kathryn e. martin A STATEMENT OF INTEREST
Sixteen years ago, while working on a show, I was told I was attempting to “make a silk purse out of a sow’s ear.” It was explained to me that this was the notion of working to make something beautiful, valuable and interesting, with materials that were not inherently worthy of the effort. At the time I was using pine 2 x 4’s – an inexpensive and readily available material that worked with my budget.
Using the store-bought 2 x 4’s, I ripped, planed, and joined seventy 8’ boards. After each warped, bowed, and twisted length was rectified, I covered the light pine material in wood-grained contact paper. And from those wrapped boards, I constructed ten five foot high tables for my BFA exhibition (see image 01), each illustrating one of the 10 steps in Abraham Maslow’s hierarchy of needs. The piece opened up like a silk purse and revealed thought, message, and wonderment to its users. Atop each table, a new world unfolded through the placement of everyday, found objects.
Evident in my works are “created connections” between the art and its users. I create works that are in communication with their audience, and in the case of this project, a pair of headphones hung from each pine plank table. As the user put on the headphones they heard Frank Sinatra sing “Wonderful World”. They listened to The Beatles “Get by with a Little Help from My Friends” and so on for eight more tables.
Was that making a silk purse out of a sow’s ear? I don’t know. But those words have echoed in my head with each project, form, idea, material and environment I work with and maybe this is what I do because regardless of what material, what scale or what idea I’m given, I work to make it beautiful. I create formal, physical sites imbued with meaning, connection and belonging and this is what I would work to give to you and all those involved.
I use the word “given” intentionally. While I am an active seeker of artistic inspiration, I work best from the challenge of being given the initial idea for a project – whether that idea be one of architectural space, environmental restrictions or social history. I am an artist who likes to make things from the everyday but is deeply connected to the challenge of working with, connecting to, and collaborating with others – and creating art for Pennsylvania Park, in Madison, WI, excites me. I want to work to make something perfect, as a visual way connect your given considerations.
In my work, I need to find my passion. I need it so that I can connect my passion with the public, its viewers and its users. My Art is meant to connect with its users and be in communication with its audience. I make Art to talk to those around it. I make Art in response to those around it. I am sensitive to not just what it is, what it is made from, how it is assembled but where it is placed and why. The why, perhaps, is most important. The why gives reason.
Ten years ago, in 2007, I was presented with my first public art project, an artwork to be erected along the Art Loop of the Hank Aaron State Trail, located on the south side of the Menomonee River, in Milwaukee, WI. I had neither created a permanent sculpture before, nor had I ever desired to do so, because I tended to work with temporary installations, but I welcomed the challenge of thinking about permanency and relished in the work, research, and learning that came with the proposal.
As I entered the project, I had a superficial awareness of the area. The land and location selected for the sculpture was not pretty. The site competes with a municipal yard, yet I was compelled to learn more and contribute to its beautification.
I found the why for A Place to Sit (see images 02, 03, 04) by first visiting the Wisconsin Historical Society and later by reading a book suggested to me by one of the Society’s staff. The Making of Milwaukee, by John Gurda, gave me what I was looking for. In the first chapter, his description of the fight for this very plot of land and the ensuing turmoil - a “game of musical chairs. In the end, it was the Indians who had nowhere to sit” - gave me what I needed. This was the metaphorical imagery that provided the inspiration I needed.
My second commissioned project gave me a sow’s ear in the form of a state-funded building, built in 1959, on the campus of the University of Wisconsin – Madison, Chadbourne Hall. Constructed from a Y shape that dictates the form of the building, Chadbourne Hall had stretched upward in vast difference to its counterpart, an older residence. Barnard Hall, and its handsome style of architecture that had for so many years characterized the building on Madison’s campus, began to be replaced by more cost effective, space-efficient “high density structures”. These two buildings were the sites for my second public project.
Through my working process, I was drawn over and over again to the footprint of Chadbourne Hall, the “Y shape” and that “Y shape” became my found object. I challenged myself to create a sculpture utilizing only this shape, ascertaining that the sculpture would have to fully and effectively come together in combination and connection as a symbol of unification of the two residence halls, while conveying that abstraction we call togetherness. I gave myself the task to create a new “high density structure” that would stand reflecting on the past while marking the present and looking towards its unfolding future. I wanted a form standing in connection with the spirit of this place. Ellipsoid (see image 05), an 8’ x 8’ x 8’ welded aluminum sculpture, was made.
