A History of “An Entire City, Built with Pomp, Seems to Have Arisen

Total Page:16

File Type:pdf, Size:1020Kb

A History of “An Entire City, Built with Pomp, Seems to Have Arisen A Course for Spring Semester 2011 History 482(G). Special Topics in European History. A History of Ile de la Cité. The Fronde. Julius Caesar. Saint Denis. Gare de Montparnasse. Clovis. Saint Geneviève. Abélard. Héloise. Hugh Capet. Arc de Triomphe. Abbé Suger. Notre Dame. Saint Denis. The Storming of the Bastille. Philippe Auguste. Saint Louis. Francis I. Henri IV. Cardinal Richelieu. René Descartes. Pont Neuf. Cardinal Mazarin. Jean-Baptiste Colbert. Abstractionism. Ile St. Louis. The Reign of Terror. Jean Racine. Molière. Francois-Marie Arouet de Voltaire. Jean-Jacques Rousseau. Pierre Beaumarchais. Pablo Picasso. Maximillian Robespierre. Georges Danton. Napoleon Bonaparte. Gare de l’Est. Honoré de Balzac. Louis-Philippe. Napoleon III. Georges Haussmann. André Gide. The 1830 Revolution. Existentialism. Josephine de Beauharnais. First Republic. The Franks’ Invasion. Gustave Flaubert. The I848 Revolution. Deconstructionism. Maurice Barrès. Second Republic. Panthéon. Joseph Joffre. English Occupation. The Paris Commune. Post-Modernism. Georges Boulanger. Tour Eiffel. Marais. Louvre. Victor Hugo. Gare du Nord. Emile Zola. Claude Monet. Saint-Médard. Bon Marché. Auguste Renoir. Hôtel des Invalides. Sarah Bernhardt. Sorbonne. Edith Piaf. Expressionism. Josephine Baker. Allan Kardec. Ernest Hemingway. Gertrude Stein. Charles De Gaulle. Comédie Francaise. Third Republic. Montmartre. Paris Peace Conference. André Breton. Edgar Degas. Saint-Germain. The Lindbergh Flight. Surrealism. Marie Curie. Félix Faure. Champ de Mars. Nazi Occupation. Dada. Cubism. Arènes de Lutèce. St. Bartholemew’s Day Massacre. Student Protests. Concièrgerie. Impressionism. Fourth Republic. Bois de Boulogne. Albert Camus. Ecole Militaire. Jean-Paul Sartre. Musée d’Orsay. Simone de Beauvoir. Hôtel de Ville. Gare St. Lazare. Georges Pompidou. Jardin de Luxembourg. Michel Foucault. Jacques Derrida. Père La Chaise. Pierre Bourdieu. Jacques Chirac. Les Halles. Nicolas Sarkozy. Léon Gambetta. Quartier Latin. Georges Clemenceau. Danny Cohn-Bendit. Fifth Republic. Art Buchwald. Saint-Honoré. Frederick Chopin. Basilique du Sacré Coeur. Ferdinand Foch. Champs Elysées. Honoré Daumier. Lyon. Alfred Dreyfus. Hotel des Invalides. La Défense. Opéra. Instructor: Required Texts: Dr. Edward Woell Edmond and Jules de Goncourt, Time and Place: Pages from the Goncourt Journals Monday and Wednesday, Alistair Horne, 2:00-3:15 p.m. Seven Ages of Paris Morgan 304 Louis-Sebastien Mercier, Prerequisites: Panorama of Paris History 125 or History 126; For More Information, Email: Or Instructor’s Permission. ej-woell@wiu.edu “An entire city, built with pomp, seems to have arisen miraculously from an old ditch.” -Pierre Corneille, Le Menteur, 1643 .
