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Coalescence and the Fiction of Iain Banks
Études écossaises 12 | 2009 La Science Coalescence and the fiction of Iain Banks David Leishman Electronic version URL: http://journals.openedition.org/etudesecossaises/208 DOI: 10.4000/etudesecossaises.208 ISSN: 1969-6337 Publisher UGA Éditions/Université Grenoble Alpes Printed version Date of publication: 30 April 2009 Number of pages: 215-230 ISBN: 978-2-84310-138-0 ISSN: 1240-1439 Electronic reference David Leishman, « Coalescence and the fiction of Iain Banks », Études écossaises [Online], 12 | 2009, Online since 30 April 2010, connection on 08 September 2020. URL : http://journals.openedition.org/ etudesecossaises/208 ; DOI : https://doi.org/10.4000/etudesecossaises.208 © Études écossaises David Leishman Université Stendhal – Grenoble 3 Coalescence and the fi ction of Iain Banks Iain Banks’s second novel, Walking on Glass, seems to be ideally suited for the 2007 SAES conference theme of “l’envers du décor” or “behind the scenes”, since it is preoccupied with the exploration of literature’s mechanisms and workings and with the frontiers of fi ctional worlds. All this is foregrounded in the novel’s incipit. The opening paragraphs are dominated by the colour white as if to reaffi rm the ultimate liminality of the text, the presence of the blank page that lies permanently beneath (p.11). Meanwhile, an incongruous character has opened up a service hatch in the (white) fl oor and is scrabbling about inside with a torch, the unfamiliar conduit leading to hidden levels and unimagined apparatus that defamiliarise the surface reality and challenge its seamlessness. The text precisely specifi es the time as being “3:33” and this trinity is pre- sented by the narrator as a “good omen”, portentous of “a day events would coalesce” (p. -
Shailaja.Pdf
The Criterion www.the-criterion.com An International Journal in English ISSN 0976-8165 Dweller Diaspora in Iain M. Banks’ The Algebraist Shailaja A. Changundi (Associate Professor) UGC Teacher Fellow, Department of English, Shivaji University, Kolhapur. The twentieth century science fiction was enriched, made magnificent and took the interest of the readers to the epoch with the rise of the most imaginative, belligerent and brilliant Scottish writer Iain M. Banks who took the science fiction to a great height and created tremendous curiosity among the readers about his writing. Iain Banks’s novels cover almost all parts of human life and world. Though he shows the darker side of the future world, he is hopeful about the positive fine future world. The film-makers and broadcasters also have focused their attention on his novels. The Algebraist, a science fiction novel by Scottish writer Iain M. Banks, first appeared in print in 2004. The novel takes place in 4034 A.D. With the assistance of other species, humans have spread across the galaxy, which is largely ruled by the Mercatoria, a complex feudal hierarchy, with a religious zeal to rid the galaxy of artificial intelligences, which were blamed for a previous war. In center-stage Iain Banks portrays the human Fassin Taak, a Slow Seer at the Court of the Nasqueron Dwellers. Taak's hunt for the Transform takes him on a dizzying journey, partly through the Dweller wormhole network itself. Banks lays out and layers his presentation of a civilized universe with consummate skill. One of the true pleasures of reading space opera is the reader's slowly unfolding understanding of the universe created by the author. -
The Oxford Companion to English Literature, 6Th Edition
B Bab Ballads, a collection of humorous ballads by W. S. lated by J. Harland in 1929 and most of his work is ^Gilbert (who was called 'Bab' as a child by his parents), available in English translation. first published in Fun, 1866-71. They appeared in Babylon, an old ballad, the plot of which is known 'to volume form as Bab Ballads (1869); More Bab Ballads all branches of the Scandinavian race', of three sisters, (1873); Fifty Bab Ballads (1877). to each of whom in turn an outlaw proposes the alternative of becoming a 'rank robber's wife' or death. Babbitt, a novel by S. *Lewis. The first two chose death and are killed by the outlaw. The third threatens the vengeance of her brother 'Baby BABBITT, Irving (1865-1933), American critic and Lon'. This is the outlaw himself, who thus discovers professor at Harvard, born in Ohio. He was, with Paul that he has unwittingly murdered his own sisters, and Elmer More (1864-1937), a leader of the New Hu thereupon takes his own life. The ballad is in *Child's manism, a philosophical and critical movement of the collection (1883-98). 1920s which fiercely criticized *Romanticism, stress ing the value of reason and restraint. His works include BACH, German family of musicians, of which Johann The New Laokoon (1910), Rousseau and Romanticism Sebastian (1685-1750) has become a central figure in (1919), and Democracy and Leadership (1924). T. S. British musical appreciation since a revival of interest *Eliot, who described himself as having once been a in the early 19th cent, led by Samuel Wesley (1766- disciple, grew to find Babbitt's concept of humanism 1837, son of C. -
