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Bilder Av Sverige I Utlandet Bilder Av Sverige I Utlandet
Bilder av Sverige i utlandet Bilder av Sverige i utlandet – EN STUDIE OM FÖRÄNDRINGAR, NULÄGE OCH MÄTMETODER Bilder av Sverige i utlandet – en studie om förändringar, nuläge och mätmetoder Författare till studien är Lars-Olof Lundberg, Utrikesdepartementets press, informations- och kulturenhet. Studien är framtagen på uppdrag av Nämnden för Sverigefrämjande i utlandet (NSU) En kortversion av rapporten finns att beställa på Fritzes förlag (se adress baksidan)på svenska och engelska. Foto framsida: www.imagebank.sweden.se © Nobel Prize:Hans Pettersson/Nobel Foundation Flower Vase:Sara Danielsson/Sara Danielsson Lucia:T Buckman/Stockholm Visitors Board Houses by the water VII:Göran Assner/Swedish Travel and Tourism Council Foto baksida: Ingrid Iremark:Lars-Olof Lundberg/ Utrikesdepartementet Produktion: Utrikesdepartementet, Press, informations- och kulturenheten Telefon: 08-405 1000, e-post: [email protected] Webbplats: www. regeringen.se Layout: Åsa Karén Persson Tryck: Xerox Grafisk Service, Stockholm 2005 ISBN 91-7496-351-1 Artikelnr: UD 05.030 SASU: NSU:s medlemmar Nämnden för Sverigefrämjande i utlandet – NSU – är ett forum för dialog, samråd och samarbete kring ett effektivt och långsiktigt Sverigefrämjande. I NSU ingår: UTRIKESDEPARTEMENTET – UD – genom sina enheter för Press, infor- mation och kultur – PIK – och för Export och inre marknad – EIM – samt chefssamordnaren för handels- och investeringsfrämjandet. www.ud.se EXPORTRÅDET som på uppdrag av näringslivet och staten utför tjänster som syftar till att etablera och utveckla före- tag och dess produkter, tjänster och idéer på nya marknader. www.swedishtrade.se INVEST IN SWEDEN AGENCY – ISA – som är en statlig myndig- het med uppgift att stödja och informera utländska investe- rare om affärsmöjligheterna i Sverige. -
Becoming Astrid
Music Box Films Presents BECOMING ASTRID 123 MINUTES | SCANDINAVIA | 2018 | NOT RATED | IN SWEDISH AND DANISH WITH ENGLISH SUBTITLES PRESS NOTES Publicity Contacts New York: Los Angeles: Regional/Marketing: Sophie Gluck & Associates Marina Bailey Film Publicity Music Box Films Sophie Gluck Marina Bailey Kathleen Sachs [email protected] [email protected] [email protected] 212-595-2432 323-962-7511 312-508-5362 Aimee Morris Dina Makhlouf [email protected] [email protected] 212-595-2432 Music Box Films Contacts Theatrical Bookings: Marketing/Social Media: Kyle Westphal Becky Schultz [email protected] [email protected] 312-508-5359 312-508-5360 BECOMING ASTRID | PRESS NOTES LOGLINE The poignant true story of a character-defining period in the life of Pippi Longstocking author Astrid Lindgren, BECOMING ASTRID follows a teenaged Astrid as she struggles with being a young, unwed mother. SYNOPSIS Teenaged Astrid Lindgren, future author of Pippi Longstocking, leads a carefree life in rural Sweden. Eager to break free from her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor. After Astrid becomes pregnant, she leaves home to give birth to a son, whom she reluctantly leaves with a foster mother. When the foster mother falls ill, Astrid uses her imagination and flair for storytelling to reconnect with her child. SUMMARY Teenaged Astrid Lindren (Alba August), who later went on to write the Pippi Longstocking series, leads a carefree life with her family in the forests and fields of rural Sweden. Restless and eager to break free from the confines of her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor, Blomberg (Henrik Rafaelsen). -
Gendered Mobility, Legacy and Transformative Sacrifice in the Screen Stories of Susanne Bier
