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Second Variety, by Philip Kindred Dick
The Project Gutenberg EBook of Second Variety, by Philip Kindred Dick This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Second Variety Author: Philip Kindred Dick Illustrator: Alex Ebel Release Date: April 17, 2010 [EBook #32032] [Last updated: May 4, 2011] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK SECOND VARIETY *** Produced by Greg Weeks, Barbara Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net This etext was produced from Space Science Fiction May 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. SECOND VARIETY BY PHILIP K. DICK ILLUSTRATED BY EBEL The claws were bad enough in the first place—nasty, crawling little death- robots. But when they began to imitate their creators, it was time for the human race to make peace—if it could! The Russian soldier made his way nervously up the ragged side of the hill, holding his gun ready. He glanced around him, licking his dry lips, his face set. From time to time he reached up a gloved hand and wiped perspiration from his neck, pushing down his coat collar. Eric turned to Corporal Leone. “Want him? Or can I have him?” He adjusted the view sight so the Russian’s features squarely filled the glass, the lines cutting across his hard, somber features. -
The Defenders Dick, Philip K
The Defenders Dick, Philip K. Published: 1953 Categorie(s): Fiction, Science Fiction, Short Stories Source: http://www.gutenberg.org 1 About Dick: Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American science fiction novelist, short story writer, and essayist. Dick explored sociological, political and meta- physical themes in novels dominated by monopolistic corpora- tions, authoritarian governments, and altered states. In his later works, Dick's thematic focus strongly reflected his per- sonal interest in mysticism and theology. He often drew upon his own life experiences and addressed the nature of drug use, paranoia and schizophrenia, and mystical experiences in novels such as A Scanner Darkly and VALIS. The novel The Man in the High Castle bridged the genres of alternate history and science fiction, earning Dick a Hugo Award for Best Novel in 1963. Flow My Tears, The Policeman Said, a novel about a celebrity who awakens in a parallel universe where he is unknown, won the John W. Campbell Memorial Award for best novel in 1975. "I want to write about people I love, and put them into a fic- tional world spun out of my own mind, not the world we actu- ally have, because the world we actually have does not meet my standards," Dick wrote of these stories. "In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real." In addition to thirty-six novels, Dick wrote approximately 121 short stories, many of which appeared in science fiction magazines. -
Politics, Religion, and Philosophy in the Fiction of Philip K. Dick
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2005 How Much Does Chaos Scare You?: Politics, Religion, and Philosophy in the Fiction of Philip K. Dick Aaron Barlow CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/25 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] How Much Does Chaos Scare You? Politics, Religion, and Philosophy in the Fiction of Philip K. Dick Aaron Barlow Shakespeare’s Sister, Inc. Brooklyn, NY & lulu.com 2005 © Aaron Barlow, Creative Commons Attribution-NonCommercial-ShareAlike Foreword n 1989, while I was serving in Peace Corps in West Africa, II received a letter from an American academic publisher asking if I were interested in submitting for publication the doctoral dissertation I had completed the year before at the University of Iowa. “Why would I want to do that?” I asked. One disserta- tion on Philip K. Dick had already appeared as a book (by Kim Stanley Robinson) and Dick, though I loved his work, just wasn’t that well known or respected (not then). Plus, I was liv- ing in a mud hut and teaching people to use oxen for plowing: how would I ever be able to do the work that would be needed to turn my study from dissertation to book? When I defended the dissertation, I had imagined myself finished with studies of Philip K. -
The Minority Report
The Minority Report Written by Philip K. Dick Editor’s Note Hello again, O Constant Reader. This is the third in my series of digitised American classics of literature. This text comes out about a month after the release of the movie Minority Report, which played no small part in its selection for conversion to eBook format. Those of you who enjoy science fiction and are tech savvy will undoubtedly notice the somewhat vague or antiquated word usage as far as the technology in the story is concerned. At present, I am working on a revised and expanded version of this story, to reflect the state of current technology and some of the possible avenues that are being pursued; you can expect to see that sometime later this year. On the topic of source, the text has been extracted from the book The Minority Report and Other Classic Stories by Philip K. Dick and, as always, the spelling conforms with my native British English, but doesn’t at all detract from the feeling of the story. Of course, if you wish to edit this, please feel free. I hope you enjoy it thoroughly. God Bless — Bastylle I The first thought that Anderton had when he saw the young man was: I’m getting bald. Bald and fat and old. But he didn’t say it aloud. Instead, he pushed back his chair, got to his feet, and came resolutely around the side of his desk, his right hand rigidly extended. Smiling with forced amiability, he shook hands with the young man. -
With This Issue See Back Cover for Details!!
