Z-Ro Z-Ro & Friends

Total Page:16

File Type:pdf, Size:1020Kb

Z-Ro Z-Ro & Friends Z-Ro Z-Ro & Friends - 10 Unreleased Tracks mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Z-Ro & Friends - 10 Unreleased Tracks Country: US Released: 2005 Style: Gangsta MP3 version RAR size: 1883 mb FLAC version RAR size: 1664 mb WMA version RAR size: 1551 mb Rating: 4.8 Votes: 662 Other Formats: WMA MP1 AHX AA VOX DXD AU Tracklist Hide Credits Get High 1 –Young Shy Featuring – Billy Land Roll By 2 –Z-Ro Featuring – Cl'che, Young Shy 3 –Big Mello Modern Day Warrior U Don’t Wanna Fuck With Us 4 –Guerilla Maab Featuring – Young Shy Handle Up 5 –Tony Montana Featuring – Baby Beesh* 6 –Big Mello, Z-Ro, Cl'che Southside Get Yo Paper 7 –Z-Ro Featuring – Young Shy 8 –Tony Montana , Q-Stone Lean With Me 9 –Trae, Dougie D We Parlay Hustle In The Game 10 –Tony Montana Featuring – Z-Ro 11 –Trae, Dougie D It’s Gonna Get Better Don’t Waste Your Time 12 –Z-Ro Featuring – K-Reno* Bonus Tracks Southside (Slowed & Chopped) 13 –Big Mello, Z-Ro, Cl'che Slowed & Chopped – Beltway 8 We Parlay (Slowed & Chopped) 14 –Trae, Dougie D Slowed & Chopped – Beltway 8 It’s Gonna Get Better (Slowed & Chopped) 15 –Trae, Dougie D Slowed & Chopped – Beltway 8 Outro (Slowed & Chopped) 16 –Guerilla Maab Slowed & Chopped – Beltway 8 Credits Design – GorillaRage Executive-Producer – Eugene Brooks* Mastered By – Nudie Boy, Young Shy Mixed By – Nudie Boy, Young Shy Notes The track listing on the backcover is not correct. 16 tracks instead of 17: Track 11 listed on the backcover (Move Around by Big Mello) is not on CD. Barcode and Other Identifiers Barcode: 687066551624 Matrix / Runout: A 8430 VP2870 F50829-03 Mastering SID Code: IFPI L385 Mould SID Code: IFPI 6100 Related Music albums to Z-Ro & Friends - 10 Unreleased Tracks by Z-Ro Beltway 8 Boyz - Victorian Beds (Eighted & Chopped) Beltway 8 - Built For War. (Eighted And Chopped) Z-Ro - Screwed Up Click Representa Rich Rocka, Trae - Mayday Feat. Trae Tha Truth Mr. LPD - Don't Hate The Playa, Hate The Game Trae - The Beginning (Screwed & Chopped) Obituary - Chopped In Germany 2008 Fat Tony - SCREWDARGAB: Chopped Not Slopped: DJ OG RON C Monty$$ - Money Over Fame (European Edition) (Razed & Chopped Version) Dima-Dima - Glitter / Men Chopped Wood Z-Ro - Z-Ro (Slowed & Chopped) Rapid Ric & Chamillionaire - Whut It Dew.
