Umberto Eco's Rhetoric of Communication and Signification Susan Mancino Duquesne University
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Survey of Semiotics Textbooks and Primers in the World
A hundred introductionsSign to semiotics, Systems Studies for a million 43(2/3), students 2015, 281–346 281 A hundred introductions to semiotics, for a million students: Survey of semiotics textbooks and primers in the world Kalevi Kull, Olga Bogdanova, Remo Gramigna, Ott Heinapuu, Eva Lepik, Kati Lindström, Riin Magnus, Rauno Thomas Moss, Maarja Ojamaa, Tanel Pern, Priit Põhjala, Katre Pärn, Kristi Raudmäe, Tiit Remm, Silvi Salupere, Ene-Reet Soovik, Renata Sõukand, Morten Tønnessen, Katre Väli Department of Semiotics University of Tartu Jakobi 2, 51014 Tartu, Estonia1 Kalevi Kull et al. Abstract. In order to estimate the current situation of teaching materials available in the fi eld of semiotics, we are providing a comparative overview and a worldwide bibliography of introductions and textbooks on general semiotics published within last 50 years, i.e. since the beginning of institutionalization of semiotics. In this category, we have found over 130 original books in 22 languages. Together with the translations of more than 20 of these titles, our bibliography includes publications in 32 languages. Comparing the authors, their theoretical backgrounds and the general frames of the discipline of semiotics in diff erent decades since the 1960s makes it possible to describe a number of predominant tendencies. In the extensive bibliography thus compiled we also include separate lists for existing lexicons and readers of semiotics as additional material not covered in the main discussion. Th e publication frequency of new titles is growing, with a certain depression having occurred in the 1980s. A leading role of French, Russian and Italian works is demonstrated. Keywords: history of semiotics, semiotics of education, literature on semiotics, teaching of semiotics 1 Correspondence should be sent to [email protected]. -
On the Monitor, Darkly. from Mediation to Media by Way of Reality 73
Siegener Periodicum zur Internationalen____ Empirischen______ Literaturwissenschaft Herausgegeben von Reinhold Viehoff (Halle/Saale) Gebhard Rusch (Siegen) Jg. 25 (2006), Heft 1 Peter Lang Internationaler Verlag der Wissenschaften SPIEL Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft SPIEL: Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft Jg. 25 (2006), Heft 1 Peter Lang Frankfurt am Main • Berlin • Bern • Bruxelles • New York • Oxford • Wien Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über <http://www.d-nb.de> abrufbar. ISSNISSN 2199-80780722-7833 © Peter Lang GmbH Internationaler Verlag der Wissenschaften Frankfurt am Main 2009 Alle Rechte Vorbehalten. Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. www.peterlang.de Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft SPIEL 25 (2006), H. 1 Mediale Wende - Ansprüche, Konzepte und Diskurse / Mediatic turn - Claims, Concepts, and Discourses hrsg. von / ed. by Theo Hug (Innsbruck) Die Heftbezeichnung SPIEL 25 (2006), H. 1 ist produktionstechnischen Gründen geschuldet und bezieht sich nicht auf das tatsächliche Erscheinungsjahr dieses Bandes, 2008. Dafür bittet die Redaktion um Verständnis. Das Heft wird zitiert: Theo Hug (Hg.), 2008: Mediale Wende - Ansprüche, Konzepte und Diskurse. Frankfurt/Main: Peter Lang. (= special issue SPIEL, 25 (2006), H. 1). Owing to technical reasons of production, the title SPIEL 25 (2006), H. 1 does not refer to the actual year of publication of this issue. The editorial team asks for the readers’ indulgence. -
