Spring-2020-Abstract.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Spring-2020-Abstract.Pdf STUDENT SCHOLAR SYMPOSIUM SPRING 2020 TUESDAY, MAY 5 AND WEDNESDAY, MAY 6 SPRING SESSION ABSTRACT VOLUME Message from the Director Greetings and welcome to the Spring 2020 Chapman University Student Scholar Symposium! Student Scholar Symposium celebrates the remarkable scholarship and creativity conducted by Chapman students. Student Scholar Symposium is sponsored by the Center for Undergraduate Excellence, which is the first stop and the central hub for students to learn about and engage in undergraduate research and creativity activity; and to discover the wide range of prestigious external scholarships available. Our student presenters reflect the diversity of academic and creative disciplines thriving within the Chapman community. This year we have moved the Spring Student Scholar Symposium to this virtual platform where you can attend a live Microsoft Teams meeting to connect with the student and discuss their research/creative activity. The virtual symposium allows our students multiple ways to showcase their research and creative project, consisting of posters, oral, visual arts, performing arts, and film and media presentations. Our virtual symposium would not have been possible without the extraordinary effort by the CUE staff, Lisa Kendrick, Operations Manager, and Jackie Coyne, Administrative Assistant, who designed and developed the event. A special thanks to both of them. Thanks to all the student presenters and their faculty mentors! Dr. Julye Bidmead Director of the Center for Undergraduate Excellence at Chapman University Acknowledgements The Center for Undergraduate Excellence gratefully acknowledge the following individuals and programs for their support: - Dr. Glenn Pfeiffer, Provost - Crean College of Health & Behavioral Sciences - Donna Ford Attallah College of Educational Studies - Schmid College of Science and Technology - Wilkinson College of Arts, Humanities, and Social Sciences A special thanks to the following students, staff, and faculty members for their help with testing and providing feedback on our virtual symposium: Alex Ballard, Alexis Sutterman, Dr. Christopher Kim, Dr. Elaine Schwartz, Emily Cauble, Jacky Dang, Jessica Bocinski, Dr. Kelli Fuery, Dr. Marco Bisoffi, Michaela Montgomery, Dr. Quaylan Allen, Rebecca Green, Valeria Park Schedule of Events Tuesday, May 5 Poster Presentations-Session I 9:00AM-10:30AM Poster Presentations-Session II 10:30AM-12:00PM Oral Presentations-Session I 12:00PM-1:00PM Film and Media Arts Presentations-Session I 1:00PM-2:00PM Oral Presentations-Session II 2:00PM-3:00PM Film and Media Arts Presentations-Session II 3:00PM-4:00PM Visual Art Presentations-Session I 4:00PM-5:00PM Oral Presentations-Session III 5:00PM-6:00PM Wednesday, May 6 Oral Presentations-Session IV 9:00AM-10:00AM Oral Presentations-Session V 10:00AM-11:00AM Oral Presentations-Session VI 11:00AM-12:00PM Poster Presentations-Session III 11:30AM-1:00PM Oral Presentations-Session VII 1:00PM-2:00PM Poster Presentations-Session IV 2:00PM-3:30PM Oral Presentations-Session VIII 4:00PM-5:00PM Oral Presentations-Session IX 5:00PM-6:00PM Table of Contents Message from the Director 1 Acknowledgements 2 Schedule of Events 3 Tuesday, May 5 Poster Presentations Session l: Abstracts Biochemistry and Molecular Biology 6 Biological Sciences 7 Chemistry 10 Computer Science 10 Data Analytics 11 English 11 FFC 14 Film 15 Health & Strategic Communication 15 History 15 Physics 17 Psychology 17 Public Relations and Advertising 20 Poster Presentations Session lI: Abstracts Art 21 Biochemistry and Molecular Biology 21 Biological Sciences 22 Chemistry 22 Communication Studies 23 Computer Science 24 Data Analytics 26 English 26 FFC 29 Film 30 Health Sciences and Kinesiology 