The Edge of the Universe Players 2 Present As an Online Radio Play
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors. -
Screwball Syll
Webster University FLST 3160: Topics in Film Studies: Screwball Comedy Instructor: Dr. Diane Carson, Ph.D. Email: [email protected] COURSE DESCRIPTION: This course focuses on classic screwball comedies from the 1930s and 40s. Films studied include It Happened One Night, Bringing Up Baby, The Awful Truth, and The Lady Eve. Thematic as well as technical elements will be analyzed. Actors include Katharine Hepburn, Cary Grant, Clark Gable, and Barbara Stanwyck. Class involves lectures, discussions, written analysis, and in-class screenings. COURSE OBJECTIVES: The purpose of this course is to analyze and inform students about the screwball comedy genre. By the end of the semester, students should have: 1. An understanding of the basic elements of screwball comedies including important elements expressed cinematically in illustrative selections from noteworthy screwball comedy directors. 2. An ability to analyze music and sound, editing (montage), performance, camera movement and angle, composition (mise-en-scene), screenwriting and directing and to understand how these technical elements contribute to the screwball comedy film under scrutiny. 3. An ability to apply various approaches to comic film analysis, including consideration of aesthetic elements, sociocultural critiques, and psychoanalytic methodology. 4. An understanding of diverse directorial styles and the effect upon the viewer. 5. An ability to analyze different kinds of screwball comedies from the earliest example in 1934 through the genre’s development into the early 40s. 6. Acquaintance with several classic screwball comedies and what makes them unique. 7. An ability to think critically about responses to the screwball comedy genre and to have insight into the films under scrutiny. -
Comes to Life in ELLA, a Highly-Acclaimed Musical Starring Tina Fabrique Limited Engagement
February 23, 2011 Jazz’s “First Lady of Song” comes to life in ELLA, a highly-acclaimed musical starring Tina Fabrique Limited engagement – March 22 – 27, 2011 Show features two dozen of the famed songstresses’ greatest hits (Philadelphia, February 23, 2011) — Celebrate the “First Lady of Song” Ella Fitzgerald when ELLA, the highly-acclaimed musical about legendary singer Ella Fitzgerald, comes to Philadelphia for a limited engagement, March 22-27, 2011, at the Annenberg Center for the Performing Arts. Featuring more than two-dozen hit songs, ELLA combines myth, memory and music into a stylish and sophisticated journey through the life of one of the greatest jazz singers of the 20th century. Broadway veteran Tina Fabrique, under the direction of Rob Ruggiero (Broadway: Looped starring Valerie Harper, upcoming High starring Kathleen Turner), captures the spirit and exuberance of the famed singer, performing such memorable tunes as “A-Tisket, A-Tasket,” “That Old Black Magic,” “They Can’t Take That Away from Me” and “It Don’t Mean A Thing (If It Ain’t Got That Swing).” ELLA marks the first time the Annenberg Center has presented a musical as part of its theatre series. Said Annenberg Center Managing Director Michael J. Rose, “ELLA will speak to a wide variety of audiences including Fitzgerald loyalists, musical theatre enthusiasts and jazz novices. We are pleased to have the opportunity to present this truly unique production featuring the incredible vocals of Tina Fabrique to Philadelphia audiences.” Performances of ELLA take place on Tuesday, March 22 at 7:30 PM; Thursday, March 24 at 7:30 PM; Friday, March 25 at 8:00 PM; Saturday, March 26 at 2:00 PM & 8:00 PM; and Sunday, March 27 at 2:00 PM. -
One Night with Fanny Brice
The American Century Theater presents About The American Century Theater The American Century Theater The American Century Theater was founded in 1994. We are a professional presents nonprofit theater company dedicated to presenting great, important, and worthy American plays of the twentieth century—what Henry Luce called “the American Century.” A Robert M. McElwaine American Reflections Project production of The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender the moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins, and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. The Robert M. McElwaine American Reflections Project with Esther Covington as Fanny One Night with Fanny Brice Honorary Producers November 5–27, 2010 Andrew Scott McElwaine Ann Marie Plubell Rosslyn Spectrum Theatre Harry and Lucille Stanford 1611 North Kent Street, Arlington VA Anonymous Director Musical Director Producers Ellen Dempsey Tom Fuller Rip Claassen About the Robert M. McElwaine American Reflections Project Rhonda Hill “Reflections” is an American Century Theater initiative designed to inspire and produce new and original stage works that compliment the company’s Stage Manager Scenic Design Lighting Design repertoire of important American plays and musicals from the 20th century. Arthur Rodger Patrick Lord Steven L. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Martin Balsam and the Refining of Male Character Acting in American Films, 1957-1976 John Thomas Mcguire, Siena College
