Herman Miller Tout Le Langage Du Design

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id mobilier 1 3 4 2 5 Herman Miller 8 Tout le langage du design 6 rarem, qui contribue chaque jour au bien-être de ses clients Alexander Girard, Isamu Noguchi, Robert Propst, Bill Stumpf, Don par l'aménagement de leurs espaces de vie, nous présente le Chadwick, Ayse Birsel, Studio 7.5, Yves Béhar, Doug Ball et tant 7 T mobilier d’exception Herman Miller. Depuis toujours, le d'autres talents. nom Herman Miller est synonyme de meubles « modernes ». S'entourant de designers légendaires tels que George Nelson et Chez Trarem Charles et Ray Eames, l'entreprise produisait déjà, au milieu du Siège social : 43, bd Moulay Slimane - Roches Noires 20ème siècle, des créations qui allaient devenir des grands classiques Casablanca - 05 22 40 12 16 du design industriel. Penser, apprendre et communiquer à travers le design, toute l’équipe n’a de cesse de proposer des solutions à tous les types de clientèle. Avant de décider du quoi et du comment, ils se demandent d’abord 1. Mobilier designé par Charles and Ray Eames «pourquoi?». C'est la question qui permet, après réflexion, d’échanger 2. La gamme Kivo signée Alexander Lorenz a reçu le prix « Good Design de nouvelles idées et résoudre les problèmes auxquels les gens sont Australia » dans la catégorie « Mobilier et éclairage » confrontés. 3. Ensemble mobilier signé George Nelson Aujourd'hui, outre ses meubles classiques et ses nouveaux designs 4. Mobilier extérieur designé par Konstantin Grcic : Medici Chair pour la maison, Herman Miller est un innovateur reconnu en Outdoor mobilier d'intérieur contemporain, mobilier d’extérieur et solutions 5. Mobilier de bureau signé Yves Behar : «Public Office Lanscape Plazza» pour les entreprises à travers un mobilier de bureau très stylisé. 6. Mobilier de bureau signé Jeff Weber : «Caper Multipurpose Chairs» De plus, Herman Miller collabore, depuis de nombreuses années, 7. Mobilier de bureau signé Studio 7.5 : «Mirra 2 Chair» avec certains des plus grands noms du design dans le monde, dont 8. Swoop Lounge Furniture designé par Brian Kane 58 . id prestige.

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Transcript of Don Chadwick's Interview
THE HENRY FORD COLLECTING INNOVATION TODAY TRANSCRIPT OF A VIDEO ORAL HISTORY INTERVIEW WITH Donald Chadwick FEBRUARY 25, 2009 DON CHADWICK STUDIOS LOS ANGELES, CA ©The Henry Ford 2009 Interviewer: Barry Hurd PRODUCER: JUDITH E. ENDELMAN Donald Chadwick Interview Pg.2 BARRY HURD: 00:00:34;24 Okay, tell us where we are and what goes on here. DONALD CHADWICK: 00:00:39;05 Well, this is a relatively new space for me. It's going on four years. And we're in Brentwood, California, which is part of West L.A. And we're actually on some property that I purchased about seven years ago. And was able to develop the property. And finally own my own space. Prior to this, I had rented, like most designers I suppose, warehouse spaces to work in. And this enabled me to pretty much control everything, and not have to pay rent anymore. And make a little investment in real estate. So I'm quite proud of the place. And I really like it. And it's nice to be within walking distance of the house. I don't have to get in the car and drive anymore. So I'm a product of the times now. I try to keep the driving to a minimum, and the walking to a maximum BARRY HURD: 00:01:36;12 Does having your own space like this, help you be more creative? Does the muse appear more often here than at the old rented… Donald Chadwick Interview Pg.3 DONALD CHADWICK: 00:01:43;06 Well, you know, the process has changed over the years.
