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Thelma & Louise (with Susan Sarandon and Michael Madsen, above) plays at CampbeU Hall on Friday. Mountain climber Kevin Steele (right) will speak on Monday at CampbeU HaU.

e are approaching the end of another baseball sea­ Theater son, and it looks like National League Commis­ • The Ensemble Theatre Company of Santa Barbara con­ sioner Bill White is a bigger Dodger fen than origi­ tinues its run of Tennessee William’s A Streetcar Named Wnally thought. Why else would he reinstate Reds Desire at the Ensemble Theatre. The show ends Nov. 9, so EN C O R E s ta f f reliever Norm Charlton to pitch against the Braves under get there early before you catch that post-Halloween Contributors______the guise of not wanting to affect the outcome of the divi­ crunch. Tickets are probably too much-to be included in sional race, and not reinstate Atlanta leadoff man Otis the press release, but you can find out by calling 962-8606. Dave Brooks Nixon for the pennant drive? Think if we beat White silly Lecture: D enis Faye he’d bleed Dodger blue? • Climber Kevin Steele speaks while scaling Mt. McKinley. Ross French Fans of the 24 teams currently not involved in a divi­ Actually, he speaks about scaling Mt. McKinley, but that A.J. Goddard sional race have plenty to get excited about this week in the may be just as interesting. Steele, a mountain-climbing entertainment world. So go out, spend some money, and if Santa Barbaran, will give his free lecture (repeat, FREE lec­ Scott Lawrence you run into Commissioner White, give hint a solid chop in ture) on Monday, Oct. 7 at 8 p.m. Christian Lincoln jaw for all of us here at ENCORE. P.E.A.C.E. Film: Music: Karen Skanderson • Men, get out those attack whistles. Everyone’s favorite • Our Band Which Should Wear a Skirt But Doesn’t Award Pax Wassermann girls with guns are back, and this time, Thelma & Louise goes to the Tannahill Weavers, a Scottish group caught sus­ aren’t taking any crap. The film plays Friday, Oct. 4 at 7 and piciously wearing Levis. Doesn’t anybody have any na­ Assistant Editor 9:30 p.m. in Campbell Hall. Just one question — why is it tional pride anymore? If you catch this act, which plays Jamie Reilly OK for a man to have a mid-life crisis, but when a woman Tuesday, Oct. 8 at 8 p.m., and they aren’t wearing kilts, be Editor has one, she is considered a raving lunatic bent on unleash­ sure to heckle them loudly. Chanting the Scotland national ing her frustration on the male community? anthem should do the trick. Brian Banks mTs/a Vista* mu 'Kccrtrfïon & "Park.F D f istrict i s"Prescrits r a:

A 'R ’E G-GrAE. & KOCK " F f S T / VAL— §msnuM/EiL3AM OCTOBER% 5 &(o ,, CIRCUS UFE j X- C.T.A ü m n - 3 - O U E R ELECTRIC BLUE . T> ÑOOHEUKHOW fyvsfóyejhr/u A UUY K Y COMMON SEHS TREE ADMISSION Y ■ CRUCIA-L13 This is an Isla Vista Recreation & Park District Event Co-Sponsors: Shadowfax Audio Systems, KCQR-FM, Bayshore Chevrolet, Sam’s-To-Go • % v» a # ' 4 ifIcore ISrents Review 3A

A mind-boggling, hair-raising, lip-flipping; Somewhere to Blow eye-popping extravaganza S. B. Hosts Jazz Lovers' Festival from the United Kingdom!

