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+91-9442076884 Thanjavur Arts https://www.indiamart.com/thanjavur-arts/ The process of making Thanjavur paintings require dedication and skill. Each painting is done stage by stage using semi-precious stones to decorate. These paintings are done on wooden board on which Layering of clay will get three ... About Us The process of making Thanjavur paintings require dedication and skill. Each painting is done stage by stage using semi-precious stones to decorate. These paintings are done on wooden board on which Layering of clay will get three dimensional embossed effect. 22 CARAT GOLD LEAF is pasted on the top, which gives a rich look to the painting. The drawing of the figures is monumental and robust and eyes are almond shaped. The portrayal of the figures in the paintings is breathtakingly brilliant. THANJAVUR PAINTINGS, the most typical paintings flourished with the patronage of the MARATHA Kings in the 18th century. These paintings are in the gilded and gemset technique (famous for ornamental relief work) and are sacred icons of the Hindu deities. The paintings are the scenes from the ancient scriptures of Hindu religion and the most famous style of South India. They are unique and rich in harmony of colors, designs, and traditional techniques blended with meticulous attention to details. The composition is characteristically static and consists generally of one main figure, the diety, centrally placed. The diety is formally housed within an enclosure of a palace or temple pavilion. Even when there is no architectural background, an enclosure is created by means of an arch, curtains, or formal surrounding borders. For more information, please visit https://www.indiamart.com/thanjavur-arts/aboutus.html OTHER PRODUCTS P r o d u c t s & S e r v i c e s Thanjavur Paintings Services Tanjore Paintings Thanjavur Painting Tanjore Painting Lord Kali P r o OTHER PRODUCTS: d u c t s & S e r v i c e s Traditional Painting Tanjore Painting God Art Painting Lord Ganesha Paintings P r o OTHER PRODUCTS: d u c t s & S e r v i c e s Thanjavur God Paintings Classical South Indian Paintings Traditional Tanjore Painting Classic South India Painting P r o OTHER PRODUCTS: d u c t s & S e r v i c e s Stone Statue Brass Statues Stone Work Arts Thanjavur Paintings P r o OTHER PRODUCTS: d u c t s & S e r v i c e s Indian Paintings Tanjore Dancing Doll Artworks Paintings Typical Paintings F a c t s h e e t Nature of Business :Manufacturer CONTACT US Thanjavur Arts Contact Person: Yuwaraj No. 285, D. B. Road, Southern End, R. S. Puram Coimbatore - 641002, Tamil Nadu, India +91-9442076884 https://www.indiamart.com/thanjavur-arts/.

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Thanjavur Painting the Art of Painting with Gemstone by Ms
D’source 1 Digital Learning Environment for Design - www.dsource.in Design Resource Thanjavur Painting The Art of Painting with Gemstone by Ms. Amruthalakshmi Rajagopalan,Ms. Anisha Crasto, and Mr. J. Antony William NID, Bengaluru Source: http://dsource.in/resource/thanjavur-painting 1. Introduction 2. Tools and Raw Materials 3. Making Process 4. Products 5. Contact Details D’source 2 Digital Learning Environment for Design - www.dsource.in Design Resource Introduction Thanjavur Painting The Art of Painting with Gemstone Gods, gold and gemstones are at the heart of this four hundred year old art form of palagai oviyam, better by known as Thanjavur painting. The art began as visual representations of the Gods and Goddess described in Ms. Amruthalakshmi Rajagopalan,Ms. Anisha detail in the Hindu scriptures and extended to Royal portraiture. The rise of the style coincided with the wave of Vaishnavism in Southern India. Themes are mostly based on the Vishnu puranas with Baby Krishna, holding a pot Crasto, and Mr. J. Antony William of butter being the most recurring visual in these paintings. The painting style is a historically developed amal- NID, Bengaluru gamation of Nayak, Maratha and British elements and it is is bold in style and character. While the overall effect is striking, fine lines, gradation washes of skin tones and kayal vizhi eyes (the much loved fish- shaped eye roman- ticized by Tamil poets) are a testament to the devotion with which the traditional art form has been practiced in Thanjavur. Source: http://dsource.in/resource/thanjavur-painting/intro- duction 1. Introduction 2. Tools and Raw Materials 3.