Article-755-623839.Pdf
دوﻣﺎﻫﻨﺎﻣﺔ ﻋﻠﻤﻲ - ﭘﮋوﻫﺸﻲ 9د ، ش 1 (ﭘﻴﺎﭘﻲ 43 )، ﻓﺮوردﻳﻦ و اردﻳﺒﻬﺸﺖ 1397 ، ﺻﺺ 81 - 111 ﺗﺤﻠﻴﻞ ﻛﺎرﻛﺮد ﮔﻔﺘﻤﺎﻧﻲ ﻃﻨﺰ در ﺑﺎب اول ﮔﻠﺴﺘﺎن ﺳﻌﺪي؛ روﻳﻜﺮد ﻧﺸﺎﻧﻪ ﻣﻌﻨﺎﺷﻨﺎﺳﻲ ﻗﻬﺮﻣﺎن ﺷﻴﺮي1 ، ﻧﺠﻤﻪ ﻧﻈﺮي2 ، ﻧﻮﺷﻴﻦ ﺑﻬﺮاﻣﻲ ﭘﻮر3* 1 . اﺳﺘﺎد ﮔﺮوه زﺑﺎن و ادﺑﻴﺎت ﻓﺎرﺳﻲ داﻧﺸﮕﺎه ﺑﻮﻋﻠﻲ ﺳﻴﻨﺎ، ﻫﻤﺪان، اﻳﺮان 2 . اﺳﺘﺎدﻳﺎر ﮔﺮوه زﺑﺎن و ادﺑﻴﺎت ﻓﺎرﺳﻲ داﻧﺸﮕﺎه ﺑﻮﻋﻠﻲ ﺳﻴﻨﺎ ، ﻫﻤﺪان، اﻳﺮان 3 . داﻧﺸﺠﻮي دﻛﺘﺮي زﺑﺎن و ادﺑﻴﺎت ﻓﺎرﺳﻲ داﻧﺸﮕﺎه ﺑﻮﻋﻠﻲ ﺳﻴﻨﺎ ، ﻫﻤﺪان، اﻳﺮان درﻳﺎﻓﺖ: /4/24 96 ﭘﺬﻳﺮش: /8/6 96 96 ﭼﻜﻴﺪه ﻫﺪف اﻳﻦ ﻣﻘﺎﻟﻪ ﭘﻴﺎده ﺳﺎزي روش ﻧﺸﺎﻧﻪ ﻣﻌﻨﺎﺷﻨﺎﺳﻲ ﺑﺮاي دﺳﺘ ﻴﺎﺑﻲ ﺑﻪ اﻟﮕﻮ ﻳﺎ اﻟﮕﻮﻫﺎي ﺣﺎﻛﻢ ﺑﺮ ﻓﺮاﻳﻨﺪﻫﺎي ﻣﻌﻨﺎﻳ ﻲ ﻛﻨﺸﻲ و ﺗﻨﺸﻲ و ﻧﺸﺎن دادنِ ﺗﺄﺛﻴﺮ ﺟﺮﻳﺎن زﻳﺒﺎﻳﻲ ﺷﻨﺎﺧﺘﻲ ﺑﺮ ﻓﺮاﻳﻨﺪﻫﺎي ﻣﺬﻛﻮر در ﺑﺴﺘﺮ ﮔﻔﺘﻤﺎن ﻃﻨﺰ ﺑﺎب اول ﮔﻠﺴﺘﺎن ﺳﻌﺪي اﺳﺖ واز اﻳﻦ ﺟﻬﺖ، ﻧﺨﺴﺘﻴﻦ ﻛﻮﺷﺶ ﺑﻪ ﺷﻤﺎر ﻣﻲ آﻳﺪ. ﻣﻘﺼﻮد از ﻃﻨﺰ، ﺳﺨﻦ ﻣﻄﺎﻳﺒﻪ آﻣﻴﺰِ اﻧﺘﻘﺎدي اﺳﺖ ﻛﻪ ﺑ ﺎ ﻫﺪف اﺻﻼح اﺟﺘﻤﺎﻋﻲ و ﺑﻪ ﻛﻤﻚ ﺟﺮﻳﺎن زﻳﺒﺎﻳﻲ ﺷﻨﺎﺧﺘﻲ در ز ﺑﺎن ﺷﻜﻞ ﻣﻲ ﮔﻴﺮد و ﺑﺎ ﻫﺰل و ﻫﺠﻮ ﻓﺮق دارد. روش ﻧﺸﺎﻧﻪ ﻣﻌﻨﺎﺷﻨﺎﺳﻲ در ﭘﻲ ﺗﺠﺰﻳﻪ و ﺗﺤﻠﻴﻞ ﮔﻔﺘﻤﺎن ﺑﺮاي ﭘﻲ ﺑﺮدن ﺑﻪ ﺷﺮاﻳﻂ ﺗﻮﻟﻴﺪ و درﻳﺎﻓﺖ آن اﺳﺖ. ﻧﺸﺎﻧﻪ ﻣﻌﻨﺎﺷﻨﺎس ﺑﺎ ﻣﺠﻤﻮﻋﻪ اي ﻣﻌﻨﺎدار روﺑﻪ روﺳﺖ ﻛﻪ در ﻣﺮﺣﻠﺔ ﻧﺨﺴﺖ ﻓﺮﺿﻴﻪ ﻫﺎي ﻣﻌﻨﺎﻳﻲ و ﻧﻮع ارﺗﺒﺎط آن ﻫﺎ ﺑﺎ ﻳﻜﺪﻳﮕﺮ را در ﻧﻈ ﺮ ﻣﻲ ﮔﻴﺮد . ﺳﭙﺲ ، ﺑﻪ ﺟﺴﺖ وﺟﻮي ﺻﻮرت ﻫﺎﻳﻲ ﻛﻪ ﺑﺎ اﻳﻦ ﻓﺮﺿﻴﻪ ﻫﺎي ﻣﻌﻨﺎﻳﻲ ﻣﻄﺎﺑﻘﺖ دارﻧﺪ، ﻣﻲ ﭘﺮدازد ﺗﺎ اﺛﺒﺎت آن ﻓﺮﺿﻴﻪ ﻫﺎ ﻣﻴﺴﺮ ﺷﻮد. ﻓﺮﺿﻴﺔ ﭘﮋوﻫﺶ ﺣﺎﺿﺮ اﻳﻦ اﺳﺖ ﻛﻪ ﻓﺮاﻳﻨﺪ ﻣﻌﻨﺎﻳﻲ در ﮔﻔﺘﻤﺎن ﻃﻨﺰ ﻧﻈﺎم ﻛﻨﺸﻲ را ﺑﻪ ﺗﻨﺸﻲ ﺗﺒﺪﻳﻞ ﻣﻲ ﻛﻨﺪ و ﺑﺎ ﺑﺮﻗﺮاري ﺗﻌﺎﻣﻞ ﺑﻴﻦ اﺑﻌﺎد ﻓﺸﺎره اي (ﻋﺎﻃﻔﻲ، دروﻧﻲ) و ﮔﺴﺘﺮه اي (ﺷﻨﺎﺧﺘﻲ، ﺑﻴﺮوﻧﻲ) ﻓﻀﺎﻳﻲ ﺳﻴﺎل را ﻣﻲ آﻓﺮﻳﻨﺪ ﻛﻪ ﺧﻠﻖ ﻣﻌﻨﺎﻳﻲ ﺑﺪﻳﻊ را ﻣﻤﻜﻦ ﻣﻲ ﺳﺎزد. -
THE PHENOMENON of ABSURDITY in COMIC a Semiotic-Pragmatic Analysis of Tahilalats Comic
THE PHENOMENON OF ABSURDITY IN COMIC A Semiotic-Pragmatic Analysis of Tahilalats Comic Name: Muh. Zakky Al Masykuri Affiliation: Universitas Pendidikan Indonesia Abstract Code: ABS-ICOLLITE-20183 Introduction & Literature Review • Comics as a medium of communication to express attitudes, opinions or ideas. Comics have an extraordinary ability to adapt themselves used for various purposes (McCloud, 1993). • Tahilalats comic has the power to convey information in a popular manner, but it seems absurd to the readers. • Tahilalats comic have many signs which confused the readers, thus encouraging readers to think hard in finding the meaning conveyed. • The absurdity phenomenon portrayed in the Tahilalats comic is related to the philosophical concept of absurdity presented by Camus. • French absurde from Classical Latin absurdus, not to be heard of from ab-, intensive + surdus, dull, deaf, insensible [1]. • Absurd is the state or condition in which human beings exist in an irrational and meaningless universe and in which human life has no ultimate meaning [2]. • Absurd refers to the conflict between humans and their world (Camus, 1999). • Comics is sequential images, intended to convey information and/or to produce an aesthetic response in the viewer (McCloud, 1993). 1 YourDictionary. (n.d.). Absurd. In YourDictionary. Retrieved August 21, 2020, from https://www.yourdictionary.com/absurd 2 Merriam-Webster. (n.d.). Absurd. In Merriam-Webster.com dictionary. Retrieved August 21, 2020, from https://www.merriam- webster.com/dictionary/absurd • Everything in human life is seen as a sign and every sign has a meaning (Hoed, 2014). • Semiotics is defined as the study of objects, events, and all cultures as signs (Wahjuwibowo, 2020). -
Postmodern Narration in Umberto Eco's the Name of The
