Billboard Magazine

Total Page:16

File Type:pdf, Size:1020Kb

Billboard Magazine CHART BEAT Setting The Pace Ellie Goulding’s “Love Me Like You Do” continues to crown Billboard’s airplay charts, becoming her first No. 1 on Adult 29% 16% 28% Top 40 (see page 68). The Fifty Shades of Grey soundtrack hit leads THIS WEEK THIS WEEK THIS WEEK the Mainstream Top 40 tally for a third week and Dance/Mix Show Goulding Airplay for a fifth frame. It topped the all-format Radio Songs chart SILENTO’S “WATCH ME” JESS GLYNNE’S “HOLD MY DAVID GUETTA’S “HEY MAMA” dated May 2. The track’s success should provide solid momentum for SALES HAND” STREAMS AUDIENCE Goulding’s upcoming music. According to her parent label Interscope, 26,000 972,000 43.8 MILLION the British pop singer, 28, is in the studio with a new single expected for a fall release. —GARY TRUST MARKET WATCH A WEEKLY NATIONAL MUSIC SALES REPORT Weekly Unit Sales Zac Brown Band Lands ALBUMS DIGITAL DIGITAL ALBUMS* TRACKS This Week 4,224,000 1,827,000 18,626,000 First No. 1 Country Album Last Week 4,232,000 1,913,000 19,435,000 The group’s new set, Jekyll + Hyde, rules the Billboard 200 thanks Change -0.2% -4.5% -4.2% to chart-topping singles on both country and rock airplay charts This Week Last Year 4,379,000 1,914,000 21,920,000 Change -3.5% -4.5% -15.0% BY KEITH CAULFIELD *Digital album sales are also counted within album sales. Weekly Album Sales (Million Units) Rock tally, while “Homegrown” led Country 2015 Airplay for three weeks in April. Zac Brown 2014 15 Band is only the second act to ever reach No. 1 10 on both of those charts (following Bon Jovi). 5 4.2M Jekyll + Hyde is the fi rst country album to hit 0 No. 1 on the Billboard 200 since 2014, when Z J F M A M J J A S O N D J the chart housed a trio of country releases in YEAR-TO-DATE ZAC BROWN BAND COLLECTS ITS THIRD back-to-back-to-back weeks from Oct. 18 to Overall Unit Sales No. 1 on the Billboard 200 as its new album, Nov. 1, with Blake Shelton’s Bringing Back the Jekyll + Hyde, debuts atop the chart. The set, Sunshine, Jason Aldean’s Old Boots, New Dirt 2014 2015 CHANGE Albums 84,829,000 82,632,000 -2.6% ES which arrived April 28, sold 228,000 equivalent and Florida Georgia Line’s Anything Goes. (Of album units in the week ending May 3, accord- course, had Taylor Swift opted to make 1989 a Digital Tracks 423,988,000 378,951,000 -10.6% ing to Nielsen Music. country album, there would already have been Store Singles 840,000 1,350,000 60.7% Jekyll + Hyde marks the octet’s third straight a No. 1 country eff ort this year, as she ruled for Total 509,657,000 462,933,000 -9.2% full-length studio release to reach 11 nonconsecutive frames in 2014 Album w/TEA* 127,227,800 120,527,100 -5.3% *Includes track-equivalent album sales (TEA) with 10 track downloads equivalent to No. 1, following the chart-topping and 2015.) one album sale. debuts of Uncaged (in 2012) and Remarkably, Zac Brown Band You Get What You Give (2010). remains the only country group Album Sales The new set moved 214,000 in with more than three members to 2014 84.8 Million traditional album sales, marking lead the chart. The only other coun- 2015 82.6 Million the group’s second-largest sales try groups to hit No. 1 have all been frame (following the 234,000 sales duos or trios: Florida Georgia launch of Uncaged). Line, Sugarland, Rascal Flatts, Lady Sales by Album Format Also notable: The project is the act’s fi rst Antebellum and Dixie Chicks. On the other 2014 2015 CHANGE album after departing Atlantic Records for hand, it’s fairly common for pop-rock groups CD 43,913,000 39,989,000 -8.9% a new deal with Southern Ground, John to dominate the tally. Since the top of 2014 Digital 37,933,000 38,439,000 1.3% Varvatos Records, Big Machine Label Group there have been leaders from 5 Seconds