DOCSLIB.ORG

Max Martin's Complement Chorus

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Max Martin's Complement Chorus oops!... I did it again Max Martin’s Complement Chorus Megan Lavengood (The Graduate Center, City University of New York) Example 1a: Britney Spears, “Oops!… I Did It Again” Form .BD94A9BC!2AC1081D-: - - - •Most of these tracks are a compound AABA form 1DB 59BC9 3B97BC BC 59BC9 3B97BC BC 3CD!7B .B8:9 A99D7BC BC D97BC •Each A section consists of a verse, prechorus, and chorus •The B section is the bridge. •The complement chorus is always introduced in the third A section, ' ' Example 1b: Backstreet Boys, “It’s Gotta Be You” after the bridge of the song (see Example 1a and 1b). .68::.BI 10B6.:5BG •The cumulative chorus enters after the complement chorus is 1AB - - - introduced. •Sometimes a repetition of the regular chorus separates the complement 3 76: 76:9 4:: 3:8 BG 4:: 3:8B BG 3B 8BG .9: BC::A GG6:8B 2GB and cumulative choruses (see example 1a). ' ' ' Example 2 Songs Using Complement Chorus The Complement Chorus Britney Spears, “Oops!…I Did It Again” C©m G© C©m B B/D© E B E B G©7/B© ° # # j j The complement chorus… Chorus & # # œ ‰ j ‰ ‰ j ‰ j œ ‰ œ Month/ œ #œ œœ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ#œ Year of •uses the same harmony, orchestration, and lyrics as the chorus Oops! I did it a gain. I played with your heart, got lost in the game. Ooh ba-by ba-by Title Artist release Comments •introduces a new melodic line that contrasts rhythmically with the Complement #### j j Chorus ¢& Œ œ ‰ œ ‰Œ œ œœ œ œ œ œ œ œœ œ œ Œ œ œ œ œ œ œ œ œ chorus œ “It’s Gotta Be Oops! I did it a gain to your heart, got lost in this game ooh ba- by ba- by. Backstreet Boys Oct 1998 You” C©m G© C©m B B/D© E G© ° # # j j j j & # # œ ‰ j ‰ ‰ œ œ œ j j j œ ‰ œ ‰ “Don’t Wanna The Cumulative Chorus œ #œ œ œ œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ Backstreet Boys Oct 1998 oops! You think I'm in love, that I'm sent from a- bove. I'm not that in- no- cent. Lose You Now” # # j j j j Soon after the complement chorus is introduced, it is layered over the ¢ # # Œ ‰ j ‰Œ œ œ œ j j j ‰ ‰ “I Want It That Rhythms don’t contrast & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Backstreet Boys Apr 1999 regular chorus, creating a cumulative chorus. Oops! You think that I'm sent from a- bove. I'm not that in- no- cent. Way” as much “Don’t Want You The complement chorus uses rhythms that oppose the rhythmic profile of Backstreet Boys May 1999 Rhythms don’t contrast Back” the regular chorus, so that when they are layered, the cumulative chorus Example 3 has a quasi-contrapuntal hocket-like interplay between the two layers Backstreet Boys, “It’s Gotta Be You” “Oops! …I Did It Britney Spears Mar 2000 (see examples 2 and 3). B¨ Gm Am Dm B¨ Gm Am Dm Again” ° 4 Chorus &b4 Œ‰j œ œ œ ŒÓ œ œ œ œ œ ŒÓ œ œ œ ‰ j œ œ œ œœ œ œ œ œ œœ œ œ œ œ “It’s Gonna Be Only partial layering It's got- ta be you all the way. Got- ta be you ev - ery day. I *NSYNC Jun 2000 Me” in cumulative chorus Max Martin Complement 4 j j j Chorus ¢&b4 ÓŒ‰j œ œ œ ‰Œ œ Œ‰j œ œ œ œ ŒŒ‰j Only partial