Shanlax International Journal of English 1 Umberto Eco, Italy‟s most celebrated philosopher, semiotician, literary critic, linguist and novelist, is widely acclaimed for many of his influential scholarly works. His novels The Name of the Rose, Foucault’s Pendulum, Baudolino, An Island of the Day Before, Mysterious Flame of Queen Loana, The Prague Cemetery have gained much adulation from his readers. His recent novel Numero Zero has also earned greater Dr. B. Kathiresan popularity. An exceptional narrative style imposed in these Associate Professor of English novels identifies them predominantly with postmodern Thiruvalluvar University literature. The Name of the Rose is a postmodern novel where Eco recites a fictious tale of Adso of Melk who inturn narrates S.Pushpanjali his past to the readers. Adso‟s story deals with William along Research Scholar, Thiruvalluvar University with his novice Adso, solving the mystery of seven bizarre deaths that occurs in the Benadictine Monastery where they come o n a mission to partake in a theological disputation. The postmodern narration in the novel harnesses temporal distortion and unreliable narration. Temporal distortion refers to a technique that the postmodern authors implement in their novels to convey the story. It includes employing features like fragmentation and non- linear narration. Fragmentation is the disarray of events whereas non-linear narration is the usage of distorted timeline in the portrayal of events. A novel, in general, usually incorporates a structure that assembles the compendium of information belonging to the story in an organized fashion. When this fabrication breaks, there is an interruption in the disposal of the events of the story, affecting the totality of meaning. -
Dialogism and Biosemiotics
Dialogism and biosemiotics AUGUSTO PONZIO The notions of ‘modeling’ and ‘interrelation’ play a pivotal role in Sebeok’s biosemiotics. In dialogue with Thomas A. Sebeok’s doctrine of signs, we propose to inquire into the action of modeling and interrelation in biosemiosis over the planet Earth, developing the concept of interrelation in terms of ‘dialogism’. Indeed, in the light of Sebeok’s biosemiotics we believe that the concept of dialogism may be extended beyond the sphere of anthroposemiosis and applied to all communication processes, which may be described as being grounded not only in the concept of modeling, but also in that of dialogism. And remembering that the concept of dialogue is fundamental in Charles S. Peirce’s thought system, we also propose that the approach we are formulating be viewed as an attempt at developing the Peircean matrix of biosemiotics. Modeling systems theory and global semiotics ‘Modeling’ and ‘interrelation’ among species-specific semioses over the entire planet Earth are two issues that Thomas A. Sebeok’s puts at the center of his ‘doctrine of signs’ — the expression he prefers to ‘science of signs’ or ‘theory of signs’. The present paper focuses on these two topics developing them in the light of our own personal perspective. The term ‘dialogism’ in the present paper designates a development with respect to the condition of interrelation in global semiosis, as described by Sebeok. In our opinion modeling and dialogism are the basis of all communication processes. Another pivotal topic in Sebeok’s ‘doctrine of signs’ is his belief that humans alone are capable of ‘semiotics’, that is, of consciousness, of what we may designate as ‘metasemiosis’, the capacity to suspend the immediacy of semiosic activity and deliberate. -