of Vinyl 2,794,000 4,021,000 43.9% and Republic Records. The set’s singles both Summer, Tom Petty & The Heartbreakers, Other 189,000 184,000 -2.6% reached No. 1 on two diff erent format charts: Maroon 5, Slipknot, One Direction, Fall “Heavy Is the Head,” featuring Chris Cornell, is Out Boy and Imagine Dragons — all groups Sales by Album Category 2014 2015 CHANGE SPEARS: RCA. BROWN: SOUTHERN REEL. GOULDING: M. DAVID BENETT/GETTY IMAGES. SILENTO: MRHQFILMZ. GLYNNE: JASON MERRITT/GETTY IMAG GUETTA: GABRIEL OLSEN/GETTY IMAGES. CRANE: TRAVIS SCHNEIDER. MCKINNEY: DEWAYNE ROGERS. SUSPECT: SHERVIN LAINEZ spending its second week atop the Mainstream with at least four members. 0 Current 41,254,000 39,878,000 -3.3% Catalog 43,575,000 42,754,000 -1.9% Deep Catalog 35,644,000 35,470,000 -0.5% Current AlbumAlbum Sales REACHING HIGHER 2014 41.3 Million Brooklyn trio (by way of Cape Cod, 2015 39.9 Million Mass.) Highly Suspect bullets at No. 24 in its fourth week on Mainstream Rock with “Lydia” (up Catalog Album Sales 23 percent in plays). Johnny Stevens and twin brothers Ryan and Rich 2014 43.6 Million Meyer combine for the act’s anthemic 2015 42.8 Million but grungy mix. The song previews their debut album, Mister Asylum, Nielsen Music counts as current only sales within the first 18 months of an album’s release (12 months for classical and jazz albums). Titles that stay in the top half of the Billboard 200, due July 17 on Lyor Cohen’s 300 however, remain as current. Titles older than 18 months are catalog. Deep catalog is a subset of catalog for titles out more than 36 months. Entertainment label. —GARY TRUST, McKinney Highly Suspect For week ending May 3, 2015. Figures are rounded. Compiled from a national KEITH CAULFIELD and EMILY WHITE sample of retail store and rack sales reports collected by Nielsen Music. MAY 16, 2015 | WWW.BILLBOARD.COM 59.
Recommended publications
  • Strange Case of Dr. Jekyll and Mr. Hyde
    Rodrigo Silva Guedes Secular Readings of Good and Evil in R. L. Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde Faculdade de Letras Universidade Federal de Minas Gerais Belo Horizonte 2007 Secular Readings of Good and Evil in R. L. Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde by Rodrigo Silva Guedes Submitted to the Programa de Pós-Graduação em Le- tras: Estudos Literários in partial fulfilment of the requi- rements for the degree of Mestre em Letras: Estudos Li- terários. Area: Literatures in English Thesis Advisor: Prof. Julio Cesar Jeha, PhD Faculdade de Letras Universidade Federal de Minas Gerais Belo Horizonte 2007 To my family Guedes i Acknowledgements This work is the result of the encouragement and support of many people. First, I would like to express my gratitude to my advisor, Julio Jeha, whose excellence and guidance were fundamental from beginning to end in the Masters programme. I would also like to thank Professor Sandra Goulart Almeida, with whom I have had the privilege of learning. My appreciation also goes to my classmates and colleagues, whose comments helped me enormously – Fátima, Eliza, Newton, and Erika. I would like to say many thanks to my parents, Lucia and Kleber, as well as to my brother Thiago. Their participation in this process could not have been better. I hope I have made them proud. Thanks to my grannies, Ina (in memoriam) and Lília, for the inspiration and the example to be truthful and hardworking; to my grandpas Raul (in memoriam) and Walter; my uncle Walter and my cousin Thaísa; thanks are due to Édil and Flávia, for the friendship and assistance; to Kate for caring and motivating me; to Myla, Lidiane, and Soha for believing in me, too; and finally to all my friends whose wisdom helped me come out of this endeavour with a feeling of accomplishment and an ever greater passion for art.
    [Show full text]
  • Announcing John Driskell Hopkins Pop
    PRESS RELEASE For immediate release: July 14, 2020 Roswell Arts Fund announces physically distant but social Pop Up Performance featuring the John Driskell Hopkins Band (of Zac Brown Band), with special guests Mike Rizzi & Friends Roswell Arts Fund (RAF) is proud to present John Driskell Hopkins Band with Special Guests Mike Rizzi & Friends on Saturday, August 15th (rain date August 22nd) in the Connexion Shopping Center Lot in front of From the Earth Brewing Company at 1570 Holcomb Bridge Road, Roswell GA 30076. Parking and seat assignment will begin at 7:00 pm, concert will start at 8:00 pm. This is the third event in RAF’s 2020 Pop-Up Performance Series. For Tickets, visit: http://www.freshtix.com/events/raf-john-driskell-hopkins-band What will the audience experience look like? In order to create a safe and fun community event for artists and audiences, Roswell Arts Fund and From the Earth Brewing Company are reimagining how to produce concerts as physically distanced but still social live events in parking lots. Parking lot spaces will be used as box seats. Each parking space (or “box”) will be assigned to a ticketholder for a maximum of 4 guests per party. Patrons will park and then visit the ticket booth to be assigned their box in their respective ticket section. Guests are welcome to bring lawn chairs or picnic blankets within their seating area. Physical distancing will be enforced with 6 feet between other parties of concert-goers at all times. Face coverings will be required. From The Earth Brewing Company will have food and beverage will be available for purchase throughout the concert.
    [Show full text]
  • Proud Passionate Uncaged
    12_bottle Wooden Display BOX ZB10001 – 1 per pack (22”w x 8”h x 12”d) 2_SIDED CASE card ZB10205 – 5 per per pack RECIPE NECK HANGERS Boursin-Stuffed Filet ZB10525 – 25 per pack Uncaged Pasta ZB13025 – 25 per pack foil cutter ZB10710 – 10 per pack U NCAGED Wine Key ZB11012 – 12 per pack SAVINGS on Z. Alexander Brown wine The owl is a guardian of the vine, Available On Demand Expires 1/31/2017 and myths say it is present when the $2 IRC on ZAB Wine WPR spirit is set free. Our winemaking $3 MIR on ZAB Wine WPR style is also UNCAGED in our $12 Progressive MIR on ZAB Wine WPR pursuit of creating wines that offer SAVINGS ON MEAT Available On Demand big and bold flavors, yet finish with Expires 1/31/2017 uncommon finesse. With each $2 IRC on Meat WPR $2 IRC on Meat NWPR vintage there is a pure connection to $3 MIR on Meat the land that I’m proud to share Varietal NeckerS every time a bottle is opened. Cabernet Sauvignon ZB10325 – 25 per pack Proprietary Red Blend ZB10425 – 25 per pack P RO U D Demo Kits Zac Brown, proprietor Includes Consumer Booklet, Wine Key, Foil Cutter, 32 Wine Charms PASSIONATE ZB11101 – 1 per pack Consumer take away booklet ZB10925 – 25 per pack UNCAGED John Killebrew, winemaker Sell Sheet ZB10125 – 25 per pack U NCAGED Z. Alexander Brown is a full-bodied, bold North Coast wine with uncommon finesse that offers a boundless, “uncaged” style and image rooted in a pure connection to the land.