layering œ œ œ œ œ œ œ œ œ œ œ œ “I’ll Never Stop” *NSYNC Jun 2000 Max Martin is an extremely successful producer and songwriter. He It's got- ta be you all the way. You're all that I e - ver wan - ted It's in cumulative chorus currently has twenty-one #1 hits on the Hot 100 (only George Martin B¨ C F B¨ B¨ Gm A Dm has more). ° “Shape of My j j j Backstreet Boys Jul 2000 No cumulative chorus &b œ œ œ œ œ j ‰ j ™ j Heart” œ œ œ œ œ œ œ ˙ #œ œ Martin enjoyed particular success while writing for the Backstreet Boys, pro - mise you I will be true, yeah, it's on - ly you. “Get Another Uses different lyrics *NSYNC, and Britney Spears around the year 2000. Martin still j j Backstreet Boys Jul 2000 ¢&b j j ‰ j j Boyfriend” than chorus produces music today for other pop stars such as Katy Perry and Taylor œ œ œ œ œ œ œ œ œ œ œ ˙ #œ™ œ got- ta be you I will be true yeahœ it'sœ on- ly you. Only partial layering Swift. “Lucky” Britney Spears Aug 2000 in cumulative chorus Selected Bibliography “Stronger” Britney Spears Nov 2000 •Covach, John. “Form in Rock Music: A Primer.” In Engaging Music: Essays in Music Analysis, ed. Deborah Stein, 65–76. New York: Oxford University Press, 2005. •Marvin, William. “Simulating Counterpoint in Broadway Musicals: The Quodlibet as Compositional Procedure.” Paper presented at the joint meeting of SMT/AMS, Columbus, Ohio, October 31, 2002. •Osborn, Bradley. “Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music.” PhD diss., University of Washington, 2010. •Spicer, Mark. ‘‘(Ac)cumulative Form in Pop-Rock Music.’’ twentieth-century music 1/1 (2004): 29–64. •Summach, Jason. “Form in Top-20 Rock Music, 1955–89.” Ph.D. diss., Yale University, 2012. Britney Spears - "I'm Not a Girl, Not Yet a Woman" (2001). Descant, not complement chorus. F B¨ Gm C F B¨ j Chorus ° b4 Œ Ó Ó ‰ Œ Ó & 4 j œ œ œ œ œ œ œ œ œ ¿ I'mœ not a girl, not yet a wo - man.û Complement 4 j j j Chorus &b4 Ó ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ ‰ œ œ œ œ œ œ œ ¢ I'm not a girl, don't tell me what to be lieve. I'm just tryin' to find the Gm C Gm Dm Gm Dm ° b Ó Œ œ ‰ ≈ r œ Œ & œ œ œ œ™ œ œ œ œ œ œ œ œ All I need is time, a mo-ment that is mine, b œ Œ Œ œ œ ¢& œ œ œ œ œ œ œ œ œ œ œ ˙ wo - man in me, yeah. Oh, all I need is time that's mine E¨ B¨ C B¨/D C/E F ° &b œ œ ‰ j œ œ œ œ œ ˙ œ œ œ œ ˙ while I'm in be -œ tween. I'm not a girl. b j ‰ œ œ œ ¢& œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ while I'm in be - tween. I'm not a girl. *NSYNC - "Bye Bye Bye" (2000)—NOT by Max Martin. G©m F©m E # Chorus ° # # œ œ œ œ œ œ œ œ œ & # # ‰≈ œ œ œ œ œ œ œ œŒ œ œ œ œ œ œ œ œ œ œ œŒ Œ œ œ œ œ œ Don'tR wan-na be a fool for you, just a-no-ther play-er in your game for two. You may hate me but it Complement # ## œ œ œ œ œ œ Chorus & # # Ó œ œ œ Œ œ œ œ œ œ ‰ œ œ ¢ I don't wan-na be a fool in thisgame for two, J so I'm D©5 G©m F©m # # ° # ## œ œ œ œ œ œ œ œ œ≈ œ œ œ œ œ œ œ œŒ œ œ œ œ œ œ œ œ œ œ œŒ & œ J œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ain't no lie, ba-by bye bye bye. Don'tR real-ly wan-na make it tough, I just wan-na tell you that I've had e- nough. #### œ œ œ œ œ œ œ œ œ œ & #‹œ œ œ œ œ Ó Œ ¢ lea - ving you be- hind. I don't wan-na make it tough, but I've E D©5 ° # ## œ œ œ œ œ & # # Œ œ œ œ œ œ œ œ œ œ œ Might sound cra - zy but it ain't no lie, ba - by bye bye bye. # ## # œ œ œ & # œ ‰ œ œ ‹œ œ œ œ œ ¢ had e - nough, J and it ain't no lie, bye - bye. 2 *NSYNC - "No Strings Attached" (2000) - NOT by Max Martin B B/A Gma7 Asus ° ## Œ Œ j ‰ j ‰ & œ œ œ œ œ œ œ œ™ œ™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Ba-by you're not the on - ly one, ˙ you don't have to be a - fraid to fall in love. ## j Œ j Œ & œ™ œ œ œ œ œ œ œ™ œ œ œ œ œ ¢ If you take a chanceœ with me I'll be ev - ery - thingœ you B B/A Em7 Gma7 Asus # ° # ‰ ‰ Œ & j œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ Andœ I know that you've hurt in the past butœ if you want it here's my heart, ™ no strings at- tached.œ ## Œ Œ & œ œ œ œ œ œ w ˙™ ¢ need be - cause it's our desœ - ti - ny Backstreet Boys - "It's Gotta Be You" (1998) 3 B¨ Gm Am Dm B¨ Gm Am Dm ° b Œ ‰ Œ Ó œ Œ Ó œ ‰ & j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j It'sœ got-ta be you all the way.
Load more

Recommended publications
  • Walk of Shame / Walk of Love
    WALK OF SHAME / WALK OF LOVE POPULAR SONGS Fight For Your Right To Party – Beastie Boys Saw Her Standing There – The Beatles Twist and Shout – The Beatles Living on a Prayer – Bon Jovi Summer of 69 – Bryan Adams Sweet Child O Mine – Guns n Roses I Love Rock n Roll – Joan Jett Folsom Prison Blues – Johnny Cash Don’t Stop Believing – Journey Simple Man – Lynryd Skynrd Sweet Home Alabama – Lynryd Skynrd Let’s Get It On – Marvin Gaye Billie Jean – Michael Jackson Sweet Caroline – Neil Diamond Stand By Me – Otis Redding Honky Tonk Woman – Rolling Stones (I Can’t Get No) Satisfaction – Rolling Stones Paint it Black – Rolling Stones American Girl – Tom Petty Free Falling – Tom Petty Mary Jane’s Last Dance – Tom Petty Brown Eyed Girl – Van Morrison Blister in the Sun – Violent Femmes Play That Funky Music – Wild Cherry Bad Things – Jace Everett 90s SONGS 3am – Matchbox 20 500 Miles – The Proclaimers Absolutely (Story of a Girl) All Star – SmashMouth All The Small Things – Blink 182 Badfish – Sublime Basket Case – Green Day Breakfast at Tiffany’s – Deep Blue Something Bust a Move – Young MC Bye Bye Bye – N Sync Hey Jealousy – Gin Blossoms Inside Out – Even 6 I Want It That Way – Backstreet Boys Laid – James Last Kiss – Pearl Jam Let Her Cry – Hootie and the Blowfish Losing My Religion – R.E.M. My Own Worst Enemy – Lit Santeria - Sublime Save Tonight – Eagle Eye Cherry Semi Charmed Life – Third Eye Blind The Middle – Jimmy Eat World Under the Bridge – Red Hot Chili Peppers Waterfalls - TLC What I Got – Sublime What’s My Age Again? – Blink 182 What’s Up – 4 Non Blondes Wonderwall – Oasis You Oughta Know – Alanis Morrisette 2000s + Today SONGS Uptown Funk – Bruno Mars Closer – Chainsmokers Get Lucky – Daft Punk Cake By The Ocean – DNCE Don't Stop Now - Dua Lipa Shape Of You – Ed Sheeran Sugar, We’re Going Down – Fall Out Boy The Anthem – Good Charlotte I Love It – Icona Pop Can’t Stop The Feeling! – Justin Timberlake Timber – Kesha Mr.