30 History 31 Mathematics 32 Music 32 Physical Therapy 33 Physics 34 Psychology 35 Sociology 41 Software Engineering 42 Oral Presentations Session l: Abstracts Film 44 Film and Media Arts Presentations Session I: Abstracts Film 46 Public Relations and Advertising 47 Oral Presentations Session II: Abstracts Film 48 Film and Media Arts Presentations Session I: Abstracts Digital Arts 50 Film 50 Visual Art Presentations Session I: Abstracts Art 52 Digital Arts 53 Oral Presentations Session III: Abstracts History 54 Political Science 54 Wednesday, May 6 Oral Presentations Session IV: Abstracts Film 56 Integrated Educational Studies 56 Interdisciplinary 57 Oral Presentations Session V: Abstracts Physical Therapy 58 Oral Presentations Session VI: Abstracts Mathematics 60 Poster Presentations Session lII: Abstracts Biochemistry and Molecular Biology 61 Biological Sciences 67 Chemistry 69 Communication Sciences and Disorders 71 Communication Studies 72 Computer Science 72 Data Analytics 74 English 74 Environmental Science and Policy 75 FFC 76 Food Science 78 Health Sciences and Kinesiology 79 Mathematics 80 Physical Therapy 80 Physics 81 Political Science 82 Psychology 83 Sociology 87 Oral Presentations Session VIl: Abstracts Religious Studies 89 Sociology 90 Poster Presentations Session lV: Abstracts Biochemistry and Molecular Biology 91 Biological Sciences 92 Chemistry 93 Communication Studies 94 Computer Science 95 Data Analytics 97 English 98 FFC 101 Health Sciences and Kinesiology 102 History 102 Integrated Educational Studies 103 Mathematics 103 Political Science 104 Psychology 104 Religious Studies 107 Oral Presentation Session VIII: Abstracts Film 109 Oral Presentations Session IX: Abstracts Chemistry 111 Index 113 Poster Presentations - Session I Tuesday, May 5 | 9:00AM-10:30AM Biochemistry and Molecular Biology Characterizing the Interaction Between CowN and Nitrogenase Presenter(s): Terrence Lee, Kiersten Chong, Chloe Garcia, Max Strul, Ruchita Kharwa, Emily Wong, Kevin Bretzing Advisor(s): Dr. Cedric Owens Nitrogenase catalyzes the conversion of atmospheric dinitrogen into ammonia. The enzyme produces ammonia under ambient conditions, using the free energy of ATP to drive dinitrogen reduction. The most common form of nitrogenase is molybdenum nitrogenase (Mo-nitrogenase). Mo-nitrogenase is inhibited by the ubiquitous pollutant carbon monoxide (CO). To prevent inhibition of Mo-nitrogenase by CO, nitrogen fixing bacteria produce the protein CowN. In presence of CowN, Mo-nitrogenase avoids inhibition by CO and remains active. However, the mechanism by which CowN protects Mo-nitrogenase is unknown. Enzymatic assays suggest that CowN and Mo-nitrogenase interact with a Kd of approximately 5-10 µM. Here, we present data from crosslinking and pulldown assays that were used to determine how CowN interacts with Mo-nitrogenase. Crosslinking assays using the heterobifunctional crosslinker EDC showed no binding between CowN and Mo-nitrogenase in presence or absence of CO gas. Pulldown assays using Ni- NTA resin with a His-tagged CowN bait also did not show significant binding between CowN to Mo- nitrogenase. These assays indicate that CowN may not have a strong binding enough affinity to Mo- nitrogenase to be detected by crosslinking or pulldown assays. Future work will investigate potential nitrogenase-CowN interaction using fluorescence anisotropy. Exploring The Effect Of The Diarylpentanoid ca27 On The Degradation Of The Androgen Receptor In Prostate Cancer Cells Presenter(s): Emma Beale Advisor(s): Dr. Marco Bisoffi The present study addresses a possible mechanism of action for the diarylpentanoid curcumin analog 27 (ca27), which has been shown to downregulate the androgen receptor (AR) in prostate cancer (PCa) cells. Prostate cells, both normal and cancerous, express the AR, which