And so it was and so it goes that one project leads to the next. A to-be client was inspired by Ellipsoid and its close connection with the architecture and wanted to look out of his second-floor home office, over the sprawling city, and see a sculpture rising from its ground, piercing the sky like a ship’s prow. His wife wanted nothing of the sort, demanding that the sculpture sit no higher than two feet from the ground.
After listening to their needs, spending time with the space and again finding beauty in the backdrop of the architectural lines of the buildings in the distance, Prowess (see image 06) came to be. He, happy with the boldness of color and resilience of the cast eco-resin having never to worry about sun damage, cleaning, wind, snow or the damage grandchildren might wreck and she, delighted with the movement, the form, and the way it exudes all the presence it needs while sitting only 18” from the ground. It gave them what they, and their space, needed and they take pride in the work every time they walk by.
My ability to collaborate with the two of them and their space, led to a yearlong collaboration with Renaissance TheatreWorks in Milwaukee (see image 07 + 08). Originally commissioned to create a sculpture for their lobby during the production of Athol Fuggard’s Road to Mecca, I found passion in the life and spirit of Helen Martins, the main subject. A true outsider artist, Martins was driven to make Art, make it in abundance, and making art to lift and keep her spirit lifted.
Rightfully so; this is what Art should do for us, whether trained, educated, learned or unlearned. I tapped into her passion and ran with it. At the end of the project, we, members of our community, including girls from Pearls Girls, a Girl Scout troop, and young women from the Sojourner Truth House in Milwaukee made approximately 800 owl forms. Martins’ house (where their play was set) became known as the owl house, thus my decision on the form. Martins believed the owl to be her totem spirit and wanted to be protected by it. Everyone who came to the Renaissance TheatreWorks production was able to walk out with an owl.
In 2014, I embraced the opportunity to work on the Milwaukee Public Library East Branch as I came to see the first step into any library as an admission of curiosity and a desire to learn. That voice guided the specific work, Topos (see image 09 + 10), to be created from locally harvested urban lumber, CNC cut into a topographical map of the neighborhood the location serves.
At last, it has been the intent of this letter to inform you of my reason for interest, namely, that this is what I do. I work to convey an idea, through beautifully executed form and craft that works with its environment or better yet, belongs in its environment. I am inspired by what is given to me to work on. I work to find a connection to the place, the users and the story to be told, be it past, present or future. And in this spirit, I embrace the opportunity to work on the Pennsylvania Park Public Artwork and would be honored to be chosen as a finalist.
Thank you for your time, attention, and consideration. It is much appreciated.
kathryn e. martin kathryn e. martin CURRENT RESUME www.kathrynemartin.com [email protected]
FORMAL EDUCATION
2007 MFA in InterMedia, University of Wisconsin, Milwaukee (UWM) 2005 MA in InterMedia, UWM 2001 BFA in Sculpture, Milwaukee Institute of Art & Design (MIAD) 2000 Summer study, Vietnamese College of Art, Hue, Vietnam
GRANTS / AWARDS
