Baltimore Reporters Do Some Fine TV Storytelling on Sandy
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Broadcast Actions 2/19/2020
Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 49677 Broadcast Actions 2/19/2020 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N Actions of: 02/12/2020 AM STATION APPLICATIONS FOR ASSIGNMENT OF LICENSE GRANTED GA BAL-20200110AAH WSB 73977 COX RADIO, INC. Voluntary Assignment of License From: COX RADIO, INC. E 750 KHZ GA ,ATLANTA To: COX RADIO, LLC Form 316 GA BAL-20200110AAQ WGAU 11709 COX RADIO, INC. Voluntary Assignment of License From: COX RADIO, INC. E 1340 KHZ GA ,ATHENS To: COX RADIO, LLC Form 316 GA BAL-20200110AAR WRFC 1218 COX RADIO, INC. Voluntary Assignment of License From: COX RADIO, INC. E 960 KHZ GA ,ATHENS To: COX RADIO, LLC Form 316 FL BAL-20200110ABA WOKV 53601 COX RADIO, INC. Voluntary Assignment of License From: COX RADIO, INC. E 690 KHZ FL , JACKSONVILLE To: COX RADIO, LLC Form 316 Page 1 of 33 Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 49677 Broadcast Actions 2/19/2020 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N Actions of: 02/12/2020 AM STATION APPLICATIONS FOR ASSIGNMENT OF LICENSE GRANTED FL BAL-20200110ABI WDBO 48726 COX RADIO, INC. -
HD Radio Monetization
HD RadioTM Technology Monetizing your HD Radio Channels Jeff Detweiler Executive Director, Broadcast Business Development Agenda Copyright 2017 XPERI Agenda ▪ Benefits For Stations ▪ Monetizing HD Radio Channels ▪ Specific Format Examples ▪ Summary Copyright 2017 XPERI Benefits For Stations ▪ Allows multicasting on several channels at once using the same frequency 1 Frequency = ▪ Multicasting is radio’s first “killer app” since the Analog Radio 1 Program advent of FM broadcasting 1 Frequency = ▪ Provides additional content to help bolster Multi-Program listenership and Time Spent Listening Washington Sports Radio ▪ Helps stations bracket target demo to become more Demo: Men 18-54 attractive to advertisers CBS National Sports Radio ▪ On-air platform to try new formats and fine-tune Demo: Men 18-54 programming ideas New York Sports Radio ▪ A way to extend a station’s brand and increase reach Demo: Men 18-54 and market presence Baltimore Sports Radio Demo: Men 18-54 Copyright 2017 XPERI Benefits For Stations ▪ Tune-out can become tune-over to your other HD Radio channels ▪ The creation of up to 3 more broadcast channels for you to market ▪ The chance to keep your existing listeners for longer periods ▪ The prospect of generating new listenership from a new audience ▪ The ability to convert occasional listeners to brand-loyal listeners ▪ The creation of cost-effective discrete demographic targeting ▪ “Training Wheels” to help fine-tune new formats on-air ▪ THE OPPORTUNITY TO MAKE MORE MONEY! Copyright 2017 XPERI Monetizing HD Radio Channels -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
Insideradio.Com
800.275.2840 MORE NEWS» insideradio.com THE MOST TRUSTED NEWS IN RADIO FRIDAY, OCTOBER 30, 2015 Elvis Duran: Hosts ‘More Important Than Ever.’ Streaming music services may have stiffened competition for radio’s share of ear but they’ve done nothing to diminish the role of on-air personalities. In fact, the opposite is true, according to Elvis Duran, radio’s most listened-to top 40 morning man, in an exclusive interview with Inside Radio. “It makes us radio hosts more important than ever,” says the “Z100” WHTZ, New York-based Duran of the syndicated “Elvis Duran and the Morning Show.” “Even though we have a whole world of music at our fingertips, having a human connect you to the music is still very important. We are the people who add the human connectivity to music and musicians.” Duran also extols digital platforms in the discussion, praising them for giving personalities more ways to connect with the audience. Snapchat is a favorite among his show’s cast members. “It really is as close to the radio experience as you can get with any social media right now,” he says. “It is personable and it is of the moment; it is on and then 24 hours later it is gone. There is a sense of urgency to it.” Duran, who will be inducted into the National Radio Hall of Fame Nov. 5, explains how he and his cohosts work product mentions into the show so seamlessly. “A lot of times, we go to the sales department and say, ‘I have found myself using this product more and more. -