he words Santa Barbara and Jazz to achieve the unity and excitement of a Festival had almost become a classic outdoor jazz festival. running joke in the music indus­ The following year, Butefish succeeded * try. Though the area had some with the free beach festival package that is fine shows in the past (including a string at continued in 1991’sshow. Set on Leadbet- the long-defunct Oscar’s, and an occa­ ter Beach, just off the edge of the City Col­ sional surprise, like Wynton Marsalis at lege campus, the bill features jazz piano the Long Bar) it seemed as though a full- stud Les McCann, salsa big-guy Poncho scale festival might never get off the Sanchez, the Cal Tjader Band/Radcliffe ground. Summer Solstice, even with its and one of the big daddies of acoustic cheesy Wave jazz, only made it a couple of blues, Spencer Davis. years, and attempts at large shows, like the The festival begins Friday night, Oct. 4, Pacific Coast Jazz Festival, scheduled to with The Avant Gardners at six, and the take place on this very campus with Wyn­ Spencer Davis Duo at nine. Saturday and ton Marsalis, Etta James and, yes, Stevie Sunday’s lineups begin at about noon each Ray Vaughan, petered out due to flaky day, with Les McCann at 7 p.m. Saturday funding sources. (followed by the Zydeco Party band), and In 1989, Ventura businessman Jack Poncho Sanchez at 4:15 on Sunday. Make Butefish, with a pittance of city money, put an effort to catch the Billy G. Watts Band, a together the Santa Barbara Jazz Festival. blues act that smoked last year’s festival, The show was scattered about the Santa also on Sunday at 3 p.m. Barbara area, with big-ticket names like As with last year’s event, there will be Poncho Sanchez at the County Bowl, and some fine local food and, yes, booze (beer David Benoit and the late Stan Getz at the served in a glass(!) and nifty waftable “SMART AND WITTY. Arlington. The only free part of the festival wines) on hand. So check this thing out A cross between early John Lennon was a sparsely attended day show at De la while we’ve still got it. I’ve heard rumors Guerra plaza. Though the festival organiz­ that the city has denied funding for next and Monty Python.” ers understood the aesthetics of fine ven­ year’s event ... word. -Stephen Holden. NEW YORK TIMES ues and classy accoutrements, they failed — Pax Wassermann “IN A WORD, IT’S FUN.” -Stewart Klein. WNYW-EOX TV THREE WAYS TO SAVE BIG BUCKS ON FIRST RUN HOLMS AND GREAT DOUBLE FEATURES $3.50 BARGAIN MATINEES AT ALL “DELIGHTFUL.” -Kathleen Carroll. NEW YORK DAILY NEW S “PHENOMENAL.” -Nlel Rosen WNCN-NEW YORK THEATRES EVERY MOVIE-EVERY “OUTSTANDING.” BEFORE 6:00 PM

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4A ovie Still Fantasia n Nov. 1,1991, Fantasia will die. to dull considerably on the television yet This is the date set by the won- sweep one off one’s feet at the cinema have d ers of technology and the evils of become beneficiaries of this recent restora­ excessive capitalism for Fantasia tion technology. Lawrence Of Arabia has, O for the first time since director David to be released on video cassette. That shouldn’t be. Lean’s cut, been restored to its original This film is more than 24 images per sec­ three-and-a-half hour length. Spartacus, ond flickering on a screen to give die illu­ too, has been recently restored to what its sion of motion while some classical music director, Stanley Kubrick, had in mind — plays in the background. It’s an event that something that die censors of 1960 found a happens eveiy few years where parents try bit too racy. to show young children the power of this These two, and Fantasia, are movies masterpiece. Somewhere between the ran­ featured in Arts & Lectures film series this dom animated images and eclectic music, quarter, Rediscovered, Restored and Re- most children seem to respond to the film released. Other films to fall under the “re­ with disorientation and tired sobs. It’s an stored” part of this series are Orson Welles’ event where adolescents try to ignore the Citizen Kane, Tabu, the 1931 Best Cine­ confused and bored crying of younger matography Academy Award Winner, and children and suddenly realize that the con­ Jean Vigo’s L’Atalante. cept of the “stoney trip” was alive before With the sudden resurgence in interest even their parents were. It’s an event that with ’30s “cabaret star” Josephine Baker, Mile. Upanova and a ballet corps of alligators perform Amilcare the excesses of a VCR would only ruin. two of her recendy discovered films could Ponchielli’s “Dance of the Hours”, part of the rereleased F a n ta sia . Too much of a good thing and all that. prove to be quite interesting. They are Zou This isn’t the only film to bruise when Zou and Princess Tam Tam. kovsky’s Nutcracker Suite to Stravinsky’s equipment. shoved into the small screen. Films like However, above all these films is the Rites of Spring. It was recentiy said that after the video is 2001 are meant to be painted on 30-foot masthead of this series, Fantasia. To mark the 50th anniversary of Fanta­ released, Fantasia probably will not play silver canvasses. This just adds to the irony 1,000 artists and technicians labored sia in 1990, Disney spent two years restor­ again until the 21st century. If you have that the same technology that is used di­ over this piece for three years. The finished ing die film, actually working with the or­ never seen this movie, go tonight to Camp­ minish classics like Fantasia is also used product is what many consider Disney’s iginal nitrate negative. Also, the guide bell Hall at 8 p.m. If you have seen it, this to restore old film stock and re-add scenes crowning achievement, using intensely sheets of Leopold Stokowski, the original might be the last chance that you’ll have to that were left on the cutting room floor the well-crafted animation to bring out the conductor of the Philadelphia Orchestra, see it, the right way, in a very long time. So first time around. many levels to the interpretation of various were studied so the original “Fantasound” maybe, just maybe, you should be there. Two early ’60s Hollywood epics known classical works ranging from Tchai­ could be recreated, using modem, digital —Denis Faye AlsoOomiñgfM