2016 C.D. Besadny Conservation Grant Program, Natural Resources Foundation of Wisconsin 2016 Greater Milwaukee Foundation's Mary L. Nohl Fund Suitcase Export Fund for Visual Art 2016 UWM Alumni Employee Award: Community University, We Make a Difference Award 2013 UWM Center for Community Based Learning, Distinguished Community Engaged Faculty of the Year 2009 Wisconsin Percent for Art Mentor/Mentee Program
COMMISSIONS
2017 Private Art Commission, Taking Flight, site specific installation (8’ x 120’), 8,000 paper airplanes, Acuity Insurance, Sheboygan, WI 2017 Private Art Commission, Untitled (word wall), site specific installation (2 walls at 6’ x 6’), 1000’s of plastic figures, Acuity Insurance, Sheboygan, WI 2014 Public Art Commission, Topos, installation and seating (16’ x 16’), reclaimed wood, Milwaukee Public Library, East Side Branch, Milwaukee, WI 2014 Private Art Commission, Mazeltov!, assembled and displayed silver leafed glass shards, (18” x 24”), glass, Josh Minkin Residence, Milwaukee, WI 2012 Private Art Commission, Ascension, site-specific exterior sculpture, (12” x 12” x 72”), 3Form Varia Eco Resin, Frautsche Residence, Milwaukee, WI 2011 Private Art Commission, Prowess, site-specific exterior sculpture, (60” x 12” x 18”), 3Form Varia Eco Resin,
Frautsche Residence, Milwaukee, WI 2010 Public Art Commission, Ellipsoid, free-standing exterior sculpture (8’ x 8’ x 8’), stainless steel, University of Wisconsin – Madison, Chadbourne Hall, Madison, WI 2009 Private Art Commission, Robert’s Rorschach’s, wall installation of framed, cut leather hides, (10’ x 8’ x 2”), hand cut leather, (Joseph Residence, Milwaukee, WI 2009 Private Art Commission Untitled (leather wall), site specific wall installation of wrapped leather, (14’ x 6’ x 1”), Joseph Residence, Milwaukee, WI 2008 Private Art Commission Phlox, site specific installation of phlox, (actual size), various plastics, Joseph Residence, Milwaukee, WI 2007 Public Art Commission, seating and entrance piece, (each chair 2’ x 2’ x 10’ and signage measures 8’ x 8’ x 5”), Ironwood, aluminum, stainless steel, A Place to Sit, Hank Aaron State Trail at Ember and Canal Street, Milwaukee, WI 2007 Private Art Commission Dandelions, site specific installation of dandelions, (actual size), various plastics, Joseph Residence, Milwaukee, WI
COLLABORATIVE PROJECTS
2015 Congratulations Milwaukee!, Milwaukee Art Museum, Milwaukee, WI (collaboration with local high school art student and Museum donors and staff) 2013 The Road to Mecca: Our Owls, Renaissance Theatre, Milwaukee, WI (collaboration with Renaissance Theaterworks, Pearls Girls and Sojourner House) 2012 Reuse, Redo, Remake, Marquette University High School, Milwaukee, WI (collaboration with the young men at Marquette University High School) 2006 InSite: Untitled (fence), North Avenue, between 37th and 38th Street, Milwaukee, WI (collaboration with the Boys and Girls Club.
SELECTED SOLO EXHIBITIONS
2017 Rock, Paper, Binder Clips: kathryn martin assembles, Northern Arizona University Art Museum, Flagstaff, AZ 2015 Winter Chapel, an exterior installation, Portrait Society Gallery, Milwaukee, WI 2010 One from Wisconsin, Museum of Wisconsin Art, West Bend, WI 2008 Flotant, John Michael Kohler Art Center, Sheboygan, WI 2006 Learning to inhabit this world in a better way, University of Wisconsin – Fon du Lac, WI 2006 The Airplane Project, GardenFresh, Chicago, IL 2005 Plane on Plane, Wright Museum of Art, Beloit, WI 2005 Unicorn Cloud, Hotcakes Gallery, Milwaukee, WI
SELECTED GROUP EXHIBITIONS
