Serendipity, Scientific Discovery, and Project Cirrus Walter on Roberts Lecture
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
History of Project Cirrus / Compiled by Barrington S. Havens
.^^^iflH 07^ kmu^-^^^^J %'V^.:, GENERALnELECTRIC HISTORY OF PROJECT CIRRUS Compiled by Earrington S. Havens Public Relations Services Division Report No. RL-756 July 1952 CLASS 1 SCHENECTADY, NEW YORK CLASSES OF GENERAL ELECTRIC TECHNICAL REPORTS CLASS 1: Available to anyone upon request. CLASS 2: Available to G-E employees for use within Listed and abstracted the Company. in T. 1. S. Briefs. CLASS 3: Limited distribution within the Company. CLASS 4: Rigidly limited distribution within the Company. May not be sent outside the United States. (Class 4 reports should be returned to Research Laboratory Publications if they are not needed.) i cO ! CD I m o= ; m Xs ;rn = s rn = GENERAL^ELECTRIC REPORT NO. RL-756 HISTORY OF PROJECT CIRRUS Compiled by Earrington S, Havens Public Relations Services Division July 1952 Published by Research Publication Services The Knolls Schenectady, New York FOR USE OF G-E EMPLOYEES ONLY GENERAL^ELECIRIC SCHENECTADY, NEW YORK TECHNICAL INFORMATION SERIES Title Page AUTHOR SUBJECT CLASSIFICATION NO. Havens, RL-756 meteorology DATE Earrington S. July 1952 TITLE History of Project Cirrus ABSTRACT Project Cirrus, initiated on February 28, 1947 under Contract W-36-039-sc-32427, requisition EDO 21190, was established to cover "research study of cloud particles and cloud modifications." Project Cirrus continued through the life of several government contracts, ending in 1952. A history of the project covers not only the work done under G.E. CLASS REPRODUCIBLE COPY FILED AT NO. PAGES 1 Research Publication GOV. CLASS. Services 105 history of the project covers not only the work done under government contract but also the work of General Electric scientists for many years leading up to the establishment of the project. -
A Discourse of Redemption in Three of Kurt Vonnegut's Novels
Tutton Parker 1 What’s in the Potato Barn: A Discourse of Redemption in Three of Kurt Vonnegut’s Novels A Thesis Submitted to The Faculty of the College of Arts and Science in Candidacy for the Degree of Master of Arts and English By Rebecca Tutton Parker April 2018 Tutton Parker 2 Liberty University College of Arts and Sciences Master of Arts in English Student Name: Rebecca Tutton Parker Thesis Chair Date First Reader Date Second Reader Date Tutton Parker 3 Table of Contents Chapter One: Introduction………………………………………………………………………...4 Chapter Two: Redemption in Slaughterhouse-Five and Bluebeard…………………………..…23 Chapter Three: Rabo Karabekian’s Path to Redemption in Breakfast of Champions…………...42 Chapter Four: How Rabo Karabekian Brings Redemption to Kurt Vonnegut…………………..54 Chapter Five: Conclusion………………………………………………………………………..72 Works Cited……………………………………………………………………………………..75 Tutton Parker 4 Chapter One: Introduction The Bluebeard folktale has been recorded since the seventeenth century with historical roots even further back in history. What is most commonly referred to as Bluebeard, however, started as a Mother Goose tale transcribed by Charles Perrault in 1697. The story is about a man with a blue beard who had many wives and told them not to go into a certain room of his castle (Hermansson ix). Inevitably when each wife was given the golden key to the room and a chance alone in the house, she would always open the door and find the dead bodies of past wives. She would then meet her own death at the hands of her husband. According to Casie Hermansson, the tale was very popular in the eighteenth and nineteenth centuries, which spurred many literary figures to adapt it, including James Boswell, Charles Dickens, Herman Melville, and Thomas Carlyle (x). -
“I Can't Sell Nails”