Three upcoming films In the series are (fr left) Lawrence of Arabia s (Thursday, October 10), and Citizen -•J^CSim da^pctob^l^lill movies___| frown at C&mpbeil Hall at 8;( irts & Lectures. Brits Invade Vic Connelly's Ghandis Those wacky limeys, my goodness! The Hot Spot The Victoria Street is Cool Until Jennifer Bares Theatre starts its yearly run A bonanza of good fun, two on the Beer-o-meter. of the various animation this summer was. The I’m sorry if this story has festivals with The British Video Guy spent the sum­ bummed your mellows, Animation Invasion. mer shmaltzing with the and to make it up to you These are always big draws likes of Roddy McDow- Video Youngins, I’m going at UCSB, especially since an wall and Jean-Luc’Picard. T h e to tell you about my new animation fest makes good All was well until I en­ favorite film, Malibu Bi­ dating material because it’s countered a couple of Video kini Shop. not really just a movie. It’s a problemos. Moo-eee It is about these touch of class and chicks dig Grando Problems. brothers — a nerd and a that. “What,” you, my loyal Guy cool sloppy guy- who in­ This fest is no exception. Video Ga-gas, readers of herit a nice house and a bi­ The animation has, oddly The Video Guy column for dame is stacked like pan­ kini shop run by three hot enough, a strong English three years now, ask, “are cakes and therefore, I de­ mommas. The nerd feel to it. This means a se­ those two problems?” cided that they must be brother (kind of a Bob vere lack of the typical fest Well, let me tell you. seen, bare. Saget kinda character) scatological humor and, Jennifer C onnelly’s I wipe out my Celebrity wants to sell it, changes his due to those nutty acid babaloos. Sleuth collection to find mind after it is too late, houses and the pills they It was a mild obsession. out where I can lay my eyes goes to great extents to get rode in on, many drug- Too much popcorn at the British Animation No, it was a yuge express­ on these Mahatma Ghan­ it back, and then gets induced pieces that would Invasion could cause serious eye damage. ion. The only obsession dis. I thank my lucky stars porked for his efforts. probably make much more I’ve ever had that was/is that she was in a Don Good movie. sense if one is mentally three tion. (“Wow, that was amaz­ Some of the better drawn better would be for beer, Johnson movie, Hot Spot. So what it is, as is the planes higher, or lower. ing object animation, too animation includes Richard really great beer, like Oh, I got my shot of theme of many Boob and D a v id A n d e r s o n ’s bad I feel like committing Olive’s tribute to tum-of- Keystone. those Hot Spot knockers, Butt films, is good blue “Door” is one of these. Us­ suicide or robbing a 7-11 the-centuiy children’s book So, Trout and I go to see alright but, man alive, collar proletariat battling ing stop-motion and xerox- now.”) art, “Night Visitors” and The Rocketeer, th a t what a drag. I mean, I was the evil bourgeoise ... and ography, Anderson’s dark The claymation here is Joanna Quinn’s stab at blue- action-packed summer hit hoping for a little passion, then some knockers. world exhibits poetry some­ outstanding. The British collar body snobbery, that got completely sex, Riunite (on ice) and, The opening sound­ where between e.e. Cum­ seem to have a skill for deal­ “Body Beautiful.” reamed into the ground baboom, in a fit of Don track is “I’m Only Look­ mings and Bukowski. It was ing with soft mushy things. The various animated when 72 came out (that’s Johnson passion, full fron­ ing” by Naomi Delgado. best described by the fellow Peter Lord’s “Going commercials laced through what us in the industry call tal nudity. To bad they couldn’t play who said, “Duuuude, that Equipped” features what the show should be put into Terminator 2). Anyway, But no. We see the ob­ her early 1982 hit “Gettin’ guy is messed-up.” appears to be an interview one clump and Candy after we leave the delight- jects in question about Any?” A n d re w S ta v e le y ’s with a real ex-con, with the Guard, who’s annoying ful Disney action/ 5/6ths into the film and At this point I’m going “Strangers in Paradise” is title character being re­ “Cathy, But With a ‘Tude” adventure, Trout looks at she is kind of sitting by a to dust off the Mondo Mo­ really too weird to talk created in clay. Aardman characters were in three me and says, once again, lake, topless. No passion, vie Beer-o-meter, after a about. Studio’s Oscar-winning films, should be bound and the obvious. she wasn’t even sitting up long summer and give Ma­ These were among the “Creature Comforts” is an gagged, forever. However, “Did you see the Dan straight. No big deal. If libu Bikini Shop 11 out of many shorts that dealt with interview with various zoo besides these flaws this was Randy’s Handies on that she’s going to show them twelve beers. fact that the world sucks. animals, whose clay rep­ an overall good collection. babe?” off like that, I’m going to This is The Video Guy Unfortunately, these were resentations go into intense Indeed, this Connelly . ^ have to. give them, dike, a *' saying, “d^ssie.go home.” also the strongest anima­ facial gestures. _ —Denis Faye / f /