2017 Inside Job, Brooks Stevens Gallery, Milwaukee, WI 2017 SUM TOTAL, Arts Center Gallery, Milwaukee, WI 2016 Reclaiming: Remaking, Slocumb Galleries, Johnson City, TN 2015 SUM TOTAL, Arts Center Gallery, Milwaukee, WI 2012 Memory, Pasadena Contemporary Gallery, Pasadena, CA 2012 Treasure, Plaid Tuba, Milwaukee, WI 2011 WATERSHED: Art, Activism, and Community Engagement, Milwaukee, WI 2011 SRAM pART PROJECT, Interbike National Bicycle Expo, Las Vegas, NV 2011 SUM TOTAL, Arts Center Gallery, Milwaukee, WI 2011 UWM Faculty Exhibition, Cedarburg Cultural Center, Cedarburg, WI 2009 Flight Box, Installation for Present Music, Milwaukee Art Museum, Milwaukee WI
CLIENT LIST
Acuity Insurance Tim and Sue Frautsche Friends of the Hank Aaron State Trail Robert and Kami Joseph Steven Marcus Josh Minkin William Sell State of Wisconsin
kathryn e. martin ADDITIONAL SUPPORT MATERIALS www.kathrynemartin.com [email protected]
PRINT MEDIA
Diandra Markgraf, “NAU Exhibit Makes Everyday Objects Sing,” Arizona Daily Sun, April 9, 2017 Sarah Hauer, “Making a Place for Insects in our World,” Milwaukee Journal Sentinel, Jan. 20, 2017 Kat Kneevers, “Alumni return for ‘Inside Job’ at MIAD,” Wisconsin Gazette, August 24, 2017 Howie Magner, “Snug as a bug,” UWM Alumni Magazine, May, 2017 “Reclaiming – Remaking exhibit at Tipton Gallery Johnson City TN,” A! Magazine for the Arts, Aug. 2016 Dylan Looney, “Reclaiming/Remaking: New exhibit hopes to advance general discussion about environmentalism,” East Tennessean, Aug. 18, 2016 Lyn Govette, “Reclaiming/Remaking on display,” Johnson City Press, July 2016 Jim Higgins, “’Road to Mecca’ portrays story similar to that of Milwaukee-area resident,” Milwaukee Journal Sentinel, April 3, 2013 Selena Milewski, “Community art at its best, A conversation with katie martin,” Shepherd Express, April 1, 2013 Peggy Sue Dunigan, “kathryn e. martin Heads List of February Exhibits,” Shepherd Express, Feb 18, 2010 “Eastern Wisconsin artists: Find out what’s inspiring the region’s creative communities, My Midwest Magazine, Jan/Feb 2009 Sara Mulloy, “Review: Reconnection at MIAD,” Milwaukee Journal Sentinel, Nov. 18, 2009 Pegi Christiansen, “Thanks Giving,” Milwaukee Journal Sentinel, Nov. 25, 2009 Mary Louise Schumacher, “Bringing Art into View: ‘In the Making shows creative process,” Milwaukee Journal Sentinel, January 20, 2008. Angelina Krahn, “Local Cross Section Art,” Shepherd Express, Dec. 16, 2008. Peggy Sue Dunigan, “Site Specific Art.” Shepherd Express, Dec. 4, 2008. Mary Louise Schumacher, “Kathryn e. martin’s first permanent public artwork unveiled tonight,” Oct. 8, 2009 Scott Topper, "Art review: State of the art: MMOCA show features the finest of Wisconsin's artists," Wisconsin State Journal, May 25, 2007. Mary Louise Schumacher, “Collective vision, Triennial is meditative and witty in its exploration of life's disconnects,” Milwaukee Journal Sentinel, May 2007. Mary Louise Schumacher, “Worth a 2nd look, Revisiting top exhibits, local art news of 2006,” Milwaukee Journal Sentinel, Dec., 27, 2006. Mary Louise Schumacher, “An Hour with: Artist Katie Martin, Turning Trash into Contemporary Art,” Milwaukee Journal Sentinel, June 24, 2006. Whitney Taylor, “Found and lost: Fleeting artworks enliven North Ave.”, MKE, June 1, 2006 Mary Louise Schumacher, “Temporary art project completes installation,” Milwaukee Journal Sentinel, May 31, 2006 Mary Louise Schumacher, “Project takes Art to the street,” Milwaukee Journal Sentinel, May 13, 2006 Mary Louise Schumacher, “Home is where her paper lands,” Milwaukee Journal Sentinel, August 2004.