“I Can’t Sell Nails” Paper Presented to the Indianapolis Literary Club James A. Glass May 5, 2014 I first met Irma Vonnegut Lindener at a luncheon in the Athenaeum arranged by her younger cousin, Catherine Glossbrenner Rasmussen.1 The year was 1976, and I had met “Catey,” as Mrs. Rasmussen liked to be called, through a historic preservation project that my office, the Indianapolis Historic Preservation Commission, was conducting with the Junior League of Indianapolis. Under the persuasive influence of Reid Williamson, the new Executive Director of Historic Landmarks Foundation of Indiana, the League had adopted historic preservation as a service area for its volunteers. One of its first projects was nominating the Old Northside neighborhood for listing in the National Register of Historic Places. The project would entail considerable historical research. We decided that one way of gathering valuable information would be to conduct oral history interviews with some of the women who had grown up in the Old Northside area during its time of initial prosperity during the late 19th and early 20th centuries. When Catey heard about the project, she contacted me, then a 24-year old staff historian, about her interest in family history and in the preservation of some of the family homes in the Old Northside. That led to the luncheon at the Athenaeum with Mrs. Lindener, whom Catey called “Aunt Irma.” Aunt Irma turned out to be the daughter and only living child of Bernard Vonnegut, one of the most prominent and gifted architects in Indianapolis at the turn of the 20th century. -
9780805086935EX.Pdf
Henry Holt and Company, LLC Publishers since 1866 175 Fift h Avenue New York, New York 10010 www .henryholt .com ® Henry Holt® and are registered trademarks of Henry Holt and Company, LLC. Copyright © 2011 by Charles J. Shields All rights reserved. Library of Congress Cataloging- in- Publication Data Shields, Charles J., 1951– And so it goes : Kurt Vonnegut, a life / Charles J. Shields.— 1st ed. p. cm. Includes bibliographical references. ISBN 978- 0- 8050- 8693- 5 1. Vonnegut, Kurt. 2. Novelists, American— 20th century— Biography. I. Title. PS3572.O5Z855 2011 813'.54—dc22 [B] 2010045173 Henry Holt books are available for special promotions and premiums. For details contact: Director, Special Markets. First Edition 2011 Designed by Meryl Sussman Levavi Printed in the United States of America 1 3 5 7 9 10 8 6 4 2 1: You Were an Accident – he wedding of Kurt Vonnegut’s parents, Edith Sophia Lieber Tand Kurt Vonnegut Sr. on November 22, 1913, in Indianapolis, Indi- ana, was spectacular. Edith’s father, Albert, own er of a giant brewery who reveled in his reputation as one of the richest men in the city, threw a gargantuan reception at the Claypool Hotel at the northwest corner of Washington and Illinois streets, reputed to be the fi nest hotel in the Midwest. Th ere were six hundred guests, and those not chauff eured in automobiles arrived in horse- drawn carriages with jingling brass harnesses— an entire generation of rich Edwardians, silk- hatted or covered demurely by parasols, many of whom had been raised in Indianapolis’s mansions on Meridian Street.1 Albert Lieber knew what his guests expected and he did not disappoint. -
Finding Aid Was Produced Using Archivesspace on March 02, 2021
Atmospheric Sciences and Research Center; Records ua450 This finding aid was produced using ArchivesSpace on March 02, 2021. Describing Archives: A Content Standard M.E. Grenander Department of Special Collections & Archives Atmospheric Sciences and Research Center; Records ua450 Table of Contents Summary Information .................................................................................................................................... 3 Administrative History ................................................................................................................................... 3 Scope and Contents ........................................................................................................................................ 4 Arrangement of the Collection ...................................................................................................................... 4 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 5 Controlled Access Headings .......................................................................................................................... 5 Collection Inventory ....................................................................................................................................... 6 Department Website -