Man In A Hat: Martin Balsam and the Refining of Male Character Acting in American Films, 1957-1976 John Thomas McGuire, Siena College [email protected] Volume 8. 1 (2020) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2020.235 | http://cinej.pitt.edu Abstract This article attempts a definition at what constitutes “character acting” in mainstream cinema in the United States and argues that throughout the peak of his film career—roughly, 1957 through 1976--Martin Balsam refined the definition of male character acting in American film, a parameter previously established by such skilled practitioners as Eugene Pallette and Claude Rains. Balsam did this through his ability to portray what can be termed “a man in a hat” portrayals: tartly humorous, reliable, and sometimes authoritative supporting characters, usually wearing a chapeau. This is clearly seen in such performances as the private investigator in Alfred Hitchcock’s Psycho (1960) and most interestingly, a partner in an unusual subway hijacking in Joseph Sargent’s The Taking of Pelham One, Two, Three (1974). Keywords: Character acting, male, in film, United States; Martin Balsam; Academy Award for Best Performance by a Supporting Actor; Claude Rains; Alfred Hitchcock; 20th Century film acting. New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press Man In A Hat: Martin Balsam1 and the Refining Of Male Character Acting in American Films, 1957-1976 John Thomas McGuire "I'll tell you; I still don't feel whatever change you're supposed to feel when your name goes up above the title. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
And the Oscar Goes To
SOCIETY & CULTURE Oscar de la Renta with Spanish socialite and exhibits former fashion model Naty Abascal in the 1960s. AND THE OSCAR GOES TO... As the Museum of Fine Arts pays tribute to prolific fashion designer Oscar de la Renta, local style icons look back on his impact on both their lives and the world. By Michele Meyer The first major fashion exhibit at The Museum of Fine Arts, Houston began with one phone call, when philanthropist Lynn Wyatt rang up Museum Director Gary Tinterow. Having seen a tribute to the late, great Oscar de la Renta at San Francisco’s de Young museum, Wyatt believed Houston should stage its own showcase of the dapper designer. After all, he’d often visited our city and had clad not only Audrey Hepburn, Taylor Swift, Oprah Winfrey and every first lady of the United States—from Nancy Reagan to Michelle Obama— but also many local fashionistas, Wyatt among them. Needless to say, Tinterow agreed. Rest assured that the resulting exhibit, The Glamour and Romance of Oscar de la Renta—on view through Jan. 28—is no knock-off. Not only did de la Renta’s heirs and French label Pierre Balmain share corporate and personal archives, but some of Houston’s best-dressed denizens opened their own closets to the MFA. Each section features gorgeous garb loaned by Wyatt; former Mayor Bob Lanier’s wife, Elyse Lanier; fine arts patron Rosanette Cullen; anesthesiologist Yvonne Cormier; and former first lady Laura Bush. “He told me he had a special affection for the women of Houston because they had style and wore their clothes beautifully,” Cormier says. -
The Speaker's
Sekou Andrews: The Speaker’s Bio Sekou Andrews is inspiring the business world one poem at a time with The Sekou Effect. As the world’s leading Poetic Voice, Sekou creates personalized poetic presentations that give voice to the messages and missions of organizations and help them tell their most powerful stories. He is the creator of this cutting-edge speaking category that combines strategic storytelling, inspirational speaking, spoken word poetry, and the power of theater and comedy to make events into experiences, and transform audiences of informed receivers into enrolled responders. Sekou does more than inspire us with his story; he inspires us with our story. An elementary schoolteacher turned actor, musician, national poetry slam champion, entrepreneur, and now award-winning Poetic Voice, any given day may now find Sekou presenting an original talk for international marketing executives, giving a keynote speech at a leadership conference, or performing pieces for Barack Obama in Oprah’s backyard and Hillary Clinton in Quincy Jones’ living room. His work has been featured on such diverse national media outlets as ABC World News, MSNBC, HBO, Good Morning America, Showtime, MTV and BET, and he has performed privately for such prominent individuals as Maya Angelou, Larry King, Norman Lear, Sean “P-Diddy” Combs, and Coretta Scott King and family. Companies and organizations that have experienced “The Sekou Effect” include Kraft, Nike, Time Warner, Global Green, Banana Republic, eBay, Microsoft, Google, LinkedIn, Express, Paypal, General Mills, TEDx, Wieden+Kennedy, NBA, NCAA, Chopra Center, Experient, Singularity University and the Million Dollar Roundtable to name but a few.