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Herman Miller Retailer Brand Guidelines
July 2010 HermanMiller Retailer Brand Guidelines Retailer Retailer Brand Guidelines page 1 © 2010 Herman Miller, Inc. July 2010 To navigate, click on the sections below— or the arrows at the bottom As an authorized HermanMiller retailer, you derive several benefits from our design heritage and brand recognition. It’s likely you already know this well because HermanMiller products are among the top-selling brands for many of our retailers. There are three key elements involved in building on the recognition of the HermanMiller brand: 1. The first element is how you associate your identity with your status as an authorized retailer. Examples on pages 3-4 illustrate how we want you to use the “Authorized HermanMiller® Retailer” phrase in relation to your identity. 2. The second element is the use of our logomark (stylized M in circle) and our logotype (the words HermanMiller). They should always be used in relation to one another. You’ll find more on this on pages 5-6. 3. The third element is the correct, clear, and consistent use of our trademarks. In Resources, on page 24, we provide a link to our current trademark list on hermanmiller.com. In the examples on pages 6-7, we indicate proper usage in ads that feature only HermanMiller products or several manufacturers’ products. On pages 7-8, we provide more information on trademarks in headlines and body copy. Retailer Brand Guidelines page 2 © 2010 Herman Miller, Inc. July 2010 2. Using the Authorized Retailer Phrase “Authorized HermanMiller® Retailer” phrase The first element involved in building on the recognition of the HermanMiller brand is how we want you to associate your identity with your status as an authorized retailer in all of your communications.
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Preservation by Design: Archives and Records Services at Herman Miller, Inc
Reprint: Business Archives Section Newsletter, 1998 Preservation by Design: Archives and Records Services at Herman Miller, Inc. By Robert W. Viol, Corporate Archivist, Herman Miller, Inc. Who is Herman Miller? Collections and Services departments. Space in the record Herman Miller Inc. is a leading Herman Miller’s corporate archival center has been designed to store multinational manufacturer of holdings have been described by requested documents and furniture, furniture systems and researchers as "awesome" - a accommodate lawyers from both furniture management services. testimonial to the corporate sides of the courtroom. Headquartered in Zeeland, officers, who have generously Michigan, Herman Miller has been provided monetary and moral Get Rid of that Backlog! It Costs a source of major innovation in the support, and to the dozens of men Us Money! residential and office and women, who have contributed Litigation research has environments. The company their effort, time and talent. The demonstrated the urgent need to emphasizes problem solving archives, now located in one of the eliminate the backlog of through design, participate company’s original buildings, uncataloged Herman Miller management, environmental documents the development of publications and non-Herman responsibility and employee stock Herman Miller product from its Miller materials containing third ownership. inception and creation to marketing party endorsements of our product. and distribution. Collections Every growing and viable archives Herman Miller, Inc. began in 1905 include publications, administrative will have a backlog of the as the Star Furniture Company, a records, photography, drawings unprocessed, however, when manufacturer of ornate and blueprints, oral histories, records or publications are reproductions of traditional-style audiovisuals, three dimensional requested as a result of a court home furniture.
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Finding Aid for Herman Miller Collection, 1923-2006
Finding Aid for HERMAN MILLER COLLECTION, 1923-2006 (BULK 1934-2000) Accession 89.177 Finding Aid Republished: June 2016 Benson Ford Research Center, The Henry Ford 20900 Oakwood Boulevard ∙ Dearborn, MI 48124-5029 USA [email protected] ∙ www.thehenryford.org Herman Miller Collection Accession 89.177 OVERVIEW REPOSITORY: Benson Ford Research Center The Henry Ford 20900 Oakwood Blvd Dearborn, MI 48124-5029 www.thehenryford.org [email protected] ACCESSION NUMBER: 89.177 CREATOR: Herman Miller, Inc. TITLE: Herman Miller Collection INCLUSIVE DATES: 1923-2006 BULK DATES: 1934-2000 QUANTITY: 31.8 cubic ft. (50 boxes) LANGUAGE: The materials are in English ABSTRACT: Herman Miller, Inc. is a furniture company based in Zeeland, Michigan. The collection is primarily comprised of trade catalogs, product literature, and publications documenting the furniture, its designers, and the company’s history. Page 2 of 17 Herman Miller Collection Accession 89.177 ADMINISTRATIVE INFORMATION ACCESS RESTRICTIONS: The collection is open for research. TECHNICAL RESTRICTIONS: Use of original video and audio tapes, floppy disks, and compact discs contained in the collection is restricted. Access may be unavailable due to lack of appropriate software and hardware, or use copies may need to be produced unless otherwise noted. Researchers interested in this material should contact Benson Ford Research Center staff ([email protected]). COPYRIGHT: Copyright has been transferred to the Henry Ford by the donor. Copyright for some items in the collection may still be held by their respective creator(s). ACQUISITION: Donation, 1989 and ongoing. RELATED MATERIAL: Related material held by The Henry Ford: - Robert Propst Collection, Accession 2010.83 - Bill Stumpf Collection, Accession 2009.141 - Don Chadwick Oral Interview, Accession 2009.119 - Herman Miller trade catalogs.
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Herman Miller SAYL Chair Line
Herman Miller presents SAYL a new family of seating by celebrated designer Yves Béhar. “It’s human nature to seek life unframed,” says Yves Béhar, designer of the new Herman Miller SAYL chair line. “People want to go beyond expectations. And they want that same unframed spirit in the objects they use and how they experience them.” That conviction guided him and the team at Herman Miller as they “grew” what became the family of SAYL chairs. Arriving at SAYL was a process of research and iteration. Béhar describes it as “draw, build, break, and repeat until you arrive at something unique” That process is familiar to Béhar, founder of fuseproject, a San Francisco-based brand and product design firm. Béhar, a regular collaborator with Herman Miller, is known for tackling big challenges and pushing the boundaries of technology and design in a cost efficient way. He calls this approach attainability and human-centered design. “If a project isn’t ethical,” notes Béhar, “it can't be beautiful, and if it isn't beautiful it shouldn't be at all.” Suspension Bridge as Inspiration Béhar began the search for SAYL with this question: Can the same principles that are used to suspend a bridge over water be applied to a chair? His goal was to enable an unprecedented sense of freedom for the sitter in a design that delivers the most comfort with the least materials. At the outset, a radical decision was made to approach the design process by considering what could be taken away from the design to allow it to do more.
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Yale SOM Case 14-020 Herman Miller
yale case 14-020 december 15, 2014 (rev. february 10, 2016) Herman Miller Preserving and Leveraging Culture in a Strategic Shift Charles Euchner1 “Inspiring designs to help people do great things” Herman Miller mission statement Approaching his tenth anniversary as CEO of Herman Miller (NASDAQ: MLHR), Brian Walker found himself in a pensive frame of mind, reflecting on what had been accomplished during his tenure and on the future challenges ahead. It was the end of 2014, two and a half years since Walker had announced a major strategic initiative that he called “Shift.” The strategy would take the furniture company far from its roots in rural West Michigan, expand its product line, and develop more direct connections to consumers. Walker knew he was steward to a storied company with a distinctive place in corporate history. Through its emphasis on design, Herman Miller had been in the vanguard of the modernist movement in furniture and had become a leader in providing cutting-edge office fixtures. The company also set audacious goals to protect the environment and established a major institute on facility management. Through it all, the company culture honored the evangelical Christian values of West Michigan—in particular, the Reformed Protestant tradition embraced by its first CEOs from the De Pree family—to create a human resource system that celebrated the whole worker. Still, the furniture industry was subject to the ups and downs of economic cycles. Herman Miller had been hit hard by the recession that began in 2008, requiring layoffs and cutbacks in training that challenged the firm’s values-based, covenantal culture.