Contest Rules
MOVE 103.5 $1,000 Minute CONTEST OFFICIAL RULES AND REGULATIONS (the “Rules”) 1. The MOVE 103.5 $1,000 Minute contest (the “Contest”) starts at 7:35 a.m. Pacific Time (PT) on Monday, March 1, 2021 and ends at 7:35 a.m. PT on Friday, December 31, 2021 (the “Contest Period”). No purchase necessary. Void where prohibited. Limit of one (1) Prize per household. 2. The Contest sponsor MOVE is 103.5, a division of Bell Media Inc. (hereinafter referred to as the “Contest Sponsor”). 3. To enter and to be eligible to win, entrant must be a legal resident of British Columbia, Canada and be of the age of majority in in the province in which he/she resides. Employees of Bell Media Inc., its agents, parent, affiliated or related companies, subsidiaries, divisions, prize sponsors, promotional and advertising agencies or of any other entity involved in the development, production, administration, or fulfillment of the Contest, as well as the parents, siblings and children of any such employees and any person domiciled with such employees, are ineligible to enter. Winners of a previous Bell Media Radio Vancouver Station contest (this includes any contest on CFBT-FM, CHQM-FM, CKST-AM and CFTE-AM) within the thirty (30) days preceding the winner selection date for this Contest (including persons designated by such winners to participate in the prizes and persons domiciled with a winner) are not eligible to enter or to be selected for a prize and may be disqualified. 4. TO ENTER the Contest, an announcement will be made once each weekday during the Contest Period (excluding statutory holidays) at approximately 7:35 a.m. -
House of Cards Aids Typhoon Victims
'House of Cards' team organizing aid for typhoon victims - baltimoresun.com http://www.baltimoresun.com/entertainment/tv/z-on-tv-blog/bal-house-of-... www.baltimoresun.com/entertainment/tv/z-on-tv-blog/bal-house-of-cards--aid-typhoon-victims- 20131115,0,7088713.story Donations accepted through Wednesday in Baltimore area By David Zurawik The Baltimore Sun 8:00 PM EST, November 15, 2013 With filming for Season 2 completed last week, members of the team making "House of Cards" in advertisement Baltimore are focusing their energies on helping the victims of Typhoon Haiyan in the Philippines. Through Wednesday, workers on the show will be loading donated goods onto a tractor trailer that will be driven to Los Angeles and shipped to the Philippines, according to Rehya Young, assistant locations manager for the Netflix series produced by Media Rights Capital. "We'll be accepting donations until Wednesday, Nov. 20, which will give us time to pack the truck properly and get it to L.A. on time," said Young. The truck will be parked at the show's offices in Edgewood, MD. Those who think they might have something to donate can email Young: [email protected]. She will provide directions or make arrangements if the donor cannot transport the items. The "House of Cards" team is co-ordinating its relief efforts with Operation USA, which will be shipping the goods from Los Angeles to the Philippines. Those who want to make a financial donation through Operation USA can do so here. Several area businesses and unions that work with and on the series have already made contributions, according to Young. -
Clickscapes Trends 2021 Weekly Variables
ClickScapes Trends 2021 Weekly VariableS Connection Type Variable Type Tier 1 Interest Category Variable Home Internet Website Arts & Entertainment 1075koolfm.com Home Internet Website Arts & Entertainment 8tracks.com Home Internet Website Arts & Entertainment 9gag.com Home Internet Website Arts & Entertainment abs-cbn.com Home Internet Website Arts & Entertainment aetv.com Home Internet Website Arts & Entertainment ago.ca Home Internet Website Arts & Entertainment allmusic.com Home Internet Website Arts & Entertainment amazonvideo.com Home Internet Website Arts & Entertainment amphitheatrecogeco.com Home Internet Website Arts & Entertainment ancestry.ca Home Internet Website Arts & Entertainment ancestry.com Home Internet Website Arts & Entertainment applemusic.com Home