The Earful Tower's Bucket List: 100 Things to Do in Paris in 2021

Total Page：16

File Type：pdf, Size：1020Kb

The Earful Tower’s Bucket List: 100 things to do in Paris in 2021 1. Galeries Lafayette rooftop 34. Vincennes Human Zoo 68. Le Bar Dix 2. Vanves flea market 35. Georges V hotel 69. Serres d’Auteuil garden 3. Louis Vuitton Foundation 36. Vaux le Vicomte 70. Vie Romantique musuem 4. Grand Palais exhibition 37. Comédie Française 71. Le Meurice Restaurant 5. Sevres Ceramics Museum 38. Rungis market 72. Roland Garross 6. Cruise Canal St Martin 39. Surf in 15eme 73. Arts Décoratifs museum 7. Eat in Eiffel Tower 40. Jardins de Bagatelle 74. Montparnasse Tower 8. Watch PSG game 41. Bees at the Opera 75. Bois de Boulogne biking 9. Black Paris Tour 42. Saint Étienne du Mont 76. Richelieu library 10. Petit Palais Cafe 43. 59 rue de Rivoli. 77. Gravestone Courtyard 11. Lavomatic speakeasy 44. Grange-Batelière river 78. Piscine Molitor 12. L’As du Fallafel 45. Holybelly 19 79. Cafe Flore. 13. Pullman hotel rooftop 46. Musee Marmottan 80. Sainte Chapelle choir 14. Chapel on Rue du Bac 47. Grande Arche 81. Oldest Paris tree 15. Jardin des Plantes 48. 10 Rue Jacob 82. Musée des Arts Forains 16. Arago medallions hunt 49. Grande Chaumière ateliers 83. Vivian Maier exhibit 17. National France Library 50. Moulin de la Galette 84. Chess at Luxembourg 18. Montmartre Cemetery cats 51. Oscar Wilde’s suite 85. André Citroën baloon 19. Bustronome Bus meal 52. Credit Municipal auction 86. Dali museum 20. Walk La Petite Ceinture 53. Seine Musicale 87. Louxor cinema 21. Maxims de Paris 54. Levallois street art 88. Monde Arabe view 22. Ballon Rouge tour 55. Musée Carnavalet 89. Sorbonne Observatory 23. Parc de Sceaux 56. Le Baron Rouge 90. Stohrer bakery 24. Tea at Grand Mosque 57. Croissant-making course 91. Illegal catacombs visit 25. Laurent Dubois 58. Philharmonie de Paris 92. Tuileries swing ride 26. Boneshaker Donuts 59. Tour d’Argent 93. Les Grands Voisins 27. Walk rue Montorgueil 60. Five-star hotel 94. Poulbot tiled lobby 28. Cimetière de Picpus 61. Drink Montmartre wine 95. Musée Bourdelle 29. Clet street art 62. Pet cemetery 96. Walk the Seine 30. Shakespeare and Co 63. Saint James Hotel 97. Statue of Liberty 31. Île de la Cité chapel 64. Opera Garnier lake 98. Sainte-Geneviève Library 32. Anaïs Nin haunts 65. Le Train Bleu 99. Pétanque by Canal 33. Saint-Denis Basilica 66. Chez Michou 100. Sleep at Sacré-Coeur 67. Le Manoir I scored / 100 .

