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Mary Poppins
Mary Poppins • March 20-25, 2012 • TPAC’s Jackson Hall Matthew Harrison Greer Carlisle Selisa Beeler Renee Chevalier Rita Mitchell Laura Folk Steve Scott Bill Cherry Vice President Senior Vice Vice President Vice President Senior Vice Senior Vice Vice President Vice President Relationship President Relationship Relationship President President Relationship Relationship Manager Relationship Manager Manager Private Client Medical Private Manager Manager Manager Services Banking POWERING YOUR today a d tomorrow Personal Advantage Banking from First Tennessee. The most exclusive way we power the dreams of those with exclusive financial needs. After all, you’ve been vigilant in acquiring a certain level of wealth, and we’re just as vigilant in finding sophisticated ways to help you achieve an even stronger financial future. While delivering personal, day-to-day service focused on intricate details, your Private Client Relationship Manager will also assemble a team of CERTIFIED FINANCIAL PLANNERTM professionals with objective advice, investment officers, and retirement specialists that meet your complex needs for the future. CALL US TODAY AT 615-734-6165 Investments: Not A Deposit Not Guaranteed By The Bank Or Its Affiliates Not FDIC Insured Not Insured By Any Federal Government Agency May Go Down In Value Financial planning provided by First Tennessee Bank National Association (FTB). Investments available through First Tennessee Brokerage, Inc., member FINRA, SIPC, and a subsidiary of FTB. Banking products and services provided by First Tennessee Bank National Association. Member FDIC. ©2011 First Tennessee Bank National Association. www.firsttennessee.com Live Life In The Spotlight. The All-New, Redesigned 2013 Lexus GS, Turning Heads Now At www.NashvilleLexus.com Tires aren’T THE ONLY THing we’RE PASSIONATE ABOUT. -
MARY POPPINS a Musical Based on the Stories of P.L
588 Sutter Street #318 San Francisco, CA 94102 415.677.9596 fax 415.677.9597 Press Release www.sfplayhouse.org For immediate release October 2018 Press Inquiries Contact: Anne Abrams [email protected] Casting announced for the San Francisco Playhouse production of Disney and Cameron Mackintosh’s MARY POPPINS A Musical based on the stories of P.L. Travers and the Walt Disney Film Original Music and Lyrics by Richard M. Sherman and Robert B. Sherman; Book by Julian Fellowes; New Songs and Additional Music and Lyrics by George Stiles and Anthony Drewe Co-Created by Cameron Mackintosh Directed by Susi Damilano Music Director Katie Coleman Choreography by Kimberly Richards Press Opening: Wednesday, November 21st at 7:00 p.m. Run dates: November 14th, 2018 to January 12th, 2019 Tuesday, Wednesday, Thursday and Sunday at 7 p.m.; Friday, Saturday at 8 p.m. Matinees: Saturday at 3 p.m. and Sunday at 2 p.m. Preview Performances: November 14, 15, 16, 17 at 8 p.m., November 17 at 3 p.m., November 18 at 2 p.m., November 20 at 7pm. San Francisco, CA (November 2018) – San Francisco Playhouse celebrates the magic of the holiday season with the hit Broadway musical Mary Poppins. Susi Damilano will direct the Playhouse production, with music direction by Katie Coleman and choreography by Kimberly Richards. The entitled children of the stern Mr. Banks have made short work of a string of nannies. But when the tattered sorceress Mary Poppins arrives on their doorstep, she must use a combination of magic and common sense to engage the children to drop their silver spoons and lead their distracted dad to kite-flying redemption. -
Betty Blue Eyes
