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Donald Fritz Associate Professor of Art and Art History Department of Art and Art History Santa Clara, California [email protected], 408-551-1779
Donald Fritz Associate Professor of Art and Art History Department of Art and Art History Santa Clara, California [email protected], 408-551-1779 Education 1978 M.F.A., Sculpture, Ceramics, University of California, Davis, California 1976 B.F.A., Printmaking, Sculpture, University of California, Santa Cruz, California 1975 B.A. with honors, Painting, University of California, Santa Cruz, California Awards and Honors 2007 – 2015 Faculty Student Research Assistant Project, Santa Clara University, ($1000) Dean’s Grant, CCACA, Santa Clara University, (600.00) 2014 Dean’s Grant, Beyond Borders, Santa Clara University (1,500) 2013 Silicon Valley Artist Laureate Award, “On The Wall” Silicon Valley Art’s Council, ($5000) 2012 Thomas Terry Grant, Santa Clara University, ($2300) 2011 Arts and Science Award ‘New Mythologies” ($2800) 2010-11 Locatelli Junior Faculty Grant ($1288) 2009 Thomas Terry Grant, Santa Clara University, ($3750) 2007 Professional Development, Santa Clara University, ($5000) 2007 Start Up Funds, Santa Clara University, ($5000) 2001 Artists Grant, Pollock-Krasner Foundation, Inc. ($15,000) 2001 Visiting Artist Project Grant, Anderson Ranch Arts Center, Colorado 1997 Artist Grant, Pollock-Krasner Foundation, Inc. ($10,000) 1995 Best of Show, Triton Museum-KTEH Art Auction 1993 Japanese Cultural Exchange Grant, travel grant, one month ($5,000) Exhibitions Solo 2016 Lexicon” Gallery IMA, Seattle Washington 2015 “Atomic Icons”, La Luz De Jesus Gallery, Los Angeles, California 2013 “Turgid Flux, Coastal Eddy Gallery, Laguna Beach, California 2012 “Mythos, Patrones Y Obsesiones” Galaria Angela Peralta Mazatlan, Sinaloa. December 2011 “Candy Cane” Homey Gallery, Chicago Illinois 2010 “Nuevas Mitologias” Mazatlan Museum, Sala Carlos Bueno, Mazatlan Sinaloa, Mexico. -
Branch Directory
F i d e l i t y N a t i o n a l T i t l e Relocation Guide Branch Directory SANTA CLARA Administration & Customer Service MAIN OFFICE 2099 Gateway Place, Suite 100, San Jose, CA 95110 Tel: (408) 437-4313 Fax: (408) 392-9286 SANTA CLARA Title & Escrow Title Plant 145 North Wolfe Road, Sunnyvale CA 94086 Tel: (408) 522-4000 Fax: (408) 992-0743 • Escrow • ALMADEN 1067 Blossom Hill Road, San Jose, CA 95123-1105 BRANCH Tel: (408) 448-1600 Fax: (408) 448-0212 Bascom • Escrow • Branch 1707 South Bascom Ave., Campbell, CA 95008-0627 Tel: (408) 371-8040 Fax: (408) 371-9174 • Escrow • Cupertino 10300 South De Anza Blvd, Suite A, Cupertino, CA 95014-3010 Branch Tel: (408) 996-7177 Fax: (408) 252-8029 • Escrow • Evergreen 2680 South White Road, Suite 115, San Jose, CA 95148 Branch Tel: (408) 270-5222 Fax: (408) 270-1850 • Escrow • Gateway 2099 Gateway Place, Suite 100, San Jose, CA 95110 Branch Tel: (408) 437-4313 Fax: (408) 392-9272 Milpitas • Escrow • Branch 1128 Jacklin Road, Milpitas, CA 95035-3700 Tel: (408) 956-9999 Fax: (408) 956-9899 • Escrow • mORGAN hILL 275 Tennant Avenue, Suite 106, Morgan Hill, CA 95037-5476 bRANCH Tel: (408) 778-3636 Fax: (408) 778-2122 sARATOGA • Escrow • bRANCH 12295 Saratoga-Sunnyvale Rd, Ste 700, Saratoga, CA 95070-3067 Tel: (408) 873-3434 Fax: (408) 873-3444 • Escrow • sUTTER 18625 Sutter Blvd., Suite 200, Morgan Hill, Ca 95037 bRANCH Tel: (408) 778-2848 Fax: (408) 779-1819 wINCHESTER • Escrow • bRANCH 1700 Winchester Boulevard, Suite 102, Campbell, CA 95008-1163 Tel: (408) 871-3000 Fax: (408) 871-3020 1 Copyright © Sarah Fields-Fidelity National Title. -
Five Museums | the Taos News