Roland Barthes in Camera Lucida, the Unfaithful Semiologist
Roland Barthes in Camera Lucida, the Unfaithful Semiologist 1 Leda Tenório da Motta 2 Rodrigo Fontanari Translated by Amanda Heeringa Abstract In Camera Lucida, Roland Barthes forms a critical reflection on photography. In this work, the semiotician, who denounces the myths of photography, becomes the poet of pungent images, becomes an invitation to the hard task of recognition for the unique richness which can be potentially eternalized in a photographic image. Here I sense another view towards the technical images, very different from the one which comes from the well-disposed tradition, with its rejection of the simulacra. In this sense, we play with the hypothesis that the theses in Camera Lucida would benefit if they had been conceived as a sui generis thought about the photographic sign. Keywords: Roland Barthes, photography, punctum, studium, aesthetics The lattermost work during the lifetime of Roland Barthes – critic and semiotician, one of the most important French philosophers during the twentieth century – Camera Lucida (1980) can be read as a “poem” or even a “poetic form of mourning”. Thus, it can be simply understood as something memorable (memorabilis). In other words, something worthy of being remembered. Using the subtitle “Note on 3 photography” – for “because it is a short book without any encyclopedical intentions” – Barthes indicates to the readers that in his pages they will find a theory (as theoría means “vision” in Greek) about photography elaborated by himself for thinking and reading this kind of technical image. In the very first lines of the text, the reader finds an introduction that recalls a romance. -
A Prologue to Charles Sanders Peirce's Theory of Signs
In Lieu of Saussure: A Prologue to Charles Sanders Peirce’s Theory of Signs E. San Juan, Jr. Language is as old as consciousness, language is practical consciousness that exists also for other men, and for that reason alone it really exists for me personally as well; language, like consciousness, only arises from the need, the necessity, of intercourse with other men. – Karl Marx, The German Ideology (1845-46) General principles are really operative in nature. Words [such as Patrick Henry’s on liberty] then do produce physical effects. It is madness to deny it. The very denial of it involves a belief in it. – C.S. Peirce, Harvard Lectures on Pragmatism (1903) The era of Saussure is dying, the epoch of Peirce is just struggling to be born. Although pragmatism has been experiencing a renaissance in philosophy in general in the last few decades, Charles Sanders Peirce, the “inventor” of this anti-Cartesian, scientific- realist method of clarifying meaning, still remains unacknowledged as a seminal genius, a polymath master-thinker. William James’s vulgarized version has overshadowed Peirce’s highly original theory of “pragmaticism” grounded on a singular conception of semiotics. Now recognized as more comprehensive and heuristically fertile than Saussure’s binary semiology (the foundation of post-structuralist textualisms) which Cold War politics endorsed and popularized, Peirce’s “semeiotics” (his preferred rubric) is bound to exert a profound revolutionary influence. Peirce’s triadic sign-theory operates within a critical- realist framework opposed to nominalism and relativist nihilism (Liszka 1996). I endeavor to outline here a general schema of Peirce’s semeiotics and initiate a hypothetical frame for interpreting Michael Ondaatje’s Anil’s’ Ghost, an exploratory or Copyright © 2012 by E. -