Networking Knowledge Position-in-frame (Jun. 2017) Position-in-frame: gendered mobility, legacy and transformative sacrifice in the screen stories of Susanne Bier. CATH MOORE, Deakin University ABSTRACT An integral connection point between the screenplay and reader/viewer is the protagonist’s transformative journey. The construction of this narrative backbone is critical to the articulation of overarching thematic concerns and story premise but also reflects the story creator’s worldview- one often coloured by representations of gender. The Hollywood model certainly divides narrative function along gender lines but does this representation hold true within a different cultural context? This article examines the selected screen stories of Danish director Susanne Bier whose partnership with screenwriter Anders Thomas Jensen is one of Denmark’s most successful film partnerships. Employing a case study methodology I examine the dramatic function of and agency afforded screen characters and the critical dynamic between cultural landscape, practitioner preference and narrative inquiry. Key to this address is an exploration of mobility, legacy and sacrifice as textual considerations of gender and its utilisation as transnational narrative strategy. KEYWORDS Transnational, mobility, transformative, collaboration, gaze Refocusing a masculinised gaze? With persistent ubiquity Hollywood continues to cast a dominant shadow over much of the global film & TV landscape. Similarly pervasive is the figurehead of such industrial influence - the male protagonist -
Evolution and Ambition in the Career of Jan Lievens (1607-1674)
ABSTRACT Title: EVOLUTION AND AMBITION IN THE CAREER OF JAN LIEVENS (1607-1674) Lloyd DeWitt, Ph.D., 2006 Directed By: Prof. Arthur K. Wheelock, Jr. Department of Art History and Archaeology The Dutch artist Jan Lievens (1607-1674) was viewed by his contemporaries as one of the most important artists of his age. Ambitious and self-confident, Lievens assimilated leading trends from Haarlem, Utrecht and Antwerp into a bold and monumental style that he refined during the late 1620s through close artistic interaction with Rembrandt van Rijn in Leiden, climaxing in a competition for a court commission. Lievens’s early Job on the Dung Heap and Raising of Lazarus demonstrate his careful adaptation of style and iconography to both theological and political conditions of his time. This much-discussed phase of Lievens’s life came to an end in 1631when Rembrandt left Leiden. Around 1631-1632 Lievens was transformed by his encounter with Anthony van Dyck, and his ambition to be a court artist led him to follow Van Dyck to London in the spring of 1632. His output of independent works in London was modest and entirely connected to Van Dyck and the English court, thus Lievens almost certainly worked in Van Dyck’s studio. In 1635, Lievens moved to Antwerp and returned to history painting, executing commissions for the Jesuits, and he also broadened his artistic vocabulary by mastering woodcut prints and landscape paintings. After a short and successful stay in Leiden in 1639, Lievens moved to Amsterdam permanently in 1644, and from 1648 until the end of his career was engaged in a string of important and prestigious civic and princely commissions in which he continued to demonstrate his aptitude for adapting to and assimilating the most current style of his day to his own somber monumentality. -
The Hunt Thomas Vinterberg Susanne Bier Bille August Slug Invasion Cinefondation PAGE 2 / FILM#75 / CANNES ISSUE
Film is published#75 by the Danish Film institute / may 2012 Cannes issue 2012 THE HUNT THOMAS VINTERBERG SUSANNE BIER BILLE AUGUST SLUG INVASION CINEFONDATION PAGE 2 / FILM#75 / CANNES ISSUE 10 14 05 19 25 INSIDE 03 Editorial and short news 22 Tobias lindholm Writer on Vinterberg's Cannes competitor The Hunt 05 The Hunt by Thomas Vinterberg and the hit TV series Borgen, Tobias Lindholm has / Cannes Competition carved out a name for himself as a skilled storyteller. Film#75 Cannes issue The Hunt is the first collaboration between may 2012 Mads Mikkelsen and director Thomas Vinterberg 25 From The Kingdom to The Killing who shook the film world with his 1998 Cannes A modernisation strategy in the '90s in the drama Published by Danish Film Institute winner, the tough family drama The Celebration. department at national broadcaster DR laid the foun- Editor Susanna Neimann (SN) dation for the current golden age in Danish TV drama. Co-editor Annemarie Hørsman (AH) Editorial team Lars Fiil-Jensen (LFJ), 10 Susanne Bier Anders Budtz-Jørgensen (ABJ), Lizette