RADIO/TELEVISION
Angelica Duria, “Save the Bugs, College Professor, students give bugs new life by building insect motels”, WITI Fox 6 News, Milwaukee, WI, Sept. 27, 2017 Susan Bence, Interview and cover story, NPR, All Things Considered, May 30, 2017 Coreen Zell, “University of Wisconsin – Milwaukee insect motels aim to foster survival”, TMJ4-TV, Milwaukee, WI, May 17, 2017. Susan Bence, “Milwaukee’s New East Library Honors its Past While Folding in Sustainability,” WUWM, Nov. 2014 Mark Metcalf, “The spiritual mechanism that enables art,” a ThirdCoast Digest podcast in conjunction with 91.7 Frontier Radio WMSE-FM, May 20, 2010 Bonnie North, Interview, WUWM, Nov. 21, 2008
WEBSITE PUBLICATIONS
Urbanmilwaukee.com, “Huge Turnout for East Library Opening”, Nov. 2014 Urbanmilwaukee.com, “New East Library is a Jewel”, Nov. 2014 Jsonline.com, “Artists selected for East Side Library Commissions.” Oct. 2013 Casart.com, “Katie Martin,” March 22, 2010 Milwaukeedecider.com, “Now Hanging,” Dec., 16, 2008 Newcity.com, “Eye Exam, Studio tours,” Dec., 2006 Onmilwaukee.com, “IN: SITE creates public, temporary art,” June 1, 2006
BLOGS
Rebecca Biggs, “Grant Project Builds Art and Conservation,” Natural Resources of Wisconsin (blog), May 2017, http://www.wisconservation.org/grant-project-blends-art-conservation/ Rebecca Biggs, “Building Places for Insects,” Natural Resources of Wisconsin (blog), March 2017 http://www.wisconservation.org Willy, “Nohl: Suitcase Export Fund Winter Cycle 2016,” Lynden Blog (blog), May 15, 2016, http://www.lyndensculpturegarden.com/blog, Mike Brenner, “Changing economic times force artists to adapt,” blog.art21.org, April 28, 2010
SELECTED LECTURES/TALKS/WORKSHOPS
2017 Work(ing) to figure it all out, Art Survey Class, UWM 2016 Professional Portfolio Symposium VII, MIAD 2016 Artist’s Talk, Art Survey Class, UWM 2016 Artist’s Talk, Oconomowoc Arts Center, Oconomowoc, WI 2015 Topos, American Geographic Society Library 2015 Professional Portfolio Symposium VI, MIAD 2014 Topos, the Process, Milwaukee Public Library, East Side location 2014 Artist’s Talk, Art Survey Class, UWM 2013 Artist’s Talk, Art Survey Class, UWM 2012 Artist’s Talk, Grafton Arts Mill, Grafton, WI 2011 Professional Portfolio Symposium III, MIAD 2011 Studio Talk, The Milwaukee Art Museum’s Contemporary Artists Society, Milwaukee, WI
kathryn e. martin WORK SAMPLE DESCRIPTIONS www.kathrynemartin.com [email protected]
01. BFA Thesis Show: Reminding Myself to Breathe Budget: n/a 2001 Dimensions Variable Mixed Media Project Sponsor: Self
Ten constructed and decorated tables, each illustrating one of the 10 steps in Abraham Maslow’s hierarchy of needs.
02. A Place to Sit Budget: $25,000 2007 Entrance Piece: 8’ x 8’ x 5” Each chair measures” 2’ x 2’x 10’ Ironwood, aluminum, stainless steel Project Sponsor: Friends of the Hank Aaron State Trail
Before the onset of industry and European settlement, the Menomonee Valley was a vast marsh that extended from Lake Michigan to Miller Park. This was fertile ground for the harvesting of wild rice by American Indians. On an annual basis, various tribes came together peacefully to harvest rice, to carry them through the long winter. The arrival of Europeans disrupted Native American life. As Europeans began to settle in the area, American Indians were displaced and the marsh was filled to provide land for industry. Local historian John Gurda describes the turmoil as a “game of musical chairs. In the end, it was the Indians who had nowhere to sit.”
The high-back chairs of A Place to Sit honor the spirit and people of Wisconsin’s American Indian tribes. In their tradition of cooperating with others to share in the bounty of the Menomonee Valley, all are invited to gather and share in the rich history and promising future of this area.
03. A Place to Sit (detail)
04. A Place to Sit (detail)
05. Ellipsoid Budget: $25,000 2010 8’ L x 8’ W x 8” H Stainless Steel Project Sponsor: State of Wisconsin
Commissioned by the State of Wisconsin as a WI % for Arts Projects, under the leadership of Chris Manke. Working with Beth Sahagian of Vanguard Foundry, I contracted PRO Engineering to engineer and fabricate a piece in direct response to the footprint of the building it was commissioned for.
06. Prowess Budget: $7,500 2011 4’ x 30” x 12” Varia Eco-Resin Project Sponsor: Private Clients
A to-be client was inspired by my close connection with the architecture on site of Ellipsoid and asked if I would come over to he and his wife’s condo to talk. I did and they showed me the place where they were interested in commissioning a piece for. He wanted to look out of his second floor office, over the sprawling city, and see the sculpture rising from the ground, piercing the sky like a ship’s prow. She wanted nothing of the sorts, demanding that the sculpture sit no higher than 2’ from the ground.