functions as a hormone-induced cytoplasmic/nuclear receptor and transcription factor promoting cell growth and survival. In PCa, AR expression and activity are overexpressed, and the AR is a major oncoprotein leading to uncontrolled cell growth. ca27 is a synthetic diarylpentanoid analog of the natural product curcumin. Previous research in Dr. Bisoffi’s lab has shown that ca27 downregulates AR expression at low micromolar concentrations in prostate cancer cells. However, the mechanism of action is unknown. The goal of the present work is to determine at what step of the central biological dogma ca27 acts to downregulate AR expression. Specifically, we hypothesize that ca27 interferes with AR protein stability by enhancing its degradation. Using specific inhibitors of transcription, translation, and degradation, applied to human androgen- dependent LNCaP prostate adenocarcinoma cells, preliminary data is presented based on the method of sodium dodecyl sulfate gel electrophoresis (SDS-PAGE) followed by immunological detection by Western blotting and quantitative reverse transcription polymerase chain reaction (qRT-PCR). Our preliminary findings indicate that ca27 is a mediator of protein degradation. A better understanding of the mechanism of action of ca27 with respect to its activity to downregulate AR expression will build the foundation for the development of organic small molecules as therapeutic candidates in the clinical management of PCa. 6 Poster Presentations - Session I Tuesday, May 5 | 9:00AM-10:30AM Characterizing the Ganglioside Content in Human Intestinal Epithelial Cells and Extracellular Vesicles With or Without Supply of Exogenous Gangliosides Presenter(s): Jordan Jernigan Advisor(s): Dr. John Miklavcic Dietary fats play a role in the development, progression, and treatment of chronic diseases. Gangliosides are a type of lipid, or fat, found in all human tissues. Both healthy and diseased cells undergo intercellular communication by secreting vesicles into
Recommended publications
  • Heather Henson Presents
    RI INTERNATIONAL FILM FESTIVAL NEWS P.O. Box 162, Newport, RI 02840 • 96 Second St., Newport, RI 02840 PHONE 401/861-4445 • FAX 401/490-6735 E-mail: [email protected] • Web: www.RIFilmFest.org FOR IMMEDIATE RELEASE Written by: Marya Errin Jones Rogue Press 401.323.2615 Contact: Adam Short 401/861-4445 [email protected] SMALL SCALE HITS THE BIG TIME Heather Henson presents Handmade Puppet Dreams, along with a rare, vintage Jim Henson's Muppet film at the Rhode Island International Film Festival SATURDAY, AUGUST 12 @ 12:30 Columbus Theatre Arts Center, Providence Providence, Rhode Island, August 3, 2006—Heather Henson presents Handmade Puppet Dreams-- independent puppet films, along with a rare Jim Henson film to be screened and presented by Heather Henson at screened at The Rhode Island International Film Festival on Saturday, August 12th at 12:30pm, at the Cinematheque—located in the historic Columbus Theatre Arts Center, 270 Broadway, Providence. Cost: Film Screening (Adult) - $10.00 Film Screening (Flickers Member) - $7.00. For more information contact the Rhode Island Film Festival @ 401. 861.4445 or visit their web site at www.film-festival.org. Fresh from showings at the Cannes Marche' du Film 2006, and the 30th Annual Atlanta Film Festival, Heather Henson presents Handmade Puppet Dreams, a touring festival of independent artists' films exploring the art of handmade craft especially for cinema. Even the Westside hipsters will love Handmade Puppet Dreams; a provocative, challenging, and savvy collection of puppet shorts created by the next generation of small-scale artists. In the spirit of handmade craft and unique puppetry, Heather Henson, daughter of Jim Henson visionary creator of the Muppets, is a graduate of Rhode Island School of Design.