Internet Website Arts & Entertainment archambault.ca Home Internet Website Arts & Entertainment archive.org Home Internet Website Arts & Entertainment artnet.com Home Internet Website Arts & Entertainment atomtickets.com Home Internet Website Arts & Entertainment audible.ca Home Internet Website Arts & Entertainment audible.com Home Internet Website Arts & Entertainment audiobooks.com Home Internet Website Arts & Entertainment audioboom.com Home Internet Website Arts & Entertainment bandcamp.com Home Internet Website Arts & Entertainment bandsintown.com Home Internet Website Arts & Entertainment barnesandnoble.com Home Internet Website Arts & Entertainment bellmedia.ca Home Internet Website Arts & Entertainment bgr.com Home Internet Website Arts & Entertainment bibliocommons.com -
When Being No. 1 Is Not Enough
A Report Prepared by the Civil Rights Forum on Communications Policy When Being No. 1 Is Not Enough: The Impact of Advertising Practices On Minority- Owned & Minority-Formatted Broadcast Stations Kofi Asiedu Ofori Principal Investigator submitted to the Office of Communications Business Opportunities Federal Communications Commission Washington, D.C. All Rights Reserved to the Civil Rights Forum on Communications Policy a project of the Tides Center Synopsis As part of its mandate to identify and eliminate market entry barriers for small businesses under Section 257 of the Telecommunications Act of 1996, the Federal Communications Commission chartered this study to investigate practices in the advertising industry that pose potential barriers to competition in the broadcast marketplace. The study focuses on practices called "no Urban/Spanish dictates" (i.e. the practice of not advertising on stations that target programming to ethnic/racial minorities) and "minority discounts" (i.e. the practice of paying minority- formatted radio stations less than what is paid to general market stations with comparable audience size). The study consists of a qualitative and a quantitative analysis of these practices. Based upon comparisons of nationwide data, the study indicates that stations that target programming to minority listeners are unable to earn as much revenue per listener as stations that air general market programming. The quantitative analysis also suggests that minority-owned radio stations earn less revenues per listener than majority broadcasters that own a comparable number of stations nationwide. These disparities in advertising performance may be attributed to a variety of factors including economic efficiencies derived from common ownership, assessments of listener income and spending patterns, or ethnic/racial stereotypes that influence the media buying process. -
Toward a Broadband Public Interest Standard
University of Miami Law School University of Miami School of Law Institutional Repository Articles Faculty and Deans 2009 Toward a Broadband Public Interest Standard Anthony E. Varona University of Miami School of Law Follow this and additional works at: https://repository.law.miami.edu/fac_articles Part of the Communications Law Commons, and the Law and Society Commons Recommended Citation Anthony E. Varona, Toward a Broadband Public Interest Standard, 61 Admin. L. Rev. 1 (2009). This Article is brought to you for free and open access by the Faculty and Deans at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in Articles by an authorized administrator of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. University of Miami Law School University of Miami School of Law Institutional Repository Articles Faculty and Deans 2009 Toward a Broadband Public Interest Standard Anthony E. Varona Follow this and additional works at: https://repository.law.miami.edu/fac_articles Part of the Communications Law Commons, and the Law and Society Commons ARTICLES TOWARD A BROADBAND PUBLIC INTEREST STANDARD ANTHONY E. VARONA* TABLE OF CONTENTS Introduction ............................................................................................. 3 1. The Broadcast Public Interest Standard ............................................ 11 A. Statutory and Regulatory Foundations ...................................... 11 B. Defining "Public Interest" in Broadcasting .......................... 12 1. 1930s Through 1960s-Proactive Regulation "to Promote and Realize the Vast Potentialities" of B roadcasting .................................................................. 14 a. Attempts at Specific Requirements: The "Blue Book" and the 1960 Programming Statement ........... 16 b. More Specification, the Fairness Doctrine, and Noncommercial Broadcasting ................................... 18 c. Red Lion BroadcastingCo. -
