Gallipoli Then & Now: Bonds Forged by War

Total Page:16

File Type:pdf, Size:1020Kb

Gallipoli Then & Now: Bonds Forged by War PRESS RELEASE For immediate release 20.07.15 MEDIA CONTACT Cassie French, Pop-Up Publicity [email protected] / 0416 209 391 _________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ PHOTOGRAPHIC EXHIBITION. History, War History, Australian History, Turkish History, Stories A National Touring Exhibition across 5 cities: Sydney, Hobart, Perth, Melbourne, Canberra (dates/details p.3) Gallipoli Then & Now: Bonds Forged by War Photographs by Vedat Acikalin HOBART 30 July – 22 August 2015. Allport Library & Museum of Fine Arts, Hobart OPENING NIGHT Allport Library & Museum of Fine Arts, Hobart - Thursday 30 July 6-8pm SYDNEY 05 August – 30 September 2015. Customs House Library, Circular Quay, Sydney CBD MEDIA & INVITATION ONLY OPENING NIGHT Customs House, Sydney - Wednesday 05 August 6.30-8.30pm #01 (see page 4 of Press Release for full captions) #02 Above. Adil Sahin (l) and Len Hall (r) meet as friends in 1990 on the Gallipoli Peninsula, the 1915 battlefield they once fought on as enemies. Adil was 17yrs old when he enlisted and Len only 16 – here here together 75 years later. #03 #04 #05 #06 GALLIPOLI THEN & NOW: BONDS FORGED BY WAR is the follow-on exhibition from Acikalin’s 2011 exhibition, When Old Foes Meet (Chifley Plaza Exhibition Space, Sydney CBD). Commemorating the 100th Anniversary of the Gallipoli Campaign, a significant event in Australia’s wartime heritage and history, this new exhibition once again commemorates the Australian and Turkish soldiers who served and sacrificed themselves at Gallipoli in 1915. For over 30 years Turkish-Australian photojournalist, Vedat Acikalin, has documented the bonds and friendships forged through this experience of war. He has photographed the soldiers as old men, meeting in friendship on the very battlefields they once fought as enemies when they were young. He captures the ongoing bond forged not only between the men, but also with their children and descendents. Acikalin honours their stories and memory through these poignant photographs. GALLIPOLI THEN & NOW: BONDS FORGED BY WAR will be a national Touring exhibition around Australia. LAUNCHING in SYDNEY at Customs House (05 August – 30 September) for August & September and in HOBART at Allport Library & Museum of Fine Arts (30 July – 22 August) for August, the exhibition will then tour to PERTH (October), MELBOURNE (November) and CANBERRA (December) in 2015. Exact Touring dates for these cities yet to be confirmed. This exhibition is supported by Department of Veterans’ Affairs Australia. The 6th August 2015 will mark the 100th Anniversary of the August Offensive with a special Commemorative Service to be held at the Lone Pine Cemetery on the Gallipoli Peninsula in Turkey. There will also be events held around Australia – info through RSL websites. This exhibition is also currently TOURING in Turkey, showing now until September at Rahmi M. Koc Museum in Istanbul, after showing in Izmir (May/June) and Ankara (April) during 2015. Page 1 of 6 PRESS RELEASE For immediate release 20.07.15 MEDIA CONTACT Cassie French, Pop-Up Publicity [email protected] / 0416 209 391 _________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ ESSAY BY VEDAT ACIKALIN, 2015 In 1990 I attended the 75th Anniversary of the famous Gallipoli landing as a photojournalist. A large group of Australians went to Turkey. They consisted of surviving Gallipoli veterans, their families and friends, Australian soldiers and statesmen. I knew that all the surviving Turkish veterans would be there too and I wanted to photograph the original Gallipoli veterans of both sides. During this significant and emotional anniversary – for Australians, New Zealanders and the Turks – I captured tender and potent moments observing old enemies coming together on the Gallipoli Peninsula. I observed a bond between these men and respectful friendships, as they remembered how as young men they fought so fiercely against each other. Once enemies, these men now walked together as friends, visiting the trenches and pausing at the graves of their mates, sometimes shedding tears, sometimes laughing, as they shared their stories with one another. First I held an exhibition of twenty photographs in Sydney in 2011, titled When Old Foes Meet. It attracted a lot of interest and publicity and I was encouraged to work on a comprehensive exhibition for the Centenary. As all of the brave veterans of Gallipoli on both