Recommended publications
  • THE DAILY TEXAN 62 37 Monday, November 29, 2010 Serving the University of Texas at Austin Community Since 1900
    P1 LIFE&ARTS PAGE 10 SPORTS PAGE 6 Shop proves variety is the spice of life Mack Brown re-evaluates after his worst season SPORTS PAGE 10 Volleyball to face first round of NCAA Tournament TOMORROW’S WEATHER High Low THE DAILY TEXAN 62 37 Monday, November 29, 2010 Serving the University of Texas at Austin community since 1900 www.dailytexanonline.com THE WEEK Journalism school to reduce AHEAD number of adjunct professors By Collin Eaton said adjuncts bring a great com- announced a policy in early Au- TODAY Daily Texan Staff bination of involvement in the gust that would increase the work- The UT School of Journalism will real world of journalism and solid load for full-time faculty without Big screen lose several veterans of the news teaching experience, and many of increasing the number of classes the classics business next semester as budget them have long-standing relation- college offers. cuts cause a reduction in the num- ships with the school. Rod Hart, dean of the College The Alamo Drafthouse Ritz ber of adjunct professors. “We’re using less this spring than of Communication, said the policy will present the 1947 black The school will drop several spe- we did in the fall, but everyone re- would help the college pay for one comedy “Monsieur Verdoux,” cialized classes and assign full-time mains on our roster of valued teach- time, 2-percent merit-pay increases. based on a story by Orson faculty to more basic courses, lead- ers, and we won’t hesitate to turn Hart said it is difficult to cut back on Michael Baldon | Daily Texan Staff Welles and directed by Charlie ing to fewer open slots for adjunct to them again when we need to,” faculty because the school has “a lot Because of the budget cuts in the College of Communication, many of Chaplin.
    [Show full text]
  • Screwed up Click, Intro Southside
    Screwed Up Click, Intro Southside... (Lil' Keke) Herschelwood, Sunnyside, South Park Dead End, Cloverland, Yellowstone, Inyard Southwest, Braeswood, S.A., 3rd Ward West Square, Blueridge, Mo City, Hiram-Clarke G.I. down version, A-Leaf and the 4 At the trap by the block, on the corner at the sto' Houston, Dallas, New Orleans it's on Beaumont, Austin, Kaleen, San Anton' Don on a mission, trying to do what he do Lake Charles, Lafeyette they some Screw Heads too Baton Rouge, Shreveport, Tennessee, Alabama Jackson, Pensacola, Chasville and Atlanta 7-1-3, is protected by the pistol Props for Lil' J, Rap-A-Lot and the Nickel S.U.C., DJ and P-A The Take Over album, is coming your way Scarface, 8 Ball, MJ, Bun B Big Hawk, Lil' Ke', please free Pimp C Lil' Flip, Z-Ro, Slim Thug, Sensei Mike D, Lil' O, E.S.G. and Trae Big Moe, Chris Ward and the list goes on Lil' C, A.G., Paul Wall, Mike Jones C.M.G., Ghetto Dreams for life And it's welcome to H-Town, it's going down tonight (Hook - 2x) Get your block up, and rep your hood Fire some weed, it's going down it's all good Homie get your block up, and rep your hood Turn it to a slab, with chrome leather and wood (*talking*) That's right, Young Don, Teflon Hottest underground on the street, what's up Southside Know I'm saying, all the hoods all the real niggas C.M.G., Matics, Al, Hard D that's what it is mayn Yeah, we getting it on out here we grinding C.M.G.
