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International Film Festival April 24 – May 4, 2008 the Washington, Dc International Film Festival
THE 22ND ANNUAL WASHINGTON, DC INTERNATIONAL FILM FESTIVAL APRIL 24 – MAY 4, 2008 THE WASHINGTON, DC INTERNATIONAL FILM FESTIVAL A world of films…a window into our world. Whether experienced in movie theaters, on DVDs or television in our homes, on our iPods or computers, films are the major communications media of our time. Hollywood films dominate commercial cinema. However, scores of talented filmmakers around the globe produce thou- sands of quality films that speak with a different voice, provide a different point of view, and tell different stories. Presenting these films in the nation’s capital is the purpose of Filmfest DC. Photo: Chad Evans Wyatt Film festivals are a journey of Tony Gittens, Festival Director and Shirin Ghareeb, Assistant Director discovery, a visual and thought provoking adventure into how people see and interpret our world. Every Filmfest DC is different and every film is unique from every other film in the festival. Together, they comprise an amazing representation of human imagination, commitment and talent. The festival has two special focuses this year — Politics & Film and New Latin Ameri- can Cinema. Obviously, politics are especially prominent during this election season and we wanted to explore the role affairs of state play in people’s every day lives. Latin American filmmakers are always a treasure trove of inventive storytelling. The di- verse selection of new work we have gathered from the Spanish-speaking world (in- cluding Spain) are moving, humorous, and insightful. None of this would be possible without the many dedicated people who have shared their time and talents with Filmfest DC. -
Evolution and Ambition in the Career of Jan Lievens (1607-1674)
ABSTRACT Title: EVOLUTION AND AMBITION IN THE CAREER OF JAN LIEVENS (1607-1674) Lloyd DeWitt, Ph.D., 2006 Directed By: Prof. Arthur K. Wheelock, Jr. Department of Art History and Archaeology The Dutch artist Jan Lievens (1607-1674) was viewed by his contemporaries as one of the most important artists of his age. Ambitious and self-confident, Lievens assimilated leading trends from Haarlem, Utrecht and Antwerp into a bold and monumental style that he refined during the late 1620s through close artistic interaction with Rembrandt van Rijn in Leiden, climaxing in a competition for a court commission. Lievens’s early Job on the Dung Heap and Raising of Lazarus demonstrate his careful adaptation of style and iconography to both theological and political conditions of his time. This much-discussed phase of Lievens’s life came to an end in 1631when Rembrandt left Leiden. Around 1631-1632 Lievens was transformed by his encounter with Anthony van Dyck, and his ambition to be a court artist led him to follow Van Dyck to London in the spring of 1632. His output of independent works in London was modest and entirely connected to Van Dyck and the English court, thus Lievens almost certainly worked in Van Dyck’s studio. In 1635, Lievens moved to Antwerp and returned to history painting, executing commissions for the Jesuits, and he also broadened his artistic vocabulary by mastering woodcut prints and landscape paintings. After a short and successful stay in Leiden in 1639, Lievens moved to Amsterdam permanently in 1644, and from 1648 until the end of his career was engaged in a string of important and prestigious civic and princely commissions in which he continued to demonstrate his aptitude for adapting to and assimilating the most current style of his day to his own somber monumentality. -
Denmark Christian Monggaard