Foundation the International Review of Science Fiction 116 Foundation the International Review of Science Fiction
Foundation The International Review of Science Fiction 116 Foundation The International Review of Science Fiction In this issue: Robert Duggan, Paul Kincaid, Joe Norman and Andrew J. Wilson No:116 Winter 2012/2013 Foundation Vol:42 on Iain Banks Emily Alder on Eduardo Paolozzi and Maia Clery on David Bowie Jim Clarke, Leimar Garcia-Siino, Tony Keen and C.L. Wilson on conferences at Brunel University and the University of Liverpool In addition, there are reviews by: Grace Halden, Mark Hall, Dan Hartland, Paul Kincaid, Anna McFarlane, Chris Pak, Andy Sawyer, Maureen Speller and Tom Sykes Of books by: Algis Budrys, Luke Cuddy, Enrique Gaspar, Peter Higgins, Robert E. Howard, Edward M. Lerner, Bradford Lyau, Adam Roberts and Gary K. Wolfe Cover: Iain Banks Credit: The Getty Foundation Iain Banks 1954 - 2013 Foundation is published three times a year by the Science Fiction Foundation (Registered Charity no. 1041052). It is typeset and printed by The Lavenham Press Ltd., 47 Water Street, Lavenham, Suffolk, CO10 9RD. Foundation is a peer-reviewed journal. Subscription rates for 2014 Individuals (three numbers) United Kingdom £20.00 Europe (inc. Eire) £22.00 Rest of the world £25.00 / $42.00 (U.S.A.) Student discount £14.00 / $23.00 (U.S.A.) Institutions (three numbers) Anywhere £42.00 / $75.00 (U.S.A.) Airmail surcharge £7.00 / $12.00 (U.S.A.) Single issues of Foundation can also be bought for £7.00 / $15.00 (U.S.A.). All cheques should be made payable to The Science Fiction Foundation. All subscriptions are for one calendar year; please specify year of commencement. -
A Critical Study of the Novels of Iain Banks Being a Thesis Submitted In
THE UNIVERSITY OF HULL Bridging Fantasies: A Critical Study of the Novels of Iain Banks being a Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the University of Hull by Martyn James Colebrook, BA, MA (February 2012) 2 Introduction Fear and Loathing in Midlothian 6 Chapter 1 “These Things of Darkness I Acknowledge Mine”: The Wasp Factory, Gender Performance and The Gothic 29 1.1 Gothic and Mental Disorder. 48 Chapter 2 The Player of Games? 66 2.1 Games and Fictionality. 67 2.2 The Player of Games and The Magus: A Comparative Study 81 2.3 Playing Games with Identity? 85 Chapter 3 Journeys into the Silent Land: The Bridge and Lanark: A Life in Four Books. 98 3.1 The Bridge and Lanark: Narrating Scotland as a Post-industrial Space. 102 3.2 The Bridge and the Contemporary Gothic. 123 Chapter 4 Moving out of the comfort ‘Zone’: Canal Dreams. 132 4.1 Not Playing by the Rules of the games: Canal Dreams and Genre. 136 4.2 “Maestro Please”: Memory and Performance. 146 4.3 Troubles with Banks: A political writer or a writer of political fiction? 158 Chapter 5 The Questions of Scotland: The Crow Road. 168 5.1 Landscape and Fiction. 170 5.2 The Crow Road and the Postmodern Gothic. 183 Chapter 6 ‘Mad Lad Lit’: Iain Banks’ Complicity. 192 6.1 Three Writers Who Go Down into the Darkness: The Games of Contemporary Scottish Crime Fiction. 195 3 6.2 Complicity and Terror. 222 6.3 Complicity, Sheepshagger and Violence. -
The Banksoniain #21 an Iain (M.) Banks Fanzine February 2015
The Banksoniain #21 An Iain (M.) Banks Fanzine February 2015 Editorial Poems There is still much to report on in the worlds The announcement that fifty of Iain’s poems of Iain (M.) Banks. Even before his illness would be published came in a press release and death 2014 was shaping up to be an from his publishers on what would have been important Banksian year with his Guest of his sixtieth birthday, 16th February 2014. Iain Honour status at that year’s Worldcon, had mentioned his desire to have his poetry Loncon 3. That, of course, still went ahead published in interviews that he gave after his and Iain was honoured in memoriam, see diagnosis was made public. Stuart Kelly in pages #6 & #7, for reports on the activities the Guardian (15th June 2013) quoted Iain there. “I've got about 50 I'm proud of. I've been trying to convince Ken MacLeod that he 2014 would also have most likely seen the should come in with me on this as I've always publication of an M book. Indeed early in loved Ken's poetry.” He also described it as 2013 Hachette (which owns both Iain’s “a bit of a vanity project” and said “I'll self- publishers Little, Brown and Orbit) were publish if I have to”. Publication was initially listing a book called Untitled New Iain M. set for 5th February 2015, but was moved Banks 2, for publication in hardback back to what would have been Iain’s 61st November 2014 and paperback July 2015 birthday. -