Photo of Phil © Tessa Dick, by kind permission April 2012 SEE BACK COVER FOR DETAILS!! 1 FREE ‘SCHOL-O-MATIC’ WITH THIS ISSUE Background Illustration from Chris Moore’s wraparound cover for UBIK cover wraparound Chris Moore’s from Illustration Background Otaku is a zine made by fans for fans. It exists to celebrate, explore and discuss the work of Philip K Dick. The Otaku Team have enjoyed the writing and ideas of Philip K. Dick for decades, and continue to do so. The subject of Philip K. Dick benefits from diverse perspectives, opinions, and insights. In this zine we hope to explore the Novels, Short-Fiction, Non-fiction and ideas of Philip K Dick. If you would like to contribute (a letter of comment, an article, essay or review) please make your submission in MS Doc, Rtf or Txt form to the Otaku Team c/o Patrick Clark via email: [email protected] All submissions are welcome and considered, but we cannot promise that all will see print. Thank you for maintaining the dialogue! -- The PKD OTAKU Team PKD Otaku Layout, Logo, Graphics and Typesetting by Nick Buchanan [email protected] © Copyright Please note: Every article, letter, review, illustration and design is used here by consent of the author/ originator. Such work may not be reproduced in any form without their express permission. If in doubt, please contact Otaku, we will be happy to help you. 2 Nothing was familiar. All was strange. Alien...He could feel the difference. couldn’t stop taking notes. Maybe VALIS is that disserta- tion Phil was working on – except if that were true than Editorial the EXEGESIS would have ended in early December 1978 when Phil sent the manuscript to his agent in New York. -
The Apocalyptic Vision of Philip K. Dick
The Apocalyptic Vision of Philip K. Dick By Steven Best and Douglas Kellner ([email protected] and [email protected]) The past several decades have exhibited vertiginous change, surprising novelties, and upheaval in an era marked by technological revolution and the global restructuring of capitalism.1 This "great transformation," comparable in scope to the shifts produced by the Industrial Revolution, is moving the world into a postindustrial, infotainment, and biotech mode of global capitalism, organized around new information, communications, and genetic technologies. The scientific-technological-economic revolutions of the era and spread of the global economy are providing new financial opportunities, openings for political amelioration, and a wealth of ingenious products and technologies that might improve the human condition. Yet these developments are accompanied by explosive conflict, crisis, and even catastrophe. The post-September 11 world reveals the contradictory dialectic of globalization in which the wide-reaching circulation of people, technology, media, and ideologies can have destructive as well as beneficial consequences. Hence, the turbulent transmutations of the contemporary situation are highly contradictory and ambiguous, with both hopeful and threatening features being played out on political, economic, social, and cultural fronts. Consequently, critical social theory that seeks a "dialectics of the present" must deploy a multiplicity of optics to attempt to capture the complexity and conflicts of the contemporary -
'Fhe UNIVERSITY of HULL 3Litology and Ethics in the Writings of Philip K
'fHE UNIVERSITY OF HULL 3litology and Ethics in the Writings of Philip K Dick being a Thesis submitted for the Degree of Phd. in the University of Hull by Andrew Mark Butler, B.A. (Wons) October 1995 Contents Acknowledgements A Note on References, Abbreviations and Editions vii Introduction 1 Chapter One: "Possible maybes" Realism and the Fantastic 6 Realism 7 Literary Realism 9 Author and Reader 15 Realism vs The Fantastic 19 Sf ,20) The "New Wave" (26) Realism or the Fantastic: In Milton Lumky Territory 29 Familiarization 31 Character Types 32 Conclusion Chapter Two: "Life is turning into a Philip K. Dick Novel": Ontology and its Discontents The Real 38 Access to the Real: Philosophical Realism 45 Access to the "Real": Dick's use of viewpoint 48 Postmodernism Fredric Jameson on Dick Jean Baudrillard on Dick 57 Other Postmodern Readings of Dick 60 Cyberpunk 63 Dick as postmodern icon 65 Conclusion 68 Chapter Three: "Can a person hallucinate without being psychotic?": Hallucinatory Environments 69 Basic Plots 69 Eye in the Sky 70 The Left and McCarthyism 72 Black Politics 76 Return to Reality? 