Gram "With this film there is less of a difference between 28 You & me Forever Mygind, Christian Juhl Lemche who I am and what the movie is like," says Oscar Kaspar Munk deliberately started making You & Me Translations Glen Garner laureate Susanne Bier about Love Is All You Need. Forever without funding – he wanted to have ultimate Design Rasmus Koch Studio AD Morten Bak freedom to experiment with ideas and methods. Type Holton, Akzidenz-Grotesk, Cendia 14 Bille August Paper Munken Lynx 100 g Bille August uses a famous piece of Danish art history 30 The Bird Chase Printed by Rosendahls-Schultz Grafisk as the backdrop for his story about Marie Krøyer, "We tend to make family films too nice," says Christian Circulation 6,000 iSSN 1399-2813 (print version) a woman who challenged the conventions of society. -
BIO Jakob Cedergren UK 2019
Jakob Cedergren Jakob Cedergren, born in Sweden, raised in Denmark, is an acclaimed award winning actor who had his breakthrough in 2000 in the Danish mini-series The Spider directed by Ole Christian Madsen. Cedergren has worked in numerous film- tv- and theatre projects in Denmark and abroad. One of Cedergrens first leading roles abroad was Rage (2009) by Sally Potter. On stage, Cedergren stood out in the production of The Celebration (2003), Virginia Wolf (2004) and Ordet (2008) at The Royal Danish Theatre. In 2013, he played the role of Nikolaj Stavrogin in the stage adaptation of Dostoyevsky’s novel Demons at the Royal Danish Playhouse. Cedergren has proved his richly faceted talent in numerous of films. Among others, in the role of the bodybu- ilding small time crook Tom in Stealing Rembrandt (2003) and in the role of Daniel, the irresponsible, care- free and charming graffiti artist in the comedy Dark Horse (2005), which was chosen for the Un Certain Re- gard series at Cannes Film Festival. In 2005, Cedergren was appointed Shooting Star under the EFP pro- gramme. In 2009, Cedergren won both the Danish Academy Award and the Critics Associations Award for Best Actor in the featureTerribly Happy (2008) directed by Henrik Ruben Genz. He was nominated for both awards again in 2011 for his leading role in Thomas Vinterberg’s Submarino. In 2014, he was nominated for his lead- ing role in Nils Malmros’ Sorrow and Joy. In 2017, he was nominated for Best Supporting Actor in director Nicolo Donato’s Across the Waters (2016) for his role of N.B. -
Rembrandt Remembers – 80 Years of Small Town Life
Rembrandt School Song Purple and white, we’re fighting for you, We’ll fight for all things that you can do, Basketball, baseball, any old game, We’ll stand beside you just the same, And when our colors go by We’ll shout for you, Rembrandt High And we'll stand and cheer and shout We’re loyal to Rembrandt High, Rah! Rah! Rah! School colors: Purple and White Nickname: Raiders and Raiderettes Rembrandt Remembers: 80 Years of Small-Town Life Compiled and Edited by Helene Ducas Viall and Betty Foval Hoskins Des Moines, Iowa and Harrisonburg, Virginia Copyright © 2002 by Helene Ducas Viall and Betty Foval Hoskins All rights reserved. iii Table of Contents I. Introduction . v Notes on Editing . vi Acknowledgements . vi II. Graduates 1920s: Clifford Green (p. 1), Hilda Hegna Odor (p. 2), Catherine Grigsby Kestel (p. 4), Genevieve Rystad Boese (p. 5), Waldo Pingel (p. 6) 1930s: Orva Kaasa Goodman (p. 8), Alvin Mosbo (p. 9), Marjorie Whitaker Pritchard (p. 11), Nancy Bork Lind (p. 12), Rosella Kidman Avansino (p. 13), Clayton Olson (p. 14), Agnes Rystad Enderson (p. 16), Alice Haroldson Halverson (p. 16), Evelyn Junkermeier Benna (p. 18), Edith Grodahl Bates (p. 24), Agnes Lerud Peteler (p. 26), Arlene Burwell Cannoy (p. 28 ), Catherine Pingel Sokol (p. 29), Loren Green (p. 30), Phyllis Johnson Gring (p. 34), Ken Hadenfeldt (p. 35), Lloyd Pressel (p. 38), Harry Edwall (p. 40), Lois Ann Johnson Mathison (p. 42), Marv Erichsen (p. 43), Ruth Hill Shankel (p. 45), Wes Wallace (p. 46) 1940s: Clement Kevane (p. 48), Delores Lady Risvold (p. -
Written by Thomas Vinterberg and Tobias Lindholm Starring: Mads Mikkelsen, Thomas Bo Larsen, Magnus Millang, Lars Ranthe