sides, have sadly all now passed away, I traced their descendants to produce this exhibition. As a Turkish-Australian, the significance of the Gallipoli campaign, also known as Battles of Canakkale (Battles of Dardanelles), is very powerful for me. Growing up I learned of the heroism and sacrifice of the Turkish soldiers under the leadership of Commander Mustafa Kemal (Ataturk) in the Battles of Canakkale (the Gallipoli Campaign) through school history lessons, folkloric stories, songs and poems. When I hear these today, it is still very emotional for me. I can imagine the hardship and bravery of these men fighting to defend their country. When I immigrated to Australia in 1973, it was the first I learned of the ANZAC legend created by Australian and New Zealand soldiers who fought at Gallipoli. The ANZAC tradition with its ideals of courage, endurance and mate-ship, was established. I was fascinated by now seeing both sides of the same war and how time changes people. Anzac Day has become the biggest national day in Australia and New Zealand and more and more young people have been making the annual pilgrimage to Gallipoli. The Turks have their own legend. Many Turks believe that the foundations upon which modern Turkey stands were laid during the Battles of Canakkkale (the Gallipoli Campaign). The courage and sacrifices of Canakkale inspired the Turkish nation to unite under Ataturk’s leadership to defend his principles and revolution during and after the War of Independence. My goals to achieve with this exhibition are as follows: A great number of Australians visit Gallipoli every year either in search of memories of their ancestors or to live the excitement and feeling of what it means to be Australian. With my exhibition I would like to give those Australians who have not made the pilgrimage to Gallipoli, a chance to freshen the family memory and to be conscious of the ANZAC ideals and Australian history. Those Australians who have made this pilgrimage will relive those emotional moments they had at memorial sites such as Anzac Cove, Lone Pine, Gaba Tepe and Chunuk Bair when they see my moving photographs taken at these battlefields. I believe my exhibition will give Australians an appreciation and understanding of their ancestors’ role in shaping the nation with their service and sacrifice in this significant campaign and also help them to acknowledge and commemorate the respect and friendship between Australia and Turkey that has developed as a result of the experiences of the Gallipoli Campaign. _________________________________________________________________________________________________________ Although the Gallipoli Campaign is seen as a military failure, Anzac Day has become a national day in Australia and New Zealand. These men all helped to create the ANZAC legend. The Turks have their own legend. Almost 9,000 Australian and more than 2,000 New Zealand men were killed at Gallipoli. 70 Australian men were captured. 61,522 Australians lost their lives in the First World War. Almost 85,000 Turks died in the Gallipoli campaign. Gallipoli Then & Now: Bonds Forged by War is a visual documentary essay revealing the melancholy and healing salve of time. _______________________________________________________________________________________________________ #07 #08 _________________________________________________________________________________________________________ Page 2 of 6 PRESS RELEASE For immediate release 20.07.15 MEDIA CONTACT Cassie French, Pop-Up Publicity [email protected] / 0416 209 391 _________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ BRIEF EXHIBITION DETAILS Gallipoli Then & Now: Bonds Forged by War. Photographs by Vedat Acikalin HOBART, TASMANIA DATES 30 July – 22 August 2015 VENUE Allport Library & Museum of Fine Arts ADDRESS 91 Murray Street, Hobart GENERAL CONTACT (03) 6165 5584 OPENING HOURS Mon-Thu 9.30-6pm, Fri 9.30-8pm, Sat 9.30-2pm, Sun CLOSED COST A Free public exhibition and Open Mon-Sat WEB http://www.linc.tas.gov.au/findus/southern/linc/hobart SYDNEY, NSW DATES 05 August – 30 September 2015 (Level 2) / 05 – 30 August 2015 (Level 1) To be held over two levels at Customs House Library, Circular Quay, Sydney CBD VENUE Customs House Library Level 1 and Level 2 ADDRESS Customs House,
Recommended publications
  • Teacher's Kit GALLIPOLI.Pdf