Recommended publications
  • The Earful Tower's Bucket List: 100 Things to Do in Paris in 2021
    The Earful Tower’s Bucket List: 100 things to do in Paris in 2021 1. Galeries Lafayette rooftop 34. Vincennes Human Zoo 68. Le Bar Dix 2. Vanves flea market 35. Georges V hotel 69. Serres d’Auteuil garden 3. Louis Vuitton Foundation 36. Vaux le Vicomte 70. Vie Romantique musuem 4. Grand Palais exhibition 37. Comédie Française 71. Le Meurice Restaurant 5. Sevres Ceramics Museum 38. Rungis market 72. Roland Garross 6. Cruise Canal St Martin 39. Surf in 15eme 73. Arts Décoratifs museum 7. Eat in Eiffel Tower 40. Jardins de Bagatelle 74. Montparnasse Tower 8. Watch PSG game 41. Bees at the Opera 75. Bois de Boulogne biking 9. Black Paris Tour 42. Saint Étienne du Mont 76. Richelieu library 10. Petit Palais Cafe 43. 59 rue de Rivoli. 77. Gravestone Courtyard 11. Lavomatic speakeasy 44. Grange-Batelière river 78. Piscine Molitor 12. L’As du Fallafel 45. Holybelly 19 79. Cafe Flore. 13. Pullman hotel rooftop 46. Musee Marmottan 80. Sainte Chapelle choir 14. Chapel on Rue du Bac 47. Grande Arche 81. Oldest Paris tree 15. Jardin des Plantes 48. 10 Rue Jacob 82. Musée des Arts Forains 16. Arago medallions hunt 49. Grande Chaumière ateliers 83. Vivian Maier exhibit 17. National France Library 50. Moulin de la Galette 84. Chess at Luxembourg 18. Montmartre Cemetery cats 51. Oscar Wilde’s suite 85. André Citroën baloon 19. Bustronome Bus meal 52. Credit Municipal auction 86. Dali museum 20. Walk La Petite Ceinture 53. Seine Musicale 87. Louxor cinema 21. Maxims de Paris 54. Levallois street art 88.
    [Show full text]
  • Appel À Communication / Publication
    Appel à communication / publication Quand New-York regarde Comité scientifique : Claire Bernardi, conservatrice en chef, l’École de Paris (1930-1950) peintures, au musée d’Orsay ; Béatrice Joyeux-Prunel, professeur Réception, relectures, appropriations ordinaire en Humanités numériques à l’université de Genève ; Colloque en ligne Scarlett Reliquet, responsable Lundi 29 - mardi 30 novembre 2021 des cours, colloques et conférences aux musées d’Orsay et de l’Orangerie ; À l’occasion de l’exposition Pierre Wat, professeur des universités Chaïm Soutine / Willem de Kooning, la peinture incarnée à Paris I Panthéon-Sorbonne. Musée de l’Orangerie, Paris, 15 septembre 2021 - 10 janvier 2022 Le dialogue que choisit d’instaurer La nouvelle génération d’historiens Contrairement au surréalisme le musée de l’Orangerie entre le peintre a mondialisé ses sources et remis dont le bilan des apports à la scène de l’École de Paris Chaïm Soutine en question le modèle binaire que artistique américaine a été largement (1893–1943) et l’expressionniste constitue l’alternative centre/ dressé (Paris-New-York, Le Surréalisme abstrait américain Willem de Kooning périphérie ; elle a utilisé des approches en exil), nous ne disposons pas (1904-1997), donne aux chercheurs moins monographiques et focalisées, actuellement d’un état des lieux des l’occasion d’explorer la réponse de et décentré son propos. Ces travaux apports de l’art figuratif européen, l’expressionnisme abstrait américain montrent, pour ce qui concerne notre tel que réuni, même artificiellement, alors naissant, à l’art produit par les sujet, que l’École de New York ne sous la bannière de l’École de Paris artistes européens installés à Paris « triomphe » pas avant la moitié des à l’expressionnisme abstrait américain.