Copy Link

Recommended publications

La Défense 2050 : Laurent Blossier : Laurent Photo
27th August – 23rd September 2011 International workshop of urban planning and design LA DÉFENSE 2050 : laurent blossier : laurent photo BEYOND URBAN FORMS TO PARTICIPATE - Level master or young professionnals - open to all disciplines interested in urban problematics - research work required >> see last page for more details During one month, prepare within an international and pluridisciplinar working team a project that will be presented directly to the political and administrative people in charge of the area. In 2009, the Ateliers workshop focused on rivers as development project areas and key components of spatial planning. The 2010 session was dedicated to the urban/rural interface on the outskirts of metropolitan areas. For 2011, the Ateliers propose an in-depth study of a major landmark and icon in the Paris metropolis, namely the La Défense business district and the areas over which it exerts its local and regional influence. 1 Preamble .............................................................................................................................. 3 2 Paris, the historical axis and La Défense .............................................................................. 4 2.1 The historical axis – origins ........................................................................................................................4 2.2 La Défense – origins ...................................................................................................................................4 2.3 The historical axis conquers
[Show full text]
Why Paris Region Is the #1 Destination on the Planet: with 50 Million Visitors Each Year, the Area Is Synonymous with “Art De Vivre”, Culture, Gastronomy and History
Saint-Denis Basilicum and Maison de la Légion d’Honneur © Plaine Commune, Direction du Développement Economique, SEPE, Som VOSAVANH-DEPLAGNE - Plain of Montesson © CSAGBS-EDesaux - La Défense Business district © 11h45 for Defacto - Campus © Ecole Polytechnique Paris/Saclay. J. Barande - © Ville d’Enghien-les-Bains - INSEAD Fontainebleau © Yann Piriou - Charenton-le-Pont – Ivry-sur-Seine © ParisEstMarne&Bois - Bassin de La Villette, Paris Plages © CRT Ile-de-France - Tripelon-Jarry Welcome to Paris Region Paris Region Facts and Figures 2020 lays out a panorama of the region’s economic dynamism and social life, Europe’s business positioning it among the leading regions in Europe and worldwide. & innovation With its fundamental key indicators, the brochure “Paris Region Facts and powerhouse Figures 2020” is a tool for decision and action for companies and economic stakeholders. It is useful to economic and political leaders of the region and to all those who want to have a global vision of this dynamic regional economy. Paris Region Facts and Figures 2020 is a collaborative publication produced by Choose Paris Region, L’Institut Paris Region and the Paris Île-de-France Regional Chamber of Commerce and Industry. Jardin_des_tuileries_Tour_Eiffel_01_tvb CRT IDF-Van Biesen Table of contents 5 Welcome to Paris Region 27 Digital Infrastructure 6 Overview 28 Real Estate 10 Population 30 Transport and Mobility 12 Economy and Business 32 Logistics 18 Employment 34 Meetings and Exhibitions 20 Education 36 Tourism and Quality of life 24 R&D and Innovation Paris Region Facts & Figures 2020 Welcome to Paris Region 5 A dynamic and A business fast-growing region and innovation powerhouse Paris Region, The Paris Region is a truly global region which accounts for 23.3% The highest GDP in the European of France’s workforce, 31% of Union (EU28) in billions of euros.
[Show full text]
André Derain Stoppenbach & Delestre
ANDR É DERAIN ANDRÉ DERAIN STOPPENBACH & DELESTRE 17 Ryder Street St James’s London SW1Y 6PY www.artfrancais.com t. 020 7930 9304 email. [email protected] ANDRÉ DERAIN 1880 – 1954 FROM FAUVISM TO CLASSICISM January 24 – February 21, 2020 WHEN THE FAUVES... SOME MEMORIES BY ANDRÉ DERAIN At the end of July 1895, carrying a drawing prize and the first prize for natural science, I left Chaptal College with no regrets, leaving behind the reputation of a bad student, lazy and disorderly. Having been a brilliant pupil of the Fathers of the Holy Cross, I had never got used to lay education. The teachers, the caretakers, the students all left me with memories which remained more bitter than the worst moments of my military service. The son of Villiers de l’Isle-Adam was in my class. His mother, a very modest and retiring lady in black, waited for him at the end of the day. I had another friend in that sinister place, Linaret. We were the favourites of M. Milhaud, the drawing master, who considered each of us as good as the other. We used to mark our classmates’s drawings and stayed behind a few minutes in the drawing class to put away the casts and the easels. This brought us together in a stronger friendship than students normally enjoy at that sort of school. I left Chaptal and went into an establishment which, by hasty and rarely effective methods, prepared students for the great technical colleges. It was an odd class there, a lot of colonials and architects.
