12-9-2019
Case 1:19-cv-25045-JEM Document 1 Entered on FLSD Docket 12/09/2019 Page 1 of 24 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA MIAMI DIVISION CASE NO. 1:19cv25045 Vicky Cornell, individually, and in her JURY TRIAL DEMANDED capacity, and as the Personal Representative of the Estate of Christopher John Cornell a/k/a Chris Cornell, Plaintiffs, v. Soundgarden, a purported Washington General Partnership, Kim A. Thayil, Matt D. Cameron, Hunter Benedict Shepherd, Rit Venerus and Cal Financial Group, Inc., Defendants. ______________________________________________/ COMPLAINT Plaintiff, Vicky Cornell, individually and in her capacity as the personal representative of the Estate of Christopher John Cornell (collectively, “Plaintiffs”) through counsel, hereby files the following complaint against the defendants, Soundgarden, Kim Thayil, Matt Cameron, Hunter Benedict Shepherd, Rit Venerus and Cal Financial Group, Inc. (collectively, “Defendants”). I. INTRODUCTION “Everybody out for my blood, everybody want my percent … They just want to take what is mine, how much more can they get.” - Sweet Revenge 1. In 2009, Chris Cornell penned these lyrics about his former Soundgarden bandmates after they unlawfully (and unsuccessfully) attempted to deprive him of his rights in connection with the valuable musical works that he created for the band. Ten years later, and after Chris’ untimely passing, these lyrics hauntingly resonate as his former bandmates, once Case 1:19-cv-25045-JEM Document 1 Entered on FLSD Docket 12/09/2019 Page 2 of 24 again, have attempted to “take what is his” – or, more aptly, to steal from his widow and minor children. This wrongful conduct shockingly started shortly after Chris’ untimely death and ultimately forced his widow, Vicky Cornell, to bring this lawsuit. -
2017 Seminole Football Page 1
2017 SEMINOLE FOOTBALL PAGE 1 2017 SEMINOLE FOOTBALL PAGE 2 2011 Christian Ponder QB Minnesota Vikings 1st (12) Rodney Hudson OL Kansas City Chiefs 2nd (55) Markus White DE Washington Redskins 7th (224) 2012 Nigel Bradham OLB Buffalo Bills 4th (105) Zebrie Sanders OL Buffalo Bills 5th (144) Mike Harris CB Jacksonville Jaguars 6th (176) Andrew Datko OL Green Bay Packers 7th (241) 2013 EJ Manuel QB Buffalo Bills 1st (16) Bjoern Werner DE Indianapolis Colts 1st (24) Xavier Rhodes CB Minnesota Vikings 1st (25) Cornellius Carradine DE San Francisco 49ers 2nd (40) Menelik Watson OT Oakland Raiders 2nd (42) Chris Thompson RB Washington Redskins 5th (154) Brandon Jenkins DE Washington Redskins 5th (162) Dustin Hopkins K Buffalo Bills 6th (177) Nick Moody LB San Francisco 49ers 6th (180) Vince Williams LB Pittsburgh Steelers 6th (206) Everett Dawkins DT Minnesota Vikings 7th (229) 2014 Kelvin Benjamin WR Carolina Panthers 1st (28) Lamarcus Joyner S St. Louis Rams 2nd (41) Timmy Jernigan DT Baltimore Ravens 2nd (48) Terrence Brooks S Baltimore Ravens 3rd (79) Devonta Freeman RB Atlanta Falcons 4th (103) Bryan Stork C New England Patriots 4th (105) Telvin Smith LB Jacksonville Jaguars 5th (144) 2015 Jameis Winston QB Tampa Bay Buccaneers 1st (1) Cameron Erving OL Cleveland Browns 1st (19) Mario Edwards Jr. DE Oakland Raiders 2nd (35) Eddie Goldman DT Chicago Bears 2nd (39) Ronald Darby CB Buffalo Bills 2nd (50) P.J. Williams CB New Orleans Saints 3rd (78) Tre’ Jackson G New England Patriots 4th (111) Rashad Greene WR Jacksonville Jaguars 5th (139) Karlos Williams RB Buffalo Bills 5th (155) Nick O’Leary TE Buffalo Bills 6th (194) Bobby Hart OL New York Giants 7th (226) 2016 Jalen Ramsey DB Jacksonville Jaguars 1st (5) Roberto Aguayo K Tampa Bay Buccaneers 2nd (59) 2017 Dalvin Cook RB Minnesota Vikings 2nd (41) DeMarcus Walker DE Denver Broncos 2nd (51) Roderick Johnson OL Cleveland Browns 5th (160) Marquez White DB Dallas Cowboys 6th (216) 2017 SEMINOLE FOOTBALL PAGE 3 The Florida State football team has made community service a priority. -