    [Show full text]
  • THE BARBER of SEVILLE” Opened with a Standing Ovation by Iride Aparicio
    OSJ’s “THE BARBER OF SEVILLE” Opened with a Standing Ovation By Iride Aparicio Photos by: Pat Kirk BRIAN JAMES MYER as Figaro SAN JOSÉ, CA -- “Figaro, Figaro, Figaro” According to CESARE STERBINI’s Libretto, written for GIACHINO ROSSINI’s opera “IL BARBIERI DI SIVIGLIA,” everybody calls Figaro in Seville, Spain during the seventeenth Century. Figaro was the town’s witty barber, who aside from shaving men’s beards, and fixing ladies’ hair, fixed everything else, if paid for his help. So, (in the libretto) when Count Almaviva (KIRK DOUGHERTY) disguised as Lindoro, a poor student, asks Figaro (BRIAN JAMES MYER) to help him enter the house of Don Bartolo ( VALERIAN RUMINSKI) the guardian of Rosina (RENÉE RAPIER) the woman he loves, Figaro plans a way that when putting it into effect, keep the audience laughing, the singers acting different comic roles and composer Rossini the opportunity to display his marvelous Bel Canto arias interpreted by the singers. KIRK DOUGHERTY as Lindoro and RENÉE RAPIER as Rosina And here we can add that on the opera's opening night, on November 12 at the California Theatre, the Opera San José’s singers voices were top class. On that night, the whole two acts of the work, moved smoothly. It was one of those rare nights in which all the elements go perfectly on the stage. The orchestra under the baton of ANDREW WHITFIELD, sounded rhythmically, and all the solos of the instruments were played in tune. Stage Director, LAYNA CHIANAKAS, managed natural acting from the singers playing the comic roles.
    [Show full text]
  • A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912 Geoffrey David Schwartz University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2014 The ubiC st's View of Montmartre: A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912 Geoffrey David Schwartz University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Schwartz, Geoffrey David, "The ubC ist's View of Montmartre: A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912" (2014). Theses and Dissertations. 584. https://dc.uwm.edu/etd/584 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact open-access@uwm.edu. THE CUBIST’S VIEW OF MONTMARTRE: A STYISTIC AND CONTEXTUAL ANALYSIS OF JUAN GRIS’ CITYSCAPE IMAGERY, 1911-1912. by Geoffrey David Schwartz A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History at The University of Wisconsin-Milwaukee December 2014 ABSTRACT THE CUBIST’S VIEW OF MONTMARTE: A STYLISTIC AND CONTEXTUAL ANALYSIS OF JUAN GRIS’ CITYSCAPE IMAGERY, 1911-1912 by Geoffrey David Schwartz The University of Wisconsin-Milwaukee, 2014 Under the Supervision of Professor Kenneth Bendiner This thesis examines the stylistic and contextual significance of five Cubist cityscape pictures by Juan Gris from 1911 to 1912. These drawn and painted cityscapes depict specific views near Gris’ Bateau-Lavoir residence in Place Ravignan. Place Ravignan was a small square located off of rue Ravignan that became a central gathering space for local artists and laborers living in neighboring tenements.