    [Show full text]
  • Z-RO, Lost Another Soldier (Tribute to Big Mello)
    Z-RO, Lost Another Soldier (Tribute To Big Mello) [Chorus - 2x] I really hate it that we lost another soldier Time and time, it seems this world be getting colder You never really know when your time gon be over It feel like it's forever riding on our shoulders [Trae] Why did I have to say goodbye, this life the best here, kneel down and I cry I can't lie heavenly father, why all of my real niggas gotta fight It was just like yesterday we lost DJ Screw, now B-I-G M-E double L-O Somebody feel my pain before I be alone, and I'm about this sure I can't take no more we'll mask together, wrecking the stage together We shine together, we ride forever, pull back in the shop together Step on the block together damn, it'll be okay I got a certified plack that's on the way Trae, Dougie D and Z-Ro gotta ride for the dog Gotta grind for the dog, put it down for the dog I love my dog, and I don't wanna lose no more Big Mello I got you, and I'm fin to tell everybody all about you This life we live is hard, you was another gift to my life You and Screw and I'm missing you, and now that I think about it [Tony Montana] Heavenly father I ain't the one to question your will, or what is it to be done But these cemeteries get you acquainted to all of my homies And this time it's Mello, and I just don't understand why that he gone And the only thing that keeping me from crying, is blowing up on this do-do Like ones in the ghetto, we learn to shock and rock cash that rip flows And you ain't give a fuck if, you want to click shit you live on You said, my heart
    [Show full text]
  • Southside Playaz You Gottus Fuxxed up Slowed & Chopped Mp3, Flac, Wma
    Southside Playaz You Gottus Fuxxed Up Slowed & Chopped mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: You Gottus Fuxxed Up Slowed & Chopped Country: US Released: 1999 Style: Gangsta, Screw MP3 version RAR size: 1428 mb FLAC version RAR size: 1661 mb WMA version RAR size: 1783 mb Rating: 4.5 Votes: 628 Other Formats: TTA DMF MP1 VOC AC3 FLAC MMF Tracklist 1 Intro / Too Hott 2 Drought Season 3 Hard II Survive 4 Get Ya Issue 5 Bird A Day 6 Shotgun Blast 7 Made Niggaz 8 The Game's Strange 9 Baby Boo 10 Riding High 11 Watch Yo Enemies 12 Joy Ride 13 Def, Dumb & Blind 14 M.O.B. Companies, etc. Record Company – LafTex Records Phonographic Copyright (p) – LafTex Records Copyright (c) – LafTex Records Phonographic Copyright (p) – 1 Stop Distribution Copyright (c) – 1 Stop Distribution Manufactured By – 1 Stop Distribution Distributed By – 1 Stop Distribution Credits Edited By [Slowed & Chopped] – J-Roc Executive-Producer – Clay-Doe, Mike D.*, T-Pop Presenter – DJ Screw , Screwed Up Click* Barcode and Other Identifiers Barcode (Text): 6 70973-0002-3 6 Barcode (String): 670973000236 Other versions Category Artist Title (Format) Label Category Country Year DJ Screw & Screwed-Up DJ Screw & Click* Presents Screwed-Up Click* LafTex LFTX-0001 Southside Playaz - You LFTX-0001 US 1998 Presents Southside Records Gottus Fuxxed Up (CD, Playaz Album) DJ Screw & Screwed-Up DJ Screw & Click* Presents Screwed-Up Click* LafTex LFTX-0001 Southside Playaz - You LFTX-0001 US 2002 Presents Southside Records Gottus Fuxxed Up (CD, Playaz Album, RE) DJ Screw & Screwed-Up DJ Screw & Click* Presents Screwed-Up Click* LafTex LFTX-0001 Southside Playaz - You LFTX-0001 US Unknown Presents Southside Records Gottus Fuxxed Up (CD, Playaz Album, RE) DJ Screw & Screwed-Up DJ Screw & Click* Presents Screwed-Up Click* LafTex LFTX-0001 Southside Playaz - You LFTX-0001 US 1998 Presents Southside Records Gottus Fuxxed Up (Cass, Playaz Album) Related Music albums to You Gottus Fuxxed Up Slowed & Chopped by Southside Playaz Z-Ro Featuring Daz - Z-Ro Tolerance (Slowed And Chopped) Mr.
    [Show full text]
  • Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
    MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G.