[Show full text]
Appel À Communication / Publication
Appel à communication / publication Quand New-York regarde Comité scientifique : Claire Bernardi, conservatrice en chef, l’École de Paris (1930-1950) peintures, au musée d’Orsay ; Béatrice Joyeux-Prunel, professeur Réception, relectures, appropriations ordinaire en Humanités numériques à l’université de Genève ; Colloque en ligne Scarlett Reliquet, responsable Lundi 29 - mardi 30 novembre 2021 des cours, colloques et conférences aux musées d’Orsay et de l’Orangerie ; À l’occasion de l’exposition Pierre Wat, professeur des universités Chaïm Soutine / Willem de Kooning, la peinture incarnée à Paris I Panthéon-Sorbonne. Musée de l’Orangerie, Paris, 15 septembre 2021 - 10 janvier 2022 Le dialogue que choisit d’instaurer La nouvelle génération d’historiens Contrairement au surréalisme le musée de l’Orangerie entre le peintre a mondialisé ses sources et remis dont le bilan des apports à la scène de l’École de Paris Chaïm Soutine en question le modèle binaire que artistique américaine a été largement (1893–1943) et l’expressionniste constitue l’alternative centre/ dressé (Paris-New-York, Le Surréalisme abstrait américain Willem de Kooning périphérie ; elle a utilisé des approches en exil), nous ne disposons pas (1904-1997), donne aux chercheurs moins monographiques et focalisées, actuellement d’un état des lieux des l’occasion d’explorer la réponse de et décentré son propos. Ces travaux apports de l’art figuratif européen, l’expressionnisme abstrait américain montrent, pour ce qui concerne notre tel que réuni, même artificiellement, alors naissant, à l’art produit par les sujet, que l’École de New York ne sous la bannière de l’École de Paris artistes européens installés à Paris « triomphe » pas avant la moitié des à l’expressionnisme abstrait américain.
[Show full text]
Paris Region Facts & Figures 2021
Paris Region Facts & Figures 2021 Welcome to Paris Region Europe’s Leading Business and Innovation Powerhouse Paris Region Facts and Figures 2021 lays out a panorama of the Region’s economic dynamism and social life, positioning it among the leading regions in Europe and worldwide. Despite the global pandemic, the figures presented in this publication do not yet measure the impact of the health crisis, as the data reflects the reality of the previous months or year.* With its fundamental key indicators, the brochure, “Paris Region Facts and Figures 2021,” is a tool for decision and action for companies and economic stakeholders. It is useful to economic and political leaders of the Region and to all who wish to have a global vision of this dynamic regional economy. Paris Region Facts and Figures 2021 is a collaborative publication produced by Choose Paris Region, L’Institut Paris Region, and the Paris Île-de-France Regional Chamber of Commerce and Industry. *L’Institut Paris Region has produced a specific note on the effects of the pandemic on the Paris Region economy: How Covid-19 is forcing us to transform the economic model for The Paris Region, February 2021 Cover: © Yann Rabanier / Choose Paris Region 2nd cover: © Pierre-Yves Brunaud / L’Institut Paris Region © Yann Rabanier / Choose Paris Region Table of contents Welcome to Paris Region 5 Overview 6 Population 10 Economy and Business 12 Employment 18 Education 20 R&D and Innovation 24 Digital Infrastructure 27 Real Estate 28 Transport and Mobility 30 Logistics 32 Meetings and Exhibitions 34 Tourism and Quality of life 36 Welcome to Paris Region A Dynamic and A Thriving Business Paris Region, Fast-growing Region and Research Community A cultural and intellectual The highest GDP in the EU28 in A Vibrant, Innovative metropolis, a scientific and billions of euros.