    [Show full text]
  • Download || Editorial Board || Submission Guidelines || Current Issue || Recent Issues || Links & Books
    Genders OnLine Journal - "I Want It That Way": Teenybopper Music and the Girling of Boy Bands 1/16/12 11:22 PM Genders 35 2002 Copyright ©2002 Ann Kibbey. "I Want It That Way" Back to: Teenybopper Music and the Girling of Boy Bands by GAYLE WALD You are my fire The one desire Believe when I say I want it that way. - Backstreet Boys, "I Want It That Way" [1] Among recent trends in youth music culture, perhaps none has been so widely reviled as the rise of a new generation of manufactured "teenybopper" pop acts. Since the late 1990s, the phenomenal visibility and commercial success of performers such as Britney Spears, the Backstreet Boys, and 'N Sync has inspired anxious public hand-wringing about the shallowness of youth culture, the triumph of commerce over art, and the sacrifice of "depth" to surface and image. By May 2000, so ubiquitous were the jeremiads against teenybopper pop performers and their fans that Pulse, the glossy in-house magazine of Tower Records, would see fit to mock the popularity of Spears and 'N Sync even as it dutifully promoted their newest releases. Featuring a cover photo of a trio of differently outfitted "Britney" dolls alongside a headline reading "Sells Like Teen Spirit"--a pun on the title of the breakthrough megahit ("Smells Like Teen Spirit") by the defunct rock band Nirvana--Pulse coyly plotted the trajectory of a decade's-long decrescendo in popular music: from the promise of grunge, extinguished with the 1994 suicide of Nirvana lead singer Kurt Cobain, to the ascendancy of girl and boy performers with their own look-alike action figures.
    [Show full text]
  • Rca Records Releases New Britney Spears X Backstreet Boys Track
    RCA RECORDS RELEASES NEW BRITNEY SPEARS X BACKSTREET BOYS TRACK “MATCHES” TODAY! LISTEN HERE! NEW GLORY DELUXE EDITION AVAILABLE NOW AT DIGITAL SERVICE PROVIDERS FEATURING “MATCHES,” “SWIMMING IN THE STARS” & “MOOD RING (BY DEMAND)” LISTEN HERE! (December 11, 2020) – RCA Records releases a new Britney Spears X Backstreet Boys track “Matches” today (listen here). The Ian Kirkpatrick and Michael Wise produced track is featured on the new edition of Britney’s 2016 album, Glory, along with recently released songs “Swimming In The Stars” and “Mood Ring (By Demand).” Listen to the album here. The new deluxe edition comes on the heels of a series of fan activations to put the album back in the Top 10 at iTunes. Just last week, “Swimming In The Stars” was released along with the new limited edition deluxe vinyl of Glory which features the above new tracks as well as previously unreleased images. The vinyl is available here. “Swimming In The Stars” is also available for pre-order here as an exclusive vinyl for Urban Outfitters. ABOUT BRITNEY SPEARS Multi-platinum, Grammy Award-winning pop icon Britney Spears is one of the most successful and celebrated entertainers in pop history with nearly 150 million records worldwide. In the U.S. alone, she has sold more than 70 million albums, singles and songs, according to Nielsen Music. Born in Mississippi and raised in Louisiana, Spears became a household name as a teenager when she released her first single “…Baby One More Time,” a Billboard Hot 100 No. 1 smash and international hit that broke sales records with more than 20 million copies sold worldwide and is currently 14x Platinum in the U.S.
    [Show full text]
  • Mediated Music Makers. Constructing Author Images in Popular Music
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew.