07. The Road to Mecca Budget: $5,250 2013 Each owl measured approximately 10” H x 5” W x 5” L Plaster, chicken wire, beads, beans and baubles Project Sponsor: Renaissance Theatre
Commissioned by the Renaissance Theatre as the primary artist I collaborated with Pearls Girls, Sojourner House and local girl scouts groups to make owl-like forms Helen Martins creations. Each form was made to be given to every patron who attended their production of Antony Fuggard’s Road to Mecca.
08. The Road to Mecca (detail)
09. Topos Budget: $15,000 2014 Wall work measures 18’ x 16’ x 3” Bench seating approximately 36” x 20” x 4” Reclaimed and locally harvested wood: Honey Locust, Ash and Elm Project Sponsor: Greater Milwaukee Foundation and Milwaukee Arts Board
Commissioned by The City of Milwaukee as the lead artist, I contracted Burnwerks, Inc. for CNC design work. Using Milwaukee’s urban lumber, I coordinated the use of material with Kettle Moraine Hardwoods and later, The American Geographic Society Library to source and fabricate the exact topographical map needed for cutting and installation. The central seat is a cross section of a local Ash tree, removed and supplied by the City of Milwaukee’s Urban Forestry Department.
10. Topos (detail)
APPENDIX C
CITY OF MADISON REQUEST FOR QUALIFICATIONS RFQ No. 8676-0-2017-BP
Pennsylvania Park Project City of Madison- Public Park Project
IMAGE LIST
kathryn e. martin
Artist Name
Email Address
Image Title of Work/ Year Approx. Artist Budget Medium file # Client Completed Dimensions
01 kathryn e. martin BFA Thesis/self n/a 2001 variable mixed Ironwood, 02 kathryn e. martin A Place to Sit $25,000 2007 Each chair: 2' x 2' 10' Aluminum, SS 03 kathryn e. martin Client: Friends of the Hank Aaron State Trail (image: A Place to Sit, detaildetail)
04 kathryn e. martin A Place to Sit, detail
kathryn e. martin 05 Ellipsoid, State of $25,000 2010 8' x 8' x 8' Stainless Steel WI 06 kathryn e. martin Prowess, Private $7,500 2011 4' x 30" x 12" Varia EcoResin
07 kathryn e. martin The Road to Mecca $5,250 2013 Each owl: 10" x 5" x 5" mixed
08 kathryn e. martin client: Renaissance Theatreworks (image: The Road to Mecca detail)
09 kathryn e. martin Topos $15,000 2014 18' x 16' x 3" urban hardwoods
10 kathryn e. martin client: Greater Milwaukee Foundation and Milwaukee Arts Board (image: Topos detail)
Form E: References
RFQ #: 8676-0-2017-BP Pennsylvania Park
This form must be returned with your response.
REFERENCE #1 – CLIENT INFORMATION COMPANY NAME CONTACT NAME Acuity Insurace Sheri Murphy ADDRESS CITY STATE ZIP
2800 S Taylor Drive Sheboygan WI 53081 TELEPHONE NUMBER FAX NUMBER (800) 242-7666 ex 5511 EMAIL [email protected] CONTRACT PERIOD YEAR COMPLETED TOTAL COST 10/29/17 - 11/1/17 11/1/17 $4,000 DESCRIPTION OF THE PERFORMED WORK
Installation of commissioned work: Taking Flight
REFERENCE #2 – CLIENT INFORMATION COMPANY NAME CONTACT NAME
WI DNR Melissa Cook ADDRESS CITY STATE ZIP
2300 N Dr Martin Luther King Jr Dr Milwaukee WI 53213 TELEPHONE NUMBER FAX NUMBER 414-263-8559 EMAIL [email protected] CONTRACT PERIOD YEAR COMPLETED TOTAL COST 2006 - 2007 2007 $25,000 DESCRIPTION OF THE PERFORMED WORK
Installation of commissioned work: A Place to Sit
REFERENCE #3 – CLIENT INFORMATION COMPANY NAME CONTACT NAME Milwaukee Public LIbrary Paula Kiely ADDRESS CITY STATE ZIP 814 W Wisconsin Ave Milwaukee WI 53233 TELEPHONE NUMBER FAX NUMBER 414-286-3020 EMAIL [email protected] CONTRACT PERIOD YEAR COMPLETED TOTAL COST 2013 - 2014 2014 $15,000 DESCRIPTION OF THE PERFORMED WORK
Installation of commissioned work: Topos
kathryn e. martin, llc COMPANY NAME
Rev. 07/28/2016-8676 Form E.doc