    [Show full text]
  • Movie List Please Dial 0 to Request
    Movie List Please dial 0 to request. 200 10 Cloverfield Lane - PG13 38 Cold Pursuit - R 219 13 Hours: The Secret Soldiers of Benghazi - R 46 Colette - R 202 5th Wave, The - PG13 75 Collateral Beauty - PG13 11 A Bad Mom’s Christmas - R 28 Commuter, The-PG13 62 A Christmas Story - PG 16 Concussion - PG13 48 A Dog’s Way Home - PG 83 Crazy Rich Asians - PG13 220 A Star is Born - R 20 Creed - PG13 32 A Walk Among the Tombstones - R 21 Creed 2 - PG13 4 Accountant, The - R 61 Criminal - R 19 Age of Adaline, The - PG13 17 Daddy’s Home - PG13 40 Aladdin - PG 33 Dark Tower, The - PG13 7 Alien:Covenant - R 67 Darkest Hour-PG13 2 All is Lost - PG13 52 Deadpool - R 9 Allied - R 53 Deadpool 2 - R (Uncut) 54 ALPHA - PG13 160 Death of a Nation - PG13 22 American Assassin - R 68 Den of Thieves-R (Unrated) 37 American Heist - R 34 Detroit - R 1 American Made - R 128 Disaster Artist, The - R 51 American Sniper - R 201 Do You Believe - PG13 76 Annihilation - R 94 Dr. Suess’ How the Grinch Stole Christmas - PG 5 Apollo 11 - G 233 Dracula Untold - PG13 23 Arctic - PG13 113 Drop, The - R 36 Assassin’s Creed - PG13 166 Dunkirk - PG13 39 Assignment, The - R 137 Edge of Seventeen, The - R 64 At First Light - NR 88 Elf - PG 110 Avengers:Infinity War - PG13 81 Everest - PG13 49 Batman Vs. Superman:Dawn of Justice - R 222 Everybody Wants Some!! - R 18 Before I Go To Sleep - R 101 Everything, Everything - PG13 59 Best of Me, The - PG13 55 Ex Machina - R 3 Big Short, The - R 26 Exodus Gods and Kings - PG13 50 Billy Lynn’s Long Halftime Walk - R 232 Eye In the Sky -
    [Show full text]
  • Abel Ferrara
    A FILM BY Abel Ferrara Ray Ruby's Paradise, a classy go go cabaret in downtown Manhattan, is a dream palace run by charismatic impresario Ray Ruby, with expert assistance from a bunch of long-time cronies, sidekicks and colourful hangers on, and featuring the most beautiful and talented girls imaginable. But all is not well in Paradise. Ray's facing imminent foreclosure. His dancers are threatening a strip-strike. Even his brother and financier wants to pull the plug. But the dreamer in Ray will never give in. He's bought a foolproof system to win the Lottery. One magic night he hits the jackpot. And loses the ticket... A classic screwball comedy in the madcap tradition of Frank Capra, Billy Wilder and Preston Sturges, from maverick auteur Ferrara. DIRECTOR’S NOTE “A long time ago, when 9 and 11 were just 2 odd numbers, I lived above a fire house on 18th and Broadway. Between the yin and yang of the great Barnes and Noble book store and the ultimate sports emporium, Paragon, around the corner from Warhol’s last studio, 3 floors above, overlooking Union Square. Our local bar was a gothic church made over into a rock and roll nightmare called The Limelite. The club was run by a gang of modern day pirates with Nicky D its patron saint. For whatever reason, the neighborhood became a haven for topless clubs. The names changed with the seasons but the core crews didn't. Decked out in tuxes and razor haircuts, they manned the velvet ropes that separated the outside from the in, 100%.