    [Show full text]
  • Swedish Pop Mafia: How a Culturally Conservative Effort in the 1940S Backfired to Create the Greatest Engine of Pop Music in the World
    Swedish Pop Mafia: How a culturally conservative effort in the 1940s backfired to create the greatest engine of pop music in the world BY WHET MOSER • March 24, 2014 • At some point over the last 15 years—sometime, say, between the 1999 release of “I Want It That Way” by the Backstreet Boys and last year’s “Roar” by Katy Perry—it became an inescapable fact that if you want to understand American pop music, you pretty much have to understand Sweden. Songwriters and producers from Stockholm have buttressed the careers of Lady Gaga, Madonna, Usher, Avril Lavigne, Britney Spears, The Backstreet Boys, Pitbull, Taylor Swift, One Direction, Maroon 5, Kelly Clarkson, and any number of other artists you’ve probably listened to while dancing, shopping, making out, or waiting on hold over the past decade. (And it’s not just American pop music that has Scandinavian fingerprints all over it: When Azerbaijan won the Eurovision contest in a 2011 upset, they did it with a song written for them by two Swedes.) If Americans are aware of this phenomenon, it is probably because they’ve heard about the legendary Swedish producer and songwriter Max Martin. There are any number of ways to express Martin’s ubiquity, but here’s one: From 2010 to 2011, the pop idol Katy Perry spent an unprecedented 69 consecutive weeks in the Billboard top 10, surpassing the previous record-holder, the 1990s Swedish group Ace of Base, by four months. But the milestone was far more of a testament to Martin’s staying power than Perry’s: Not only did he help produce and write all but one of Perry’s record- breaking string of hits, but he began his career as a producer for Ace of Base.
    [Show full text]
  • Male Objectification, Boy Bands, and the Socialized Female Gaze Dorie Bailey Scripps College
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 Beefing Up the Beefcake: Male Objectification, Boy Bands, and the Socialized Female Gaze Dorie Bailey Scripps College Recommended Citation Bailey, Dorie, "Beefing Up the Beefcake: Male Objectification, Boy Bands, and the Socialized Female Gaze" (2016). Scripps Senior Theses. Paper 743. http://scholarship.claremont.edu/scripps_theses/743 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Beefing Up the Beefcake: Male Objectification, Boy Bands, and the Socialized Female Gaze By Dorie Bailey SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILMENT OF THE DEGREE OF BACHELOR OF ARTS Professor T. Kim-Trang Tran Professor Jonathan M. Hall “I enjoy gawking and admiring the architecture of the male form. Sue me. Women have spent centuries living in atmospheres in which female sexual desire was repressed, denied or self-suppressed, and the time has come to salivate over rippled abdominals, pulsing pecs and veiny forearms. Let's do it. Let's enjoy it while it lasts.” --Dodai Stewart, “Hollywood Men: It's No Longer About Your Acting, It's About Your Abs” December 11th, 2015 Bailey 2 Abstract: In the traditionally patriarchal Hollywood industry, the heterosexual man’s “male gaze,” as coined by feminist film theorist Laura Mulvey, is the dominant viewing model for cinematic audiences, leaving little room for a negotiated reading of how visual images are created, presented, and internalized by male and female audiences alike.
    [Show full text]
  • NOW That's What I Call Party Anthems – Label Copy CD1 01. Justin Bieber
    NOW That’s What I Call Party Anthems – Label Copy CD1 01. Justin Bieber - What Do You Mean? (Justin Bieber/Jason Boyd/Mason Levy) Published by Bieber Time Publishing/Universal Music (ASCAP)/Poo BZ Inc./BMG Publishing (ASCAP)//Mason Levy Productions/Artist Publishing Group West (ASCAP). Produced by MdL & Justin Bieber. 2015 Def Jam Recordings, a division of UMG Recordings, Inc. Licensed from Universal Music Licensing Division. 02. Mark Ronson feat. Bruno Mars - Uptown Funk (Mark Ronson/Jeff Bhasker/Bruno Mars/Philip Lawrence/Devon Gallaspy/Nicholaus Williams/Lonnie Simmons/Ronnie Wilson/Charles Wilson/Rudolph Taylor/Robert Wilson) Published by Imagem CV/Songs of Zelig (BMI)/Way Above Music/Sony ATV Songs LLC (BMI)/Mars Force Songs LLC (ASCAP)/ZZR Music LLC (ASCAP)/Sony/ATV Ballad/TIG7 Publishing (BMI)/TrinLanta Publishing (BMI)/ Sony ATV Songs LLC (BMI)/ Songs Of Zelig (BMI)/ Songs of Universal, Inc (BMI)/Tragic Magic (BMI)/ BMG Rights Management (ASCAP) adm. by Universal Music Publishing/BMG Rights Management (U.S.) LLC/Universal Music Corp/New Songs Administration Limited/Minder Music. Produced by Mark Ronson, Jeff Bhasker & Bruno Mars. 2014 Mark Ronson under exclusive licence to Sony Music Entertainment UK Limited. Licensed courtesy of Sony Music Entertainment UK Limited. 03. OMI - Cheerleader (Felix Jaehn Remix radio edit) (Omar Pasley/Clifton Dillon/Mark Bradford/Sly Dunbar/Ryan Robert Dillon) Published by Ultra International Music Publishing/Coco Plum Music Publishing. Produced by Clifton "Specialist" Dillon & Omar 'OMI" Pasley. 2014 Ultra Records, LLC under exclusive license to Columbia Records, a Division of Sony Music Entertainment. Licensed courtesy of Sony Music Entertainment UK Limited.