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The Designers of Herman Miller
the designers of herman miller book design proposal It is clear through a careful examination of the Herman Miller The design of this book seeks to utilize the same philosophies Company’s history and body of work, the astute attention that and ideologies that the designers of Herman Miller ap- is paid to detail in everything that they design. The unique fo- proached their work with. To reflect the simplicity, modernism cus on both function and form is what initially set the Herman and attention to detail that they exhibit in their work in the de- Miller Company apart form other furniture manufacturers. Un- sign and handling of the book. The book should pay homage der the direction of George Nelson, brilliant designers— to the work and careers of the famous Herman Miller designers Charles and Ray Eames, Isamu Noguchi, Alexander Girard and and reflect their personalities and approach to the problem of others, were able to bring modernism to the forefront of the creating something both functional and visually appealing. design world while creating beautiful and lasting pieces of fur- The book will utilize ample white space and simple, consis- niture. As Nelson said in during his final project, “the aim of the tent layouts, letting the furniture and the rich history of the Her- design process is always to produce an object that does some- man Miller Company become the focus of the piece. The de- thing. In problem solving, the limitations are far more impor- sign should reflect the openness of the Herman Miller tant than the freedoms… The only creative freedom that is designers.
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“It Ain't Braggin' If You've Done It.”
“It ain’t braggin’ if you’ve done it.” A Message from Brian Walker, CEO Fiscal Year 2006 L “It ain’t braggin’ if you’ve done it.” L Dear members of the Herman Miller community, Hall of Fame St. Louis Cardinals pitcher Dizzy Dean was a real character. He’s remembered for many brash claims, one of which we’ve paraphrased on the front of this year’s annual report. It may seem a little pushy, but for me, it is an honest reaction to a great year at Herman Miller. Where do I begin to talk about last year? It was full of achievement—and the results of hard work on many people’s parts last year and in previous years. Since I really like saying thank you, I’ll enjoy the next few pages of this letter. I’m addressing “the Herman Miller community,” a group that includes employees, shareholders, customers, designers, salespeople, suppliers, dealers, contractors, and retailers. I’m thanking all of you. Of course the future is full of things we haven’t done yet—we won’t be braggin’ about them, but I will spend some time talking about our plans. Last year we talked to you about our strategy. We’re sticking to it. The bulk of our business lies in creating great places to work. This continues to Y We launched My Studio Environments, designed by Doug Ball for knowledge workers who need both concentration and connection. My be a core strength and extremely important to our future. Add long-standing and Studio took “Best of Competition” and a Gold Award in the Systems category at NeoCon in June 2006.
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Ergon 3 Work Chair Bill Stumpf, 1976, Updated 1988, 1995
Y INTRODUCTION Art & SciENCE OF SEATING CHAIRS MAtriX Z Work Chairs Designed for YouTM hermanmiller.com/seating Y INTRODUCTION Art & SciENCE OF SEATING CHAIRS MAtriX How do you sit? That’s a question you’re unlikely to ask; it’s one we never stop asking. We’ve been studying how people sit for more than 60 years. We turn that research-based knowledge into the best work chairs in the world. hermanmiller.com/seating Y INTRODUCTION Art & SciENCE OF SEATING CHAIRS MAtriX Advancing the Art and Science of Seating The search for the next advance, while incorporating innovations that have come before, has marked the Herman Miller problem-solving, person-centered approach to chair design for over 60 years. hermanmiller.com/seating Y INTRODUCTION Art & SciENCE OF SEATING CHAIRS MAtriX Advancing the Art and Science of Seating Eames Molded Plywood Chair Charles and Ray Eames, 1946 Charles and Ray Eames began experimenting with molding plywood in 1941 as part of their search for new ways to create three-dimensional forms. By inventing a new method for molding plywood, they found a creative use for a common material that allowed them to shape a chair to the contours of the body. It also set a precedent for always putting the person at the center of the design process. hermanmiller.com/seating Y INTRODUCTION Art & SciENCE OF SEATING CHAIRS MAtriX Advancing the Art and Science of Seating Ergon 3 Work Chair Bill Stumpf, 1976, updated 1988, 1995 In 1965, designer Bill Stumpf began researching how people sit at work. Increasing use of office equipment by the growing number of white collar workers fostered a tendency to sit longer, which caused back and neck pain.