    [Show full text]
  • 20 RIDE 2021 Song List
    20 RIDE 2021 Song List NUTHIN BUT ZAC MORE THAN ZAC Keep Me In Mind Sweet Emotion - Aerosmith As She's Walking Away Margaritaville - Jimmy Buffett Goodbye In Her Eyes Devil Went Down to Georgia - Charlie Daniels Let It Go All My Rowdy Friends - Hank Williams Jr. Sic 'em on a Chicken Can't You See - Marshall Tucker The Wind God Bless the USA- Lee Greenwood I Play the Road Can I Change My Mind - Tyrone Davis No Hurry Lowdown - Boz Scaggs Natural Disaster Crazy Girl - Eli Young Band Uncaged House Is A Rockin' - Stevie Ray Vaughan Whatever It Is Pride & Joy - Stevie Ray Vaughan Hwy 20 Ride Long Train - The Doobie Brothers Jump Right In Listen to the Music - The Doobie Brothers Island Song Crossroad Blues - Eric Clapton Settle Me Down Tore Down - Eric Clapton Who Knows My Kinda Party - Jason Aldean Toes Domino - Van Morrison Where the Boat Leaves From Sharp Dressed Man - ZZ Top Knee Deep Your Love - The Outfield Whiskey's Gone Brown Eyed Girl - Van Morrison Free I Know A Little - Lynyrd Skynyrd Colder Weather Little Wing - Jimi Hendrix Chicken Fried Shook Me All Night Long - AC/DC Jolene Life in the Fast Lane -The Eagles Make this Day Swingin' -John Anderson Different Kind of Fine Sweet Child O'Mine - Guns n Roses Overnight Cold Shot - Stevie Ray Vaughan Sweet Annie Drift Away - Dobie Grey Sweet Carolina One Way Out - Allman Brothers Wildfire Feelin' Alright - Joe Cocker Roots I Shot the Sheriff - Bob Marley Overnight Into the Mystic - Van Morrison Tomorrow Never Comes The Joker - Steve Miller Band All Alright Sweet Home Alabama - Lynyrd Skynyrd Dirt Road Anthem - Jason Aldean Wonderful Tonight - Eric Clapton Folsom Prison Blues - Johnny Cash Guitars Cadillacs - Dwight Yoakam Breakdown - Tom Petty Liza Jane - Vince Gill Shaky Ground - Delbert McClinton Crossroads - Cream Cruise - Florida Georgia Line Cumbersome - 7 Mary 3 Dixieland Delight - Alabama 2021 SONG LIST Page 1 of 2 MORE THAN ZAC cont.
    [Show full text]
  • Austin​ ​City​ ​Limits​ ​Presents​ ​A​ ​Career-Spanning​ ​Hour
    Austin City Limits Presents a Career-Spanning Hour with Grammy ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Award-winning Zac Brown Band ​ ​ ​ ​ ​ ​ New Episode Premieres October 21 on PBS ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Austin, TX—October 19, 2017—Austin City Limits (ACL) presents a heartwarming hour with ​ Southern country-rock act Zac Brown Band. The multi-platinum, three-time Grammy ​ ​ Award-winning group make their series debut with a career-spanning performance premiering Saturday, October 21 at 9pm ET/8pm CT as part of ACL’s Season 43. The program airs ​ weekly on PBS stations nationwide (check local listings for times) and full episodes are made ​ ​ available online for a limited time at pbs.org/austincitylimits immediately following the initial ​ broadcast. Viewers can visit acltv.com for news regarding future tapings, episode schedules and ​ select live stream updates. The show's official hashtag is #acltv. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​ The acclaimed Atlanta octet showcase career highlights alongside new songs in a spirited, 11-song triumph. The country-rockers claimed Best New Artist at the 2010 Grammy Awards with their breakthrough release, The Foundation (now five-times platinum) and today are one of ​ music’s biggest live acts. “We’re super-proud to be on the ACL stage,” says bandleader Zac Brown as he welcomes the crowd to pull up a seat at the “Family Table,” a gem from the band’s latest release Welcome Home. Brown shares the heartfelt stories behind many of their songs ​ ​ including the chart-topping ballad “Colder Weather” and
    [Show full text]
  • You've Seen the Movie, Now Play The
    “YOU’VE SEEN THE MOVIE, NOW PLAY THE VIDEO GAME”: RECODING THE CINEMATIC IN DIGITAL MEDIA AND VIRTUAL CULTURE Stefan Hall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Committee: Ronald Shields, Advisor Margaret M. Yacobucci Graduate Faculty Representative Donald Callen Lisa Alexander © 2011 Stefan Hall All Rights Reserved iii ABSTRACT Ronald Shields, Advisor Although seen as an emergent area of study, the history of video games shows that the medium has had a longevity that speaks to its status as a major cultural force, not only within American society but also globally. Much of video game production has been influenced by cinema, and perhaps nowhere is this seen more directly than in the topic of games based on movies. Functioning as franchise expansion, spaces