    [Show full text]
  • Table Des Matières Introduction
    TABLE DES MATIÈRES INTRODUCTION G BALADES INSOLITES À PARIS ........................................................................... 15 LE PARIS GALLO-ROMAIN G BALADE No 1 .................................. 18 musée de Cluny • Les arènes de • La crypte archéologique de Lutèce Notre-Dame • Les thermes du LE PARIS MÉDIÉVAL : ÎLE DE LA CITÉ ET RIVE GAUCHE G BALADE No 2 .................................. 23 chapelle du collège de Dormans- • La Conciergerie • La Sainte- Beauvais • La rue Galande et Chapelle • Le parvis et la crypte l’église Saint-Julien-le-Pauvre archéologique de Notre-Dame • L’église Saint-Séverin • La cha- • Notre-Dame • Les rues alen- pelle des Mathurins • Le musée tour et le pont de l’Archevêché national du Moyen Âge • Le jardin • Le collège des Bernardins • La médiéval • Le couvent des Cor- rue du Cardinal-Lemoine • Les deliers • La cour du Commerce- vestiges de l’enceinte de Philippe Saint-André • Le passage Dau- Auguste • Le lycée Henri-IV et phine, la rue Mazarine et l’abbaye l’abbaye Sainte-Geneviève • La de Saint-Germain-des-Prés LE PARIS MÉDIÉVAL : RIVE DROITE G BALADE No 3 .................................. 32 Saint-Martin-des-Champs et le • La place du Châtelet et le théâtre Conservatoire national des arts de la Ville, la tour Saint-Jacques et métiers : l’ancien réfectoire • L’église Saint-Merri • L’église et la collégiale • La maison de Saint-Germain-l’Auxerrois • Le la rue Volta et l’hôtel de Clisson Louvre médiéval • Les vesti- • La rue des Francs-Bourgeois ges de l’enceinte de Philippe et l’impasse des
    [Show full text]
  • The Barber of Seville
    The Barber of Seville Education Kit Opera Australia The Barber of Seville 2019 Education Kit WELCOME In 2019, we are delighted to present The Barber of Seville as Opera Australia’s Schools Tour in Victoria. Singing and drama play an inspiring role in the education of children. We aim to foster a love of the performing arts in people of all ages, engaging them in a combination of music, singing, drama and design. Opera involves its audience visually, aurally and emotionally. For over 20 years, Opera Australia has maintained a strong commitment to bringing high calibre opera into schools; and our Schools Tours have developed a reputation for being some of the finest incursion performances in Australia. This year, 70,000 children will experience the excitement of opera in their own school. We trust that The Barber of Seville inspires your students, and that their engagement with the performing arts encourages their creativity, imagination and learning. Rory Jeffes Chief Executive Officer Opera Australia 1 The Barber of Seville 2019 Education Kit Contents ABOUT OPERA AUSTRALIA ...................................................................................................................... 3 ABOUT OPERA ......................................................................................................................................... 4 OPERA: A HISTORY ............................................................................................................................. 4 THE OPERATIC VOICE ............................................................................................................................
    [Show full text]
  • Press Kit: the Barber of Seville
    Press Kit: The Barber of Seville Press Release José Maria Condemi Bio Bryan Nies Bio Synopsis Images: Krassen Karagiozov (as Figaro in The Barber of Seville) José Maria Condemi (stage director) Bryan Nies (conductor) News Release Press contacts: Virginia Perry, 408.437.4463 or 650.799.1341 perry@operasj.org Elizabeth Santana, 408.437.2229 santana@operasj.org FOR IMMEDIATE RELEASE: December 13, 2010 “Give Us More Barbers!” – Beethoven The Barber of Seville Opera San José presents Rossini’s comic masterpiece SAN JOSÉ, CA— Opera San José continues its 27th Season with Rossini’s delightful comic opera, The Barber of Seville. The charming tale of a clever young woman, her eager lover, and their resourceful accomplice, Figaro, The Barber of Seville is a tuneful testament to all that’s wonderful about fun and romance. Eight performances are scheduled from February 12 through 27 at the California Theatre, 345 South First Street in downtown San José. Tickets are on sale at the Opera San José Box Office, by phone at (408) 437-4450 or online at www.operasj.org. This production of The Barber of Seville is made possible, in part, by a Cultural Affairs Grant from the City of San José. The madcap story unfolds fast and furious in 18th-century Seville, Spain. Young Rosina is a wealthy orphan and the ward of a grasping old codger, Dr. Bartolo, who is plotting to marry her not only for her beauty, but for her substantial dowry. However, Rosina has two things on her side: the handsome Count Almaviva, who has fallen in love with her, and the town barber, Figaro, her conniving accomplice, who through clever disguises and quick wit succeeds in securing victory for the young couple.