[Show full text]
A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912 Geoffrey David Schwartz University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2014 The ubiC st's View of Montmartre: A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912 Geoffrey David Schwartz University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Schwartz, Geoffrey David, "The ubC ist's View of Montmartre: A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912" (2014). Theses and Dissertations. 584. https://dc.uwm.edu/etd/584 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE CUBIST’S VIEW OF MONTMARTRE: A STYISTIC AND CONTEXTUAL ANALYSIS OF JUAN GRIS’ CITYSCAPE IMAGERY, 1911-1912. by Geoffrey David Schwartz A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History at The University of Wisconsin-Milwaukee December 2014 ABSTRACT THE CUBIST’S VIEW OF MONTMARTE: A STYLISTIC AND CONTEXTUAL ANALYSIS OF JUAN GRIS’ CITYSCAPE IMAGERY, 1911-1912 by Geoffrey David Schwartz The University of Wisconsin-Milwaukee, 2014 Under the Supervision of Professor Kenneth Bendiner This thesis examines the stylistic and contextual significance of five Cubist cityscape pictures by Juan Gris from 1911 to 1912. These drawn and painted cityscapes depict specific views near Gris’ Bateau-Lavoir residence in Place Ravignan. Place Ravignan was a small square located off of rue Ravignan that became a central gathering space for local artists and laborers living in neighboring tenements.
[Show full text]
Table Des Matières Introduction
TABLE DES MATIÈRES INTRODUCTION G BALADES INSOLITES À PARIS ........................................................................... 15 LE PARIS GALLO-ROMAIN G BALADE No 1 .................................. 18 musée de Cluny • Les arènes de • La crypte archéologique de Lutèce Notre-Dame • Les thermes du LE PARIS MÉDIÉVAL : ÎLE DE LA CITÉ ET RIVE GAUCHE G BALADE No 2 .................................. 23 chapelle du collège de Dormans- • La Conciergerie • La Sainte- Beauvais • La rue Galande et Chapelle • Le parvis et la crypte l’église Saint-Julien-le-Pauvre archéologique de Notre-Dame • L’église Saint-Séverin • La cha- • Notre-Dame • Les rues alen- pelle des Mathurins • Le musée tour et le pont de l’Archevêché national du Moyen Âge • Le jardin • Le collège des Bernardins • La médiéval • Le couvent des Cor- rue du Cardinal-Lemoine • Les deliers • La cour du Commerce- vestiges de l’enceinte de Philippe Saint-André • Le passage Dau- Auguste • Le lycée Henri-IV et phine, la rue Mazarine et l’abbaye l’abbaye Sainte-Geneviève • La de Saint-Germain-des-Prés LE PARIS MÉDIÉVAL : RIVE DROITE G BALADE No 3 .................................. 32 Saint-Martin-des-Champs et le • La place du Châtelet et le théâtre Conservatoire national des arts de la Ville, la tour Saint-Jacques et métiers : l’ancien réfectoire • L’église Saint-Merri • L’église et la collégiale • La maison de Saint-Germain-l’Auxerrois • Le la rue Volta et l’hôtel de Clisson Louvre médiéval • Les vesti- • La rue des Francs-Bourgeois ges de l’enceinte de Philippe et l’impasse des
[Show full text]
Press Kit: VINCI, the Art of Museums
PRESS KIT VINCI, the art of museums Press kit /// VINCI, the art of museums /// June 2013 1 Introduction The Museum concept was first introduced in Europe, primarily in France, at the end of the 18th century for reasons that originally had nothing to do with economics or urban amenity. Until the 1950s, the purpose of the museum was exclusively conservation, in a continuation of the 19th century tradition of private collections. The real museum revolution originated primarily in the United States, where Peggy Guggenheim laid the foundations for the 20th century museum industry, and was also driven by democratisation and the development of cultural industries in Europe. Today, the number, role and visibility of these institutions have undergone radical change. No longer exclusively focused on conservation, the museum has become a flagship institution that lends resonance to the community. Cultural activities create economic value and give cities momentum. Culture also promotes social inclusion when approached as a way to improve "living together". The museum is now seen as an urban landmark and a driver of urban life. With its innovative and bold architecture, the museum is often a work of art in its own right. Building or renovating a museum is therefore a high profile but complex operation. The success of such projects requires broad vision, acknowledged capabilities in advanced technology engineering, sophisticated resources, flawless coordination and total commitment to managing people. On the strength of these qualities, VINCI companies regularly work on exceptional museum projects around the world. Their design, building, network and maintenance expertise makes all the difference in the demanding museum market.
