Four Savvys in Four Levels Teaching Sequences for Professionals
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Pyramid of Training – Rhythm
Chapter 9 PYRAMID OF TRaining – RHYTHM Energy and Tempo Rhythm is the term used for the characteristic sequence of footfalls and timing of a pure walk, pure trot, and pure canter. The rhythm should be expressed with energy and in a suitable and consistent tempo, with the horse remaining in the bal- ance and self-carriage appropriate to its individual conformation and level of training. “The object of correct dressage is not to teach the horse to perform the exercises of the High School in the collected gaits at the expense of the elementary gaits. The classical school, on the contrary, demands that as well as teaching the difficult exercises, the natural gaits of the horse should not only be preserved but should also be improved by the fact that the horse has been strengthened by gymnastics. Therefore, if during the course of training the natural paces are not improved, it would be proof that the training was incorrect.” [The Complete Training of Horse and Rider, p 161] One important function of basic training is to preserve and refine the purity and regularity of the natural gaits. It is there- fore essential that the trainer knows exactly how the horse moves in each of the three basic gaits, because only then will he be in a position to take the appropriate action to correct or improve them. When establishing rhythm, “the horse should be ridden in the basic pace best suited to it.” [Principles of Riding, p. 160] The rhythm must be maintained in each of the basic gaits, and in each form of the gait, i.e. -
Dressage School Dressage Reference
Schöffmann THE ULTIMATE SCHOOL DRESSAGE DRESSAGE REFERENCE Explanations and definitions in seconds that will last a lifetime of rides. Photographs demonstrating how dressage movements should look. M R B P F Descriptions of correct aids for each movement or exercise and how to apply them. DRESSAGE SCHOOL C A Sourcebook of Movements and Tips A Summaries of the most Britta Schöffmann common mistakes made by A Sourcebook of Movements and Tips Movements of A Sourcebook riders and horses and how to H S E V K fix them. Lists of fast facts, training goals, and benefits of school figures. Thoughts on how it all fits together in the continued growth of the dressage horse and rider. $24.95 USD ISBN: 9781570769238 5 2 4 9 5 www.horseandriderbooks.com 9 7 8 1 5 7 0 7 6 9 2 3 8 “Clear dressage advice, sans fluff.” —HORSEMAN’S YANKEE PEDLAR “A great reference book for all levels.” —USDF CONNECTION TSB Dressage School NE PLC FULL COVER.indd 1 9/19/18 10:04 AM DUPLICATION PROHIBITED by copyright holder V Contents vii Alphabetical Index ix Endorsements x Preface 1 Turning 3 Figure Eight 4 Canter Depart 7 Walking Off 9 Trotting Off 12 Working Pirouette 14 Working Gaits 16 Working Trot 19 Working Canter 20 Changing Rein Out of the Circle 22 Half-Volte in the Corner with Return to the Track 24 Counter-Canter 27 Sitting Trot Note for the Reader 29 Changing Rein through the Circle Please see the Important Note 30 Changing Rein Across the Long Diagonal from the Publisher on p. -
Change of Canter Lead Through Trot on the Diagonal
Chapter 19 CHANGES OF LEAD AND FLYING CHANGE OF LEAD Definition Change of Lead Through Trot “This is a change of lead where the horse is brought back to the trot and after a few trot strides, is restarted into a canter with the other leg leading.” [USEF Rule Book DR105] Simple Change of Lead “This is a change of lead where the horse is brought back immediately into walk and, after a few steps, is restarted im- mediately into a canter on the opposite lead, with no steps at the trot.” [USEF Rule Book DR105] Gymnastic Purpose The gymnastic purposes of changes of lead are to help develop, as well as test, the horse’s collection, coordination and balance, and to improve the quality of the canter. Qualities Desired The qualities desired in ‘Changes of Lead through Trot,’ are that the horse maintains his straightness, makes a balanced transition to two to three steps of trot, and strikes off clearly to the new canter lead. The qualities desired in a ‘Simple Change of lead’ are basically the same as the change through the trot except that the transition from canter should go directly to two to three walk steps, and to the new canter lead with no trot steps. The transition to walk must be immediate without any intervening vaguely trot-like strides, but also smooth. The steps must be determined and the four footfalls of the gait must be distinct. The transition to the new canter must also be im- mediate. The horse must canter straight and must constantly remain on the bit.” [Dressage, A Guidebook for the Road to Success, p 103] Aids The aids for changes of lead are the same as the aids for the canter. -
LIGHTNESS TOURNAMENT Exercises of Test No. 5A Level 5-A