icore lifisic Hviews 5A Plain Rap Brainstorm Young MC Capitol Records TT oung MC is not go- ^ 7 ing to change the world with his rap. JL His delivery and sound are too familiar and his near cliche messages are already too ingrained in our heads. He doesn’t move like anything revolutionary and he looks too conservative to ever make a lasting impression. But that’s not to say he can’t and won’t entertain the hell out of you while try­ The M.C. himself Sounds ing to enlighten you, which Young’s attraction is that is exactly what he does on he has very few pretenses; his second album Brain­ these moral precepts are storm. In fact, one of what he’s all about and if Familiar Young’s purest appeals in you don’t want to hear the his first album was that he same old “walk the right College Rock's New Spins didn’t try to exceed his own path” monologue, then Fear limitations as a rapper, don’t listen. Others mirror Toad the Wet Sprocket Two bands with the I.V. sound: Rogue showing an innate ability to this style, but lag in trying to Columbia Records Cheddar (top left) and Toad the Wet Sprocket write about the common convince us of their ear, the third release from locals Toad the Wet (above) score with their latest releases. person and the common si­ sincerity. Sprocket, marks their induction into the world tuation with an almost-too- Young probably won’t be of slick, jangly guitar production. And, for the Mountain Rotor Wash simplistic redundancy. around longer than one most part, it’s a welcome one. Rogue Cheddar And Brainstorm is more more album, but then again, F of the same. But this time, he doesn’t profess more. It’s Fear features some of their best work yet — the strong Independent melodies of “Walk on the Ocean,” “Nightingale Song” Rogue Cheddar—just another Isla Vista band... think Young manages to spice up obvious he’s content with and “Butterflies,” the most interesting cut on the album. again! This threesome (fronted by guitarist/singer Darryl the riff just a little, while ap­ getting his message across in But in the end, it’s an album that has the same pitfall as its Sweet) produces more sound then most bands can shake pealing to the youth to a language people can relate predecessor, Pale — a heap of whiny, unoriginal jangles a stick at. avoid drugs, respect wo­ to, and then stepping back in the second half of the album, although it costs about 20 The band’s unique sound becomes increasingly crea­ men, be righteous, think and trying to decipher its times as much. tive in their latest release Mountain Rotor Wash. Not un­ with the big head and not influence. Glen Phillips’ voice is, as always, perfectly in-key, like their last release Into Blind, Mountain Rotor Wash the little one, stay focused in crisp, clear and melodic. And drummer Randy Guss is also a live-studio recording (but this time vocals were life, and stay in school. —Scott Lawrence breathes soul into a style of music usually better off with a dubbed in later). Although the drums are a bit weak on drum machine. The bulk of the album is about as good as some tracks (because of the recording, not due to drum­ most mellow alternative rock is these days — pretty, and mer John Collin’s ability), it is more than compensated for worth a listen, but ultimately a dullingly commercial pro­ by the bass and driving guitar. Tom Csicsman’s extremely duct. Should we expect more? When we hear songs as powerful bass slams in the melody, and in a completely Beehive Stings good as “Walk on the Ocean” and “Butterflies,” yes. different way than these wannabe “Flea” types who, on a But maybe all this ‘'120 Minutes’’-style alternative rock whim, will bust into a pseudo-funky bass lick (just to Honey Lingers Like You” exude a harder is stuck in a hole it only briefly popped its head out of in show that they, too, can play video games). Voice of the Beehive sound than the hive’s previ­ the early ’80s, destined to take a back seat to the harder This band has come a long way from their first release, Polygram Records ous material. This band has and more innovative edge of rock n’ roll. Please, prove me and to compare them to any other band would only take In i 988, Voice of the Bee­ definitely grown up in the wrong. I can only take the acid-house beat so much away from their music; so I won’t. Mountain Rotor Wash hive was on the verge of be­ last three years. longer. is a wise listening choice. coming a success with hits But no matter what the —Pax Wassermann —David Brooks such as “I Say Nothing” and type of song, vocalists Tracy “Beat of Love,” but a lack of and Melissa Belland reach Tingles Kind of sums up the whole — A wise warning about “Skin” — Damn, the airplay on mainstream radio such an incredible harmony Ratcat song. It’s not bad, espe­ the UCSB Lagoon, but a disk player is busted. It’s stations limited their expo­ with their voices that they rooA rt/Mercury cially for your typical l.V. really weird song. playing song one again. sure. Hopefully, Honey make even cheesy love The great thing about band. In fact, I think I “Getting Away” — This Oh wait, it sounds identi­ Lingers will bring the band songs like “Adonis Blue” this six-song EP from the heard this at a party a cou­ song uses samples from cal to song one, just not as the recognition they sound great. Despite a few Australian three-man al­ ple of weeks back. the NASA announcer’s good. deserve. influxes of meaningless and