    [Show full text]
  • Zbardhen Prapaskenat Për Arrestimin E Emiliano Shullazit, Ja Përplasjet
    Çmimi 20 lekë, Tel: 2382 020 Rr.Sitki Çiço përballë Maternitetit të Ri E-mail: [email protected] Hapen qindra vende të lira pune në administratën publike, ja kushtet dhe kriteret, afatet për E Hënë 18 Prill 2016 aplikim deri më 4 maj Faqe 5 Raporti antikorrupsion, rriten denoncimet për Zbardhen prapaskenat për arrestimin afera me tenderat, në krye mbeten arsimi dhe shëndetësia e Emiliano Shullazit, ja përplasjet mes Zyra antikorrupsion pranë qeverisë, e drejtu- ar nga kryeministri Edi Rama dhe ministri Bledi Çuçi, ka publikuar raportin më të fundit sa i takon numrit të denoncimeve të rasteve të ryshfetit në prokurorisë dhe policisë, ndërhyrje portalin antikorrupsion... Faqe 8 Nis zvarritja e dekriminalizimit, të forta politike kundër ndalimit të tij zyrtarët nuk dinë të plotësojnë Faqe 2-4 formularët e vetëdeklarimit, paqartësi mbi pyetjet dhe informacionet që duhet të japin Dalin të tjerë vështirësi sa i takon procesit të dekriminalizimit. Teksa procesi ka muaj që zvarritet, problemi i ri është vështirësia në plotë- simin e formularit të vetëdeklarimit. Deri më tani, të gjitha institucionet përgjegjëse... Faqe 9 Humbet morali në zgjedhjet Basha përjashton gardën e vjetër, programet e PD për Universitetin e Tiranës, hartohen nga rrethi i Dibra i sugjeron Konit: besnikëve, përgatit terrenin Dil mbro veten publikisht për futjen e të rinjve në lista Lulzim Basha ka përjashtuar ish-ministrat dhe Dom Gjergj Meta: Kërcënimi figurat e vjetra të Partisë Demokratike nga gati çdo aktivitet i tij me natyrë elektorale. Prej disa muajsh i Mynyr Konit, jo kambanë Lulzim Basha ka urdhëruar rrethin e tij të nisin përgatitjet e programeve që do..
    [Show full text]
  • A Hybrid Documentary Genre: Animated Documentary and the Analysis of Waltz with Bashir (2008) Movie Barış Tolga Ekinci, [email protected]
    A hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) movie Barış Tolga Ekinci, [email protected] Volume 6.1 (2017) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2017.144 | http://cinej.pitt.edu Abstract The word documentary has been described as an advice in “Oxford English Dictionary” in the late 1800s. Document is a main source of information for lawyers. And in cinema, basic film forms are defined with their own properties. The common sense is to seperate documentary from fiction, experimental from main current and animation from the live action films. While these definitions were being made, it has been considered that which expression methods were used. The film genre which is called documentary has been defined in many different ways. In this study, animated documentary genre which is a form of hybrid documentary has been concerned with Baudrillard’s theory. In this context, Ari Folman’s animated documentary Waltz with Bassir (2008) has been analyzed with genre criticism method. Keywords: Documentary, animated documentary, Waltz with Bassir, reality, hybrid genres. New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. A Hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) movie Barış Tolga Ekinci Introduction History of animated documentary1 is old as much as history of traditional documentary. However, in any period, animated documentaries have not been reached the popularity of traditional documentaries.