Discussion About Iain M. Banks
Science Fiction Book Club Interview with Paul Kincaid February 2019 Paul Kincaid wrote an award winning study of Iain M. Bank's work. His writing has appeared in a wide range of publications including New Scientist, Times Literary Supplement, Literary Review, New York Review of Science Fiction, Foundation, Science Fiction Studies, Interzone and Strange Horizons. He is a former editor of Vector, the critical journal of the British Science Fiction Association. Lucius Sorrentino: It might be interesting to learn something about how he came to his socio-political beliefs and how that found its way into his writing. I think Banks was inherently left wing. Scotland has always been more left of centre than the rest of the UK, largely because Scotland, quite rightly, feels it has been second-best in the opinion of the British government. This was particularly the case in the 1970s and during the Thatcher years. In the late-70s there was an independence referendum for Scotland that came up with a pretty clear majority in favour of independence, only for the UK government to retrospectively change the rules. They said it wasn’t a majority of everyone in Scotland, only of those who voted, and therefore independence didn’t happen. That is something that comes up in The Bridge, and it is pretty clearly a defining moment in Banks’s political awakening. Then, under Thatcher, Scotland was always used to try out unpopular ideas, like the poll tax. There was a satirical programme on British television at the time in which Scotland was referred to as “the test bed”. -
Iain Banks Banks Book Should Be Appearing in the Shops Is an IT Worker with a Very Interesting Hobby
The Banksoniain #5 An Iain (M.) Banks Fanzine February 2005 Editorial Publication News Issue #5, and I have started putting a big The US edition of The State of the Art was number in the banner title as I got confused at finally published by Night Shade Books. This Novacon where I had copies of both #3 and small publishing house managed to secure the #4 to distribute and had trouble telling them rights through contacts made when they apart with a single glance. produced editions of two of M. John This issue’s featured book which gets the Harrison’s works; Things That Never Happen ‘book biography’ treatment is Espedair and The Course of the Heart. The two Street. As one of Iain’s straightest books – a authors have the same agent and are friends. black comedy on being a rock star – it has Near the end of January came the news that also seen the most interest from those seeking the company had also obtained the US rights to produce adaptations. Only one of those – to The Algebraist. Banks’s latest book is the radio play – has seen the light of day, but currently scheduled for publication in the the stories of the film, the album, the musical USA in September 2005. A signed limited are told in a companion piece - The edition version is also planned. Unwritten Banks. Much of the Banks The UK paperback in B format of The Obscura column also follows the musical Algebraist (ISBN: 1841492299) is currently theme and looks at Iain’s own musical taste, listed for publication on July 4th. -
Iain Banks Profiles the Highly Developed Barbarism, Hoarding Data Owner of Iainbanks.Com
The Banksoniain #2 An Iain (M.) Banks Fanzine May 2004 Editorial Banks’s Next Book Some positive (and no negative) feedback The new book is now due for publication in was received concerning issue #1 so here is early October and is to be called The another. After the last edition looked at The Algebraist, with Iain describing it as Wasp Factory for its twentieth anniversary, “complex non-Culture space opera with lots the second issue moves on to look at Iain’s of aliens and wormholes and stuff...”. next book with a biography of Walking on Glass. We also pay homage to the original Information was posted on the Time Warner Banks fanzine - The Culture. Books website by mid March with the following details, which may contain spoilers The regulars are back. With eBaywatch for the book if you dislike publisher’s blurb. providing a commentary on recently sold items, as well as spawning an interesting spin It is 4034 AD. Humanity has made it to the off with an assessment of Iain’s doodling stars. Fassin Taak, a Slow Seer at the Court of skills and relative celebrity status in a look at the Nasqueron Dwellers, will be fortunate if National Doodle Day. The Unwritten Banks he makes it to the end of the year. looks at audio editions of his books and The Nasqueron Dwellers inhabit a gas giant Banks Obscura covers those things you never on the outskirts of the galaxy, in a system even thought to ask about including more awaiting its wormhole connection to the rest poetry, Viz and a real Wasp Factory. -
The Banksoniain #7 an Iain (M.) Banks Fanzine August 2005