ternative group is that its "Tingles” — The best call of the ill-feted Chal­ “My Bloody Valentine” “Monsters and Angels,” borderline cliche lyrics, I brevity allows me to go song on the album. lenger launch. The first —This is the sixth song on the first single, resembles found it hard not to enjoy over each song individu­ Simple, but great guitar time I heard it, I wasn’t what should have been a the sounds of their debut al­ this album. ally. So here we go ... and great sound. sure if it was meant as a tri­ five-song album. bum Let it Bee, but tracks “That Ain’t Bad” — “Don’t Go in the Water” bute, or just in bad taste. —Ross French like “Look at Me” and “Just —Karen Skanderson Hard-Pounding, Sludge Grunge, Technohouse Badmotorfinger Nevermind The Orb’s Adventures Beyond the Ultraworld Soundgarden Nirvana The Orb A&M Records David Geffen Company Big Life/Mercury Records Warning: this album does not get mushy in milk. Rad ... bitchin’ ... so fuckin’ cool... surpasses all hopes The phenomenon of “Techno” (a.k.a. Techno-house Besides having an ultra-mega OK name, Badmotorfin­ and proves wrong any negative expectations of overpro­ Music) has become a huge ever-growing pulsating brain ger is probably the most incredibly crunchy album of all duction in the band’s necessary and well-deserved signing that rules from the center of the ultraworld. Raves both time. We’re talking serious cookies, kids. to a major label. So there. legal and illicit have been occurring at a staggering rate, So don’t even try to fight this one, cuz POW! it’ll throw This is the week of long-awaited, end-of-summer re­ from the UK, New York to L.A. and even Santa Barbara. you down so fast you won’t know what the hell hit you. leases as Tuesday the 24th blessed us with the new Red Hot Techno-house has proved its worth in the chaotic world of Soundgarden’s new album is loaded with such unrelenting Chili Peppers and Cult albums, along with the anxiously dance music. It has become the present’s music of the fu­ force that it will render you completely unable to breathe, awaited second album from Nirvana, Nevermind. I feel ture; with its characteristic bleeps, whoops and robotic yet at the same time, totally unable to divert your attention, sorry for the little kids (and the big ones) who have to wails, the techno-house movement is responsible for bring­ or even think of turning it off. Might as well just lie in its scrape up all of those rare, well-earned dollars and piek and ing us some of the most innovative music currently merciless stronghold and take the whole fuckin’ journey, choose between all the awesome new stuff. Nevermind available. ‘cause at the end, your mouth will be left wide open in com­ would be a good choice, and money splendidly spent. The techno masters of The Orb is actually one man, Dr. plete and utter astonishment. Nirvana is gonna take down all the stops and blow it up Alex Patterson, and the release The Orb’s Adventures Bey­ Chris Cornell is one of the most amazing musicians hap­ with this one. A month ago, they left an entire audience ond the Ultraworld is just that: from beyond, fer beyond. pening today. The lyrics here are self-professing and with jaws on the floor at a sold-out Roxy gig that catered to This collection of deep techno, ragga and ambient house Soundgarden has definitely learned the art of condensa­ about a million stage dives and serious inner-ear hair singe­ travels where 808 State, LFO, N-Joi & others dare not tion and channeling their energy into a fiercely steady ing. And bigger things can and will happen. tread. From the open, spacy & humorous opening track, undercurrent that explodes on every song. Not one song Nirvana’s doublefold raw simplicity has set them apart “Little Fluffy Clouds,” through the trance-inducing “Into lags or loses that ferocious intensity. from other bands, combining the fast energy of ’80s under­ the Fourth Dimension” and finally ending the trip with the If you have yet to bat eyelashes in disbelief and fall will­ produced hardcore, and Seattle sludge grunge. They’ve completely hallucinogenic “A Huge Ever Growing Pulsat­ ingly into the arms of Soundgarden, this album will make carved their own unique niche with Kurt Cobain’s alter­ ing Brain That Rules From the Center of the Ultraworld: your knees give. Smoke some green — or don’t — turn this nately low, soothing and grisly, screeching voice, coincid­ Live MK Mix 10,” this record is proof that you don’t need bad-ass-motherfucker up to the highest possible decibels ing with the music’s constant pushes and stops. drugs to see, touch and taste the music you listen to. In my and feel the ground underneath you shake and rumble for view, this is one of 1991’s best and most original record­ 60 minutes of dopeness. Quite definitely their best work Nevermind carries out the simplicity we so adored on ings. Now, if they only pull it off live ... yet. It’ll leave ya breathless without a milli-ounce of debut effort Bleach with “In Bloom,” “Breed” and “Polly,” romance. as well as others... “polly wants a cracker/think i should get Soundgarden is doing it up live at the Day on the off her first/think she wants some water/to put out the Green in Oakland on Oct 12 with Metallica, Queensry- blowtorch.” Don’t ask me. It’s just inexplicably great. che and Faith No More. Definite road trip material —A.J. Goddard — A.J. Goddard Recycle Till The Cows Come Home ✓