    GALLIPOLI SCHOOLSDAY PERFORMANCE IMPORTANT INFORMATION Date: Wednesday 13th August 2008 Venue: Sydney Theatre Pre-performance forum 10.30 am Lunch Break 11.15 am Performance commences: 12.15 pm Performance concludes: 3.15 pm We respectfully ask that you discuss theatre etiquette with your students prior to coming to the performance. Running Late? Please contact Sydney Theatre Company’s main switch on 9250 1700 and a message will be passed to Front of House. Booking Queries Please contact Marietta Hargreaves on 02 9250 1778 or [email protected] General Education Queries Please contact Helen Hristofski, Education Manager, on 02 9250 1726 or [email protected] Sydney Theatre Company’s GALLIPOLI Teacher’s Notes compiled by Elizabeth Surbey © 2008 1 Sydney Theatre Company presents the STC Actors Company in GALLIPOLI Written and Devised by Nigel Jamieson in association with the Cast Teacher's Resource Kit Written and compiled by Elizabeth Surbey Sydney Theatre Company’s GALLIPOLI Teacher’s Notes compiled by Elizabeth Surbey © 2008 2 Acknowledgements Sydney Theatre Company would like to thank the following for their invaluable material for these Teachers' Notes: Laura Scrivano (STC) Helen Hristofski (STC) Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Front Image of Alec Campbell used by kind permission of the Campbell
    [Show full text]
  • State Funeral for Alec Campbell
    State Funeral for Alec Campbell A State Funeral for Mr Alec Campbell, the last survivor of the Gallipoli campaign, was held in the Cathedral Church of St David, corner of Macquarie and Murray streets, Hobart, on Friday 24 May 2002. The funeral began at 10.30am and was followed by a private burial. Alec Campbell with his medals Background Information z The Campbell Family z The casket z Floral tribute z Poppies z Music z Condolences z The gun carriage and cortege z Final resting place z Biography of Private Alec Campbell z Biography of Corporal Frank MacDonald Alec Campbell in 1915 The Campbell Family More than 120 members of the Campbell family attended the funeral, including eight of Alec's nine children: • Cathleen (Sam) Claridge - Launceston, Tasmania • Cressey Stackhouse - Launceston, Tasmania • Mary Burke - Hobart, Tasmania • Dr Jim Campbell - Launceston, Tasmania • Geraldine Padgham - Bendigo, Victoria • Deidre Langenheim - Melbourne, Victoria • Dr Neil Campbell - New Zealand • Felicity Tangney - New Zealand Greg Campbell of Perth, Western Australia, was unable to attend the service. The casket Sitting on the casket was a forage cap and bayonet. These were supplied from the museum of the 12/40th Battalion, Royal Tasmania Regiment. The cap, which dates back to World War I, was laid on the casket by the Chief of Army, LT GEN Peter Cosgrove, as a tribute by the Australian Army to one of its own. While the Australian Digger has come to be portrayed generally as wearing the famous slouch hat, it was just one of the hats worn by members of the Australian Imperial Force.
    [Show full text]
  • The Anzac Day Legend: Its Origins, Meaning, Power and Impact on Shaping Australia’S Identity
    Sonja Bates The Anzac Day Legend: Its Origins, Meaning, Power and Impact on Shaping Australia’s Identity Master’s of Peace and Conflict Studies Dissertation Centre for Peace and Conflict Studies University of Sydney 2013 ABSTRACT The Anzac legend lies at the centre of Australian identity and in recent years has become a sacred, untouchable element of national pride. In fact, some claim it is beginning to crowd out other significant events and accomplishments of Australian’s past and is distorting our understanding of our history. This dissertation sets out to scrutinise the legend to find out if there is any truth to this claim, what has been overlooked or forgotten and ask whether nations are truly made in war. Sonja Bates Master’s Degree in Peace and Conflict Studies The Anzac Day Legend: Its Origins, Meaning, Power and Impact on Shaping Australia’s Identity. Page | 1 'For god's sake, don't glorify Gallipoli - it was a terrible fiasco, a total failure and best forgotten'. - Alec Campbell, Australia’s last World War One veteran on his deathbed. Page | 2 CONTENT PREAMBLE .......................................................................................................................................... 3 INTRODUCTION .................................................................................................................................. 5 CHAPTER ONE ................................................................................................................................. 11 HISTORICAL CONTEXT OF THE ANZAC LEGEND..................................................................