for play, and story development, film-to-game translations have been a significant component of video game titles since the early days of the medium. As the technological possibilities of hardware development continued in both the film and video game industries, issues of media convergence and divergence between film and video games have grown in importance. This dissertation looks at the ways that this connection was established and has changed by looking at the relationship between film and video games in terms of economics, aesthetics, and narrative. Beginning in the 1970s, or roughly at the time of the second generation of home gaming consoles, and continuing to the release of the most recent consoles in 2005, it traces major areas of intersection between films and video games by identifying key titles and companies to consider both how and why the prevalence of video games has happened and continues to grow in power.
    [Show full text]
  • Copyright by Craig Dwight Hillis 2011
    Copyright by Craig Dwight Hillis 2011 The Dissertation Committee for Craig Dwight Hillis Certifies that this is the approved version of the following dissertation: The Austin Music Scene in the 1970s: Songs and Songwriters Committee: __________________________________ Mark C. Smith, Supervisor __________________________________ Douglas E. Foley __________________________________ Karl H. Miller __________________________________ Kevin Mooney __________________________________ Jeffery L. Meikle __________________________________ William M. Stott The Austin Music Scene in the 1970s: Songs and Songwriters by Craig Dwight Hillis, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas At Austin August, 2011 Dedication In memory of David Norman Hillis ~ Brother Valerie Ann Hillis ~ Mother Dwight Norman Hillis ~ Father Acknowledgements This project began roughly twenty years ago when I visited the American Studies Department to inquire about their graduate program. I'd been rooting around the History Department where, at age forty-one and only twenty years behind schedule, I'd finished my undergraduate degree. I had the academic bug and I wanted to move on to graduate school. Professor David Montejano was kind enough to let me sit in on one of his graduate courses to allow me to get a feel for what graduate work involved. As the seminar wound down, he suggested that I check out the AMS program on the third floor of Garrison Hall. I looked through the courses the department had been offering over the last few semesters and after noticing subjects like film history, jazz, a large collection of topics in popular culture, and seminars dealing with drugs, alcohol, and the beat generation, I knew I'd found a new home.
    [Show full text]
  • Take Note KSU Program Helps Grow Georgia's Music Business
    LESSONS LEARNED FINE ARTS Some of the best Virginia Hepner knowledge comes not combines business from schools, but from acumen with the arts experience. STRATEGIES community. HARVEY MACKAY IDEAS FOR GROWING BUSINESS EXECUTIVE PROFILE 27A 28A March 1-7, 2013 Page 25A LESSONS LEARNED FINE ARTS Some of the best Virginia Hepner knowledge comes not combines business fromLESSONS schools, but LEARNED from acumen withFINE the artsARTS Someexperience. of the best community.Virginia Hepner knowledge comes not combines business from schools, but from STRATEGIES acumen with the arts experience.HARVEY MACKAY IDEAS FOR GROWING BUSINESS EXECUTIVE community.PROFILE 27A 28A March 1-7, 2013 STRATEGIES Page 25A HARVEY MACKAY IDEAS FOR GROWING BUSINESS EXECUTIVE PROFILE 27A 28A MarchMARCH 1-7, 2013 1-7, 2013 Page 25A JOANN VITELLI JOANN Resident musician: John Driskell Hopkins, bassist and songwriter for Zac Brown Band, is the first Artist in Residence at Kennesaw State University’s Joel A. Katz Music and Entertainment Business Program. Hopkins recently lectured and met with students, all of whom are interested in getting into the business side of the VITELLI JOANN music and entertainmentResident industries.musician: Georgia’s John music Driskell business Hopkins, supported nearlybassist 20,000 and jobs songwriter in fiscal year 2012. for Zac Brown Band, is the first Artist in Residence at Kennesaw State University’s Joel A. Katz Music and Entertainment Business Program. Hopkins recently lectured and met with students, all of whom are interested in getting into the business side of the music and entertainment industries. Georgia’s music business supported nearly 20,000 jobs in fiscal year 2012.