5/15/2020 Five Museums | The Taos News (/) Search … ADVANCED SEARCH (/SEARCH.HTML) GALLERY GUIDE Five Museums (/uploads/original/20200406-150431-Davison.jpg) Davison Koenig, the Couse-Sharp Historic Site executive director and curator COURTESY https://www.taosnews.com/stories/taos-society-of-artists-couse-sharp-historic-taos-art-museum-harwood-millicent-rogers-lunder-research-center-blumenschein,63198? 1/4 5/15/2020 Five Museums | The Taos News Posted Thursday, April 16, 2020 1:29 pm By Dena Miller To some it may seem inexplicable why Taos--a tiny town nestled in New Mexico’s high mountain desert-- became the vortex for an American art movement of such national and international significance over the course of a century. But to Davison Koenig, the Couse-Sharp Historic Site executive director and curator, it’s perfectly understandable. “The arrival of those who would come to be known as the Taos Society of Artists was a perfect storm of circumstances, the timing of which coincided with a burgeoning interest in the American Southwest,” he said. “They didn’t just visit here; they settled here. And so they became a colony with a common and concerted vision, which was to share with the rest of the world an authentic depiction of Native culture and the American Southwest landscape.” Today, the site--owned and operated by The Couse Foundation and including the homes and studios of founding artists E. Irving Couse and J. H. Sharp--is a fascinating step back into time, but is poised to become the future’s singular research center dedicated to Taos as one of the most important art colonies in the country’s history. -
The Passing of VTA Operator Audrey Lopez
From: VTA Board Secretary Sent: Tuesday, October 20, 2020 3:21 PM To: VTA Board of Directors Subject: VTA Correspondence: Week ending October 16, 2020 VTA Board of Directors: We are forwarding to you the following correspondence: From Topic VTA Staff Response to Mr. Eugene Bradley, Founder & CEO, Silicon Valley Transit Users, re: the passing of VTA Operator Audrey Lopez Thank you. Office of the Board Secretary Santa Clara Valley Transportation Authority 3331 North First Street, Building B San Jose, CA 95134-1927 Phone 408-321-5680 Conserve paper. Think before you print. From: Fadal, Sylvester <[email protected]> Sent: Thursday, October 15, 2020 4:40 PM To: Eugene Bradley <[email protected]>; Fernandez, Nuria <[email protected]>; VTA Board Secretary <[email protected]>; Hill, David <[email protected]> Subject: Re: Death of VTA bus driver Audrey Lopez from COVID-19 Good afternoon Mr. Bradley, Please see below, VTA’s response next to your questions. • What was the VTA driver badge number for Ms. Lopez? Her badge number was 12134. • What bus garage(s) did Ms. Lopez work at? She worked out of the Cerone Division. • Which bus lines did Ms. Lopez drive passengers on, before her positive diagnosis for COVID-19? Audrey was a regular run operator on a split shift Monday through Friday. She drove the 57 line in the morning and 66 line in the evening. • Has contact tracing been implemented for her supervisors and fellow bus drivers trainers who were around Ms. Lopez before her COVID-19 diagnosis? Yes, as in any Covid-19 related case, contact tracing guidelines were followed consistent with CDC recommendations. -
Toward a Bay Area Science Learning Collaboratory
Toward a Bay Area Science Learning Collaboratory Leveraging San Francisco Bay Area Science-Technology Museums and Other Informal Science Education Programs as a Key Educational Resource for Student Learning and Teacher Professional Development Prepared for The William and Flora Hewlett Foundation Menlo Park, CA By DesignWorlds for Learning, Inc. http://www.designworlds.com In Collaboration with ROCKMAN et cetera San Francisco, CA http://www.rockman-etc.org March 15, 2002 Toward a Bay Area Science Learning Collaboratory Leveraging San Francisco Bay Area Science-Technology Museums and Other Informal Science Education Programs as a Key Educational Resource for Student Learning and Teacher Professional Development Prepared for The William and Flora Hewlett Foundation Menlo Park, CA By Ted M. Kahn, Ph.D. President and CEO DesignWorlds for Learning, Inc. http://www.designworlds.com In Collaboration with Saul Rockman Executive Director ROCKMAN et cetera San Francisco, CA http://www.rockman-etc.org March 15, 2002 ROCKMAN et cetera 49 Geary Street, #530 San Francisco CA 94108 Phone: 415/544-0788 http://www.rockman-etc.org Fax: 415/544-0789 Acknowledgements Acknowledgements The research leading to this report was a result of some initial exploratory work done at the