    [Show full text]
  • O Marketing E O Monstro: Um Estudo Sobre O Marketing De Cloverfield
    PRISMA.COM n.º 43 ISSN: 1646 - 3153 O marketing e o monstro: um estudo sobre o marketing de Cloverfield Marketing and the Monster: A Study on Cloverfield Marketing Luciano Augusto Toledo Universidade Presbiteriana Mackenzie. Brasil [email protected] Henrique Barros Universidade Presbiteriana Mackenzie. Brasil [email protected] Lucas Silva Universidade Presbiteriana Mackenzie. Brasil [email protected] Verônica Santos Universidade Presbiteriana Mackenzie. Brasil [email protected] Wilder Pinto Universidade Presbiteriana Mackenzie. Brasil [email protected] Resumo Abstract Para concorrer com grandes produções, os estúdios de To compete with major productions, low-budget Holly- Hollywood com baixo orçamento buscam investir em es- wood studios seek to invest in different strategies to pro- tratégias diferentes para promover suas produções e mote their productions and engage with their target au- engajar seu público-alvo. Dentro dessa proposta os pro- dience. Within this proposal, Cloverfield franchise pro- dutores da franquia Cloverfield desenvolveram, em ducers developed in 2008 a viral marketing-based strat- 2008, uma estratégia baseada em marketing viral. Com egy. By the Collective Subject Speech, the researchers a análise do Discurso do Sujeito Coletivo, os pesquisa- sought out to understand how this strategy was devel- dores se propuseram a entender como foi desenvolvi- oped, how it was implemented, and whether the film's vda a estratégia de marketing, como foi implementada e success was due to the implemented campaign. The re- sults obtained through qualitative analysis show that the PRISMA.COM (43) 2020, p. 170-192 DOI: https://doi.org/10.21747/16463153/43a9 170 PRISMA.COM n.º 43 ISSN: 1646 - 3153 se o sucesso do filme foi graças à campanha implemen- good results achieved by the film are due to the effi- tada.
    [Show full text]
  • Locating Salvation in Abel Ferrara's Bad Lieutenant
    Journal of Religion & Film Volume 7 Issue 1 April 2003 Article 4 April 2003 'It all happens here:' Locating Salvation in Abel Ferrara's Bad Lieutenant Simon J. Taylor [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Taylor, Simon J. (2003) "'It all happens here:' Locating Salvation in Abel Ferrara's Bad Lieutenant," Journal of Religion & Film: Vol. 7 : Iss. 1 , Article 4. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss1/4 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. 'It all happens here:' Locating Salvation in Abel Ferrara's Bad Lieutenant Abstract Bad Lieutenant offers a both a narrative and a theology of salvation. Both are focussed on the death of the Lieutenant at the end of the film. This essay traces these accounts of salvation and finds that they are both flawed, in nature and scope. These flaws derive from an exclusive focus on the death of the Lieutenant and the cross of Christ as the loci of salvation. The value of Ferrara's work is in the articulation of these flaws, as they point to dangers for Christian theology as it seeks to articulate the salvation offered by Christ. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss1/4 Taylor: 'It all happens here' At the end of Abel Ferrara's film Bad Lieutenant (1992), the Lieutenant (never named and referred to in the credits simply as Lt) sits in his car in front of a sign that reads 'It all happens here'.
    [Show full text]
  • 2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.Com TABLE of CONTENTS