    [Show full text]
  • Artist-Fan Engagement Model
    ARTIST-FAN ENGAGEMENT MODEL: IMPLICATIONS FOR MUSIC CONSUMPTION AND THE MUSIC INDUSTRY by SARITA M. STEWART SHUHUA ZHOU, COMMITTEE CHAIR KIMBERLY BISSELL KARLA GOWER EYUN-JUNG KI ARTHUR ALLAWAY A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Communication & Information Sciences in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2013 Copyright Sarita Martin Stewart 2013 ALL RIGHTS RESERVED ABSTRACT The Artist-Fan Engagement Model was developed to help explain the various factors present within the music artist-fan relationship. Its premise is based on the simple consumptive action of listening to an artist’s music. The model contains two key constructs, the first being the individual’s “Response To Artist,” which is explained using an expanded construct of parasocial interaction theory (e.g., Identification, Affinity, Similarity, and Imitation). A second “Response To Music” variable is comprised of four different music responses (e.g., Emotional, Sensorial, Imaginal, and Analytical) key in hedonic consumption. The influence of these two variables on “Engagement” was assessed. This was followed by an examination of how “Engagement” influences “Recorded Music Access” (e.g., broadcast, unpaid downloads, free streaming) and “Recorded Music Ownership” (e.g., paid subscription, paid downloads, and physical products). The study’s hypotheses and research questions were tested using an anonymous online survey. A total of 1,576 participants accessed the survey, with 940 respondents evaluating 806 individual song titles by 568 music artists. Structural Equation Modeling was the methodology used to analyze the collected survey data, which is in keeping with previous music oriented consumer behavior studies.
    [Show full text]
  • Super Bowl Li Pregame Festivities to Feature Headliner Zac Brown Band, with Fitz and the Tantrums
    FOR IMMEDIATE RELEASE 2/3/17 SUPER BOWL LI PREGAME FESTIVITIES TO FEATURE HEADLINER ZAC BROWN BAND, WITH FITZ AND THE TANTRUMS Three-time Grammy Award-winning artists ZAC BROWN BAND will headline Super Bowl LI pregame festivities at NRG Stadium in Houston on Sunday, February 5, the NFL announced today. Indie-pop group FITZ AND THE TANTRUMS will kick off the NFL Tailgate Party before turning over the floor to Zac Brown Band, and both performances will be televised live on the FOX NFL Sunday Pregame Show. Zac Brown Band will perform “My Old Man,” the first single from their upcoming album ‘WELCOME HOME’ (Southern Ground / Elektra Records). Their concert at the NFL Tailgate Party sets the stage for the group’s 2017 North American concert tour, which begins on May 12, the same day ‘WELCOME HOME’ is released. Zac Brown Band's previous album ‘JEKYLL + HYDE’ marked the band's third consecutive #1 debut on the Billboard 200 chart and became platinum-certified. Together with their four platinum-selling albums, ‘JEKYLL + HYDE,’ ‘Uncaged,' 'You Get What You Give,’ and ‘The Foundation,’ and their 2013 project ‘The Grohl Sessions Vol. 1,’ Zac Brown Band has sold more than eight million albums to date. They have earned a historic series of fifteen #1 hit radio singles and became only the second artist to top both the country and active rock formats. Los Angeles-based Fitz and the Tantrums have quickly grown into bonafide hit makers. Their latest album – ‘Fitz and the Tantrums’ – features the RIAA-certified Gold single “HandClap,” which is currently climbing the Top 40 charts after already reaching Top 5 status on both the Hot AC and Alternative Radio charts.