    [Show full text]
  • Our Heroes: Tasmania's Victoria Cross Recipients
    Centenary of ANZAC Edition OUR HEROES Tasmania’s Victoria Cross Recipients “ For Valour” by Guy Barnett MP All photographs contained in this publication displaying Australian War Memorial ID are courtesy of the Australian War Memorial. Some information in the booklet courtesy of the Australian War Memorial and the Department of Veterans’ Affairs Published September 2015 Copyright © Guy Barnett 2015 All Rights Reserved. No part of this publication may be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopy, recording or any other information storage and retrieval system, without prior permission in writing from the publisher. ISBN: 978 0 9942331 3 4 Printed by Foot & Playsted, Launceston, Tasmania 7250 Cover Image courtesy of the Australian War Memorial Dedication This book is dedicated to all Tasmanians who have served, and their families. Centenary of ANZAC and 4th Edition iv | Tasmania’s Victoria Cross Recipients by Guy Barnett MP Contents Foreword: The Hon Will Hodgman MP ..............................................................................................................1 Foreword: Senator the Hon Michael Ronaldson .......................................................................................2 Introduction: Robert Dick .............................................................................................................................................4 The Centenary of ANZAC : Guy Barnett MP ..................................................................................................5
    [Show full text]
  • Alec Campbell: Goodbye and Thanks Frank Mcdonald Agrees to Be Patron Recent Activities Forthcoming Events Darby’S Story
    FOSW No1 Friends of Soldiers Walk Inc: Newsletter Issue 1 June 2002 Contents Alec Campbell: Goodbye and thanks Frank McDonald agrees to be patron Recent activities Forthcoming events Darby’s story Alec Campbell: Goodbye and thanks As you are all aware, Alec Campbell our last link to the campaigns on Gallipoli passed away recently. One of Alec’s last public appearances was on the Walk on April 24th where he did us all a favour by unveiling the first new plaque by the tree for Pte Arthur Adams killed at the landing on April 25th 1915. Plaque for Arthur Adams now in place Alec Campbell with Wendy Latham DVA The Walk contains trees for over 20 members of the 15th Battalion, Alec’s old unit, many for men who died on Gallipoli. Alec certainly understood how lucky he was and lived a full life: unveiling the plaque was for him a very different act of remembrance and commemoration. Thanks and goodbye. What has been happening Since the initial work last year in getting some attention for Soldiers Walk, a small band has been plugging away getting out the message that the Walk needs help. Thus far we have: o Arranged for the removal of the remaining plaques (October 2001) o Placed red ribbons on the first fifty trees for Armistice Day (11 November 2001) o Founded (October 2001) and incorporated (March 2002) Page 1 of 8 FOSW No1 o Made a submission for funds to the Tasmanian Community Fund to assist in getting the word out, working on a long-term plan for the Walk (including restoration and a museum) and conducting awareness, education and sponsorship
    [Show full text]
  • Their Story Rises, As It Will Always Rise, Above the Mists of Ages, a Monument to Great-Hearted Men and for Their Nation, a Possession Forever
    Their story rises, as it will always rise, above the mists of ages, a monument to great-hearted men and for their nation, a possession forever. Charles Bean Teacher chaperone Simpson Prize In assuming the role of teacher chaperone for the Simpson Prize 2015, from the outset, there was a personal sense of commitment and responsibility to later share the experience as an expression of sincerest appreciation for the opportunity afforded. Attempting to effectively capitalise on and impart the layers of personal meaning extracted from the journey, with a wider audience, was a daunting and flawed proposition. The dilemma that evolved was how to achieve this objective when the depth of the experience defied words. The obvious inspiration on how this recompense could be delivered came from the 2015 Anzac Day ceremonies conducted at Anzac Cove and Lone Pine and the readings presented at these sites. However, overarching the strategy to replicate these components were the sounds of Call to Prayer, first heard in the early mornings of the hectic, chaotic megacity of Istanbul. Coupled with the melodious chanting were the unmistakably Australian notes of the didgeridoo resonating out across Anzac Cove in the quietude of the Dawn Service. The spiritual sounds of the two cultures were emblematic and indivisibly linked the countries of Australia and Turkey. Together these new dimensions became the genesis for the shape and content of the Rose Bay High assembly. It is hoped that something of the national significance of this year’s Centenary of the Gallipoli Landings and the ghostly silences from the peaceful faraway cemeteries somehow found their way back from Turkey and in some way managed to also touch those who were present at the School’s event.