    2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.com TABLE OF CONTENTS ABOUT THIS REPORT 2 FILMING LOCATIONS 3 GEORGIA IN FOCUS 5 CALIFORNIA IN FOCUS 5 FILM PRODUCTION: ECONOMIC IMPACTS 8 6255 W. Sunset Blvd. FILM PRODUCTION: BUDGETS AND SPENDING 10 12th Floor FILM PRODUCTION: JOBS 12 Hollywood, CA 90028 FILM PRODUCTION: VISUAL EFFECTS 14 FILM PRODUCTION: MUSIC SCORING 15 filmla.com FILM INCENTIVE PROGRAMS 16 CONCLUSION 18 @FilmLA STUDY METHODOLOGY 19 FilmLA SOURCES 20 FilmLAinc MOVIES OF 2016: APPENDIX A (TABLE) 21 MOVIES OF 2016: APPENDIX B (MAP) 24 CREDITS: QUESTIONS? CONTACT US! Research Analyst: Adrian McDonald Adrian McDonald Research Analyst (213) 977-8636 Graphic Design: [email protected] Shane Hirschman Photography: Shutterstock Lionsgate© Disney / Marvel© EPK.TV Cover Photograph: Dale Robinette ABOUT THIS REPORT For the last four years, FilmL.A. Research has tracked the movies released theatrically in the U.S. to determine where they were filmed, why they filmed in the locations they did and how much was spent to produce them. We do this to help businesspeople and policymakers, particularly those with investments in California, better understand the state’s place in the competitive business environment that is feature film production. For reasons described later in this report’s methodology section, FilmL.A. adopted a different film project sampling method for 2016. This year, our sample is based on the top 100 feature films at the domestic box office released theatrically within the U.S. during the 2016 calendar
    [Show full text]
  • ADDICTION À L'œuvre
    PHOTO : AUDE GUERRUCCI. PHOTO : Une programmation ADDICTION www.dfilms-programmation-cinema.fr à l’œuvre une histoire de cinéma qui s’accorde aux autres arts de 1895 à 2019 Festival en 5 parties de 2015 à 2019 2e partie du 9 octobre au 20 décembre 2016 ABEL FERRARA RÉTROSPECTIVE, CARTE BLANCHE, MASTER CLASS, RENCONTRES, PRÉSENTATIONS, CONCERT, WORKSHOP… TOULOUSEÊ 1Ê£xÊ1ÊÓÇÊ" /" , ÊUÊMONACOÊÓxÊ" /" , ÊUÊNICE, BEAULIEU-SUR-MER DU 26 OCTOBRE AU 1er NOVEMBRE MONTREUILÊ 1Ê££Ê" /" , Ê1ÊÓäÊ , ÊUÊPARIS DU 15 NOVEMBRE AU 6 DÉCEMBRE ADDICTION À L’ŒUVRE 2/5 LES FILMS DANS LES CINÉMAS ET LES MUSÉES. RENCONTRES, PRÉSENTATIONS, LECTURES… PARIS DU 9 OCTOBRE AU 20 DÉCEMBRE ATELIER REFLEXE Workshop Addicton à l’œuvre [email protected] FABRIQUE DES ILLUSIONS octobre/novembre/décembre www.atelier-refexe.org ADDICTION À L’ŒUVRE, une histoire de cinéma de 1895 à 2019 3 2/5 du 11 octobre au 20 décembre 2016 ABEL FERRARA SHOOTING AT LE LOUVRE FOR ER GI MUSIC FROM THE FILMS OR C OF ABEL FERRARA ME Ô BATHYSPHERE ÉR J PRODUCTIONS 2016 SOMMAIRE PRÉSENTATION . 4, 6 ÉDITORIAL . 7 SÉANCES PRÉSENTÉES ABEL FERRARA TOULOUSE - MONACO - NICE - BEAULIEU - MONTREUIL - PARIS . 8, 9 SYNOPSIS DES FILMS D’ABEL FERRARA . 10, 11, 12 SYNOPSIS DES FILMS DRUGS & CO . 13, 14 ADDICTION à l’œuvre de 2017 à 2019 - COLLECTIF IMAGE . 16 CALENDRIER TOULOUSE - MONACO - NICE - BEAULIEU . 17 CALENDRIER MONTREUIL . 18 CALENDRIER MUSÉES - BEAUX-ARTS DE PARIS . 19 CALENDRIER CINÉMAS PARIS . 20, 21, 22 REMERCIEMENTS . 23 LES LIEUX LES FILMS > TOULOUSE > PARIS L’ANGE DE LA VENGEANCE ; THE KING OF NEW YORK ; LA CINÉMATHÈQUE DE TOULOUSE, CINÉMAS CHRISTINE21, BAD LIEUTENANT ; NEW ROSE HOTEL ; CHRISTMAS ; rétrospective des films LUMINOR HÔTEL DE VILLE, L’ÉCOLE MARY, GO GO TALES ; CHELSEA HOTEL ; d’ABEL FERRARA DES BEAUX-ARTS DE PARIS, LE MUSÉE 4H44 : DERNIER JOUR SUR TERRE ; PASOLINI ; www.lacinemathequedetoulouse.com.