www.grengds.com The Colonel’s Fund Grenadier Guards Wellington Barracks, Birdcage Walk, London, SW1E 6HQ Tel: 020 7414 3285 Mobile: 07796 378 028 E-mail: [email protected] His Royal Highness The Prince Philip, Duke of Edinburgh, KG, KT Colonel Grenadier Guards requests the pleasure of your company on Monday, 11 April 2011 for a Gala Preview of Cameron Mackintosh’s new musical “Betty Blue Eyes” The Colonel’s Fund Grenadier Guards is a Regimental Charity, created in 2008, specifically to help address the welfare needs of soldiers and their families following successive operational tours in Iraq and Afghanistan. To date, The Regiment has lost 10 killed in action and 35 seriously wounded including 7 amputees. As part of its fundraising drive, The Regiment has been offered The Novello Theatre for a Gala Preview performance of Cameron Macintosh’s new musical Betty Blue Eyes, his first original musical in over 10 years. This follows his recent hugely successful productions of Oliver!, My Fair Lady, Mary Poppins and the new Les Miserables. The performance will be in the presence of His Royal Highness, The Prince Philip, KG, KT, one of the key characters in the musical, who is attending as Colonel Grenadier Guards and Patron of The Colonel’s Fund. To enhance the evening, there is also a post show two course supper, including wine, at The Waldorf Hilton Hotel, next door to the theatre. Ticket information: Grand Circle including canapés and drinks before the performance and a snack and drink during the interval: £60.00 Dress Circle and Stalls including canapés and drinks before the performance and a snack and drink during the interval: £75.00 Post show supper including wine: £45.00 Post show supper including wine, table of 10 (including 5% discount): £427.50 Also attached is a leaflet from the theatre giving you a little taster of Betty Blue Eyes To book your tickets please print off the booking form and return it with your cheque to the address below. -
Vanessa Sears
ImagePhoto by features: Mike Bickerton, Vanessa featuring Sharron Sears. Matthews. 1 A Message from the Artistic and Executive Directors Welcome to YPT and our production of Mary Poppins! Whether this story is new to you… or whether this outing is a nostalgic trip down memory lane, we know you will enjoy yourselves immensely! This season, YPT’s theme explores how young people take matters into their own hands to repair things and to create change in their lives. Here is a prime example: two children write their own advertisement for a nanny. Because life in their home has become a little bit upside-down. Their inventive job-posting attracts the practically perfect – and just a bit tricky – Mary Poppins… who does more for them and their parents than they could ever have imagined. Thanks for joining us. We hope to see you throughout our season! ALLEN MACINNIS NANCY J. WEBSTER Artistic Director Executive Director YPT is situated on lands and waterways that have known human activity for more than 15,000 years. We acknowledge the ancestral lands of the Dish with One Spoon Territory, and more recently Treaty 13. This includes the Mississaugas of the Credit who are part of the Anishinaabe Nation, the Wyandot Nation, also the Haudenosaunee Confederacy of Six Nations, and any other Nation, recorded or unrecorded. Miigwech, Nya-weh, Thank you for letting us gather here today. Music Director/ Orchestral Adaptation & Keyboard Programming Young People's Theatre is a member of the Professional Association of Set Designer Canadian Theatres and engages, under the terms of the Canadian Theatre Agreement, professional artists who are members of Costume Designer Canadian Actors’ Equity Association. -
MEN, MASCULINITIES and MUSICAL THEATRE By
‘NOT JUST FOR GAYS ANYMORE’: MEN, MASCULINITIES AND MUSICAL THEATRE by JAMES MICHAEL LOVELOCK A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Music School of Languages, Cultures, Art History and Music College of Arts and Law University of Birmingham September 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores how the changing masculinities of the 21st century have affected how young men connect to musical theatre as a genre that has been stereotypically seen as gay. The investigation is first located in the theoretical framework of masculinities, utilising the concepts of the male sex role, hegemonic masculinities and inclusive masculinity to chart how the performance of the male gender has changed over the past century. The project then adopts an empirical approach to a group of 161 men and 25 women, establishing a methodological framework for correlating sexual orientation with attitudes towards musical theatre. There is a further honing of this methodology through the adoption of Jenifer Toksvig’s The Fairytale Moment exercise, which identifies how each participant connects to narrative through a core emotional drive. -