102 | DENMARK INTERNATIONAL FILM GUIDE Denmark Christian Monggaard t’s difficult not feeling a bit like Alice wasn’t enough, in December the Danish Film travelling through Wonderland when you Institute released numbers showing that Ilook at Danish cinema over the course of Danish films had sold more than 3.4 million the last year – it is nothing if not paradoxical. tickets in Denmark in 2011, which raised the domestic market share to 28 per cent, the Apparently, everything is going very well. third best year in the last decade and the best Early in 2011, Susanne Bier won an Oscar since the record set in 2008. Why are we still for In a Better World, Lars von Trier created complaining then? headlines at his press conference in Cannes, while Kirsten Dunst won an award for her performance in the Danish director’s apocalyptic Melancholia. Also in Cannes, Trier’s younger colleague, Nicolas Winding Refn, won the director award for his first American production, Drive. And then, in December, the Danes scooped up no fewer than five awards at the European Film Awards in Berlin. Susanne Bier won for directing, Melancholia won three prizes, including Best European Film, and the Danish actor Mads Mikkelsen was presented with an award for Birgitte Stærmose’s Room 304 European Achievement in World Cinema. Danish production companies are still struggling. Just five of the 24 feature films produced last year account for 60 per cent of all the tickets sold. The remaining 19 films more or less under-performed, with five titles (Beast, Room 304, Skyscraper, Miss Julie, Love is in the Air) selling less than 3,000 tickets each, while a sixth (ID:A) just managed to scrape past 10,000 tickets. -
Ole Christian Madsen – 02 – Synopsis
NIMBUS FILM PRESENTS A Film by OLE CHRISTIAN MADSEN – 02 – SYNOPSIS – 03 – Christian (Anders W. Berthelsen) is the owner of a wine store that is about to go bankrupt and he is just as unsuccessful in just about every other aspect of life. His wife, Anna (Paprika Steen), has left him. Now, she works as a successful football agent in Buenos Aires and lives a life of luxury with star football player Juan Diaz. One day, Christian and their 16-year-old son get on a plane to Buenos Aires. Christian arrives under the pretense of wanting to sign the divorce papers together with Anna, but in truth, he wants to try to win her back! – 04 – COMMENTS FROM THE DIRECTOR Filmed in Buenos Aires, Argentina, Superclásico is a Danish comedy set in an exotic locale. And the wine, the tango and the Latin tempers run high – when Brønshøj meets Buenos Aires! This is the first time that a Danish film crew has shot a feature film in Argentina, and it has been a great source of experience and inspiration not least for director Ole Christian Madsen for whom Superclásico is also his debut as a comedy director. The following is an interview with Ole Christian Madsen by Christian Monggaard. Life is a party A film about love ”You experience a kind of liberation in Argentina,” ”Normally, when you tell the story of a divorce, says Ole Christian Madsen about his new film, the you focus on the time when you sit and nurse your comedy Superclásico, which takes place in Buenos emotional wounds. -
BIO Jakob Cedergren UK 2019
Jakob Cedergren Jakob Cedergren, born in Sweden, raised in Denmark, is an acclaimed award winning actor who had his breakthrough in 2000 in the Danish mini-series The Spider directed by Ole Christian Madsen. Cedergren has worked in numerous film- tv- and theatre projects in Denmark and abroad. One of Cedergrens first leading roles abroad was Rage (2009) by Sally Potter. On stage, Cedergren stood out in the production of The Celebration (2003), Virginia Wolf (2004) and Ordet (2008) at The Royal Danish Theatre. In 2013, he played the role of Nikolaj Stavrogin in the stage adaptation of Dostoyevsky’s novel Demons at the Royal Danish Playhouse. Cedergren has proved his richly faceted talent in numerous of films. Among others, in the role of the bodybu- ilding small time crook Tom in Stealing Rembrandt (2003) and in the role of Daniel, the irresponsible, care- free and charming graffiti artist in the comedy Dark Horse (2005), which was chosen for the Un Certain Re- gard series at Cannes Film Festival. In 2005, Cedergren was appointed Shooting Star under the EFP pro- gramme. In 2009, Cedergren won both the Danish Academy Award and the Critics Associations Award for Best Actor in the featureTerribly Happy (2008) directed by Henrik Ruben Genz. He was nominated for both awards again in 2011 for his leading role in Thomas Vinterberg’s Submarino. In 2014, he was nominated for his lead- ing role in Nils Malmros’ Sorrow and Joy. In 2017, he was nominated for Best Supporting Actor in director Nicolo Donato’s Across the Waters (2016) for his role of N.B. -