    [Show full text]
  • Montmartre the Tour: La Place Des Abbesses (The Abbesses Square), the Small Streets, La Place Du Tertre (The Tertre Square), Le Sacré-Coeur (The Sacred Heart)
    MONTMARTRE THE TOUR: LA PLACE DES ABBESSES (THE ABBESSES SQUARE), THE SMALL STREETS, LA PLACE DU TERTRE (THE TERTRE SQUARE), LE SACRÉ-COEUR (THE SACRED HEART) LE SACRÉ-COEUR THE SMALL STREETS LA PLACE DU TERTRE LES ABBESSES Lenght: Means of locomotion: on foot - 3H00 walking, Access for persons with reduced - half a day: walking + visit of the mobility : no Sacré-Coeur, Total distance: 4km - the entire day: walking + visit of Starting point: Place des Abbesses the Sacré-Coeur, the Montmartre (metro line 12, Abbesses station, museum and the Dali area. or the Montmartrobus Abbesses station) Public: All restaurant, « Le Relais de la Butte » (The Mound Inn), once called « Chez Azon » (At Azon’s). At the beginning of the 20th century, Father Azon gladly welcomed and fed all the penniless artists from the bateau- lavoir who paid him with works of art... which did not prevent him from Take rue des Abbesses going bankrupt ! (Abbesses Street) on your right and keep going forward for about 50 Climb the steps of this Emile metres. Goudeau small square (ex Ravignan Square). It is the same quietness At the Abbesses passage entrance, impression that we found in the on your right, graffities, drawings, Place des Abbesses, with benches, stencils and other inlays are trees, the big Wallace fountain, and animating the walls. some funny graffities. Pay close attention, you will have the opportunity to see many others On your left, with your back turned throughout the walk. to the steps, stands a recently cleaned building with white blinds Carry on and take rue Ravignan and green doors is the famous (Ravignan Street) on your right.
    [Show full text]
  • Shaping Nationalism 2
    TO WHAT EXTENT SHOULD WE EMBRACE NATIONALISM? CHAPTER Shaping Nationalism 2 Figure 2-1 In July 1789, many people in Paris, France, rebelled against the government. They said they wanted liberty and equality for all citizens. In November 2005, young people in some Paris suburbs rioted and burned thousands of cars. They said they wanted equality with other French citizens. The photograph of a firefighter trying to put out a car fire was taken in Paris in November 2005. That same month, Ares, a Cuban artist, created the cartoon on this page to show his thoughts on what was happening in France. CHAPTER ISSUE How do external and internal factors shape nationalism? KEY TERMS ON OCTOBER 27, 2005, two teenagers — 15-year-old Bouna Traore and 17-year-old Zyed Benna — died in an electrical relay station in a suburb revolution of Paris, France. They were electrocuted when they tried to hide from republic French police, who were chasing them. Their families had immigrated collective to France from former French colonies. consciousness After Traore and Benna died, some young French citizens of bourgeoisie immigrant parents in the suburbs of Paris rioted and burned cars. They wanted the same rights and opportunities that other French push factors citizens enjoyed. pull factors Some people agreed that French society discriminated against non- white citizens and immigrants. Non-white citizens and immigrants often have trouble finding jobs. As a result, many end up living in suburban slums and find it difficult to improve their lives. Examine the photograph and cartoon on the previous page, then respond to the following questions.
    [Show full text]
  • Artist Quarter: Modigliani, Montmartre & Montparnasse by Charles Douglas
    Artist Quarter: Modigliani, Montmartre & Montparnasse by Charles Douglas book Ebook Artist Quarter: Modigliani, Montmartre & Montparnasse currently available for review only, if you need complete ebook Artist Quarter: Modigliani, Montmartre & Montparnasse please fill out registration form to access in our databases Download here >> Paperback:::: 354 pages+++Publisher:::: Pallas Athene (October 1, 2018)+++Language:::: English+++ISBN-10:::: 9781843681533+++ISBN- 13:::: 978-1843681533+++ASIN:::: 1843681536+++Product Dimensions::::5.5 x 1.1 x 8.5 inches+++ ISBN10 ISBN13 Download here >> Description: What were Montmartre and Montparnasse really like in their heyday, roughly between 1904, when the youthful Picasso had just arrived on the Hill of Martyrs, and 1920, when Amedeo Modigliani, justly called the prince of Bohemians, died of consumption and dissipation in Montparnasse? This book, written by an Englishman who lived in Montmartre for 30 years and knew its famous habitués intimately, gives a vivid description. It reveals the truth behind the many legends, is packed with authentic stories about writers and painters whose names are now household words, and contains much hitherto unpublished information about the life and career of Modigliani, obtained from his family and friends. Much of the text was written in Montmartre amid the scenes described, and after personal consultation with survivors of the great days when Frédé presided over the Lapin Agile and Libion, patron of the Café de la Rotonde, was beginning to rival him in Montparnasse. It is the most complete account which has yet been written in English of the birth of Cubism and other contemporary movements in modern painting, and of the lives and loves that started them.
