Reimagining the Story of Lu You and Tang Wan: Ge Gan-Ru's Wrong, Wrong, Wrong! and Hard, Hard, Hard!
REIMAGINING THE STORY OF LU YOU AND TANG WAN: GE GAN-RU'S WRONG, WRONG, WRONG! AND HARD, HARD, HARD! Yen-Lin Goh A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS December 2012 Committee: Robert Satterlee, Advisor Michael Arrigo Graduate Faculty Representative Thomas Rosenkranz Marilyn Shrude © 2012 Yen-Lin Goh All Rights Reserved iii ABSTRACT Robert Satterlee, Advisor In 2006, Ge Gan-ru wrote a melodrama Wrong, Wrong, Wrong! for Margaret Leng Tan. This melodrama, unlike any of his former works and any of the pre-existing contemporary repertoire for vocalizing pianist, is written for a performer self- accompanied by a toy orchestra. Wrong is based on ancient Chinese poet Lu You’s Phoenix Hairpin. This twelfth-century poem has as its subject the poet’s own tragic relationship with his cousin Tang Wan. The first stanza ends with the word cuo repeated three times, which is the Chinese word for “wrong,” hence the title of the melodrama. The author’s performance of Wrong, Wrong, Wrong! led to the commission of a sequel from Ge Gan-ru based on Tang Wan’s reply to Lu You’s poem. This companion piece, Hard, Hard, Hard!, uses a similar instrumentation: toy piano, toy harp, and toy glockenspiel, as well as other toys the author has collected. The document first takes a close look at the story of Lu You and Tang Wan, including a thorough analysis of their poems Phoenix Hairpin. The next two chapters contain biographical information about the composer Ge Gan-ru and about Margaret Leng Tan, the intended performer of Wrong.
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