Rembrandt Remembers – 80 Years of Small Town Life
Rembrandt School Song Purple and white, we’re fighting for you, We’ll fight for all things that you can do, Basketball, baseball, any old game, We’ll stand beside you just the same, And when our colors go by We’ll shout for you, Rembrandt High And we'll stand and cheer and shout We’re loyal to Rembrandt High, Rah! Rah! Rah! School colors: Purple and White Nickname: Raiders and Raiderettes Rembrandt Remembers: 80 Years of Small-Town Life Compiled and Edited by Helene Ducas Viall and Betty Foval Hoskins Des Moines, Iowa and Harrisonburg, Virginia Copyright © 2002 by Helene Ducas Viall and Betty Foval Hoskins All rights reserved. iii Table of Contents I. Introduction . v Notes on Editing . vi Acknowledgements . vi II. Graduates 1920s: Clifford Green (p. 1), Hilda Hegna Odor (p. 2), Catherine Grigsby Kestel (p. 4), Genevieve Rystad Boese (p. 5), Waldo Pingel (p. 6) 1930s: Orva Kaasa Goodman (p. 8), Alvin Mosbo (p. 9), Marjorie Whitaker Pritchard (p. 11), Nancy Bork Lind (p. 12), Rosella Kidman Avansino (p. 13), Clayton Olson (p. 14), Agnes Rystad Enderson (p. 16), Alice Haroldson Halverson (p. 16), Evelyn Junkermeier Benna (p. 18), Edith Grodahl Bates (p. 24), Agnes Lerud Peteler (p. 26), Arlene Burwell Cannoy (p. 28 ), Catherine Pingel Sokol (p. 29), Loren Green (p. 30), Phyllis Johnson Gring (p. 34), Ken Hadenfeldt (p. 35), Lloyd Pressel (p. 38), Harry Edwall (p. 40), Lois Ann Johnson Mathison (p. 42), Marv Erichsen (p. 43), Ruth Hill Shankel (p. 45), Wes Wallace (p. 46) 1940s: Clement Kevane (p. 48), Delores Lady Risvold (p. -
Women Directors in 'Global' Art Cinema: Negotiating Feminism And
Women Directors in ‘Global’ Art Cinema: Negotiating Feminism and Representation Despoina Mantziari PhD Thesis University of East Anglia School of Film, Television and Media Studies March 2014 “This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution.” Women Directors in Global Art Cinema: Negotiating Feminism and Aesthetics The thesis explores the cultural field of global art cinema as a potential space for the inscription of female authorship and feminist issues. Despite their active involvement in filmmaking, traditionally women directors have not been centralised in scholarship on art cinema. Filmmakers such as Germaine Dulac, Agnès Varda and Sally Potter, for instance, have produced significant cinematic oeuvres but due to the field's continuing phallocentricity, they have not enjoyed the critical acclaim of their male peers. Feminist scholarship has focused mainly on the study of Hollywood and although some scholars have foregrounded the work of female filmmakers in non-Hollywood contexts, the relationship between art cinema and women filmmakers has not been adequately explored. The thesis addresses this gap by focusing on art cinema. It argues that art cinema maintains a precarious balance between two contradictory positions; as a route into filmmaking for women directors allowing for political expressivity, with its emphasis on artistic freedom which creates a space for non-dominant and potentially subversive representations and themes, and as another hostile universe given its more elitist and auteurist orientation. -
Submarino a Film by Thomas Vinterberg 01 Submarino Submarino