ncore interview

Interested in Radio? ATTORNEY FREE PHONE KJUC is NOW CONSULTATION “I’ve Been recruiting for fall quarter. TOM GRIFFIN Applications are in the lobby of KCSB located 805 - 966-1123 under Storke Tower. Seeing A mandatory meeting will be held on Thurs. O ct 3,6:00 pm. For more info call Some Very 893-3757.

October 6,1991 Disturbing 7,9,11 pm I.V. Theatre Things...” $3.75 Sponsored by UCSB Women’s L acrosse Comedian Paul 1“ Team Mtg. for new players 5 pm IV Theatre No Experience Rodriguez Uses His Off DARE Necessary! Ethnicity As a Basis Hem M eri ft For Material, But FIE! EINE DOWNEU MORI Knows How Unfunny Hispanic Life Can Be.

By Pax Wassermann, Staff Writer everly Hills, 90210.” “America’s Funniest something that unites the two. Or better yet, to throw them A DELICIOUSLY MALICIOUS COMEDY Home Videos.” “Thirtysomething.” “Cheers.” both out the window in favor of something completely Saturday, Oct 5,1991 • 8 & 10 pm It’s easy to think the television world revolves fresh. tV . Theatre • $3.50 “B around shows like these pillars of the network He’s done that, to some extent, with his Univision net­ Sponsored by Pre Law Assoc. TV community, with their weekly dose of double-digit work talk show. Having persuaded TV execs that English- shares and perfect hair. And then you hear about a guy like speaking stars could be a benefit to a Spanish-language snow, he’s broken some new ground. And been proven KtVIN COSTNER Paul Rodriguez (set to appear in Campbell Hall this Satur­ day night), whose entertainment talk show, “El Show de right. David Carradine, of the hugely syndicated “Kung Fu” Paul Rodriguez”, is one of the highest-rated programs in 17 show, was his biggest guest yet, gamering record viewer [m Ç E y countries, the equivalent of “The Tonight Show” in the mail. — \ W l T ñ ' > ~ y Spanish-speaking market. Yet audiences may be skeptical that even the Univision Remember this guy? He had a TV show, “a.k.a. Pablo”, network will let him address too many issues of race, or that ñ ib iv E s produced by Norman Lear, that lived and died in the early this is a man who wants to do that kind of work. He’s got ’80s. He’s had a couple of parts in movies like Quicksilver, ideas — series called “Compton, 90250” and “City of OCTOBER 4,1991 Born In East L.A. and, ahem, The Whoopie Boys. Gangs,” that sound funny, but lack any kind of redefinition IV THEATER Rodriguez is uniquely qualified to talk about the differ­ of the racial status quo. But the proof will be in the viewing, 7 PM & 10 PM ences between Hollywood and the hispanic entertainment since both are in the works for Fox. world, and, with his recent success, uniquely situated to do ENCORE spoke with Rodriguez last week, and found $3.00 him congenial and talkative, with a healthy sense of his suc­ Sponsored by R H A cess but sans the big ego. We talked about America, Kevin Costner, Hollywood and his new talk show. ENCORE: What’s the situation with your talk show? A pacopda Rodriguez: The show right now, we’re in 17 countries. 935 Embarcadero Del Norte 685-3112 It’s more successful than anything I’ve ever done. I started the show on a low budget — the Spanish stations don’t have the money the American stations do — and all of the 1 0 /3 sudden we got big sponsors. ENCORE: What’s your format? JUNKYARD Rodriguez: I try to do the Letterman show in Spanish. Basically, I just took the themes that I liked out of these 1 0 /4 shows. ENCORE: So I take it you didn’t try to emulate the suc­ KR0NIX cess of Rick Dees (of “Into the Night”). Rodriguez: I ripped off the best is what I did. I always knew that the rest of the world had a tremendous appetite SECTION 8 for anything American. I tried to explain to (Univision net­ work) execs that English-speaking stars would be a hit on -also, upstairs- Spanish shows. When I was a young man in the air force, I travelled to about 33 countries. And every country I went THIS to, they were crazy about America. It’s like this dual thing ASCENSION — they disliked Americans but they were crazy about our culture, they were crazy about our chewing gum, anything w / E X -V O T O American. I remember being in Japan, and all the billboards for Sapporo beer had this big, gorgeous blonde on them. 1 0 /5 The Japanese have no breasts, so they import them just like MUDHONEY everything else. See RODRIGUEZ, p.7A Disneylani w/HOLE Is keep coi 1 0 /7 ISSU I Avocado Festival 10/8 October 5 & 6,1991