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Herman Miller Thrive Portfolio Catalog
Our design is based on your design. You’re unique. You’re human. And from your brain to your body and even the way you like to work, you’re constantly evolving. That’s why we designed our Thrive portfolio to adapt to you, letting you move and work the way your body was meant to. Whoever you are and however you work, we’re here to help you thrive. What Does It Mean to Thrive? The answer’s different for all of us. Thrive lets you choose the right mix of tools to support all the things you do, like thinking, creating, and collaborating. From your ergonomic chair to your table, technology supports, lighting, and work tools, the whole portfolio is designed to respond to your changing needs throughout the day. When you put it all together, work can be a healthier, more fulfilling part of life. When it all comes together, everyone can thrive. Introduction 3 Each year back pain costs companies an estimated $7,400,000,000 47% 3X Good for You. Good for Business, Too. Office workers spend 47% of their time At age 60, our eyes need 3 times When you give your body the doing computer related work. as much light to see as they did at 20. support it needs to thrive, a funny thing happens. It can help your business thrive, too. Research shows 91% 8/10 that incorporating ergonomics and Computer vision syndrome affects 8 out of 10 workers experience taking a proactive approach, can almost 66 million people. 91% of all back pain at some point.
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HM an Introduction Booklet
Inspiring designs to help people do great things CONTENTS Our Story Heritage 4 Things That Matter To Us 8 Our Business Today 10 A Global Approach 12 Design Approach Design Tenets 16 Designers 18 A Human Touch 20 Materials 22 Operational Excellence Herman Miller Performance System 26 Testing & Warranty 28 Cradle-to-Cradle 28 Environmental Responsibility 30 People-Centered Approach Sit-Stand-Move-Repeat 34 Living Office 36 Products Performance Seating 40 Systems Furniture 42 Storage 44 Collaborative 46 Herman Miller Collection 48 Subsidiaries and Alliance Partners 50 Our Customers Our Route to Market 54 From left to right: Robert Propst, Alexander Girard, George Nelson, D.J De Pree, Ray Eames and Charles Eames. OUR STORY Herman Miller is a 100-year- old-plus company that places great importance on design, the environment, community service and the health and well-being of our customers and our employees. We work with leading designers to create products that help companies perform better. 1 2 3 1. Poster designed by Don Ervin, 1961 2. Herman Miller Design Director George Nelson 3. Front cover of 1948 Herman Miller Collection catalogue Heritage Herman Miller began as the Star Furniture Company in Zeeland, Michigan in 1905. 4 In 1923 employed clerk D.J. De Pree convinced his father-in-law whose name was Herman Miller, to purchase the majority of the shares in the company. De Pree decided to name the company after his father-in-law–and Herman Miller was born as a company. Initially only replica traditional wooden furniture was produced but from 1924, following the appointment of the designer Gilbert Rohde, a line of original modern furniture was introduced.
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Stories from Herman Miller
GOLDSTEIN MUSEUM OF DESIGN Fall 2009 Good design from Herman Miller GMD is pleased to host Good process. It is art with a purpose. Good Design: Stories from Herman Miller, design requires a clear understanding an exhibition that explores the of the particular need, conditions, To receive collaborative problem-solving design constraints, and opportunities. this newsletter process employed at the world- Good design does not happen in a electronically, send renowned furniture company, Herman vacuum.” your name and Miller, Inc. Organized by the Muskegon e-mail address to Berry explained the exhibition’s Museum of Art in collaboration with organization: “Each object grouping [email protected]. The Henry Ford (THF), Dearborn, started with identifying a need—to Michigan, the exhibition draws furnish a new type of living space, upon THF’s Herman Miller Design for healthier seating, to effectively Collection, a comprehensive archive communicate a message, or to of the company’s innovative processes support new kinds of work.” The and products which have never before exhibition uses drawings, models, been exhibited. prototypes, photographs, oral The inspiration for the exhibition came histories, and original designed from Herman Miller: The Purpose objects to showcase the creation and of Design by design scholar and evolution of many masterpieces of authority John R. Berry, first published 20th and 21st century design by such by Rizzoli International in 2004. Berry artists as Gilbert Rohde, Ray & Charles also served as the exhibition’s guest Eames, George Nelson, Alexander curator. Girard, Robert Probst, Steve Frykholm, Bill Stumpf and Don Chadwick, and Commenting on the idea behind the others.
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