Kurt Vonnegut: Letters/Edited by Dan Wakefield
Copyright © 2012 by The Kurt Vonnegut, Jr. Trust Illustrations © Kurt Vonnegut and the Origami Express All rights reserved. Published in the United States by Delacorte Press, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York. DELACORTE PRESS is a registered trademark of Random House, Inc., and the colophon is a trademark of Random House, Inc. Grateful acknowledgment is made to the following for permission to reprint previously published material: DELL BOOKS, A DIVISION OF RANDOM HOUSE, INC.: Letter from Kurt Vonnegut, Jr., to Charles Drake dated November 16, 1973, from Palm Sunday by Kurt Vonnegut, copyright © 1981 by Kurt Vonnegut. Reprinted by permission of Dell Books, a division of Random House, Inc.; ALFRED A. KNOPF, A DIVISION OF RANDOM HOUSE, INC., FABER & FABER LIMITED, AND CURTIS BROWN, LTD.: Excerpt from Markings by Dag Hammarskjold, translated by W. H. Auden and Leif Sjöberg, translation copyright © 1964 and copyright renewed 1992 by Alfred A. Knopf, a division of Random House, Inc., and Faber & Faber Ltd. Foreword copyright © 1964 by W. H. Auden and copyright renewed 1992 by Edward Mendelson. Rights throughout Canada and the United Kingdom are controlled by Faber & Faber Limited. Electronic book rights are controlled by Curtis Brown, Ltd. Reprinted by permission of Alfred A. Knopf, a division of Random House, Inc., Faber & Faber Limited, and Curtis Brown, Ltd.; G. P. PUTNAM’S SONS, A DIVISION OF PENGUIN GROUP (USA) INC. AND JONATHAN CAPE, A MEMBER OF THE RANDOM HOUSE GROUP LIMITED: Letter from PFC Kurt Vonnegut, Jr., to his family dated May 29, 1945, from Armageddon in Retrospect by Kurt Vonnegut, Jr., copyright © 2008 by the Kurt Vonnegut, Jr. -
Book Preview
Serendipity in Science Research Lab hallway at opening of Niskayuna, NY GE Research Center, 1950. Left front to back" Dr! $! %! &chaefer' Dr! (! $onnegut; Dr! %! #! Cobine' Dr! )! (! (lo*gett; +r! ,! -! Young' Dr! %! R! C! (rown; Dr! .! #! %ohnson. Right front to back" Dr! /! R! /hitney' Dr! C! %! Gallagher' Dr! ,! /! Hull; Dr! &! Dush0an; Dr! %! +! Lafferty' Dr! &! Roberts' Dr! %! &! .rener' +r! %! +artens, Dr! L! R! )oller' +r! E! 1inley' +r! R! /! Larson. Courtesy of &chenecta*y +useum! Serendipity in Science Twenty Years at Langmuir University An Autobiography by Vincent J. Schaefer, ScD Compiled and Edited by Don Rittner Square Circle Press Voorheesville, New York Serendipity In Science: !enty "ears at Langmuir Uni&ersity An Autobiography by Vincent J. Schaefer, ScD Published by Square Circle Press LLC 137 Ketcham !oad Voorheesville, NY 1"1#$ www%squarecirclepress%co '"(13 )o* !ittner a*d the +state o, Vi*ce*t -% Schae,er% .ll ri/hts reserved. No &art o, this publicatio* may be reproduced or tra*smitted i* a*y ,or or by a*y ea*s, electro*ic or echa*ical, e0cept brie, quotes e0tracted ,or the pur&ose o, book reviews or similar articles, without permissio* i* writi*/ ,ro the publisher% 1irst . erica* &aperback editio*, "(13% Pri*ted a*d bou*d i* the 2*ited States o, .merica o* acid-,ree, durable &aper% IS5N 136 77#3(37#8$7"$333$ IS5N 1(6 (37#8$7"$3339 Library o, Co*/ress Co*trol Number6 "(13733#7$ Compiled a*d +dited by )o* !ittner% :ri/i*al tra*scriptio* by Michael Sulliva*% 1orewor* by Michael Sulliva*% .reface by )o* !ittner% , (rief (iographical &ketch of $incent %! &chaefer by )u*ca* 5la*chard. -
POSTMODERN MYTHOLOGY and the CONSTRUCTION of a VONNEGUTIAN SOCIAL THEORY by Zachary P. Pe