A Samuel Goldwyn Films Release Directed by Thomas Vinterberg (THE HUNT, THE CELEBRATION) Written by Thomas Vinterberg and Tobias Lindholm Starring: Mads Mikkelsen, Thomas Bo Larsen, Magnus Millang, Lars Ranthe US Press Contacts Cinetic Marketing and PR Julie Chappell Nico Chapin Lydia Snapper [email protected] [email protected] [email protected] 1 LOG LINE Another Round is a fun, moving, life-affirming and thought-provoking drama aBout friendship, freedom, love – and alcohol. SYNOPSIS Four friends, all teachers at various stages of middle age, are stuck in a rut. UnaBle to share their passions either at school or at home, they embark on an audacious experiment from an oBscure philosopher: to see if a constant level of alcohol in their Blood will help them find greater freedom and happiness. At first they each find a new-found zest, But as the gang pushes their experiment further, issues that have Been simmering for years come to a head and the men are faced with a choice: reckon with their Behavior or continue on the same course. Underscored By delicate and affecting camerawork, director Thomas Vinterberg's spry script, co-written with regular collaBorator ToBias Lindholm, uses this Bold premise to explore the euphoria and pain of an unBridled life. Playing a once Brilliant But now world- weary shell of a man, the ever surprising Mads Mikkelsen delivers a fierce and touching performance. 2 DIRECTOR’S INTENT THOMAS VINTERBERG “I never drink before breakfast.” The quote is from Churchill, who helped to defeat the Germans and win World War II, while under the excessive and constant influence of alcohol. -
CV Paprika Steen UK 2019
Paprika Steen Playing age: 45-55 Nationality: Danish Education: The Academy of Music and Dramatic Arts, Southern Denmark, 1988-1992 Language: Danish, English and knowledge of German Film Title Role Year Director Domino Hanne Toft 2019 Brian de Palma That Time of Year Katrine 2018 Paprika Steen Undercover Hanne 2016 Nikolaj Peyk Antboy III Alicia Dufort 2015 Ask Hasselbalch Silent Heart Heidi 2014 Bille August Kolbøttefabrikken Acacia 2014 Morten Boesdal Halvorsen Weekendfar (short) Helle 2013 Johan Stahl Winthereik Love Is All You Need Benedikte 2012 Susanne Bier Keep the Lights On Karen 2012 Ira Sachs Superclásico Anna 2011 Ole Christian Madsen Everything Will Be Fine Siri 2010 Christoffer Boe Skeletons Jane 2010 Nick Whitfield Applause Thea Barfoed 2009 Martin Zandvliet Fear Me Not Sigrid 2008 Kristian Levring The Early Years: Erik Nietz.. Ursula Østdal 2007 Jacob Thuesen The Substitute Ulla Harms 2007 Ole Bornedal Adam’s Apples Sarah Svendsen 2005 Anders Thomas Jensen Forty Shades of Blue Lonni 2005 Ira Sachs Stealing Rembrandt Charlotte 2003 Jannik Johansen Open Hearts Marie 2002 Susanne Bier Okay Nete 2002 Jesper W. Nielsen The One and Only Stella 1999 Susanne Bier Mifune Pernille 1999 Søren Kragh-Jakobsen The Idiots High Class Lady 1998 Lars von Trier The Celebration Helene 1998 Thomas Vinterberg TV Title Role Year Director The City & The City Professor Nancy 2018 BBC Modus II Alva Roos 2017 TV4 Under Jorden Naja Toft 2017 Kasper Barfoed/TV2 Partiets Mand Kirsten Hækkerup 2014 Parminder Singh/DR Happy Life Lene Leth 2011-12 Kasper Gaardsøe/TV2 The Inspector and the Sea Line Anders 2007-14 Anno Saul/ZDF Mikkel & Guldkortet Birgitte Johansen 2008 Christian E. -
Submarino a Film by Thomas Vinterberg 01 Submarino Submarino
SUBMARINO A FILM BY THOMAS VINTERBERG 01 SUBMARINO SUBMARINO INTRODUCTION SUBMARINO is the story of two down-and-out brothers haunted by a tragic childhood. Troubled ex-con Nick fights painful memories and loneliness to try and reconnect with his brother, a struggling single father and heroin addict... From the acclaimed director of FESTEN (THE CELEBRATION), DEAR WENDY and IT’S ALL ABOUT LOVE. 02 03 SUBMARINO SUBMARINO SYNOPSIS Not yet out of elementary school, Nick and his younger brother have already been hardened by Nick communicates more easily with his ex-girlfriend’s brother Ivan. He opens up about having poverty, abuse and alcohol. But these two tough boys still find joy in their newborn baby brother. been recently released from prison for his brutal