LIGHTNESS TOURNAMENT Exercises of Test No. 5A Level 5-A Max Time 7min. Participant # Rider: Horse Judge: Movement Requirements Remarks Coef Appr Total 1 Presentation rider- Attire, tack, horse cleanliness 2 Enter at the Terre-à- Salute - All 3 Terre or Haunches-in reins in the left at very collected hand. right lead canter → Halt – Salute 3 Circle Haunches-in in Passage 4 Extensions at the 2 Trot 5 Pirouette in Piaffe Both hands 3 6 20m square at the (alternate in a 2 Canter 20m square Shoulder-in (Shoulder-in (first side) → ..Haunches-in) Flying change Haunches-in (second side) → Flying change Shoulder-in (Third side) → Flying change Haunches- in (fourth side) 7 Pirouette in Canter 2 8 Counter-changes at Minimum 4 Canter with Flying At the canter changes Half-Pass – Flying change – Half-Pass – Flying change – Half Pass – Flying change – Half Pass – Flying change 9 Flying changes 2 decreasing tempi (5-4-3-2) 10 Present one air above 3 the ground 11 Free exercise Show an impressive free exercise 12 Spanish Walk → In a straight line 2 Half Pirouette in 3 legs → Spanish Walk → Half Pirouette in 3 13 Halt – Free Salute Bow or Kneel 14 Exit the arena at the All reins in the Passage left hand - - - 250 - Total Technical Composition Coef Appr Total Trot (Collection, regularity, cadence, balance, elasticity) Piaffe (Collection, impulsion, regularity, cadence, balance, lightness) 2 Passage (Collection, impulsion, regularity, cadence, balance, lightness) 2 Canter (Collection, impulsion, regularity, cadence, balance, lightness) 2 Impulsion and regularity of the horse 2 Submission and enjoyment of the horse 3 Balance and lightness of the horse 3 Self carriage 3 Lightness and discretion of the rider´s aids 3 Descent of aids 3 240 - Total Artistic Presentation Coef Appr Total Rhythm, selection of the music 3 Interpretation of the music 3 Choreography and use of the arena. -
Silver City Zen Center
Dark-sky photography, Greg Renfro, Organ Mountains, exposure page 26 page 28 page 35 Biggest Little Paper in the Southwest FREE Our 17th Year! • May 2013 2 MAY 2013 www.desertexposure.com www.SmithRealEstate.com Call or Click Today! (575) 538-5373 or 1-800-234-0307 505 W. College Avenue • PO Box 1290 • Silver City, NM 88062 Quality People, Quality Service for over 40 years! PINOS ALTOS RD LOCATION – Privacy & convenience, SOUTHWEST STYLE – Gracious modern Southwest style HAPPY IN HURLEY! Only $69,000 for this cute 2 bedroom together with great scenic views make this location superb! home on 1+ acres in Silver Acres subdivision, near Silver home on a spacious lot with room to grow. Wood floor, City water, + a well for landscape irrigation. 3 BR 2 BA City’s golf course. 3 BR 2 Bath + sunporch, double garage, & newly re-done kitchen, fenced yard and storage building out home has extra-large LR and glass sunroom for entertaining, plus lots of extra carport. Tile floors, custom wood cabinetry, lots of back. MLS #29909. Call Becky Smith ext 11 porch, patio and outdoor space. Nearly 7 acres, just minutes from town. elegant little touches set this one apart! MLS #29668 $223,500 See it See it soon! Only $279,000 MLS #29984 Call Becky Smith ext 11 Soon! Call Becky Smith ext 11 BUILT BY A PERFECTIONIST! Gorgeous hand hewn 3-level log home. Trex decks with forever views. Thermal mass stone INCREDIBLE INVESTMENT OPPORTUNITY! Two Unit MORE THAN MEETS THE EYE. This house is much larger fireplace reaches from basement thru loft. -
THE FEI TRAINING SCALE 1. Rhythm
THE FEI TRAINING SCALE 1. Rhythm - The Regularity and Tempo The first step of the training scale that should be established is the rhythm. The regularity is the correct sequence of the footfall, and, the tempo is the speed of the rhythm. The rhythm is the regularity of the beat in all paces. Steps and strides in each variation of the pace should cover equal distances and also be of equal duration remaining in a consistent tempo. The rhythm should also be maintained through the transitions within a pace and in all turns, also in the corners, as well on straight lines. No exercise can be good if the horse is losing rhythm. A loss of rhythm is often a sign of incorrect training. In order to judge the correctness of the rhythm, the judge must know how the horse moves in the basic paces. 2. Suppleness – Elasticity and Freedom from Anxiety Suppleness, together with rhythm, is an essential aim of the preliminary training phase. Even if the rhythm is maintained, the movement cannot be considered correct unless the horse is working through its back and the muscles are free from tension. Suppleness is a central theme throughout the schooling. It should never be neglected and should be constantly checked and reinforced. Only if the horse is physically and mentally free from tension (anxiety) or constraint can it work with suppleness and use itself fully. The horse’s joints should bend and straighten equally on both sides of its body and with each step or stride. The horse should convey the impression that it is putting its whole mind and body into its work. -
Bosal and Hackamores-Think Like a Horse-Rick Gore Horsemanship®