Bachelor Thesis
BACHELOR THESIS Perceived Sound Quality of Dynamic Range Reduced and Loudness Normalized Popular Music Jakob Lalér Bachelor of Arts Audio Engineering Luleå University of Technology Department of Business, Administration, Technology and Social Sciences Perceived sound quality of dynamic range reduced and loudness normalized popular music Lalér Jakob Lalér Jakob 1 S0038F ABSTRACT The lack of a standardized method for controlling perceived loudness within the music industry has been a contributory cause to the level increases that emerged in popular music at the beginning of the 1990s. As a consequence, discussions about what constitutes sound quality have been raised. This paper investigates to what extent dynamic range reduction affects perceived sound quality of popular music when loudness normalized in accordance with ITU-R BS. 1770-2. The results show that perceived sound quality was not affected by as much as -9 dB of average gain reduction. Lalér Jakob 2 S0038F TABLE OF CONTENTS ABSTRACT...........................................................................................................................................2 INTRODUCTION...................................................................................................................................4 Aim, Objectives and Limitations............................................................................................................4 Background..........................................................................................................................................4 -
'The Evidence Here Suggests That the Foursome's Unity and Ferocity As A
JAN/FEB 2011 ISSUE MMUSICMAG.COM REVIEWS HOLE SOUNDGARDEN LiveNobody’s on I-5 Daughter [Universal] [A&M] The first album released ARCHIVAL under the Hole moniker since 1998’s Celebrity Skin is really frontwoman Courtney Love’s Whether you’re in a marriage or a band, breaking up is hard to do—and second solo album—co-founder, lots of business gets left unfinished. Grunge powerhouse Soundgarden songwriter and lead guitarist Eric Erlandson isn’t involved, recorded several shows on the West Coast leg of its 1996 tour with nor is any other previous Hole an eye toward compiling its first-ever live album, but when the group member. So it’s Love and three ringers on 11 new songs—10 announced its breakup the following April those plans were abandoned. of which Love wrote with With Soundgarden’s recent reunion, this lost fragment of its history has been collaborators like Billy Corgan, Linda Perry and new guitaristrevived— Micko Larkin.Live (Perryon I-5 gets has full arrived, credit on albeit one tune, 14 years later than expected. Better late than never. By the “Lettertime to God.”) these 17 tracks were captured over the course of six shows in November and December Much of the riveting intensity of the group’s 1990s heyday1996, appears the to band have wasleft alongalready with being her former driven apartDaniel Jackson by pressures both internal and external—but the bandmates,evidence but there here are suggests fl ashes here that of the the foursome’s snarling unity andToo often, ferocity though, as a the performing slower songs unit trip never her up. -