random violence when Ana broke up with him They gladly make up for the shortcomings of their neglectful alcoholic mother and give the infant two years ago. Nick has a soft spot for sex-obsessed overweight Ivan, down-and-out himself and in the loving care which all children deserve. Although shortlived, this glimmer of hope will haunt need of mental help. But Nick’s compassion misjudges the reality of Ivan’s illness... them well into adulthood... Nothing is more important to Nick’s brother than his six-year-old son Martin. No matter how much It’s winter and 30-something Nick is living alone in a gloomy tenement shelter. Moody and he loves his son, being a responsible father isn’t easy for a junkie. Despite the fact that he could anguished, Nick has difficulty controlling his anger. -
Contemporary World Cinema Brian Owens, Artistic Diretor – Nashville Film Festival
Contemporary World Cinema Brian Owens, Artistic Diretor – Nashville Film Festival OLLI Winter 2015 Term Tuesday, January 13 Viewing Guide – The Cinema of Europe These suggested films are some that will or may come up for discussion during the first course. If you go to Netflix, you can use hyperlinks to find further suggestions. The year listed is the year of theatrical release in the US. Some films (Ida for instance) may have had festival premieres in the year prior. VOD is “Video On Demand.” Note: It is not necessary to see any or all of the films, by any means. These simply serve as a guide for the discussion. You can also use IMDB.com (Internet Movie Database) to search for other works by these filmmakers. You can also keep this list for future viewing after the session, if that is what you prefer. Most of the films are Rated R – largely for language and brief nudity or sexual content. I’ve noted in bold the films that contain scenes that could be too extreme for some viewers. In the “Additional works” lines, those titles are noted by an asterisk. Force Majeure Director: Ruben Östlund. 2014. Sweden. 118 minutes. Rated R. A family on a ski holiday in the French Alps find themselves staring down an avalanche during lunch. In the aftermath, their dynamic has been shaken to its core. Currently playing at the Belcourt. Also Available on VOD through most services and on Amazon Instant. Ida Director: Pawel Pawlikowski. 2014. Poland. 82 minutes. Rated PG-13. A young novitiate nun in 1960s Poland, is on the verge of taking her vows when she discovers a dark family secret dating back to the years of the Nazi occupation. -
Swedish Film Magazine #1 2008
SWEDISH FILM NO.1/08 BERLIN PREMIERES:HEAVEN’S HEART LEO CIAO BELLA SPENDING THE NIGHT TOMMY MY UNCLE LOVED THE COLOUR YELLOW www.swedishfi lm.orgXX XX XX SWEDISH FILM NO. 1 2008 FOREWORD A NEW SPRING FOR SWEDISH FILM Director International Pia Lundberg On one of last summer’s sunniest days we received the news that Ingmar Bergman Department Phone +46 70 692 79 80 pia.lundberg@sfi .se had passed away at his home on Fårö at the age of 89. The stream of condolences that Festivals, features Gunnar Almér poured in from all over the world reminded us Swedes just how great Bergman truly was. Im- Phone +46 70 640 46 56 gunnar.almer@sfi .se mediately the question was being asked as to who would inherit Bergman’s mantle. The answer Features, special Petter Mattsson projects Phone +46 70 607 11 34 is nobody. Or lots of people. Because in the new Swedish fi lms that are emerging, one can de- petter.mattsson@sfi .se tect a strong measure of personal expression and the re-emergence of the auteur tradition. Festivals, Sara Yamashita Rüster documentaries Phone +46 76 117 26 78 An impressive year of Swedish fi lms awaits us. Many of our most successful, award- sara.ruster@sfi .se winning and internationally-acclaimed directors will be presenting new fi lms this year. They Festivals, short fi lms Andreas Fock Phone +46 70 519 59 66 include Lukas Moodysson (Show Me Love, Together, Lilya 4-ever) whose fi rst major interna- andreas.fock@sfi .se tional collaboration, Mammoth, will star Gael Garcia Bernal and Michelle Williams in the Press Offi cer Jan Göransson Phone +46 70 603 03 62 leading roles.