Bosal and Hackamores-Think Like a Horse-Rick Gore Horsemanship® *Home Horse's love it when their owner's understand them. *Sitemap Horsemanship is about the horse teaching you about yourself. *SEARCH THE SITE *Horse History *Horseman Tips *Horsemanship *Amazing Horse Hoof *Horse Anatomy Pictures Care and Cleaning of Bosal and Rawhide *Rope Halters No discussion of the Bosal and Hackamore would be complete My Random Horse without mentioning, Ed Connell. His books about using, starting and training with the Hackamore are from long ago and explain things Thoughts well. If you want to completely understand the Bosal and Hackamore, his books explain it in detail. *Tying A Horse Bosals and Hackamores were originally used to start colts in training. Since untrained colts make many mistakes, a hackamore *Bosal/Hackamores does not injure sensitive tissue in the colt's mouth and provides firm and safe control. The term Hackamore and Bosal are interchangeable, however, technically the *Bad Horsemanship Bosal is only the rawhide braid around the nose of the horse. The hanger and reins together with the Bosal completes the Hackamore. *Misc Horse Info Parts of a Hackamore :Hackamore came from Spanish culture and was derived from the *Trailer Loading Spanish word jaquima (hak-kee-mah). The parts of the Hackamore are: *Training Videos Bosal (boz-al):This is the part around the horse's nose usually made of braided rawhide, but it can be made of leather, horsehair or rope. The size and thickness of the *Hobbles bosal can vary from pencil size (thin) to 5/8 size (thick). -
Natural Horse-Man-Ship
A Western Horseman Book NATURAL HORSE-MAN-SHIP By Pat Parelli With Kathy Kadash Photographs by Karen Parelli NATURAL HORSE-MAN-SHIP Published by Western Horseman magazine 3850 North Nevada Ave. Box 7980 Colorado Springs, CO 80933-7980 www.westernhorseman.com Design, Typography, and Production Western Horseman Colorado Springs, Colorado Printing Vision Graphics Loveland, Colorado ©1993 by Western Horseman a registered trademark of Morris Communications Corporation 725 Broadway Augusta, GA'30901 All rights reserved Manufactured in the United States of America Copyright Notice: This book is copyrighted by Western Horseman and therefore protected by federal copyright law. No material may be copied, FAXed, electronically transmitted, or otherwise used without express written permission. Requests must be submitted in writing. Twentieth Printing: December 2002 ISBN 0-911647-27-9 DEDICATION This book is dedicated to all those seeking to experience what the world of Natural Horse-Man-Ship has to offer the horse and human. To those who want fun, excellence, truth, and results in their equine partnerships. To those who love the feeling you get from the Natural approach to teaching and learning versus the Normal approach. And to the horse. PAT PARELLI ACKNOWLEDGEMENTS I WOULD like to thank these people, and which I credit my success. All I past and present, for their inspiration, added was perspiration and imagination. stimulation, support, or faith in me, which I did not list them chronologically, has influenced me greatly over the years alphabetically, or in order of importance. Fred Ferrara Tom Dorrance Billy Flournoy Jess Tharp Bill Dorrance Gerry & Sharon Blanks Shorty Freeman Ronnie Willis Al Dodds Troy Henry Ted Ashworth Donny Wright Monte Foreman Dr. -
The Art of Classical Dressage Riding Canter and Gallop
THE ART OF CLASSICAL DRESSAGE RIDING THE CANTER CAN BE FURTHER DIVIDED BY THE FRAME AND IMPULSION OF THE HORSE. IT SHOULD BE NOTED THAT WHILE THERE IS A “COLLECTED” , “REGULAR” , “WORKING”, OR AN “EXTENDED” CANTER, CANTERCANTER ANDAND GALLOPGALLOP THESE ARE POINTS ON A SPECTRUM, NOT ENDS IN THEMSELVES. A TRULY ADJUSTABLE TRAINED HORSE SHOULD BE ABLE TO LENGTHEN (PART(PART 2)2) AND SHORTEN AS MUCH AS THE RIDER DESIRES. Compiled by Emmad Eldin Zaghloul TYPES OF CANTERS WHAT’S A HAND GALLOP? Jacques Toffi Jacques A Working canter is the natural canter given by a horse In the United States, show hunters may be asked to with normal stride length. This is the working gait of hunt “hand gallop” when shown on the flat or in certain seat riders. It is also used by all other disciplines jumping classes. The hand gallop differs from a true gallop in that the horse should not speed up enough A Medium canter is a canter between the working canter to lose the 3-beat rhythm of the canter, and from the and extended canter. It is bigger and rounder than the extended canter in that the horse should be allowed to working with great impulsion and very forward with lengthen its frame substantially and is not expected to moderate extension. The medium canter is common in engage as much as in an extended canter. dressage and show jumping. While the extended canter is intended to demonstrate A Collected canter is an extremely engaged, collected and improve athleticism and responsiveness to the gait (collection refers to having the horse’s balance aids, show hunters are asked to hand gallop primarily shifted backward towards its hind legs, with more to illustrate the horse’s manners and training. -