request of Dr. Ida Oberman, former Education Program Associate with the William and Flora Hewlett Foundation (and now at Partners in School Innovation) and Dr. Marshall M. Smith, Education Program Director of the Hewlett Foundation in July- August 2001. The research summarized in this report was supported by Hewlett Foundation grant #2001-7331 to ROCKMAN et cetera, in collaboration with DesignWorlds for Learning, Inc. We would like to express our deep appreciation to Ida Oberman and to Mike Smith and Sally Tracy of the Hewlett Foundation for their interest and generous support of this work in support of education and lifelong learning. -
Kathryn Dunlevie
H O O K S – E P S T E I N G A L L E R I E S 2631 Colquitt Houston, TX 77098 713.522.0718 KATHRYN DUNLEVIE EDUCATION 1983 California College of Arts and Crafts, Oakland, CA 1980 Taller de Artes Creativas, Madrid, Spain 1975 Boston Museum of Fine Arts, Museum School, Boston, MA 1974 Rice University, Houston, Texas: Bachelor of Arts, cum laude 1973 Universite de Paris, Paris, France SELECTED SOLO EXHIBITIONS 2020 FotoFest 2020: Women of Wonder, Hooks-Epstein Galleries, Houston, TX 2018 FotoFest 2018: The Taxidermist’s Imaginarium, Hooks-Epstein Galleries, Houston, TX (upcoming) 2016 FotoFest 2016: Miskick Krewes, Hooks-Epstein Galleries, Houston, TX 2014 FotoFest 2014: Detectives of Fiction and Women of Mystery, Hooks-Epstein Galleries, Houston, TX 2012 FotoFest 2012: Cover Versions, Hooks-Epstein Galleries, Houston, TX 2011 Kathryn Dunlevie, Stanford Art Spaces, Stanford University, Stanford, CA 2010 Al Fresco, K. Saari Gallery, Steamboat Springs, CO 2009 Syncopated Spaces, Hooks-Epstein Galleries, Houston, TX Kathryn Dunlevie, Armstrong Atlantic, Savannah, GA 2008 FotoFest 2008: Matter Unmasked, Hooks-Epstein Galleries, Houston, TX 2006 Double Take, Chelsea Art Gallery, Palo Alto, CA FotoFest 2006: More than Meets the Eye, Hooks-Epstein Galleries, Houston, TX 2005 Arts Council Silicon Valley Fellowships in Photography, Triton Museum of Art, Santa Clara, CA 2004 FotoFest 2004: Glimpses, Hooks-Epstein Galleries, Houston, TX Not at First Glance, Gallery TPW, Toronto, Canada 2003 Urban Entrée, Anita Seipp Gallery, Palo Alto, CA 2002 Double -
Lobdell Resume 2013
Frank Lobdell b. Kansas City, MO 1921 EDUCATION 1950–51 Académie de la Grande Chaumière, Paris, France 1947–50 California School of Fine Arts, San Francisco, CA (now the San Francisco Art Institute) 1939 St. Paul School of Fine Arts, St. Paul, MN SELECTED SOLO EXHIBITIONS 2009 Frank Lobdell: Figurative Drawings, Cantor Arts Center, Stanford University, Palo Alto, CA (will travel to Iowa State University, Ames, IA; Portland Art Museum, OR; Fresno Art Museum, CA) 2008 The Dance Series, 1969-72, Hackett-Freedman Gallery, San Francisco, CA Frank Lobdell Retrospective, Marin Museum of Contemporary Art, Novato, CA 2004 Frank Lobdell: Recent Work 1990–2004, Hackett-Freedman Gallery, San Francisco, CA 2003 Frank Lobdell: Figure Drawings, Hackett-Freedman Gallery, San Francisco, CA The Art of Making and Meaning, California Palace of the Legion of Honor, Fine Arts Museums of San Francisco, CA (traveled to Portland Art Museum, OR, and Fresno Art Museum, CA) Frank Lobdell: Etchings & Aquatints, B. Sakata Garo Gallery, Sacramento, CA 2002 Frank Lobdell: Early Works, Charles Cowles Gallery, New York, NY Three Phases, 1947–2001, Hackett-Freedman Gallery, San Francisco, CA 2000 Frank Lobdell: Recent Paintings and Drawings, Campbell-Thiebaud Gallery, San Francisco, CA Frank Lobdell: A Decade of Etchings, The Art Exchange, San Francisco, CA 1998 Etchings by Frank Lobdell, Western Michigan University, Kalamazoo, MI Master Artist V, Hearst Art Gallery, St. Mary's College of California, Moraga, CA Campbell-Thiebaud Gallery, San Francisco, CA (also ‘95,’92,’91,’90, ‘88) Shorenstein Building, 425 Market Street, San Francisco, CA 1997 Emmie Smock Gallery, San Francisco, CA 1995 Frank Lobdell, Aquatint Etchings, Printworks, Chicago, IL 1993 Works, 1947–1992, Stanford University Museum of Art, Palo Alto, CA Frank Lobdell: Recent Paintings and Monotypes, Oscarsson-Hood, New York, NY 1992 IPA Gallery, Boston, MA Viewpoints XVIII: Frank Lobdell, M. -