    [Show full text]
  • 24K/Doctors Order Song List
    24k/Doctors Order Song List 24k Magic-Bruno Mars 500 Miles (I'm Gonna Be)- The Proclaimers Addicted to Love-Robert Palmer Africa-Toto Ain't No Mountain High Enough-Marvin Gaye, Tammi Terrell Ain't Too Proud to Beg-The Temptations All I Do Is Win-DJ Khaled All of Me- John Legend All Shook Up- Elvis Presley All the Small Things- Blink 182 Always- Atlantic Starr Always and Forever- Heatwave And I Love Her- The Beatles At Last- Etta James Bang Bang-Jesie J., Ariana Grande Better Together- Jack Johnson Billie Jean-Michael Jackson Born This Way- Lady Gaga Born to Run- Bruce Springsteen Brick House- The Commodores Brown Eyed Girl-Van Morrison Build Me Up Buttercup- The Foundations Bust A Move- Young MC Cake By the Ocean-DNCE Call Me Maybe-Carly Rae Jepson Can't Help Falling in Love With You- Elvis Presley Can't Stop the Feeling-Justin Timberlake Can't Take My Eyes Off of You- Frankie Valli Careless Whisper- Wham! Chicken Fried-Zac Brown Band Clocks- Coldplay Closer- Chainsmokers Country Roads- John Denver Crazy Little Thing Called Love-Queen Crazy in Love-Beyonce Crazy Love- Van Morrison Dancing Queen-Abba Dancing in the Dark-Bruce Springsteen Dancing in The Moonlight- King Harvest Dancing in the Streets-Martha Reeves Despacito- Lois Fonsi Disco Inferno- The Trammps DJ Got Us Falling in Love- Usher Domino- Van Morrison Don't Leave Me This Way-Thelma Houston Don't Stop Believing-Journey Don't Stop Me Now- Queen Don't Stop ‘Till You Get Enough-Michael Jackson Don’t You Forget About Me-Simple Minds Dynamite- Taio Cruz Endless Love- Lionel Richie/Diana Ross Everybody- Backstreet Boys Everybody Wants to Rule The World-Tears For Fears 24k/Doctors Order Song List Everything-Michael Buble Ex's and Ohs-Ellie King Feel It Still-Portugal, the Man Finesse-Bruno Mars Firework- Katy Perry Fly me To The Moon- Frank Sinatra Footloose-Kenny Loggins Forever Young- Rod Stewart Forget You-Cee-Lo Freeway of Love-Aretha Franklin Get Down Tonight- K.C.