[Show full text]
Realism in Paris: a Partnership Between Guy De Maupassant and Baron Georges Haussmann Julie M. Patterson a SENIOR THESIS For
Realism in Paris: A Partnership Between Guy de Maupassant and Baron Georges Haussmann by Julie M. Patterson A SENIOR THESIS for the UNIVERSITY HONORS COLLEGE Submitted to the University Honors College at Texas Tech University in partial fulfillment of the requirement for the degree designation of HIGHEST HONORS December 2001 Approved by: L2. - /~>- o I Dr."we~dell M·. KycocV ' Date Associate Dean, Graduate School 9 ;, ~~~ ~I Dr. Gary ~ell Date Dean, Uni rsity Honors College The author approves the photocopying of this document for educational purposes. %0^ P Teddle of Contents Acknowledgements 2 Notes on Text 3 Section I I. Introduction 5 II. Baron Georges Haussmann And His Public Works Progreuns For Paris 7 A. ^^Les Reseaiix" 10 B. Haussmann, Realism, and Nineteenth-Century Paris...l3 Section II. Discussion of Short Stories I. Guy de Maupassant 17 II. Haussmannization and Maupassant's Female Characters...21 III. Cemeteries and Parisians 29 IV. Women's Roles and Haussmannization. 36 V. Tradi t ion v. Haus smanni z at ion 41 Conclusion 52 Bibliography 54 Acknowledgements I would like to extend my deepest appreciation to several individuals who have helped me with this project. Dr. Wendell Aycock acted as my mentor professor for this project. He helped me formulate many of my ideas, potential research avenues, and acted as my main editor. He introduced me to Guy de Maupassant and lent me anything I needed out of his own resource materials for this project. Dr. Jill Patterson acted as my reviewing professor and did wonders with the editing process. I would also like to thank the Texas Tech Honors College for giving me the opportunity to undergo this kind of project at the undergraduate level.
[Show full text]
International Student Welcome Guide TABLE of CONTENTS 4Ì PRACTICAL 3Ì P52 INFORMATION P32 UNIVERSITY LIFE P54 University Calendar
2020 > 2021 International Student Welcome Guide TABLE OF CONTENTS 4ì PRACTICAL 3ì P52 INFORMATION P32 UNIVERSITY LIFE P54 University Calendar 2 P34 Organisation of Studies P58 Paris 1 Panthéon-Sorbonne ì Study Centres P10 STUDY IN PARIS P36 Becoming a Student at Paris 1 1 Panthéon-Sorbonne P60 Acronyms ì P12 Administrative Procedures > Enrolment P62 Contacts UNIVERSITÉ PARIS 1 > Visas and residence permits > Orientation week > International Relations P4 PANTHÉON-SORBONNE > Accommodation Department P40 Ressources > Health > Paris 1 Panthéon-Sorbonne P6 About the University > Banks > IT Services > Emergency Numbers > Libraries P8 Key Figures P22 Living in Paris P63 Check-lists P45 Societies and cultural activities > Budget > Working in France > Clubs and Societies > Getting Around > Cultural Activities > Going Out P48 Sports P50 Eating 1 UNIVERSITÉì PARIS 1 PANTHÉON-SORBONNE PANTHÉON-SORBONNE 1 PARIS P6 About the University P8 Key Figures RESEARCH INTERNATIONAL 1ì EXCELLENCE REPUTATION ABOUT Teaching and research are intrinsically linked Université Paris 1 Panthéon-Sorbonne is THE UNIVERSITY at Université Paris 1 Panthéon-Sorbonne. very well placed in international rankings. As with teaching, research is also structured In the 2020 QS World University Rankings PANTHÉON-SORBONNE 1 PARIS around three major disciplinary areas with by discipline the university was one of Université Paris 1 Panthéon-Sorbonne was founded in the 13th century 36 research teams and 10 doctoral schools. the best-classed in France, with seven as the Collège de la Sorbonne by Robert de Sorbon and is located in One PhD viva takes place every day at the departments placed in the top 50 for their the heart of the capital’s Latin Quarter.