Brotherton Collection MS 20C Theatre West Yorkshire Playhouse
Handlist 123 LEEDS UNIVERSITY LIBRARY Brotherton Collection MS 20c Theatre West Yorkshire Playhouse FROM THE LEEDS PLAYHOUSE TO THE WEST YORKSHIRE PLAYHOUSE STAGE I In the 1960s, Leeds was the largest City in the country without a regional theatre - a professional producing management presenting plays in its own theatre. A small but enthusiastic group of local people had started a campaign in 1964 for a permanent Repertory Theatre (the full story of the campaign is told in Doreen Newlyn's book "Theatre Connections"). Planning permission had been obtained for a site near the Town Hall but spending cuts led to the postponement of the original plan and in 1969, the Leeds Theatre Trust Ltd (incorporated in 1968) decided to search for existing premises which could be transformed into a temporary theatre. After many disappointments, the University of Leeds agreed to lend the Trust, rent-free, the site of a proposed sports hall which cutbacks had forced them to postpone building. The conditions were that the Trust would build the shell and put the Theatre in it in such a way that it could all be removed at the end of a ten year period, whereupon the University would convert the building into a sports hall. The Theatre, designed by Bill Houghton Evans, was built for £150,000 and after six years of persistence, finally opened on Thursday 16th September 1970 with the world premiere of Alan Plater's "Simon Says". Throughout the campaign, there was tremendous support from members of the acting profession including Peter O'Toole, Dame Diana Rigg, Michael Hordern, Rodney Bewes, Dame Sybil Thorndike, Dame Judi Dench and James Mason. -
BETTY BLUE EYES (Das Musical Mit Dem Schwein)
BETTY BLUE EYES (Das Musical mit dem Schwein) Originaltitel: BETTY BLUE EYES Genre: Musical Autoren: Buch von Ron Cowen und Daniel Lipman Musik von George Stiles Gesangstexte von Anthony Drewe Nach dem Handmade-Film Magere Zeiten (A Private Function) und der Original-Story von Alan Bennett und Malcolm Mowbray Bühnenadaption des Drehbuchs von Alan Bennett Deutsch von Roman Hinze Frei zur deutschen Erstaufführung Inhalt: Gäbe es eine Blaupause für Musicals, wäre ihr BETTY BLUE EYES entsprungen. (…) Wer ein Faible für große Ensemble-Nummern besitzt, ist (hier) richtig. (Blickpunkt Musical 02/18) * Auch wenn die Story von BETTY BLUE EYES auf den ersten Blick „very british“ scheint – sie wäre auch in einer deutschen Kleinstadt vorstellbar. Eine allzu menschliche Geschichte im Retro-Sound: BETTY BLUE EYES erzählt von übereifrigen Kleinstadtbewohnern, die die rigiden Zuteilungsvorschriften der Nachkriegszeit umgehen möchten und heimlich ein Schwein (namens Betty, mit blauen Augen) mästen. Schließlich ist die Hochzeit von Prinzessin Elizabeth und Prinz Philip gleichsam mitzufeiern, strikt nur auf Einladung, versteht sich. Joyce, eine ehrgeizige Bürgerin, die unbedingt in die erste Reihe der Kleinstadtschickeria aufsteigen will, veranlasst ihren allzu braven Ehemann Gilbert dazu, dem Geheimnis auf die Spur zu kommen – was diesem möglich ist, weil nur er als einziger Fußpfleger weit und breit Bettys Beschwerden lindern kann. Nebenbei müssen die tüchtigen, leicht verzweifelten und deshalb nicht ganz gesetzestreuen Bürger den strengen Fleischinspektor austricksen und eine rüstige, aber doch leicht wirre (Schwieger-)Mutter vom Ausplaudern abhalten. Die schwarzhumorige Story (nach einem Film von 1984 mit Maggie Smith als Joyce) wurde von dem angesehenen Komponisten George Stiles (DIE DREI MUSKETIERE, HONK!, SOHO CINDERS, JUST SO, PETER PAN) mit einer charmanten. -
Wolverhampton & Black Country Cover
Wolverhampton & Black Country Cover May 2018 .qxp_Wolverhampton & Black Country Cover 23/04/2018 18:34 Page 1 BALLETBOYZ DANCE INTO Your FREE essential entertainment guide for the Midlands WOLVERHAMPTON GRAND WOLVERHAMPTON & BLACK COUNTRY WHAT’S ON MAY 2018 2018 MAY ON WHAT’S COUNTRY BLACK & WOLVERHAMPTON Wolverhampton & Black Country ISSUE 389 MAY 2018 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On wolverhamptonwhatson.co.uk inside: PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART Yourthe 16-pagelist week by week listings guide CALAN breathe new life into old traditions at Newhampton Arts TWITTER: @WHATSONWOLVES @WHATSONWOLVES TWITTER: PAGE TO STAGE... Julia Donaldson’s What The Ladybird Heard at the Grand FACEBOOK: @WHATSONWOLVERHAMPTON FACEBOOK: @WHATSONWOLVERHAMPTON GET 40% OFF admission to the National Sea WOLVERHAMPTONWHATSON.CO.UK Life Centre! Voucher inside... (IFC) Wolverhampton.qxp_Layout 1 23/04/2018 18:44 Page 1 Wed 2nd May at 7.30pm Tues 8th & Wed 9th May at 7.30pm Fri 11th & Sat 12th May at 7.30pm DANCE MUSICAL THEATRE MUSICAL THEATRE JV2 BETTY BLUE EYES SISTER ACT Tickets £12, £10 conc. Tickets £7, £5 conc. Tickets £7, £5 conc. Sat 19th May at 7.30pm Fri 1st June at 7.30pm Wed 6th June at 7.30pm DRAMA DRAMA DRAMA NUKETOWN TWO BY JIM CARTWRIGHT DYLAN THOMAS: CLOWN IN THE MOON Tickets £12, £10 conc. Tickets £12, £10 conc. £5 Mat. Tickets £12, £10 conc. Contents May Wolves_Shrops_Staffs.qxp_Layout 1 23/04/2018 15:10 Page 2 May 2018 Contents Crazy For You - Tom Chambers shows he’s ‘got rhythm’ at the Wolverhampton Grand more on page 24 Circus250 Spamalot Jasmin Vardimon the list exploring the legacy of Stoke’s misfit knights, killer rabbits and presents a new triple bill at Your 16-page forgotten hero dancing nuns at Theatre Severn Wolverhampton’s Arena Theatre week-by-week listings guide feature page 12 page 26 page 31 page 51 inside: 4. -
Sixboston @Americanrep
#SIXboston @AmericanRep 2019/20 Season A.R.T. Artistic Director’s Welcome Welcome to SIX! No longer on the outskirts of history, these Queens are taking over the world. Creators Toby Marlow and Lucy Moss began writing SIX while undergraduates at Cambridge University in the UK. These young writers had the idea to give new voice to the women who—among their own numerous accomplishments— were married to England’s King Henry VIII. Using the format of a modern singing competition, Marlow and Moss asked what these women’s voices might sound like today, and what they might tell us in their own words. SIX explores these questions in a fusion of past and present. In today’s female pop icons, the creators found harmony with their historical subjects, and the result is a celebration of sisterhood that resonates through the centuries. SIX debuted at the Edinburgh Festival Fringe, and after a lauded run on London’s West End, the global fan base for the show’s soundtrack has continued to grow, with millions of listeners online. Now SIX makes its debut in Cambridge, Massachusetts, following a run at Chicago Shakespeare Theater earlier this summer. This production launches the A.R.T.’s 2019/20 Season, which features a roster of shows that place history in conversation with the present. We begin with this contemporary take on Tudor England, and by the season’s end, we will reexamine the founding of our country and the Declaration of Independence, through a new staging of the musical 1776. Thank you for joining us! DIANE PAULUS Terrie and Bradley Bloom Artistic Director American Repertory Theater @AmericanRep #SIXboston #SIXthemusical Anna Uzele in SIX. -
'Betty Blue Eyes'
WAOS ‘BETTY BLUE EYES’ VISION & CONCEPT © FOR THE MEMBERSHIP CLAIRE CARR DIRECTOR/CHOREOGRAPHER GENERAL CONCEPT & STORY Betty Blue Eyes is a reasonably new musical based on the screenplay of ‘A Private Function’ by Alan Bennett. Music and lyrics by George Stiles and Anthony Drewe, and book by Ron Cowan and Daniel Lipman. The Original West End production was in 2011 at the Novello Theatre produced by Cameron MacIntosh starring Sarah Lancashire, with further productions of a UK To including the Mercury Theatre, Colchester. The Story An utterly British musical, full of eccentric characters and of course the star, Betty the pig. The story is