    [Show full text]
  • The Recording Academy® to Honor Three-Time Grammy Winners Zac Brown Band and Reps
    ® The Recording Academy 3030 Olympic Blvd., Santa Monica, CA 90404 www.grammy.com THE RECORDING ACADEMY® TO HONOR THREE-TIME GRAMMY WINNERS ZAC BROWN BAND AND REPS. JOSEPH CROWLEY, THOMAS J. ROONEY AT GRAMMYS ON THE HILL® AWARDS ON APRIL 13 More Than 200 Music Creators to Lobby on Capitol Hill During Advocacy Day on April 14 WASHINGTON, D.C. (March 29, 2016) — Representatives of the worlds of music and politics will come together at The Recording Academy®'s 2016 GRAMMYs on the Hill® Awards to honor three-time GRAMMY® winners Zac Brown Band, who will receive the Recording Artists' Coalition® Award for their musical achievements and commitment to philanthropic causes, including Zac Brown’s Camp Southern Ground, the Boot Campaign, City of Hope, MusiCares, and the USO. And the Recording Academy will honor Reps. Joseph Crowley (D-N.Y.), , and Thomas J. Rooney (R-Fla.), co-sponsors of the Allocation For Music Producers Act (H.R. 1457), also known as the AMP Act, a bill that would streamline how producers receive performance royalties. Both legislators are being recognized for their support and understanding of vital issues impacting music creators. Known as "Washington's most interesting mix of music and politics," the awards presentation takes place on Wednesday, April 13 at the Hamilton Live in Washington D.C., and will feature unique live performances and musical surprises. The sold-out celebration will begin with a cocktail reception and dinner, followed by the awards presentation. Attending is a who’s who of music luminaries, including
    [Show full text]
  • Reimagining the Story of Lu You and Tang Wan: Ge Gan-Ru's Wrong, Wrong, Wrong! and Hard, Hard, Hard!
    REIMAGINING THE STORY OF LU YOU AND TANG WAN: GE GAN-RU'S WRONG, WRONG, WRONG! AND HARD, HARD, HARD! Yen-Lin Goh A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS December 2012 Committee: Robert Satterlee, Advisor Michael Arrigo Graduate Faculty Representative Thomas Rosenkranz Marilyn Shrude © 2012 Yen-Lin Goh All Rights Reserved iii ABSTRACT Robert Satterlee, Advisor In 2006, Ge Gan-ru wrote a melodrama Wrong, Wrong, Wrong! for Margaret Leng Tan. This melodrama, unlike any of his former works and any of the pre-existing contemporary repertoire for vocalizing pianist, is written for a performer self- accompanied by a toy orchestra. Wrong is based on ancient Chinese poet Lu You’s Phoenix Hairpin. This twelfth-century poem has as its subject the poet’s own tragic relationship with his cousin Tang Wan. The first stanza ends with the word cuo repeated three times, which is the Chinese word for “wrong,” hence the title of the melodrama. The author’s performance of Wrong, Wrong, Wrong! led to the commission of a sequel from Ge Gan-ru based on Tang Wan’s reply to Lu You’s poem. This companion piece, Hard, Hard, Hard!, uses a similar instrumentation: toy piano, toy harp, and toy glockenspiel, as well as other toys the author has collected. The document first takes a close look at the story of Lu You and Tang Wan, including a thorough analysis of their poems Phoenix Hairpin. The next two chapters contain biographical information about the composer Ge Gan-ru and about Margaret Leng Tan, the intended performer of Wrong.
    [Show full text]