[Show full text]
Destination La Défense
WELCOME . 1 ESPACE GRANDE ARCHE CONTENTS DESTINATION LA DÉFENSE AT THE CENTRE OF EUROPE'S NUMBER ONE BUSINESS DISTRICT A PLACE TO DO BUSINESS CONTACT . 2 ESPACE GRANDE ARCHE DESTINATION L A D É F E N S E FACTS AND FIGURES AT A GLANCE THE STORY OF THE GRANDE ARCHE A PRESTIGIOUS CLIENT LIST A SUSTAINABLE VENUE . 3 FACTS AND FIGURES 2 3 5,005 m EXTRAORDINARY, IN THE HEART OF LA MULTIPURPOSE SPACES DÉFENSE 20 1 WAYS TO REACH THE SITE REFINED AND CONTEMPORARY BY PUBLIC TRANSPORT RECEPTION AREA DESTINATION LA DÉFENSE . 4 AT A GLANCE The Espace Grande Arche means: Unrivalled proximity A meeting place IN EUROPE'S TO THE BIGGEST FRENCH NUMBER ONE BUSINESS DISTRICT AND INTERNATIONAL FIRMS AN exclusive SPACE An unbeatable central location AT HEART OF LA DÉFENSE DESTINATION LA DÉFENSE . 5 THE STORY OF THE GRANDE ARCHE 2003 The Espace Grande Arche is acquired by Paris Expo, 1982 which immediately 2014 A competition is announced for the launches a renovation programme A project to renovate the construction of the "International Grand Arche gets Communication Centre", a prestigious underway building at the far end of Paris's famous 1985 "historic axis" Construction on the Grande Arche begins, led by the French firm Bouygues 2015 End of renovation work on the Espace Grand Arche 1983 1989 2003 Johan Otto von The Arche is inaugurated on 14 July 1st event held under Paris Spreckelsen wins the 1989 during the G27 summit, two Expo's leadership: MECI, an competition with his design years after von Spreckelsen's events industry trade show for a huge hollow cube death.
[Show full text]
Montmartre the Tour: La Place Des Abbesses (The Abbesses Square), the Small Streets, La Place Du Tertre (The Tertre Square), Le Sacré-Coeur (The Sacred Heart)
MONTMARTRE THE TOUR: LA PLACE DES ABBESSES (THE ABBESSES SQUARE), THE SMALL STREETS, LA PLACE DU TERTRE (THE TERTRE SQUARE), LE SACRÉ-COEUR (THE SACRED HEART) LE SACRÉ-COEUR THE SMALL STREETS LA PLACE DU TERTRE LES ABBESSES Lenght: Means of locomotion: on foot - 3H00 walking, Access for persons with reduced - half a day: walking + visit of the mobility : no Sacré-Coeur, Total distance: 4km - the entire day: walking + visit of Starting point: Place des Abbesses the Sacré-Coeur, the Montmartre (metro line 12, Abbesses station, museum and the Dali area. or the Montmartrobus Abbesses station) Public: All restaurant, « Le Relais de la Butte » (The Mound Inn), once called « Chez Azon » (At Azon’s). At the beginning of the 20th century, Father Azon gladly welcomed and fed all the penniless artists from the bateau- lavoir who paid him with works of art... which did not prevent him from Take rue des Abbesses going bankrupt ! (Abbesses Street) on your right and keep going forward for about 50 Climb the steps of this Emile metres. Goudeau small square (ex Ravignan Square). It is the same quietness At the Abbesses passage entrance, impression that we found in the on your right, graffities, drawings, Place des Abbesses, with benches, stencils and other inlays are trees, the big Wallace fountain, and animating the walls. some funny graffities. Pay close attention, you will have the opportunity to see many others On your left, with your back turned throughout the walk. to the steps, stands a recently cleaned building with white blinds Carry on and take rue Ravignan and green doors is the famous (Ravignan Street) on your right.
[Show full text]