SUBMARINO A FILM BY THOMAS VINTERBERG 01 SUBMARINO SUBMARINO INTRODUCTION SUBMARINO is the story of two down-and-out brothers haunted by a tragic childhood. Troubled ex-con Nick fights painful memories and loneliness to try and reconnect with his brother, a struggling single father and heroin addict... From the acclaimed director of FESTEN (THE CELEBRATION), DEAR WENDY and IT’S ALL ABOUT LOVE. 02 03 SUBMARINO SUBMARINO SYNOPSIS Not yet out of elementary school, Nick and his younger brother have already been hardened by Nick communicates more easily with his ex-girlfriend’s brother Ivan. He opens up about having poverty, abuse and alcohol. But these two tough boys still find joy in their newborn baby brother. been recently released from prison for his brutal random violence when Ana broke up with him They gladly make up for the shortcomings of their neglectful alcoholic mother and give the infant two years ago. Nick has a soft spot for sex-obsessed overweight Ivan, down-and-out himself and in the loving care which all children deserve. Although shortlived, this glimmer of hope will haunt need of mental help. But Nick’s compassion misjudges the reality of Ivan’s illness... them well into adulthood... Nothing is more important to Nick’s brother than his six-year-old son Martin. No matter how much It’s winter and 30-something Nick is living alone in a gloomy tenement shelter. Moody and he loves his son, being a responsible father isn’t easy for a junkie. Despite the fact that he could anguished, Nick has difficulty controlling his anger. -
Films Vrijzinnig Bennekom Kopie
FILMS VRIJZINNIG BENNEKOM ABOUT A BOY Regie Paul Weitz Spelers Hugh Grant, Toni ColleFe, Rachel Weisz ADAM’S APPLES regie Anders Thomas Jensen Spelers Ulrich Thomsen, Nicolas Bro, Paprika Steen, Ali Kazim, Mads Mikkelsen A FEW GOOD MEN regie Rob Reiner Spelers Tom Cruise, Jack Nicholson, Demi Moore AKA some of them come true Regie Duncan Roy Spelers MaFhew Leitch, Diana Quick, George Asprey ALL ABOUT MY MOTHER regie Almodóvar Spelers Cecilia Roth, Marisa Paredes, Penelope Cruz,Candela Pena AMADEUS regie Milos Forman Spelers F.Murray, Tom Hulce, Elizabeth Berridge,Jeffrey Jones A MATTER OF LIFE AND DEATH regie Michael Powell & Emeric Pressburger Spelers David Niven, Roger Livesey, Raymond Massey AMELIE Regie Jean- Pierre Jeunet Spelers Audrey Tautou, Mathieu Kassovitz AMOUR regie Michael Haneke Spelers Jean-Louis TrinZgnant, Emmanuelle Riva, Isabelle Huppert AN ANGEL AT MY TABLE regie Jane Campion Spelers Kerry Fox, Alexia Keogh, Karen Fergusson, Iris Churn ANCHE LIBERO VA BENE regie Kim Rossi Stuart Spelers Alessandro Morace, Kim Rossi Stuart, Barbora Bobulova ANKLAGET ACCUSED Regie Jacob Thuesen Spelers Sofie Grabol, Troels Lyby ANNA ZERNIKE , de eerste vrouwelijke predikant Regie Annet Huisman Speler Henny Rinsma A RIVER RUNS THROUGH IT regie Robert Redford Spelers Brad PiF,Craig Sheffer, Tom SkerriF A SINGLE MAN Regie Tom Ford Spelers Colin Firth, Julianne Moore A STREETCAR NAMED DESIRE regie Charles Feldman Spelers Vivien Leigh, Marlon Brando A STREETCAT NAMED BOB regie Roger Spo^swoode Spelers James Bowen, Bob the cat ATONEMENT regie -
The Leiden Collection
© 2017 The Leiden Collection Young Girl in a Gold-Trimmed Cloak Page 2 of 14 Young Girl in a Gold-Trimmed Cloak 1632 Rembrandt van Rijn oil on oval panel (Leiden 1606 – 1669 Amsterdam) 59 x 44 cm signed and dated in dark paint along the background, center right: “RHL van Rijn / 1632” RR-104 Currently on view at: The National Museum of China, Beijing How To Cite Manuth, Volker. "Young Girl in a Gold-Trimmed Cloak." In The Leiden Collection Catalogue. Edited by Arthur K. Wheelock Jr. New York, 2017. https://www.theleidencollection.com/archive/. This page is available on the site's Archive. PDF of every version of this page is available on the Archive, and the Archive is managed by a permanent URL. Archival copies will never be deleted. New versions are added only when a substantive change to the narrative occurs. © 2017 The Leiden Collection Young Girl in a Gold-Trimmed Cloak Page 3 of 14 One of the miracles of Rembrandt van Rijn’s paintings of individuals is that Comparative Figures the expressions of his sitters never seem frozen. Even their personalities seem to evolve as one interacts with their gazes. These qualities are particularly evident in this charming depiction of an elegantly robed young girl with curly, somewhat frizzy blond hair. Although she stares directly at the viewer from the center of this oval panel, the slight twist of her body, with one shoulder higher than the other, helps soften her formal appearance. Light falling from the upper left also enlivens her presence by picking up nuances of her features, including her pronounced forehead, her somewhat asymmetrical eyes, the slight pout of her mouth, and the beginnings of a double chin. -