    [Show full text]
  • Gorinski2018.Pdf
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both.
    [Show full text]
  • Geometry of Force: Abel Ferrara and Simone Weil Tag Gallagher
    Geometry of Force: Abel Ferrara and Simone Weil Tag Gallagher Uploaded 30 June 2000 7165 words Abstract The true hero, the true subject, the center of the Iliad is force. Force employed by man, force that enslaves man, force before which man's flesh shrinks away. In this work, at all times, the human spirit is shown as modified by its relations with force, as swept away, blinded, by the very force it imagined it could handle, as deformed by the weight of the force it submits to.... To define force-it is that x that turns anybody who is subjected to it into a thing....It makes a corpse out of him. Somebody was here, and the next minute there is nobody here at all...From [force's] first property (the ability to turn a human being into a thing by the simple method of killing him) flows another..., the ability to turn a human being into a thing while he is still alive. He is alive; he has a soul; and yet-he is a thing....And as for the soul, what an extraordinary house it finds itself in! Who can say what it costs it, moment by moment, to accommodate itself to this residence, how much writhing and bending, folding and pleating are required of it? It was not made to live inside a thing; if it does so, under pressure of necessity, there is not a single element of its nature to which violence is not done.... Perhaps all men, by the very act of being born, are destined to suffer violence; yet this is a truth to which circumstance shuts men's eyes....They have in common a refusal to believe that they both belong to the same species: the weak see no relation between themselves and the strong, and vice versa...
    [Show full text]
  • Inequality in 900 Popular Films: Gender, Race/Ethnicity, LGBT, & Disability from 2007‐2016
    July 2017 INEQUALITY IN POPULAR FILMS MEDIA, DIVERSITY, & SOCIAL CHANGE INITIATIVE USC ANNENBERG MDSCInitiative Facebook.com/MDSCInitiative THE NEEDLE IS NOT MOVING ON SCREEN FOR FEMALES IN FILM Prevalence of female speaking characters across 900 films, in percentages Percentage of 900 films with 32.8 32.8 Balanced Casts 12% 29.9 30.3 31.4 31.4 28.4 29.2 28.1 Ratio of males to females 2.3 : 1 Total number of ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ speaking characters 39,788 LEADING LADIES RARELY DRIVE THE ACTION IN FILM Of the 100 top films in 2016... And of those Leads and Co Leads*... Female actors were from underrepresented racial / ethnic groups Depicted a 3 Female Lead or (identical to 2015) Co Lead 34 Female actors were at least 45 years of age or older 8 (compared to 5 in 2015) 32 films depicted a female lead or co lead in 2015. *Excludes films w/ensemble casts GENDER & FILM GENRE: FUN AND FAST ARE NOT FEMALE ACTION ANDOR ANIMATION COMEDY ADVENTURE 40.8 36 36 30.7 30.8 23.3 23.4 20 20.9 ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ % OF FEMALE SPEAKING % OF FEMALE SPEAKING % OF FEMALE SPEAKING CHARACTERS CHARACTERS CHARACTERS © DR. STACY L. SMITH GRAPHICS: PATRICIA LAPADULA PAGE THE SEXY STEREOTYPE PLAGUES SOME FEMALES IN FILM Top Films of 2016 13-20 yr old 25.9% 25.6% females are just as likely as 21-39 yr old females to be shown in sexy attire 10.7% 9.2% with some nudity, and 5.7% 3.2% MALES referenced as attractive. FEMALES SEXY ATTIRE SOME NUDITY ATTRACTIVE HOLLYWOOD IS STILL SO WHITE WHITE .% percentage of under- represented characters: 29.2% BLACK .% films have NO Black or African American speaking characters HISPANIC .% 25 OTHER % films have NO Latino speaking characters ASIAN .% 54 films have NO Asian speaking *The percentages of Black, Hispanic, Asian, and Other characters characters have not changed since 2007.
    [Show full text]