    [Show full text]
  • The Complexity and Limitations of Australian Army Biography
    The University of Notre Dame Australia ResearchOnline@ND Arts Papers and Journal Articles School of Arts 2010 Commemoration, memory, and forgotten histories: The complexity and limitations of Australian Army biography Peter J. Dean University of Notre Dame Australia, [email protected] Follow this and additional works at: https://researchonline.nd.edu.au/arts_article Part of the Arts and Humanities Commons This article was originally published as: Dean, P. J. (2010). Commemoration, memory, and forgotten histories: The complexity and limitations of Australian Army biography. War & Society, 29 (2), 118–136. http://doi.org/10.1179/204243410X12796373846347 This article is posted on ResearchOnline@ND at https://researchonline.nd.edu.au/arts_article/32. For more information, please contact [email protected]. Commemoration, Memory, and Forgotten Histories: The Complexity and Limitations of Australian Army Biography Peter Dean University of Notre Dame, Australia War & Society , Vol. 29 No. 2, October, 2010, 118–36 DOI 10.1179/204243410X12796373846347 Abstract Military biography in Australia raises questions about the specific historiography more generally, and about the commemorative and celebratory tendencies in Australian military writing. Recent advances in the field illustrate the continuing tensions within the writing of military history in Australia, and reflect some of the same tendencies elsewhere in the English speaking world. Article In June 2001 Dr Chris Clark made a number of observations regarding ‘Exploring the history
    [Show full text]
  • Alexandra Mckinnon
    National winner Australian wartime experiences Alexandra McKinnon Narrabundah College The man with the donkey National History Challenge John Simpson Kirkpatrick, Gallipoli, and the development of the Anzac legend Alexandra McKinnon Narrabundah College word count: 2499 words The Man with the Donkey The legacy of Anzac participation in the Great War developed into a set of qualities known as the Anzac spirit, derived from the belief that Australian and New Zealand troops displayed a set of common characteristics such as courage, endurance, initiative, and mateship1. An important aspect of the Anzac spirit is that this legacy is not based upon military success, but on the qualities displayed by individual soldiers whilst engaged in warfare2. The evolution of the Anzac legend within the Gallipoli campaign has become central to the concept of Australian identity, becoming part of the creation myth of Australia and an integral part of the development of the Australian psyche. Within the Anzac legend, a stretcher-bearer commonly known as John Simpson has come to embody the qualities of the Anzac spirit and, consequently, become the underlying narrative of the first days of the Dardanelles campaign. However, this presentation of a tragic hero has warped the true identity of both Simpson himself and the soldiers he has come to represent. Amongst those who landed at Anzac Cove on April 25th, 1915, Simpson appears a curious choice for the tragic hero of the Anzac legend. Born John Simpson Kirkpatrick in South Shields, Durham, England, on July 6th, 18923, Simpson was the son of Robert Kirkpatrick, a merchant seaman, and his wife, Sarah Simpson4.
    [Show full text]