The Banksoniain #7 An Iain (M.) Banks Fanzine August 2005 Editorial Banks Live Apologies for a shorter edition than normal, Iain will be making his usual appearance at but the last one was a little late and this one is the Edinburgh Book Festival on Friday 19th a little early in the notional schedule as I rd August at 20:00 in the Main Theatre in what wanted to get it out in time for the 63 World is billed as The ‘Dickson Minto’ Event. Science Fiction Convention – Interaction – th th Tickets are £8.00. Iain is reading in the being held in Glasgow, August 4 - 8 . Imprisoned Writers stream earlier that day Anyway without pictures there are still over 17:30 in a free event (pick up tickets on the five thousand words of Banksinalia within. th day). The theme on the 19 is ‘Resistance The jiggery-pokery that last issue saw The and Opposition’. More details at the website: State of the Art slotted into Banks’s UK http://www.edbookfest.co.uk/ publication order with its US publication date, means that this issue’s featured book is The Publication News Player of Games rather than Canal Dreams – The US edition of The Algebraist is still on it’s all part of the Masterplan. The centre- course for its September publication by Night spread ‘book biography’ looks, as usual, at Shade Books. The cover was unveiled in late the context of the book within Banks’s July sporting a ‘Hugo Nominee’ tag, and a oeuvre, the critical reaction it received, and good SF “squids in space” illustration that introduces some of ideas that commentators could be young Dwellers. -
FLAG, a Frequent Fanzine Published by Andy Hooper, Member Fwa, at 11032 30Th Ave
This is issue #11 of FLAG, a frequent fanzine published by Andy Hooper, member fwa, at 11032 30th Ave. NE Seattle, WA 98125, email to [email protected]. This is a Drag Bunt Press Production. First copies were mailed on December 6th, 2013. FLAG appears only in printed form, and available for trade, graphic artwork and cartoons or letters of comment. The next issue will also be out in December, 2013. Art Credits: Ray Nelson: Pages 1, 8, title. Heroic Publisher for the U.K.: Mark Plummer. I’m voting Brad and Cindy Foster for TAFF 2014! ------------------------------------------------------------------------------------------------------------------------------------- It’s important to me to make everyone look good… ------------------------------------------------------------------------------------------------------------------------------------- SPLAT! Why FLAG didn’t get back to the bag FLAG’s monthly schedule finally caught up with me this time, and as November counted down, I found myself sprawled full-length in the base path like a polar bear in a coma or Prince Fielder in a playoff game. Work on CHUNGA #22 finally had to be faced, and Nic Farey needed copy for ALL TOGETHER NOW, the first progress report for Corflu 31. But right when I was ready to crank out 8 pages at the last minute, the Thanksgiving holiday rolled right over us, with grandchildren Sam and Thea (plus Mom Gwen & Dad Bob) all staying with us from Wednesday to (very) early Sunday. Uncle Harlan and Aunt Rachel were lucky enough to stay at the same U-District hotel where Corflu Zed was held, more expensive surroundings, but also free of Thea’s requests to be fed in the small hours. -
Life and Literary Work of Iain Banks with Emphasis on the Novel the Wasp Factory (Bachelor‘S Thesis)
Palacký University in Olomouc Philosophical Faculty Department of English and American Studies Life and Literary Work of Iain Banks with Emphasis on the Novel The Wasp Factory (Bachelor‘s thesis) Barbora Košňarová English Philology - Journalism Supervisor: Mgr. Ema Jelínková, Ph.D. Olomouc 2016 Univerzita Palackého v Olomouci Filozofická fakulta Katedra anglistiky a amerikanistiky Život a literární dílo Iaina Bankse s důrazem na román Vosí továrna (Bakalářská práce) Barbora Košňarová Anglická filologie - Žurnalistika Vedoucí práce: Mgr. Ema Jelínková, Ph.D. Olomouc 2016 I confirm that I wrote this thesis myself and integrated corrections and suggestions of improvement of my supervisor. I also confirm that the thesis includes complete list of sources and literature cited. In Olomouc .................................. I would like to thank to my supervisor Mgr. Ema Jelínková, Ph.D. for her support, assistance and advice. Table of Contents 1 Introduction .................................................................................................... 8 2 Iain Banks ..................................................................................................... 10 3 The Literary Work ....................................................................................... 13 3.1 Fiction ..................................................................................................... 14 3.2 Science Fiction ....................................................................................... 17 3.3 Short Stories ..........................................................................................