(202) 418-7450 Commission Proposes Statutory
NEWS Federal Communications Commission News Media Information 202 / 418-0500 445 12th Street, S.W. Internet: http://www.fcc.gov Washington, D. C. 20554 TTY: 1-888-835-5322 This is an unofficial announcement of Commission action. Release of the full text of a Commission order constitutes official action. See MCI v. FCC. 515 F 2d 385 (D.C. Circ 1974). FOR IMMEDIATE RELEASE NEWS MEDIA CONTACTS: March 12, 2004 Janice Wise (202) 418-7450 COMMISSION PROPOSES STATUTORY MAXIMUM FORFEITURE OF $247,500 AGAINST CLEAR CHANNEL COMMUNICATIONS FOR APPARENT VIOLATIONS OF INDECENCY RULE Washington, D.C. – The Federal Communications Commission today issued a Notice of Apparent Liability for Forfeiture against three subsidiaries of Clear Channel Communications for apparently airing indecent material. The material at issue was aired in connection with the “Elliot in the Morning” program on Stations WWDC(FM), Washington, D.C., WRXL(FM), Richmond, Virginia, and WOSC(FM), Bethany Beach, Delaware. The Commission proposed the statutory maximum forfeiture of $27,500 for each of nine apparent indecency violations. The Commission found nine apparent indecency violations that involved graphic and explicit sexual material, and were designed to pander to, titillate and shock listeners. The Commission proposed the statutory maximum forfeiture amount because of Clear Channel’s history of violations relating to the broadcast of indecent material. Action by the Commission, March 12, 2004, Notice of Apparent Liability for Forfeiture (FCC 04-47). Chairman Powell, Commissioners Abernathy, Martin, Copps and Adelstein. Commissioner Adelstein issuing a separate statement. Commissioner Martin concurring and issuing a separate statement. Commissioner Copps dissenting and issuing a separate statement. -
Alternative Perspectives of African American Culture and Representation in the Works of Ishmael Reed
ALTERNATIVE PERSPECTIVES OF AFRICAN AMERICAN CULTURE AND REPRESENTATION IN THE WORKS OF ISHMAEL REED A thesis submitted to the faculty of San Francisco State University In partial fulfillment of Zo\% The requirements for IMl The Degree Master of Arts In English: Literature by Jason Andrew Jackl San Francisco, California May 2018 Copyright by Jason Andrew Jackl 2018 CERTIFICATION OF APPROVAL I certify that I have read Alternative Perspectives o f African American Culture and Representation in the Works o f Ishmael Reed by Jason Andrew Jackl, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in English Literature at San Francisco State University. Geoffrey Grec/C Ph.D. Professor of English Sarita Cannon, Ph.D. Associate Professor of English ALTERNATIVE PERSPECTIVES OF AFRICAN AMERICAN CULTURE AND REPRESENTATION IN THE WORKS OF ISHMAEL REED Jason Andrew JackI San Francisco, California 2018 This thesis demonstrates the ways in which Ishmael Reed proposes incisive countemarratives to the hegemonic master narratives that perpetuate degrading misportrayals of Afro American culture in the historical record and mainstream news and entertainment media of the United States. Many critics and readers have responded reductively to Reed’s work by hastily dismissing his proposals, thereby disallowing thoughtful critical engagement with Reed’s views as put forth in his fiction and non fiction writing. The study that follows asserts that Reed’s corpus deserves more thoughtful critical and public recognition than it has received thus far. To that end, I argue that a critical re-exploration of his fiction and non-fiction writing would yield profound contributions to the ongoing national dialogue on race relations in America. -
The Rise of Talk Radio and Its Impact on Politics and Public Policy
Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox.