The FLADLBR CDLLBGB
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
01:510:255:90 DRACULA — FACTS & FICTIONS Winter Session 2018 Professor Stephen W. Reinert
01:510:255:90 DRACULA — FACTS & FICTIONS Winter Session 2018 Professor Stephen W. Reinert (History) COURSE FORMAT The course content and assessment components (discussion forums, examinations) are fully delivered online. COURSE OVERVIEW & GOALS Everyone's heard of “Dracula” and knows who he was (or is!), right? Well ... While it's true that “Dracula” — aka “Vlad III Dracula” and “Vlad the Impaler” — are household words throughout the planet, surprisingly few have any detailed comprehension of his life and times, or comprehend how and why this particular historical figure came to be the most celebrated vampire in history. Throughout this class we'll track those themes, and our guiding aims will be to understand: (1) “what exactly happened” in the course of Dracula's life, and three reigns as prince (voivode) of Wallachia (1448; 1456-62; 1476); (2) how serious historians can (and sometimes cannot!) uncover and interpret the life and career of “The Impaler” on the basis of surviving narratives, documents, pictures, and monuments; (3) how and why contemporaries of Vlad Dracula launched a project of vilifying his character and deeds, in the early decades of the printed book; (4) to what extent Vlad Dracula was known and remembered from the late 15th century down to the 1890s, when Bram Stoker was writing his famous novel ultimately entitled Dracula; (5) how, and with what sources, Stoker constructed his version of Dracula, and why this image became and remains the standard popular notion of Dracula throughout the world; and (6) how Dracula evolved as an icon of 20th century popular culture, particularly in the media of film and the novel. -
Reading Around the World
Reading Around Name:__________________________________ The World Phone/ Email___________________________________ Date: ___________________________________ Passport of Reading Suggestions Let the Adventure Begin! Our Spring Reading Challenge is a virtual trip around the world. We’ve divided the world into 21 regions, and invite you to travel the world by reading a book for each, OR by spending an hour learning a language spoken in that region, using the online program Mango (a free program offered by the library). As you travel, use the dots to indicate each country you have visited. Once you’ve visited 7 or more re- gions, stop by the library for a free gift (while supplies last). How to get to Mango: Go to the Auburn Public Library website. Scroll down until you see the Mango logo on the home page. It’s under the Quick Link section just below digital main library logo. Once there, sign in as a guest using the barcode number on your library card. This booklet will give you examples of both fiction and nonfiction books for each region, but you are not lim- ited to these books. Let us know if we can help! Rules: North America You must read at least 7 of the regions. Please list This includes: U.S., Canada, Mexico, Cuba, Jamaica, Barbados, Domin- them on the Travel Itinerary and put a sticker on ican Republic, Haiti, Puerto Rico, and Trinidad the region on the map you were given. Fiction: This reading challenge will go until all of the prizes have been claimed. Prizes will be claimed on a first Girl in Translation by Jean Kwok come first serve basis. -
The Elizabeth Bathory Story
Nar. umjet. 46/1, 2009, pp. 133-159, L. Kürti, The Symbolic Construction of the Monstruous… Original scientific paper Received: 2nd Jan. 2009 Accepted: 15th Feb. 2009 UDK 392.28:291.13] LÁSZLÓ KÜRTI University of Miskolc, Miskolc THE SYMBOLIC CONSTRUCTION OF THE MONSTROUS – THE ELIZABETH BATHORY STORY This article analyzes several kinds of monsters in western popular culture today: werewolves, vampires, morlaks, the blood-countess and other creatures of the underworld. By utilizing the notion of the monstrous, it seeks to return to the most fundamental misconception of ethnocentrism: the prevailing nodes of western superiority in which tropes seem to satisfy curiosities and fantasies of citizens who should know better but in fact they do not. The monstrous became staples in western popular cultural production and not only there if we take into account the extremely fashionable Japanese and Chinese vampire and werewolf fantasy genre as well. In the history of East European monstrosities, the story of Countess Elizabeth Bathory has a prominent place. Proclaimed to be the most prolific murderess of mankind, she is accused of torturing young virgins, tearing the flesh from their living bodies with her teeth and bathing in their blood in her quest for eternal youth. The rise and popularity of the Blood Countess (Blutgräfin), one of the most famous of all historical vampires, is described in detail. In the concluding section, examples are provided how biology also uses vampirism and the monstrous in taxonomy and classification. Key words: scholarship; monstrosity; vampirism; blood-countess; Elizabeth Bathory There are several kinds of monsters in western popular culture today: werewolves, vampires, morlaks, the blood-countess and other creatures of the underworld. -