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Unfolding Geographical Indications of India: a Brief Introduction
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18 Night Wildlife and Culture of Southern India Destinations: Chennai – Mahabalipuram – Puducherry – Thanjavur – Pollachi – Masinagudi – Kabini – Bengaluru
18 Night Wildlife and Culture of Southern India Destinations: Chennai – Mahabalipuram – Puducherry – Thanjavur – Pollachi – Masinagudi – Kabini – Bengaluru The term south India is used largely for states that are part of peninsular India. These are the states of Telangana, Andhra Pradesh, Tamil Nadu, Karnataka and Kerala. South India is bounded by the Bay of Bengal in the east, the Arabian Sea in the west and the Indian Ocean in the south. The geography of the region is diverse with two mountain ranges - the Western and Eastern Ghats, bordering the plateau heartland. Godavari, Krishna, Kaveri, Tungabhadra and Vaigai rivers are important non-perennial sources of water. These diverse landscapes bring with it different cultures and customs, different culinary tastes, architecture and flora & fauna. In this program we will explore two of these five states. We shall explore the states of Tamil Nadu and Karnataka. In our journey we shall explore heritage, architecture, traditions, customs & rituals, culinary delights, arts & crafts along with performing arts. We shall also introduce you to the varied landscapes and diverse wildlife found in this region. India is home to about 870 endemic species and a large number of them can be found in the western ghats & Nilgiri hills which we shall be visiting. These rich cultural and natural heritage will be showcases in the destinations that we have selected: Chennai, Mahabalipuram, Puducherry, Thanjavur, Pollachi, Valparai, Masinagudi and Kabini. DAY ONE On arrival into Chennai International Airport our representative will meet you as you exit the arrival hall and shall accompany you to your hotel to ensure a speedy check-in.
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PRELIMS ART & CULTURE.Indd
CHAPTER 2.2 INDIAN PAINTINGS Introduction The origin of Indian painting goes back to 8000 years and an account of its development is inextricably meshed with the development of Indian civilization. Hunters and gatherers who made primitive tools and lived in the rock shelters of central India, made exaggerated linear ﬁ gures of wild animals, such as the bison, the elephant and the stag in red and yellow ochre on the rock surfaces of cave walls. In the prehistoric paintings Rocks were scratched using stone & then natural colors are applied for painting. The natural colours used were ochre red, yellow earth color, soot black, green, white. Theme of painting: Hunting theme (group Hunting scenes); Figures of animals & birds; Battle Scenes; Dancing Scenes. Example; Bhimbetka Caves (MP). Prehistoric paintings belong to 3 periods: ! Upper Paleolithic: Use of white, dark red & green color to depict huge animals (bison, rhino, elephant, rhino etc.). ! Mesolithic: Use of red color, smaller paintings, common theme was group hunting scenes, gracing scenes, dawn scenes. ! Chalcolithic: Use of green & yellow color, common them was battle scenes with men riding horses & elephant with sharp weapons in the hands, group Dancing scenes. Indian Paintings can be broadly classiﬁ ed as the Murals & Miniatures. Murals are huge works executed on the walls of solid structures. Classic examples are the paintings in Ajantha & Kailasantaha temple. Miniature paintings are those executed on a very small scale on perishable material such as paper, cloth, etc., though this style had been perfected by artisans under the various rules, not many remain today. Prime examples are the Rajasthani & Mughal miniatures.
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Geographical Indications
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15 destinations, 15 unique experiences: Relais Chateaux India, Sri Lanka, Maldives Svatma Heritage Residence Thanjavur Fact File Hotel Address Svatma, No. 4/1116, Blake Hr Sec School Road, Maharnonbu Chavadi, Maharnonbu Chavadi, Thanjavur, Tamil Nadu 613001 [email protected] |[email protected]| www.svatma.in Location Svatma Heritage Residence Thanjavur, city that dates back to 4th AD in the South Indian state of Tamil Nadu 5 minutes’ away from Railway station, and 55 minutes from the nearest Airport (Trichy International Airport) GPS Latitude: 10.781282; Longitude: 79.1464073 Accessibility By air Trichy International airport gets daily flights from Chennai, Colombo, Singapore, Kuala Lumpur and Bangkok International flights connecting from all major global metros via Trivandrum, Calicut, Bangalore, Hyderabad, Chennai, By train Thanjavur Railway Station connected to all major cities in India, and Kerala. By road Thanjavur connected with major National Highways in Tamilnadu NH67, NH45C and NH226 Transfer Svatma arranges our own Vehicle to transfers Guest from the airport & railway station. Time to airport is 45 minutes for 50 Km, to station 10 minutes, 1.5 Km. The Hotel With origins dating back to 4AD, Thanjavur in the South Indian state of Tamil Nadu has a 1000-year-old, exquisitely carved Brihadeeswarar temple that is a UNESCO world heritage site. Not far from the imposing monument is Svatma, which opened in 2015 as a boutique hotel after a decade of painstaking restoration of a 150-year-old home. Decorated with traditional art and ornate furniture, Svatma offers seven lovingly restored rooms and suites in the heritage wing complemented by a new 30-room millennium wing.
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