    [Show full text]
  • Please Note This Is a Sample Song List, Designed to Show the Style and Range of Music the Band Typically Performs
    Please note this is a sample song list, designed to show the style and range of music the band typically performs. This is the most comprehensive list available at this time; however, the band is NOT LIMITED to the selections below. Please ask your event producer if you have a specific song request that is not listed. THE PARTY JAMMERS - SAMPLE SONG LIST TOP 40 AND DANCE HITS Ariana Grande 7 Rings Thank You Next Backstreet Boys Don't Go Breaking My Heart Everybody (Backstreet's Back) I Want it That Way Beyonce Crazy in Love Halo Love on Top Single Ladies The Black Eyed Peas I Gotta Feeling Bruno Mars 24K Magic Finesse Marry You Perm That's What I Like Uptown Funk Calvin Harris This is What You Came For Camila Cabello Havana Senorita Cardi B I Like It Carly Rae Jepsen Call Me Maybe Chris Brown Look at Me Now Ciara One, Two Step Clean Bandit Rather Be Cupid Cupid Shuffle Daft Punk Get Lucky David Guetta Titanium Demi Lovato Neon Lights Desiigner Panda DJ Casper Cha Cha Slide DJ Khaled All I Do is Win DNCE Cake by the Ocean Drake God's Plan Nice for What Toosie Slide Echosmith Cool Kids Ed Sheeran Thinking Out Loud Ellie Goulding Burn Fetty Wap My Way Fifth Harmony Work from Home Flo Rida Low G-Easy No Limit Ginuwine Pony Gnarls Barkley Crazy Gwen Stefani Hollaback Girl Halsey Without Me H.E.R. Best Part Icono Pop I Love It Iggy Azalea Fancy Imagine Dragons Thunder Israel Kamakawiwoʻole Over the Rainbow/What a Wonderful World Jason Derulo Talk Dirty to Me The Other Side Want to Want Me Jennifer Lopez Dinero On the Floor Jeremih Oui Jessie
    [Show full text]
  • RSL+Piano+Sample+Pack.Pdf
    Piano Sample Pack piano SAMPLE PACK Welcome to the Rockschool Repertoire Sample Booklet for piano Contents 3 the rockschool books This interactive booklet is designed to give a flavour of the pieces of music 4 Repertoire and audio contained within the graded music exam syllabus and information on the musical skills and understanding that have been benchmarked at each grade. 5 EXAMS AND Assessment Criteria This sits alongside the Syllabus Guide which provides full details of the graded 7 Debut Musical Skills and Features examinations run by Rockschool for Piano. 8 Debut Repertoire Sample 11 Grade 1 Musical Skills and Features 12 Grade 1 Repertoire Sample 15 Grade 2 Musical Skills and Features Purchase your digital copies of the full Rockschool syllabus books including access 16 Grade 2 Repertoire Sample to Replay, the interactive sheet music tool, on the RSL Awards shop here… 19 Grade 3 Musical Skills and Features 20 Grade 3 Repertoire Sample * 23 Grade 4 Musical Skills and Features save 10% 24 Grade 4 Repertoire Sample 27 Grade 5 Musical Skills and Features You can buy the whole range of hard copy Rockschool syllabus books on: 28 Grade 5 Repertoire Sample Musicroom.com 31 Grade 6 Musical Skills and Features Use the code RSLSAMPLE to save 10%* on all Rockschool products. 32 Grade 6 Repertoire Sample 35 Grade 7 Musical Skills and Features *Available while stocks last on Rockschool syllabus books and methods only. This offer may be withdrawn at any time. 36 Grade 7 Repertoire Sample If you are using Adobe Acrobat to view this document, you will be able to hear the 39 Grade 8 Musical Skills and Features sample audio alongside the sample repertoire pages.