    [Show full text]
  • Slowed and Throwed: Records of the City Through Mutated Lenses Scholar of African American Culture Thursday, March 5 Members Preview | 6–7PM Public Opening | 7–9PM
    These events are free, Public open to the public, and take “If nothing else, Screw culture was a Programs place at Contemporary love letter to Houston, a sonic rendering Slowed and Arts Museum Houston. Seating is limited. Please of the illegibility of Houston’s Black check camh.org for the Throwed most current information. communities made legible by slowing it down.” March 6–June 7, 2020 —Dr. Regina N. Bradley, Opening Reception | Slowed and Throwed: Records of the City Through Mutated Lenses Scholar of African American culture Thursday, March 5 Members Preview | 6–7PM Public Opening | 7–9PM Art at Noon | Lance Scott Walker Friday, March 6 | Noon–1PM In Conversation | Patricia Restrepo, CAMH Exhibitions Manager and Assistant Curator, with artists Tay Butler, Robert Hodge, and Ayanna Jolivet Mccloud Saturday, March 7 | 11AM–Noon Open Studio | Community Remix Saturday, March 7 | 2–4PM Karen Navarro. Fragment Tom Van Laan, Joe and Anderson Foundation, (detail), 2019. Archival Johanne Gatto, Blakely National Endowment for Family Day and Teen Council-organized Fashion Show inkjet print, wood, and and Trey Griggs, Kerry the Arts, The Sarofim epoxy. 48 x 56 inches. Inman and Denby Auble, Foundation, Louisa Saturday, March 21 | 1–4PM Courtesy the artist Louise Jamail, Page Stude Sarofim, Susan and Foto Relevance, Kempner, Dillon A. Kyle Vaughan Foundation, 5216 Montrose Boulevard Houston, Texas. and Sam L. Lasseter, Bryn Texas Commission on the Open Studio | Making Beats Houston, Texas 77006 Larsen, Erica and Benjy Arts, Vinson & Elkins LLP, @camhouston Slowed and Throwed: Levit, Marian Livingston, Wallace S. Wilson, The Saturday, April 4 | 2–4PM CAMH.ORG Records of the City Lucinda and Javier Loya, Wortham Foundation, Inc., #atCAMH Through Mutated Lenses Catherine and George Marion and David Young, #SlowedandThrowed is made possible in part Masterson, Elisabeth Michael Zilkha.
    [Show full text]
  • Lovett Fence Results in War Declaration by Sid Richardson Rest of the University, Starting with by Kevin Mistry the Main Quad," He Said
    The SINCE 1916 VOLUME 80v NUMBER 25 STANDING WAVES ON THE PIZZA APRIL 2,1993 Lovett fence results in war declaration by Sid Richardson rest of the university, starting with by Kevin Mistry the main quad," he said. "We'll be- come acampus of right angles, a very Long-standing tensions erupted square place." between Sid Richardson and Lovett Patterson described Chen's pre- Colleges last week when SRC issued diction as "laughable," and said, "One a formal declaration of war in re- fence on the side of Lovett College sponse to "the abominable and will not immediately lead to the wall- unforgivable crimes of our demonic ing up of the university." foe in all things." "This was intended to be mostly The latest round in the Sid-Lovett in fun,"Tolle said. "Besides, Lovett is rivalry resulted from the erection ofa ugly, they know it, and [Sid] should chicken-wire fence, bike rack, and keep it that way. What are they wor- row of bushes between Baker Col- ried about? lege and Lovett, which SRC mem "I think there have been quite a bers allege is intended to keep them few people that have responded. But from crossing Lovett's quad. Paid for most people have ignored this the by Lovett College ambience funds way they ignore most things," Tolle last year, the fence was finally erected said. "Still, I wrote [the declaration j by Food and Housing two weeks ago. to make council enjoyable. And I have The declaration of war, drafted by to admit, I'd like to see the trench SRC senior and "War Cabinet" mem- stay." ber John Tolle, declares, "From the The fence and shrubbery also in- corner of Baker College to the side of convenience Lovett members.
    [Show full text]
  • Lil' Flip, Lil' Flip LIL' FLIP LYRICS
    Lil' Flip, Lil' Flip LIL' FLIP LYRICS "This Is The Way We Ball" Heyyy, Ho (This is the way we ball) Ah ha, Houston, Texas (This is the way we ball) Ah ha (This is the way we ball) (This is the way we ball) (Chorus) And we like to floss, all my diamonds gloss I represent the dirty, dirty, dirty, dirty South (This is the way we ball) And we ridin blades, Jags and Escalades We third coast boys but we always gettin paid (This is the way we ball) And we like to floss, all my diamonds gloss I represent the dirty, dirty, dirty, dirty South (This is the way we ball) And we ridin blades, Jags and Escalades We third coast boys but we always gettin paid (This is the way we ball) (Verse One) I'm Lil' Flip, I'm back on the scene, freestyle king Brand new piece, same byzentine I'm still sippin lean, I'm still watchin "Scream" I love wearin platinum, but my favorite color's green I'm hoppin out Ferraris, my house is three stories I'm still independent cause Jive couldn't afford me The meetings were boring, for real I was snoring The VP was fine, yeah she made me kinda horny But that's another story, let's get back to the topic Right now me and Hump negotiatin to buy the Rockets We might buy the Comets - name it, I done it If you see it and want it, buy it, own it This is for my homies, Pat and DJ Screw R.I.P.