Superheroes Come in All Sizes Preface
NIMBUS FILM PRESENTS SUPERHEROES COME IN ALL SIZES PREFACE The world’s gone awry! Out of nowhere comes a superhero -- flying! come from alien worlds, but the vast majority are ordinary people just because the superhero is. The time has come to show exactly Imagine if you were a superhero. Then you could actually do some- who have had super powers thrust upon them. So kids and adults what a true superhero is, when an ordinary boy in an ordinary town, thing – something super. You could change things, fight injustice and alike find it easy to identify with them and imagine what it’s like to is suddenly faced with the responsibilities of being a superhero. make the world a better place. And of course being able to fly or be in their sandals, hoods or underwear. The time has come for... throw freight trains around is kind of cool as well. But it’s easy to forget that you don’t need to be big or strong to be a ANTBOY From Perseus to Robin Hood to Superman, superheroes have always superhero. You don’t need to be a world famous millionaire to make existed in one form or another. Some are supernatural creatures who a significant difference. The burden of responsibility isn’t smaller, (Film Journalist Casper Christensen, July 2013) SYNOPSIS Pelle Nørhmann is no one special. Just an ordinary 12-year old. A bit Pelle thinks nothing of the bite but that night he’s haunted by myste- powers. Wilhelm is convinced that Pelle must use his powers to be- superpowers. -
Turkey Under Martial Law Vestigators Say
Jubilance, Violence Pro and College I Controversy Rages 1 Mao Downgraded, Mark Yule Observance I Post-Season Roundup I About Fast Food Not Dishonored Page 2 1 Page 13 1 --------------- 1 Page 19 •Page 24 V #Iaatonbur0 Partly Sunny Highs near 40 Details on page 2 Lost Interest lEurntnn Hrralft Vol. XCVill, No. 72 — Manchester, Conn., Tuesday, December 26, 1978 WASHINGTON (UPI) - The » A Family NEWSpaper Since 1881 e 20it Single Copy • 15C Home Delivered Social Security trust fund has iost $1.1 billion in interest over the past two decades and could lose a like amount in the next five years unless Washington forces the states to pay their share more quickly, congressional in Turkey Under Martial Law vestigators say. The General Accounting Office, ANKARA, Turkey (UPli — The Congress' fiscal watchdog, said in Turkey's) 67 cities." Turkish government today declared He listed the 13 cities as Karaman a report there is no justification martial law in 13 cities including for the Health, Education and Maras. Istanbul’. Ankara, Adana, Ankara and Istanbul in an attempt to Elazig, Bingol, Erzincan, Erzurum, Welfare Department letting halt three days of street fighting states contribute Social Security Gaziantep. Kars, Malatya, Urfa and between leftist and rightist Moslems Sivas. taxes on behalf of their employees in which at least 100 people have been every three months. killed. Most of the towns are in the HEW has proposed putting the southeast and eastern part of the country. rft. state contributions on a more in the south Anatolian city of 7*' frequent basis, but GAO said even Karaman Maras, 93 people were monthly or every other month is killed and unofficial reports said at Commando units in Karaman too long — the states should send least another six persons had died in Maras enforced a dusk-to-dawn the money to Washington every Adana and one in Istanbul.