ALTERNATIVE Saturday, October 5, 10:00 am -8:00 pm DANCE Fun Sunday, October 6, 10:00 am - 5:00 pm Food 10/12 Fun D rink THELONIOUS Fun C ra fts MONSTER Fun w /TOO FREE STOOGES 20% off. M usic This coupon is good for 20% off your bill (excluding alcohol, tax and gratuity.) Valid only at the Paseo Nuevo location. May not be 1 0 /1 3 Fun KINGFISH R ow ers combined with any other offer. Expires 1 1 /1 /9 1 . No cash value. Fun & PAPA Souvenirs Now open at Paseo Nuevo Mall on Chapala • 962-4648 JOHN CREACH Fun UPCOMING SHOWS - Entertainment Take out available • Free parking available 10/26 BAD RELIGION Fun Mon.-Thurs. 11:30 am-10 pm «Fri. & Sat. 11:30 am-11 pm «Sun. Noon-10 pm. 11/12 INTL.BEAT Other locations: Beverly Hills. Los Angeles. San Francisco. Newport Beach. Atlanta. Honolulu. Chicago. 11/26 BAD MANNERS Carpintería is located 12 miles south of Santa Barbara. Exit Hwy 101 Las Vegas (Mirage and Golden Nugget Hotels) and Tyson s Corner. VA. Coming soon: Scottsdale. AZ. St. Louis. TICKET INFO: 685-5901 at Casitas Pass Road & follow signs to free parking. Quick shuttle to festival $1 for adults, kids & seniors free. Festival admission is free. ncore 7 A

CONCERT SERIES ALLMAN BROTHERS

& ______Jean-Luc Godard’s "Soft and Hard" is one of the many video art works on display at the University Art Museum until October 20. NEXT SPECIAL GUEST LITTLE SATURDAY! The Art of UCSB LITTLE FEAT FEAT OCT 12 Hiro Fukawa lays down a orphic as the tide seems to SAT/«PM Faculty Work, powerful sculpture made up suggest. SANTA BARBARA BOWL of long copper-bronze For those of you weirdos Video Art on channels in which rotting at all curious about explor­ Display at fish frolic to an undeter­ ing artistic consciousness in mined destination. Some­ positively non-narrative, M useum thing akin to student life. abstract methods, the Inter­ Drawing teacher Gary national Video Art Exhibi­ lour, yeast malt, Brown’s monotypes are tion, “Eye For I: Video Self salt, butter, eggs, sensitive, loose depictions Portraits,” is a must see. poppy seed and of bodily moments that Raymond Bellour curates aluminum meld to seem to have cascaded onto this extensive collection of formF what looks like a the page. His simplicity of self-portraits, which in­ grave, monochromatic, cu­ medium and dark strokes cludes videos by New Wave linary mishap in Sheldon effortlessly recall the doleful French director Jean-Luc Kaganoff s new work, “We moment of creation. Godard, performance artist do not live on bread alone.” Another emotive, and Bill Viola and others. ON SALE The piece is one of our even startling, encounter Filmmakers may watch NOW! first encounters as we enter can be found at Kathleen Jean-Luc Goddard fill his the UCSB Art Studio Fa­ Schimerfs “Woman in the white screen with filmic im­ culty Exhibition. In the landscape” series, as she agery as he chain smokes, in OCT 19 tradition of pop art’s reinvents Ophelia’s death in “Scenario du Film Passion.” SAT/7PM namby-pamby edibles, Ka- “Ophelia.” Video images of Suffering Van Gothian lon­ SANTA BARBARA BOWL ganoffs work acts to throw Ophelia’s floating corpse ers can rejoice with Gary our senses into an a priori against lush green forest Hill as he torments himself pandemonium. He com­ landscape the classic death in front of his camcorder, bines the organic textural for the TV generation with then Pier Marten’s “Hope appeal of something yummy uncanny effectiveness. You Croak Before Me” for (bread-almost), dements its Irma Cavats triptych, real video masochism. shape into intestinal-like “Seed,” “Self’ and “Soul” The show runs through configurations and colors it isolates three objects re­ Oct. 20, not the 30th as orig­ blue or aluminum. spectively, center-canvas, inally announced. There is KaganofPs piece is one of and lets them swim in their lots to see, so cruise over many varied, and fascinat­ own ethereal color fields. there early. ing installations at the The effect is clever, visually show. Visiting Professor pleasurable, but not as —Christian Lincoln O N SALE RODRIGUEZ: a.k.a Paul NOW! Continued from p.6A gang in the valley called the less to say, crime is in the D00BIE BROTHERS Mickey Mouse Club. I’m go­ news. I think everybody is OCT 90 ENCORE: You had a ing to interview the Bloods basically frustrated, every­ SUN/3PM show on the major Ameri­ and the Crips, and you’ll see body has been touched by SANTA BARBARA BOWL can networks before your it Nov. 17th on Fox. crime. show on Univision. Was it ENCORE: So what are ENCORE: Do you have any different to work with you trying to do with that any feature films in the Universal than it was with theme? works? the Univision network? Rodriguez: I like Geraldo Rodriguez: As a matter of Rodriguez: Norman Lear (Rivera), or all these other feet, yesterday I went to read has just seen me at the com­ people who have had gang on a movie with Kevin Cost­ REBA edy store, and literally, I had shows before. But they al­ ner, called The Bodyguard, been in the business about ways just invite them to and they want to see me six months. Basically, he their set. I want to go right to again on Wednesday. just gave me my own show, their environment. I’ve ENCORE: Did you have McENTIRE and from there, well... I’ve been seeing some very dis­ any involvement with (the had four prime-time series turbing things, and I don’t recent Edward James Ol- WITH SPECIAL GUEST now that have all gone into have an answer— this is not mos project American Me? the toilet. There’s no trying a show that says “here’s Rodriguez: No ... I know AARON ON SALE to understand what works, what we’ve got to do with Eddie really well, and I was NOW! and what doesn’t work; be­ the kids.” I’m basically go­ down there a couple of TIPPIN cause, on the other hand, I ing to go in there, turn on times on the set. I personally just had a special for Fox the cameras, and see what think it’s something the La­ NOV 2 (“Paul Rodriguez: Behind happens. tino community is going to ENCORE: Why did you SAT/3PM Bars”) that went through bust his balls on, but I wish SANTA BARBARA BOWL the roof, and got a 21 share choose to tape your “Be­ Eddie well. across the countiy. Now hind Bars” special at San ENCORE: What’s your I’ve got a contract with Fox Quentin? show in Santa Barbara go­ to produce three more: I’ve Rodriguez: I was looking ing to be about? got one called “Compton, for a unique place to do the Rodriguez: I’m going to Tickets available at all outlets including The Compact Disc and Tape show; I figured death row, Stoie (Goleta), and Momlnglory Music (L.V.). Tickets also available at the Arlington _ _ 90250,” I’m doing one do standup. Thaf s my bread Theatre and Santa Barbara Bowl box offices. To charge by phone call (805)583-8700. “Back At The Alamo,” and maximum security, would and butter, man. Come and Santa Baibara Concert line: (805) 964-1999. ▼ e the one that I’m working on be something. I figured, if check it out. now is called “City of you can make those hein­ Gangs.” If s a docu-comedy; ous, desperate people Paul Rodriguez will be K T Y D ttw I’m going to go into the laugh, you’ve got some­ performing in Campbell hardcore gang areas, I’m go­ thing. And America tuned Hall this Saturday night at ing to interview Asian gangs in. There’s something very 7:30. Call 893-3536 for ... there’s actually a white intriguing about, well, need­ more information.