set in Shepardsford, Yorkshire in 1947. The war is over but, like the rest of the country, it still bears the scars of recent war. Belts are tightened and citizens are told by the Government that there will be a ‘fair share for all’ in return for surviving Austerity Britain. The only bright spark of hope on the horizon is the impending marriage of Princess Elizabeth and Prince Phillip. We follow the lives of Gilbert & Joyce Chilvers, a Chiropodist and his not to be beckoned with wife. Gilbert inadvertently stumbles across a pig named Betty, who is being illegally reared to ensure the local dignitaries can celebrate the Royal Wedding with a lavish banquet. It leads to a kidnapping of the pig, whilst the sinister Mr Wormold – the Ministry of Food Inspector – tracks Betty down. Principal Casting The show has lots of principal roles, namely 10 (6 men, 3 women and a 12 year old girl (playing age)). -
Mary Poppins Transactions, Fill Our Lives with Joy, Satisfaction, Tcontains Numerous Examples of Ingenious and Meaning
PRODUCTION HANDBOOK 2 ©Disney/CML TABLE OF CONTENTS Introduction.............................................................................................. 2 Synopsis.................................................................................................... 4 Casting...................................................................................................... 6 Approaches to Character....................................................................... 11 Staging...................................................................................................... 24 Music Direction........................................................................................ 25 Choreography.......................................................................................... 37 Design....................................................................................................... 48 Beyond the Stage.................................................................................... 74 Resources................................................................................................. 93 Credits...................................................................................................... 97 ©Disney/CML INTRODUCTION Come feed the little birds, Show them you care, And you’ll be glad if you do. Their young ones are hungry, Their nests are so bare. All it takes is tuppence from you. Feed the birds, tuppence a bag, Tuppence, tuppence, tuppence a bag. — “Feed the Birds” by Richard and Robert Sherman “‘Tuppence -
Mary Poppins
Disney anD Cameron maCkintosh’s MARY POPPINS season sponsor title sponsor Supporting the arts, locally. Each year, through various donations and sponsorships, we are committed to helping our local communities. We’re proud to be the 2019/2020 season sponsor of the Grand Theatre. WELCOME The holiday season is upon us once lives of a real family, in a real city, at a again, and this time around we are real time. And yet imagination, magic, grateful to hear from none other than and abstraction are woven into this the always inspiring Mary Poppins. narrative—and the family’s lives—in Disney’s classic movie version of this a seamless way. This story reminds story has been with us for decades, us that everything really is possi- and is shared by generations of fam- ble—“anything can happen if you let ilies. The stage version, however, is it,” as Mary wisely tells us. relatively new—since debuting on The best thing about this time of year Broadway 14 years ago, Disney and is that we get to spend time with our Cameron Mackintosh’s Mary Poppins families. I’m most excited to be shar- has been presented all over the world ing Mary Poppins with my daughter— in a new form, inspiring new gener- live onstage—for the first time. We’ll ations of children. And there is little sing together, laugh together, and doubt that Mary’s words of wisdom, inspire each other to have a super- keen guidance, and catchy songs will califragilisticexpialidocious holiday be around for many more years to season.