Augusto Ponzio: a Brief Note on the “Italian Bakhtin”
Marcel Danesi AUGUSTO PONZIO: A BRIEF NOTE ON THE “ITALIAN BAKHTIN” 1. Introduction The link between dialogue and knowledge was established in the ancient world by the great teachers and philosophers of that world, from China to the Middle East, from north to south, east to west. It is probably the oldest implicit principle in history of how we gain understanding, and its validity is evidenced by the fact that it is still part of education and most forms of philosophical inquiry in all parts of the world today. Studying what dialogue is, therefore, is no trivial matter, if indeed it constitutes a powerful format for the construction, discovery, and acquisition of knowledge. It was used by Socrates, after all, in the form of a question-and-answer exchange as a means for achieving self-knowledge. Socrates believed in the superiority of dialectic argument over writing, spending hours in the public places of Athens, and engaging in dialogue and argument with anyone who would listen. The so-called “Socratic method” is still as valid today as it was then, betraying the implicit view that it is only through the humility that comes through dialogue that it becomes possible to grasp truths about the world. Through dialogue, in fact, we come to understand our own ignorance, which entices us forward to investigate something further. There really is no other path to understanding than the dialogic one – so it would seem. The modern-day intellectual who certainly understood this like very few others of his era was the late Russian philosopher and literary scholar Mikhail Bakhtin (1895-1975). -
Accomplishing Identity in Participant-Denoting Discourse Stanton Wortham University of Pennsylvania, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarlyCommons@Penn University of Pennsylvania ScholarlyCommons GSE Publications Graduate School of Education January 2003 Accomplishing Identity in Participant-Denoting Discourse Stanton Wortham University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/gse_pubs Recommended Citation Wortham, S. (2003). Accomplishing Identity in Participant-Denoting Discourse. Retrieved from http://repository.upenn.edu/ gse_pubs/50 Published as Journal of Linguistic Anthropology, Volume 13, Issue 2, 2003, pages 189-210. © 2003 by the Regents of the University of California/ American Anthropological Association. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U.S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California/on behalf of the American Anthropological Association for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® on Caliber (http://caliber.ucpress.net/)/AnthroSource (http://www.anthrosource.net) or directly with the Copyright Clearance Center, (http://www.copyright.com ). This paper is posted at ScholarlyCommons. http://repository.upenn.edu/gse_pubs/50 For more information, please contact [email protected]. Accomplishing Identity in Participant-Denoting Discourse Abstract Individuals become socially identified when categories of identity are used repeatedly to characterize them. Speech that denotes participants and involves parallelism between descriptions of participants and the events that they enact in the event of speaking can be a powerful mechanism for accomplishing consistent social identification. -