    [Show full text]
  • Paris Marriott Rive Gauche Hotel & Conference Center
    WSEAS-NAUN Conference Guide Conference Location: Paris Marriott Rive Gauche Hotel & Conference Center Address: 17 Boulevard Saint Jacques, Paris, 75014 France Phone: 33-1-4078 7980 Fax: 33-1-4588 4393 URL: http://www.marriott.com/hotels/travel/parst -paris-marriott-rive- gauche-hotel-and-conference -center/ How to get to Paris By Air: Paris Airport Charles de Gaulle (CDG). The Paris Charles de Gaulle Airport is the first airport of France in terms of passengers’ traffic and the second in Europe after Heathrow in London. It is situated 23km north-east of Paris and is connected to the city by train. Paris Orly Airport (ORY) is the second largest airport in Paris, located 14km (nine miles) south of Paris. Orly Airport Paris mainly handles domestic and charter flights, hosting around 30 airlines and 25 million passengers annually. Visa: Before you start planning your travel to France you should visit the French Foreign Ministry web page to see if you need to get a visa. For more details: http://www.diplomatie.gouv.fr/en/france/coming-to-france/getting-a-visa/ Paris Orly Airport (ORY) Paris Airport Charles de Gaulle (CDG) Tel.: +33(0)1 4975 1515 Tel.: +33 (01) 4862 2280 URL: http://www.paris-airport.info/ URL: http://paris- ory.worldairportguides.com/ How to get from the Airport to the Hotel By Car - From Charles de Gaulle airport - • Hotel Direction: 35 km SW Driving Directions: To go from Paris CDG International Airport, France, to downtown Paris at the Paris Marriott Rive Gauche Hotel & Conference Center near Montparnasse Train Station by car, follow the "Paris Est" signs to the "Porte d'Orleans".
    [Show full text]
  • Lecture 1: a Short History of Thinking on Poverty
    WIDER Conference, Helsinki 2013 The Idea of Antipoverty Policy Martin Ravallion Georgetown University and NBER “Is there anyone today who would not commit to eliminating poverty?” (Jim Yong Kim, 2013) 1 How did we come to think that eliminating poverty is a legitimate goal for public policy? What types of policies emerged over time in the hope of attaining that goal? 2 Three premises are now widely accepted: Premise 1: Poverty is a social bad Premise 2: Poverty can be eliminated Premise 3: Public policies can help do that • But these premises did not have broad scholarly support 200 years ago. • There has been a dramatic change in economic thinking about poverty—a new model of poverty. 3 The evolution in thinking, in four quotes • “The poor … are like the shadows in a painting: they provide the necessary contrast.” (Philippe Hecquet, 1740). • “Everyone but an idiot knows that the lower classes must be kept poor or they will never be industrious.” (Arthur Young, 1771). • “May we not outgrow the belief that poverty is necessary?” (Alfred Marshall, 1890). • “Our dream is a world free of poverty.” (Motto of the World Bank since 1990). This presentation aims to document and understand this huge change in how we think about poverty in the last 200+ years 4 A simple expository model and some definitions 5 Model of personal wealth dynamics • The credit market is imperfect, such that individuals can only borrow up to λ times their wealth. • Each person has a strictly concave production function yielding output h(k) from a capital stock k.
    [Show full text]