Total Tracks Number: 1108 Total Tracks Length: 76:17:23 Total Tracks Size: 6.7 GB
Total tracks number: 1108 Total tracks length: 76:17:23 Total tracks size: 6.7 GB # Artist Title Length 01 00:00 02 2 Skinnee J's Riot Nrrrd 03:57 03 311 All Mixed Up 03:00 04 311 Amber 03:28 05 311 Beautiful Disaster 04:01 06 311 Come Original 03:42 07 311 Do You Right 04:17 08 311 Don't Stay Home 02:43 09 311 Down 02:52 10 311 Flowing 03:13 11 311 Transistor 03:02 12 311 You Wouldnt Believe 03:40 13 A New Found Glory Hit Or Miss 03:24 14 A Perfect Circle 3 Libras 03:35 15 A Perfect Circle Judith 04:03 16 A Perfect Circle The Hollow 02:55 17 AC/DC Back In Black 04:15 18 AC/DC What Do You Do for Money Honey 03:35 19 Acdc Back In Black 04:14 20 Acdc Highway To Hell 03:27 21 Acdc You Shook Me All Night Long 03:31 22 Adema Giving In 04:34 23 Adema The Way You Like It 03:39 24 Aerosmith Cryin' 05:08 25 Aerosmith Sweet Emotion 05:08 26 Aerosmith Walk This Way 03:39 27 Afi Days Of The Phoenix 03:27 28 Afroman Because I Got High 05:10 29 Alanis Morissette Ironic 03:49 30 Alanis Morissette You Learn 03:55 31 Alanis Morissette You Oughta Know 04:09 32 Alaniss Morrisete Hand In My Pocket 03:41 33 Alice Cooper School's Out 03:30 34 Alice In Chains Again 04:04 35 Alice In Chains Angry Chair 04:47 36 Alice In Chains Don't Follow 04:21 37 Alice In Chains Down In A Hole 05:37 38 Alice In Chains Got Me Wrong 04:11 39 Alice In Chains Grind 04:44 40 Alice In Chains Heaven Beside You 05:27 41 Alice In Chains I Stay Away 04:14 42 Alice In Chains Man In The Box 04:46 43 Alice In Chains No Excuses 04:15 44 Alice In Chains Nutshell 04:19 45 Alice In Chains Over Now 07:03 46 Alice In Chains Rooster 06:15 47 Alice In Chains Sea Of Sorrow 05:49 48 Alice In Chains Them Bones 02:29 49 Alice in Chains Would? 03:28 50 Alice In Chains Would 03:26 51 Alien Ant Farm Movies 03:15 52 Alien Ant Farm Smooth Criminal 03:41 53 American Hifi Flavor Of The Week 03:12 54 Andrew W.K. -
Guitar Riffs Every Guitarists Should Know 50 Guitar Riffs Every Guitarists Should Know
Guitar Riffs Every Guitarists Should Know 50 Guitar Riffs Every Guitarists Should Know “SWEET CHILD O’MINE” - GUNS AND ROSES 3 “CAT SCRATCH FEVER”- TED NUGENT 32 “ALL DAY AND ALL OF THE NIGHT” -THE “CHINA GROVE”- THE DOOBIE 4 33 KINKS BROTHERS “ALL RIGHT NOW” – FREE 5 “COME AS YOU ARE”-NIRVANA 34 “ARE YOU GOING TO GO MY WAY” - LENNY 6 “ELECTRIC EYE”- JUDAS PRIEST 34 KRAVITZ “BORN TO BE WILD” – STEPPENWOLF 7 “COWBOYS FROM HELL”- PANTERA 35 “DON’T FEAR THE REAPER”- BLUE “CRAZY TRAIN” - OZZY OSBOURNE 9 36 OYSTER CULT “DAY TRIPPER” - THE BEATLES 11 “ENTER SANDMAN”-METALLICA 37 “HALLOWED BE THY NAME”- IRON “EYE OF THE TIGER” – SURVIVOR 12 38 MAIDEN “IRON MAN” - BLACK SABBATH 14 “HELLS BELLS”- ACDC 39 “JOHNNY B. GOODE” - CHUCK BERRY 15 “HOLY DIVER”- DIO 40 “JUMPING JACK FLASH”- THE ROLLING “LAYLA” - DEREK AND THE DOMINOS 17 41 STONES “KEEP ON ROCKING IN THE FREE “LOVE ME TWO TIMES” - THE DOORS 18 41 WORLD”-NEIL YOUNG “PRETTY WOMAN” - ROY ORBISON 19 “MONEY FOR NOTHING”- DIRE STRAITS 42 “SATISFACTION” - THE ROLLING STONES 20 “NO QUARTER”- LED ZEPPELIN 43 “SEVEN NATION ARMY” - WHITE STRIPES 21 “REBEL REBEL”- DAVID BOWIE 43 “SMELLS LIKE TEEN SPIRIT” – NIRVANA 22 “PANAMA”- VAN HALEN 44 “ROCK YOU LIKE A HURRICANE”- THE “SUNSHINE OF YOUR LOVE” – CREAM 23 46 SCORPIONS “WALK THIS WAY” - AEROSMITH 24 “SHARP DRESSED MAN”-ZZ TOP 46 “WHOLE LOTTA LOVE” - LED ZEPPELIN 25 “SPOONMAN”- SOUNDGARDEN 47 “YOU SHOOK ME ALL NIGHT LONG” - AC/DC 26 “START ME UP”- THE ROLLING STONES 48 “WOMAN FROM TOKYO”-DEEP PURPLE 28 “SWEAT LEAF”- BLACK SABBATH 49 292 “AMERICAN WOMAN”- THE GUESS WHO “THE OCEAN”- LED ZEPPELIN 49 8 “THE OTHER SIDE”- THE RED HOT CHILI “ACE OF SPADES”- MOTORHEAD 29 50 PEPPERS “UNDER THE BRIDGE”- RED HOT CHILI “BACK N’ BLACK”- ACDC 30 52 PEPPERS “BORN TO RUN”- BRUCE SPRINGSTEEN 31 “WIPEOUT”- THE SURFARIS 54 Jam Play! -2 - 50 Guitar Riffs Every Guitarists Should Know “SWEET CHILD O’MINE”- GUNS AND ROSES This riff is an arpeggio made up of three figures. -
Do You Know Grunge?
Do you know grunge? Debora Ferrara Design for the fashion system Politecnico di Milano x index what is grunge history of grunge generation X Kurt Cobain the king of fashion fashion trends xdo you know what are you wearing? rather be dead than cool rath be dead than cool rather be dead than cool rather be deadwhat thanis grunge? cool rather be dead than cool rather be dead than cool rather be dead than cool rath be dead than cool sound- garden nirvana alice in Grunge is a word that became synonymous with the Seattle sound. It’s a word that was used to describe a number chains of different “alternative” bands from the region in 1980s, and then also into the 1990s with bands like Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Mudhoney and Screaming Trees. The first noted instance of referring to a Seattle band as “grunge,” was in a 1981 letter by Mark Arm, according to Clark Humphrey in his account of the Seattle music scene, Loser. pearl jam Bruce Pavitt later claimed to have popularized the term as a musical label in 1987, when he wrote some promotional copy for Green River, describing the band as “ultra-loose grunge that destroyed the morals of a generation”. In the late 80s, “grunge” did actually define a sound – high levels of distortion, feedback, fuzz effects, a fusion of punk and metal influences. Many of these bands were on either the C/Z or Sub Pop record labels. Jack Endino, the so-called “Godfather of Grunge” recorded Soundgarden, Mudhoney, Green River, Nirvana and Blood Circus between 1984 and 1989. -
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt. -
The Guardian, July 22, 1992
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 7-22-1992 The Guardian, July 22, 1992 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1992). The Guardian, July 22, 1992. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. The Guardian ISSUE NO. 2. VOL. 28 WRIGHT STATE UNIVERSITY WEDNESDAY, JULY 22, 1992 O RECYCLED PAP!!* Oops, watch that turn Students to pay more in the fall By THOMAS J. LUCENTE News Editor Wright State University, for the third time in the last four quarters, has raised tuition. Full-time, undergraduate stu- dents will begin paying $979 per quarter this fall. On July 13, the state Con- trolling Board voted to allow universities to raise their tu- ition as much as 9 percent. The previous cap was 7 percent. Am The cap increase came af- ter Gov. George Voinovich, a graduate of Ohio University and The Ohio State Univer- sity. cut $170.2 million from the budget for higher educa- Paige E. Mulhollan The Falrbom fire department had trouble maneuvering their truck earlier this month, tion. damaging the quad and a trash can. Voinovich, who ran for election as the "education gover- education could be facing an- nor," has now cut the higher educa- other 5 percent in cuts at the end tion budget three times since tak- of the calendar year if no im- INSIDE ing office in January 1991.