    [Show full text]
  • Abstract Humanities Jordan Iii, Augustus W. B.S. Florida
    ABSTRACT HUMANITIES JORDAN III, AUGUSTUS W. B.S. FLORIDA A&M UNIVERSITY, 1994 M.A. CLARK ATLANTA UNIVERSITY, 1998 THE IDEOLOGICAL AND NARRATIVE STRUCTURES OF HIP-HOP MUSIC: A STUDY OF SELECTED HIP-HOP ARTISTS Advisor: Dr. Viktor Osinubi Dissertation Dated May 2009 This study examined the discourse of selected Hip-Hop artists and the biographical aspects of the works. The study was based on the structuralist theory of Roland Barthes which claims that many times a performer’s life experiences with class struggle are directly reflected in his artistic works. Since rap music is a counter-culture invention which was started by minorities in the South Bronx borough ofNew York over dissatisfaction with their community, it is a cultural phenomenon that fits into the category of economic and political class struggle. The study recorded and interpreted the lyrics of New York artists Shawn Carter (Jay Z), Nasir Jones (Nas), and southern artists Clifford Harris II (T.I.) and Wesley Weston (Lii’ Flip). The artists were selected on the basis of geographical spread and diversity. Although Hip-Hop was again founded in New York City, it has now spread to other parts of the United States and worldwide. The study investigated the biography of the artists to illuminate their struggles with poverty, family dysfunction, aggression, and intimidation. 1 The artists were found to engage in lyrical battles; therefore, their competitive discourses were analyzed in specific Hip-Hop selections to investigate their claims of authorship, imitation, and authenticity, including their use of sexual discourse and artistic rivalry, to gain competitive advantage.
    [Show full text]
  • BRISCO C-MURDER & More
    OZONE MAGAZINE IT’S A THOUSAND YOU’S IT’S ONLY ONE OF ME IT’S ONLY IT’S A THOUSAND YOU’S MAGAZINE OZONE YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE RAY J MJG MAINO FAT PIMP DAMM D DEVIN THE DUDE OJ DA JUICEMAN BRISCO C-MURDER & more OZONE MAG // YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE MJG RAY J MAINO FAT PIMP C-MURDER DEVIN THE DUDE OJ DA JUICEMAN BRISCO DAMM D & more 3 // OZONE WEST // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // // OZONE MAG 0 // OZONE MAG OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric N. Perrin ASSOCIATE EDITOR // Maurice G. Garland GRAPHIC DESIGNER // David KA ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul SPECIAL EDITION EDITOR // Jen McKinnon MARKETING DIRECTOR // David Muhammad Sr. LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Adero Dawson ADMINISTRATIVE // Kisha Smith INTERN // Kari Bradley CONTRIBUTORS // Alex Cannon, Bogan, Charla- magne the God, Chuck T, Cierra Middlebrooks, interviews Destine Cajuste, Edward Hall, Felita Knight, Jacinta Howard, Jaro Vacek, Jessica Koslow, J Lash, Jason Cordes, Johnny Louis, Keadron 70-71 MAINO Smith, Keith Kennedy, K.G. Mosley, King Yella, Luis Santana, Luxury Mindz, Marcus DeWayne, Matt 62-63 BRISCO Sonzala, Maurice G. Garland, Mercedes (Strictly Streets), Natalia Gomez, Ray Tamarra, Rico Da 64-65 SCARFACE Crook, Robert Gabriel, Rohit Loomba, Shannon McCollum, Spiff, Stan Johnson, Swift, Thaddaeus 68-69 C-MURDER McAdams, Wally Sparks, Wendy Day STREET REPS // rd Leg Greg, Adam Murphy, Alex 66-67 DeVIN THE DUDE Marin, Al-My-T, Benz, Big Brd, B-Lord, Big Ed, Big Teach (Big Mouth), Bigg V, Black, Bogan, Bo Money, Brandi Garcia, Brandon “Silkk” Frazier, Brian Eady, Buggah D.