    [Show full text]
  • GV Smart Vol.015 R0.Hwp
    GV Smart Song Pack Vol.015 GV Smart Song Pack Vol.015 SONG LIST Song Title No. Popularized By Composer/Lyricist Anton Zaslavski / Katy Perry / Daniel Davidsen / Corey Sanders / Peter 365 16933 ZEDD, KATY PERRY Wallevik / Caroline Ailin / Mich Hansen YUNGBLUD, HALSEY, TRAVIS YUNGBLUD / Matt Schwartz / 11 MINUTES 16915 BARKER Halsey / Brynley Plumb 7 MINUTES 16913 DEAN LEWIS Dean Lewis BIN ABRAHAM JOSEPH SHE'YAA / COLE JERMAINE LAMARR / NATCHE DACOURY DAHI / A LOT 16886 21 SAVAGE WHITE ANTHONY GERMAINE / YOUNG SHELIA TAYLOR JOHN / BARRY JOHN / TAYLOR ANDY / TAYLOR ROGER / LE BON A VIEW TO A KILL 16960 DURAN DURAN SIMON ALL I HAVE TO DO IS DREAM 16939 THE EVERLY BROTHERS Boudleaux Bryant B.S.U.R. 16923 JAMES TAYLOR TAYLOR JAMES VERNON Ariana Grande / Max Martin / Ilya BLOODLINE 16947 ARIANA GRANDE Salmanzadeh / Savan Kotecha Lana Del Rey / Emile Haynie / Dan BLUE JEANS 16885 LANA DEL REY Heath Ariana Grande / Max Martin / Ilya BREAK UP WITH YOUR GIRLFRIEND, I'M Salmanzadeh / Savan Kotecha / Kandi BORED 16909 ARIANA GRANDE Burruss / Kevin Briggs BURN OUT 633 SUGARFREE BURY A FRIEND 16924 BILLIE EILISH Billie O'Connell / Finneas O'Connell Dillon Hart Francis / Faheem Rashad DILLON FRANCIS FT. T-PAIN, Najm / James Rushent / Jonathan CATCHY SONG 16932 THAT GIRL LAY LAY Lajoie / Alaya High COME OUT AND PLAY 16883 BILLIE EILISH Billie O'Connell / Finneas O'Connell Chris Wallace / Matt Radd / Jason Bovino / George Sheppard / Amy COMING HOME 16966 SHEPPARD Sheppard COMING UP ROSES 631 KEIRA KNIGHTLEY Danielle Brisebois / Glen Hansard ALLEN TIMOTHY M / CAMPBELL LARRY ROCK / DORSEY MARC / CRAVE 16928 MARC DORSEY SKINNER JOLYON WARD CRAZY 9258 JULIO IGLESIAS NELSON WILLIE DADDY 16953 BEYONCE Beyoncé Knowles / Mark Batson Anton Zaslavski / Jason Evigan / David Gamson / Roger Troutman / Andreas DAISY 16907 ZEDD FT.
    [Show full text]
  • Bad Blood APPEARS in ROCK & POP 2018
    ACCESS ALL AREAS... bad blood APPEARS IN ROCK & POP 2018 Released: 2015 Album: 1989 Label: Big machine, Republic ABOUT THE SONG ‘Bad Blood’ — from Taylor Swift’s Grammy award- winning 2014 album 1989 — was a worldwide hit, reaching No. 1 in the USA, Australia, Canada, Israel, CAUSE BABY NOW WE’VE GOT New Zealand and Scotland. Written and performed by Taylor Swift, Max Martin and Shellback, the remixed single version was released on 17 May 2015 with added verses by rapper Kendrick Lamar. Inspired by the pop BAD BLOOD scene of the 1980s, Swift described 1989 as her ‘first “ documented official pop album’. YOU KNOW IT USED TO BE Like many of her songs, Taylor Swift draws on her own experiences for inspiration in ‘Bad Blood’. The song describes the betrayal of a close friend, and the resulting breakdown of the friendship. Despite intense speculation that the friend involved could be another well-known MAD LOVE artist, Swift has always refused to name them. SO TAKE A LOOK WHAT YOU’VE DONE RECORDING AND PRODUCTION ‘Bad Blood’ was produced by Swedish songwriter, record producer and singer Max Martin, who worked with Swift on ‘Black Space’ in 2014. Martin has also written, co-written and/or produced hits for Britney Spears, Katy Perry, Maroon 5 and The Weeknd among many others. ‘Bad Blood’ was recorded at MXM Studios in Stockholm and mixed at MixStar Studios in Virginia Beach, Virginia. It was mastered at Sterling Sound in New York. COMPOSITION AWARDS ” Unusually, the song starts with a chorus, with powerhouse drums adding a stadium-anthem feel to the otherwise a cappella vocals.
    [Show full text]