Recycle Don’t Throw Away 8A

We need you BIG BAD FOLK out there! ! A.S. Program Board is looking for some more S e c u r it y &ta ff ... so if you enjoy throwing people out, throw yourself into our office and let’s gab. R I D

THURS., OCTOBER 3

C l a s s ic s 1 WITH ■ W m m j. - T v V > ' cell animation & live action ’ nine animators - one vision As • y ) ÉmÊ.. « I N00NEY0UKN0W 8 & 10:30 PM 9:30 PM & MID. OCT. OCT. 11 18

f!LM SERIES c T j o o o ^ s f t 0 v ^ 4? $ 1 TS S T v n series Gy $ 3 'SNT s ;n \ 3 * 9 & n e NOV. NOV. 02 ; \3 C S* * 4 1 ^ V 15^ 15 \\// 8 W A S Program Board & the UCSB Rowing Team presents. 8 & 10:30 PM 8 & 10:30 PM Comedian PAUL RODRIGUEZ shorts from S.B. and abroad the B eatles’ m usical adventure |Nerr and — Music <|> Far Animat on a t l-V. THEATER series tickets available at the A.S. Ticket Office CSB

□ □ ò \

General Admission S12, Students $8 Ticket* \»c> (’*i ÿttii’ Thumduu. Sept. 26 Tickets Available at: ■ H H Associated Student Ticket Office Recreation Fra lier «West or Rob Ciymi all Ticket.Master Locations Morninelorv Music - 1. V.. El.Polio Norteno -S. B.

To order bv phone: 893-2064 For information: 893-3536

ih e UCEN Kfx f l R I GALLERY IS OPEN!! € For info & applications m come to the AS Program Board Office on the 3rd, floor of the UCEN or ^ « o ' feV° ,<\ o ' ' „ v call 893-3536. ^>'V>^^O rca.t ;o< 893-3536 V*