{PDF} Elements of Semiology Ebook Free Download
ELEMENTS OF SEMIOLOGY PDF, EPUB, EBOOK Roland Barthes | 112 pages | 31 Dec 1997 | ATLANTIC BOOKS | 9780374521462 | English | Kent, United Kingdom Elements of Semiology PDF Book I would recommend something more simple like Sebeok, who writes about the same concepts but it's more accessible in terms of vocabulary and style. This is a matter of specifying the semes the elements that make up a signified associated with these colours, which are the signifiers. Barthes is a lucid thinker. These classifications are borrowed from structural linguistics, and consist of the categories of language and speech, signified and signifier, syntagm and system, and denotation and connotation Barthes, The division into categories is always a process of social construction. This general correlation itself is nevertheless arbitrary, however we may rationalize it. The sign-function therefore has probably an anthropological value, since it is the very unit where the relations of the technical and the significant are woven together. But perhaps we should here exchange the notion of cars as objects for that of cars as sociological facts; we would then find in the driving of cars the variations in usage of the object which usually make up the plane of speech. According to him, each plane comprises two strata: form and substance; we must insist on the new definition of these two terms, for each of them has a weighty lexical past. The following table shows the main semes that can be associated with each colour, in our opinion. Language is such a system. The yellow light is intermediate in two ways: It is intermediate in time being in the middle of the sequence, and we shall come back to this and of course, its meaning is intermediate. -
Umberto Eco on the Biosemiotics of Giorgio Prodi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Journals from University of Tartu 352 Kalevi Kull Sign Systems Studies 46(2/3), 2018, 352–364 Umberto Eco on the biosemiotics of Giorgio Prodi Kalevi Kull Department of Semiotics University of Tartu Jakobi 2, Tartu 51005, Estonia e-mail: [email protected] Abstract. The article provides a commentary on Umberto Eco’s text “Giorgio Prodi and the lower threshold of semiotics”. An annotated list of Prodi’s English-language publications on semiotics is included. Keywords: history of biosemiotics; lower semiotic threshold; medical semiotics Biology is pure natural semiotics. Prodi 1986b: 122 Is it by law or by nature that the image of Mickey Mouse reminds us of a mouse? Eco 1999: 339 “When I discovered the research of Giorgio Prodi on biosemiotics I was the person to publish his book that maybe I was not in total agreement with, but I found it was absolutely important to speak about those things”, Umberto Eco said during our conversation in Milan in 2012. Indeed, two books by Prodi – Orizzonti della genetica (Prodi 1979; series Espresso Strumenti) and La storia naturale della logica (Prodi 1982; series Studi Bompiani: Il campo semiotico) – appeared in series edited by Eco. Giorgio Prodi was a biologist whom Eco highly valued, an expert and an encyclopedia for him in the fields of biology and medicine, a scholar whose work in biosemiotics Eco took very seriously. Eco spoke about this in a talk from 1988 (Eco 2018), saying that he had been suspicious of semiotic approaches to cells until he met Prodi in 1974.