Mirang Wonne
Mirang Wonne 411 Brannan Street San Francisco, CA 94107 (415) 977-0223 www.arthaus-sf.com Mirang Wonne !Education! Ph. D., Esthetics, Sorbonne (Universite de Paris 1), Paris, France!Diplome, 3 Cycle, Ecole Nationale Superieure des Arts Decoratifs, Paris, France!B.F.A. & finished courses for MFA, Seoul National University& Graduate School Selected Solo Exhibits! 2017 Scheduled;' November-December, SFMOMA Artists Gallery, Fort Mason, San Francisco, CA 2016 “Fire and Light,” The Studio Shop Gallery, Burlingame, CA 2015 “Enmeshed: Mirang Wonne,” Showcase, Aerena Galleries, Previously I Wolk Gallery in Saint Helena, Maisonry Napa Valley in Yountville and Aerena in Sonoma, CA 2014 "Fire Script," De Saisset Museum, Santa Clara University, Santa Clara, CA: April - June 2013 !“Mirang Wonne,” Arthaus Gallery, San Francisco, CA 2012 !“Mirang Wonne,” The Studio Shop Gallery, Burlingame, CA 2011 !“Fire Strokes,” Triton Museum of Art, Santa Clara, CA!“Mirang Wonne,” San Francisco Museum of Modern Art Artists Gallery, San Francisco 2010 !“Allure” I Wolk Gallery, St Helena & Maisonry Napa Valley, Yountville, CA!“California,” Auberge du Soleil, Rutherford, CA!“BulKot: Capturing Sunlight,” Gallery Sun Contemporary, Seoul, Korea 2009 !“Mirang Wonne: Vision of Enchantment,” Invitation exhibit by curator, !Rotunda Gallery, School of Law, University of San Francisco, CA!“Nature’s Song,” 1 California Street, San Francisco, CA 2008 !“Whispers,” Bryant Street Gallery, Palo Alto, CA 2007 !“Mirang Wonne: New Work,” Bryant Street Gallery, Palo Alto, CA 2006!“Another -
CITY FOCUS by Kelly Skeen
CITY FOCUS by Kelly Skeen ery few art communities have the lifespan and in Europe, active in Paris during the rise of impressionism significance of Taos, New Mexico. The historic and highly connected in New York’s gallery scene, these V town, nestled in the shadows of the Sangre de Cristo artists collectively began seeking subjects to paint that Mountains, has been a haven for artists since the early 19th were uniquely American. Breaking from conventional century and its romantic reputation continues today. Artists Eastern painting styles, the TSA fostered what they felt to migrate to Taos for the same reasons the Pueblo Indians be the “new American art.” The Southwest landscape and settled there long before: the light, the land and the quiet Native culture dominated the subject matter for these early vastness of the southwest. From early Taos founders to artists who were revolutionary for their time not only for trendsetting Taos Moderns, the diversified community served introducing a new, locally inspired color palette, but for as an escape and a rebellion from established coastal art softening the Wild West mentality of American art. “Up scenes and busy city centers. The same sentiments exist until that point, the American identity was remembered today as creative voices carry on the legacy of the area’s for its dramatic cowboy and Indian motif,” says Davison rich art history with independent perspectives. These Koenig, executive director and curator of the Couse-Sharp perspectives, however, are derived from Taos’ unchanged Historic Site in Taos. “The TSA had a more romanticized bohemian attitude and surrounding natural beauty that vision. -
The History and Preservation of the Acequia Madre Del Río Pueblo
The history and preservation of the Acequia del Madre del Río Pueblo, Taos, New Mexico A publication of The Paseo Project in support of the Friends of the Acequia Madre P | 1 The Paseo Project is excited to present Acequia Aquí: The history and preservation of the Acequia Madre del Río Pueblo. The essay and series of maps illuminate the deteriorating acequia network at the heart of the town of Taos. Through community collaborations, The Paseo Project seeks to educate, illuminate and support this historic and culturally important public infrastructure. Through this exploration, the Paseo Project seeks to transform our community by celebrating the downtown acequia network through creative and artistic events and installations. With the help of this booklet, we hope that you will better understand the history and value the acequia system has provided to our community and imagine with us new ways that we can celebrate the gift of their presence. – The Paseo Project Team table of contents: This project was made possible by the LOR Foundation essay: The Acequia Madre del Río Pueblo in the support of the Acquia Madre del Pueblo. by Sylvia Rodríguez. .1-6 faces of the acequia: Eloy Jeantete . 