Hunter Under Saddle
Hunter Under Saddle CLASS DESCRIPTION Much like Western Pleasure, the Hunter Under Saddle is judged on the four following criteria: 1. Broke and Quiet 2. Soft and Smooth 3. Way of Going 4. Functionally Correct Broke and Quiet – Broke and quiet horses are free from major and minor refusals, and give the appearance of being quiet and willing to the rider’s cues and aids. Once it is determined the horse is broke and quiet, the horses are then evaluated on their quality of movement. Soft and Smooth – Soft and smooth movers are Hunter Under Saddle horses that move in a cadenced manner and hit the ground light and soft on all four feet when traveling. Horses should move with a large amount of impulsion from behind and travel with long, bold strides. Functionally Correct – Functionally correct horses are those that are correct when performing all three gaits. Horses that break gait and pick up wrong leads are not functionally correct, and should be judged accordingly. Quality and Way of Going – Quality and way of going are important when evaluating the Hunter Under Saddle Horse. Hunters should show a great deal of quality and style and should fit the part of an English horse. This horse will have a big, long, bold stride wand, and when traveling (especially at the trot), should flatten out at the knee and cover a larger amount of ground. The canter will be longer-strided than the lope of the western horse; however, it should be noted that Hunter Under Saddle horses should still be broke and quiet and level over the top line when traveling at all three gaits. -
Classical Dressage Intro Walk/Trot
CLASSICAL DRESSAGE INTRO WALK/TROT These tests are suitable for any horse 5 years old or above, in standard or small arena. Trot can be ridden rising or sitting. Introducing: Balanced walk and trot, half-stride walk, lengthening the neck at trot, volte. (Instructions on Page 3) Movement Directive Points Comments 1 A Enter balanced walk Tempo, regularity, impulsion, and straightness on centerline 2 I Halt 4 seconds while Balance of the halt, softening the rein, obedience, relaxation. proceed balanced walk (salute is optional) 3 C Track right C orrect bend and balance in turn and corner, consistent tempo and impulsion. 4 M - X Develop half-stride Smooth transition to half- walk stride walk, regularity, balance, softness to the connection. 5 X - K Return to balanced Smooth transition to walk balanced walk, regularity, balance, softness to the connection, bend in turns. 6 At corner 6-meter volte on the Consistent balance, tempo, between A & F left hand and bend. 7 B Turn left, develop half- Smooth transition to half- stride walk across the stride walk, regularity, centerline balance, softness to an elastic connection. 8 Before E Return to balanced Smooth transition to walk balanced walk, regularity, balance, softness to the connection, bend in turns. 9 E Turn right, continue Regularity, balance, balanced walk impulsion, softness to an elastic connection 10 At corner 6-meter volte on the Consistent balance, tempo, between H & C right hand and bend. Copyright © 2021 Carole Curley Effective Equestrian, LLC - All Rights Reserved. CLASSICAL DRESSAGE INTRO WALK/TROT 11 C Balanced trot Smooth balanced transition, consistent tempo and impulsion 12 B 20-meter circle right, Consistent balance, elastic lengthening neck and connection, developing topline more impulsion. -
Natural Horsemanship : Round-Pen Training of Horses
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Natural horsemanship: Round-pen training of horses A thesis presented in partial fu lfilment of the requirements fo r the degree of Masters of Science m Physiology At Massey University, Palmerston North, New Zealand Philippa Mello 2003 Abstract The effect of round-pen training on the behaviour and physiological response (plasma cortisol concentration and heart rate) of 24 horses was examined using a stocks restraint stress test before, after and 3 weeks after round-pen training was carried out. Horses were allocated to treatment groups according to their ease of handling. Three treatment groups were fo rmed, Control, Round-Pen Easy and Round-Pen Difficult (RP-D). Before the treatment (round-pen training or control) there were no significant differences between the three treatment groups fo r plasma cortisol concentration and heart rate. Restraint in the stocks caused an elevation in plasma cortisol concentrations in all horses. The increase in plasma cortisol concentration was greater in the RP-D horses. A single round-pen training session was used as a treatment fo r the RP treated horses (Easy or difficult). Post-treatment most horses had a significant decrease in the time to enter the stocks, however, treatment had no significant effect on the plasma cortisol response, heart rate or behaviour of horses in each of the three treatment groups.