“NO DAMN CAT, AND NO DAMN CRADLE”: POSTMODERN MYTHOLOGY AND THE CONSTRUCTION OF A VONNEGUTIAN SOCIAL THEORY by Zachary P. Perdieu, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Literature May 2016 Committee Members: Robert T. Tally Jr., Chair Allan Chavkin Mark Busby COPYRIGHT by Zachary P. Perdieu 2016 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Zachary P. Perdieu, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION Vonnegut introduced the following letter to babies in God Bless You Mr. Rosewater, “Hello babies. Welcome to Earth. It’s hot in the summer and cold in the winter. It’s round and wet and crowded. On the outside, babies, you’ve got a hundred years here. There’s only one rule that I know of, babies – ‘God damn it, you’ve got to be kind’” (129). This thesis is dedicated to my grandmother, Barbara Wilson, for being my own personal manifestation of this “letter to babies.” It is also for Dr. Steven Connelly. I don’t know where I would be if he hadn’t assigned three Vonnegut novels in his freshmen composition course at Indiana State University, but I can say with certainty that I wouldn’t be writing a dedication for my master’s thesis on Kurt Vonnegut. -
Weather Modification A
PROSPECTS FOR WEATHER MODIFICATION A. F. Butchbaker During the 1930’s and 1940’s, several import Can man willfully change the weather around ant concepts or theories were developed regarding him? This question has puzzled man for centuries. the precipitation process. In 1933, a Swedish mete If man could control the weather, he would be orologist, Tor Bergeron, advanced the theory that able to reduce some of the damages and conse rain in appreciable amounts could be released quent economic losses caused by hurricanes, light principally by the presence of ice crystals formed ning, hail, and fog and to benefit society by en in or transported through water clouds. Five years hancing precipitation at the right time and place. later, a German physicist, Walter Findeisen, re There is much evidence that man can intentionally confirmed this discovery. This theory formed the modify or possibly eliminate many types of weather basis of present day techniques of seeding super hazards or will have the capabilities to do so in the cooled clouds. near future. In 1946, two General Electric Company scien HISTORY OF WEATHER MODIFICATION tists, Vincent Schaefer and Irving Langmuir, dis The history of weather modification has gone covered that dry ice caused the formation of ice through several eras. First was the mystical era. In crystals in miniature super-cooled clouds and the beginning, man tried to influence rainfall by thereby triggered the precipitation process. Shortly hope and faith, magic and ritual. Many primitive afterward, Bernard Vonnegut, a co-worker, demon societies have practiced some type of religious or strated that smoke of silver iodide crystals would ritualistic rainmaking. -
Science and Technology in the Early Work Of
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE “SCIENCE IS MAGIC THAT WORKS”: SCIENCE AND TECHNOLOGY IN THE EARLY WORK OF KURT VONNEGUT, 1952-1963 A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS IN HISTORY OF SCIENCE, TECHNOLOGY AND MEDICINE By EMILY GRIFFIN Norman, Oklahoma 2018 “SCIENCE IS MAGIC THAT WORKS”: SCIENCE AND TECHNOLOGY IN THE EARLY WORKS OF KURT VONNEGUT, 1952-1963 A THESIS APPROVED FOR THE DEPARTMENT OF HISTORY OF SCIENCE BY ______________________________ Dr. Stephen Weldon, Chair ______________________________ Dr. Peter Soppelsa ______________________________ Dr. James Zeigler © Copyright by EMILY GRIFFIN 2018 All Rights Reserved. Table of Contents Abstract……………………………………………………………………………….....v The Reluctant Luddite?…………………………..…....…………………………...……1 Biography………………………………………………………………………………..4 Corporate Science on Display………………………………………………………….11 Player Piano and Automation………………………………………………………….27 Cat’s Cradle and World Ending Technologies………………………………………...35 Vonnegut on Science and Technology…………………………………………………43 Conclusion…………………………………………………………………...............