77 Flow My Tears, the Policeman Said 79 The Left by 1970 81 The Position of Blacks 82 The Nature of the Conditional Environment 86 Conclusion 94 ii Chapter Four: "Skim milk masquerades as cream": Attempts to penetrate the veil 96 Time Out of Joint 96 Representing the 1950s 98 Misrepresenting the 1950s 101 From Time Out of Joint to The Man in the High Castle 105 The Man in the High Castle 106 Alternate Worlds 106 The "reality" of the conditional environment 108 False Identities 111 The 1-Ching - 113 "Inner Truth" 118 Fiction and Reality 121 Conclusion 125 Chapter Five: "Where are we really?": The Failure of Authenticity 126 Lies, Inc. -
The Gun Dick, Philip K
The Gun Dick, Philip K. Published: 1952 Categorie(s): Fiction, Science Fiction, Short Stories Source: http://www.gutenberg.org/etext/29132 1 About Dick: Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American science fiction novelist, short story writer, and essayist. Dick explored sociological, political and meta- physical themes in novels dominated by monopolistic corpora- tions, authoritarian governments, and altered states. In his later works, Dick's thematic focus strongly reflected his per- sonal interest in mysticism and theology. He often drew upon his own life experiences and addressed the nature of drug use, paranoia and schizophrenia, and mystical experiences in novels such as A Scanner Darkly and VALIS. The novel The Man in the High Castle bridged the genres of alternate history and science fiction, earning Dick a Hugo Award for Best Novel in 1963. Flow My Tears, The Policeman Said, a novel about a celebrity who awakens in a parallel universe where he is unknown, won the John W. Campbell Memorial Award for best novel in 1975. "I want to write about people I love, and put them into a fic- tional world spun out of my own mind, not the world we actu- ally have, because the world we actually have does not meet my standards," Dick wrote of these stories. "In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real." In addition to thirty-six novels, Dick wrote approximately 121 short stories, many of which appeared in science fiction magazines. -
F803007018cd73ad31a71c1c2e
William Gibson lives in Vancouver, British Columbia, with his wife and their two children. His first novel, Neuromancer, won the Hugo Award, the Philip K. Dick Memorial Award, and the Nebula Award in 1984. Gibson is credited with having coined the term “cyberspace,” and having envisioned both the Internet and virtual reality before either existed. In addition to Neuromancer, he is the author of Count Zero, Mona Lisa Overdrive, Burning Chrome, Virtual Light, Idoru, and All Tomorrow’s Parties. Neuromancer William Gibson with an afterword by Jack Womack This is a work of fiction. Names, characters, places, and incidents are either the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental. NEUROMANCER AN ACE Book / published by arrangement with the author All rights reserved. Copyright © 2000 by William Gibson This book may not be reproduced in whole or part, by mimeograph or any other means, without permission. Making or distributing electronic copies of this book constitutes copyright infringement and could subject the infringer to criminal and civil liability. For information address: The ACE Publishing Group, a division of Penguin Putnam Inc., 375 Hudson Street, New York, New York 10014. The Penguin Putnam Inc. World Wide Web site address is http://www.penguinputnam.com ISBN: 0-7865-4037-0 AN ACE BOOK® ACE Books first published byACE Publishing Group, a member of Penguin Putnam Inc., 375 Hudson Street, New York, New York 10014. ACE and the "A" design are trademarks belonging to Penguin Putnam Inc.