2 map of the Acequia Madre del Río Pueblo. 3 We’d like to give special thanks to the following people: Charles Chacon J.R. Logan Charles Chacon faces of the acequia: George Trujillo . .4 Jim Schlarbaum Gina Azzari Barbara Scott Sylvia Rodriguez Eloy Jeantete LOR Foundation map A | Acequia Madre del Juanita Lavadie George Trujillo Friends of the Acequia Madre Río Pueblo Headgate . -
Taos Art and Cultural Consortium: 2017 Taos
Taos Art and Cultural Consortium: 2017 Taos Stories & Legends (Final Draft, 3/15/17) Bringing visitors to Taos for more than a single day A calendar of activities, events, programs and exhibitions compiled by the Taos Arts Council JANUARY - FEBRUARY January – May 21 Continuum: Light, Space and Time The Harwood Museum of Art, 238 Ledoux St. January – March 5 San Francisco in Taos 203 FINE ART, 1335 Gusdorf Rd. Suite I (Open by appointment, 575-751-1262) Opening reception February 18, 5-7pm Artists from The San Francisco School of Abstract Expressionism who then lived and worked in Taos; Lawrence Calcagno, Edward Corbett, Lilly Fenichel, Charles Strong and Clay Spohn. January 17 – March 12 Members Open Encore Gallery The Taos Center for the Arts features 20”x20” entries from its member artists. Taos Community Auditorium, 133 Paseo del Pueblo Norte. January 27 – March 31 Taos Artists in Public Spaces Town Hall, Taos Presented by Taos Arts Council featuring Taos County artists on the NMArts Art in Public Programs. Jonathan Blaustein (photography), JoAnne and Kevin DeKeuster(ceramics), Meredith Mason Garcia (photography), Mark Goebel (photography), Abby Salsbury (clay tiles) and Peggy Trigg (painting). January – April 16 People and Painters of the West Penetrating portraits highlight people of the land as well as those who painted them. Taos Art Museum at Fechin House, 227 Paseo del Pueblo Norte January – September 17 One Land, Many Visions Enjoy the breadth and depth of the many artistic visions inspired by Taos, its people and its landscapes from the Taos Society of Artists through the Taos Moderns. -
In a Town Steeped in History, It's Hard to Stop Anywhere That Doesn't Have A
THE FIRST WAVE OF PAINTERS D.H. Lawrence, Ansel Adams and Andrew Dasburg, all of In the late 1800s the landscape of the Southwest whom came to stay at her home in Taos. was a blank canvas that attracted a new generation of Today the Mabel Dodge Luhan house is still open American painters. American artists Joseph Sharp, Bert to visitors who want to immerse themselves in the Phillips and Ernest Blumenschein met studying painting history of the woman who helped craft the early arts in Paris, but each found his way to the small high-desert scene in Taos. Guests can stay in Luhan’s room or one of town of Taos, New Mexico. They were inspired to apply the rooms that housed luminaries such as Ansel Adams, Taos their European training to rendering the landscape Georgia O’Keeffe, Nicholai Fechin and D.H. Lawrence, & THE ENCHANTED CIRCLE of the Southwest in all of its exquisite color and to among others. The Mabel Dodge Luhan Inn and depicting the Native peoples who lived there. Conference Center also hosts workshops and retreats Sharp fi rst discovered Taos while on a sketching year round. They include ones on creativity, writing, trip on 1883. A few years later Phillips and Blumenschein photography, painting and yoga. were passing through the town their friend had told While many artists came and went from Luhan’s them so much about, and by sheer happenstance their home, Andrew Dasburg was a regular visitor, spending wagon broke down. While waiting part of every year in either Taos or for it to be fi xed, the two became Santa Fe.