…48 Bibliography……………………………………………………………………………51 Appendix A: Vonnegut on American Identity and Ideology…………………………..60 Appendix B: Current State of Vonnegut Scholarship………………………………….67 iv Abstract Kurt Vonnegut’s writing helped to push the boundaries of our conventional understanding of twentieth-century American literature through his inclusion of science fiction themes in many of his works and his poignant discussions of the perils of war. However, it is his work as a critic of science and technology during the Cold War period which helps to complicate a man who so often seems dismissive of human beings. His connection with the General Electric company and his experiences in World War II complicated the views of a man who, for the first twenty years of his life, fully expected to become a scientist. -
The Efficacy of Science Fiction for Social Satire in Kurt Vonnegut's
ABSTRACT Getting the Joke: The Efficacy of Science Fiction for Social Satire in Kurt Vonnegut’s Cat’s Cradle—with Perspective Gained from Herman Melville’s “Bartleby, the Scrivener” Ren Osouli Director: Lynne Hinojosa, Ph.D. Since the start of his literary career, Kurt Vonnegut's novels have been characterized, and stigmatized, as science fiction. This thesis sets out to vindicate Vonnegut from the “hack” genre that has limited his reception, contextualizing Cat’s Cradle within the real moral and social concerns relative to the author’s own life. Vonnegut masterfully imbues this novel with satirical commentary on contemporary society, especially its increasing reliance on science and technology. I analyze his novel Cat’s Cradle in light of the work of lauded American author, Herman Melville’s short story “Bartleby, the Scrivener: A Story of Wall-Street.” Evincing the parallels in social commentary and satire that place Vonnegut’s piece on par with Melville’s, I argue that Cat’s Cradle not only transcends the genre of science fiction in its moral commentary but also that this tale of apocalypse accentuates Vonnegut’s optimistic humor and approach to life. Ultimately, Kurt Vonnegut’s narrative functions on an ethical level which Melville’s neglects, such that Cat’s Cradle is able to give a vision beyond the black humor present in both pieces. APPROVED BY DIRECTOR OF HONORS THESIS: _______________________________________________ Dr. Lynne Hinojosa, Honors Program APPROVED BY THE HONORS PROGRAM: ______________________________________________ -
Slaughterhouse-Five: a Duty Dance with Death Pdf, Epub, Ebook
SLAUGHTERHOUSE-FIVE: A DUTY DANCE WITH DEATH PDF, EPUB, EBOOK Kurt Vonnegut | 215 pages | 01 Oct 1999 | Turtleback Books | 9780808514572 | English | Saint Louis, United States Slaughterhouse-Five: A Duty Dance with Death PDF Book Vintage Women Coloring Book 6: Fashion from Visual representation of a Tralfamadorian. Get updates in our newsletter. Just as limericks endlessly repeat themselves, so too will Billy's life. The welcome feast had made them as sick as volcanoes. Visit the Connecting the Dots page to read more about this topic. Note: This article may feature affiliate links to Amazon or other companies, and purchases made via these links may earn us a small commission at no additional cost to you. In his bedroom that night, the narrator reads from a book about Dresden's history that O'Hare placed on his bedside table. The latter is transported as contract labour to Dresden, where he and other POWs are kept in a slaughterhouse. The demystification of the human form through body humor also relates to the prevalence of the bestialization of the soldiers in the novel. This caused some confusion among readers, as for some time many assumed that Vonnegut wrote it; when the truth of its authorship came out, Vonnegut was reported as being "not amused". Vonnegut was at one time a member of a Unitarian congregation. Last but not least, how about that Duty-Dance With Death? Hawke adopts a confidential, whisper-like tone for his reading. My reading for my vacation. I would float between the hot beach sand at Ocean City and the heat created by the fire bombings at Dresden.