    [Show full text]
  • He Is Called the Originator for Creating the Slowed-Down Tempo Known As
    He is called the Originator for creating the slowed-down tempo customized cars that were slow, loud and banging. In the cars were fans known as “chopped and screwed,” an inventive musical language that seeking music — DJ Screw’s homemade underground cassette tapes. At propelled hip hop in a new direction and solidified the city of Houston’s one point he was raking in an estimated $15,000 per day from cassette reputation as an epicenter of rap. sales, sometimes more than that, selling between 10,000 to 15,000 With two turntables on either side of him, DJ Screw would manually copies in a single day. manipulate vinyl albums, slowing down the tempo and maintaining the Often inside the house were any number of SUC members, including glacial pace on recordings that could last over an hour. In 1999, DJ Screw C-Note, Will-Lean and the Botany Boyz, Lil’ Flip, Big Pokey, Big Hawk, said he “let my fingers do the talking.” He would invite his friends, who Big Moe, Fat Pat, Lil’ Keke and others. would later be known as the Screwed Up Click (SUC), to freestyle while he Wall said nothing on the radio stirred the excitement of a Screw tape recorded the final product on his celebrated Screw tapes. with that rap collective on it. “He would just slow down the tempo of everything. It would just take “When you got a new Screw tape or something new from DJ Screw you to a place where it would just put you in a trance,” said Grammy- you’d come share it with everyone and say ‘Hey! Have you heard nominated Houston rapper and UH alum Paul Wall, who was a teenager in the new one? I bet you haven’t heard this one.
    [Show full text]
  • Microgenres MOUG 2021 Presentation (6.531Mb)
    Microgenres Memory, Community, and Preserving the Present Leonard Martin Resource Description Librarian Metadata and Digitization Services University of Houston Brief Overview • Microgenres as a cultural phenomenon. • Metadata description for musical microgenres in a library environment using controlled vocabularies and resources. • Challenges and resources for identifying and acquiring microgenre musical sound recordings. • This presentation will focus on chopped and screwed music, vaporwave music, and ambient music. Microgenre noun /mi ∙ cro ∙ gen ∙ re/ 1. A hyper-specific subcategory of artistic, musical, or literary composition characterized that is by a particular style, form, or content. 2. A flexible, provisional, and temporary category used to establish micro- connections among cultural artifacts, drawn from a range of historical periods found in literature, film, music, television, and the performing and fine arts. 3. A specialized or niche genre; either machine-classified or retroactively established through analysis. Examples of Musical Microgenres Hyper-specific • Chopped and screwed music Flexible, provisional, and temporary • Vaporwave music Specialized or niche • Ambient music Ambient Music • Ambient music is a broad microgenre encompassing a breath of natural sounds, acoustic and electronic instruments, and utilizes sampling and/or looping material Discreet Music, Discreet Music, by Brian Eno, 1975, EG Records. to generate repetitive soundscapes. • Earlier works from Erik Satie’s musique d’ameublement (furniture music) to the musique concrete works of Éliane Radigue, Steve Reich’s tape pieces, and synthesizer albums of Wendy Carlos are all precursors of ambient music. • The term ambient music was coined by composer Brian Eno upon the release of Michigan Turquoise, Catch a Blessing. 2019. Genre tags: devotional, ambient, his album, “Discreet Music,” in 1975.
    [Show full text]