Dracula: Hero Or Villain? Radu R
Dracula: Hero or Villain? Radu R. Florescu racula is the real name of a Left: Portrait of Dracula Wallachian ruler, also known to at Castle Ambras, near DRomanian chroniclers as Vlad lnnsbruck, Austria. The the Impaler. Dracula is a derivative of artist is unknown, but his father's name, Dracul, which in this appears to be a Romanian means the devil. According to copy painted during the those more charitably inclined, the second half of the 16th father was so known because he had century from an earlier been invested by the Holy Roman original that was proba Emperor with the Order of the Dragon, bly painted during dedicated to fighting "the Infidel:' Dracula's imprison Dracula was, therefore, either the son of ment at Buda or evil or the son of good, villain or hero. Visegnid after 1462. Dracula ruled the Romanian princi pality of Wallachia on three separate occasions: in 1448, from 1456 to 1462, Right: The Chindia and, briefly, shortly before his assassina watchtower at Tirgo tion in 1476. These dates correspond to vi~te; a 19th-century one of the most crucial periods in the reconstruction. Apart country's history. Constantinople had from its role as an fallen in 1453, most of the lands south of observation post, it Wallachia had been converted into enabled Dracula to Turkish pashaliks, and the last hero of watch impalements in the Balkan crusades, John Hunyadi, had the courtyard below. died in the plague of Belgrade in 1456. Images courtesy The Danube was thus the frontier of Radu R. Florescu Christendom at a time when Moham med the Conqueror was planning fur chronicle which mentions Dracula, dat Genoese, English, and French chroniclers ther Turkish inroads. -
2008 TRASH Regionals Round 06 Bonuses 1. for Ten Points Each
2008 TRASH Regionals Round 06 Bonuses 1. For ten points each, answer these questions about shows that were cancelled after airing just one episode. 1. One member of the unfortunate club was Emily's Reasons Why Not, which starred this actress as Emily. Her other TV roles include Annie Blackburn on Twin Peaks and Dr. Molly Clock on Scrubs. Answer: Heather Graham 2. On this ghoulish CBS reality show, friends and relatives of millionaire Bill Long competed to inherit his prized Kansas ranch after he died. Answer: The Will 3. This British sitcom, pulled after one episode in 1990, centered on a man, his wife, and their wacky Jewish neighbors, the Goldensteins. Oh yeah, and did I mention that the main characters were Eva Braun and Adolf Hitler? Answer: Heil, Honey I'm Home 2. We've already asked you about "99 Problems." Answer the following questions about artists who produced other songs that invoke that number for ten points each. 1. Gabriele Susanne Kerner and this eponymous band had a huge trans-Atlantic hit in 1984 with a Cold War protest song called "99 Luftballoons." Answer: Nena 2. Inspired in part by the film THX 1138, keyboardist David Paich wrote a love song to a nameless woman titled "99" that became a minor hit for this soft-rock band; they would score a much bigger hit three years later when he wrote an ode to Rosanna Arquette. Answer: Toto 3. "99 Worlds" is a track from Up To No Good, a 1990 album by this former lead singer of the J. -
The Figure of the Vampire Has Been Inextricably Linked to the History Of
ENTERTEXT From Pathology to Invisibility: The Discourse of Ageing in Vampire Fiction Author: Marta Miquel-Baldellou Source: EnterText, “Special Issue on Ageing and Fiction,” 12 (2014): 95-114. Abstract A diachronic analysis of the way the literary vampire has been characterised from the Victorian era to the contemporary period underlines a clear evolution which seems especially relevant from the perspective of ageing studies. One of the permanent features characterising the fictional vampire from its origins to its contemporary manifestations in literature is precisely the vampire’s disaffection with the effects of ageing despite its actual old age. Nonetheless, even though the vampire no longer ages in appearance, the way it has been presented has significantly evolved from a remarkable aged appearance during the Victorian period through Joseph Sheridan Le Fanu’s Carmilla (1872) or Bram Stoker’s Dracula (1897) to outstanding youth in Anne Rice’s An Interview with the Vampire (1976), adolescence in Stephenie Meyer’s Twilight (2005), and even childhood in John Ajvide Lindquist’s Let The Right One In (2007), thus underlining a significant process of rejuvenation despite the vampire’s acknowledged old age. This paper shows how the representations of the vampire in the arts, mainly literature and cinema, reflect a shift from the embodiment of pathology to the invisibility, or the denial, of old age. 95 | The Discourse of Ageing in Vampire Fiction From Pathology to Invisibility: The Discourse of Ageing in Vampire Fiction Marta Miquel-Baldellou Ageing and vampire fiction The figure of the vampire has been inextricably linked to the history of humanity since ancient and classical times as an embodiment of fear, otherness, evil and the abject. -
Smokey Joe's Cafe Preview
Inside this Issue Dracula Auditions .............................2 CP-Heartland Summer Course ..........2 B of G Spotlight: Historian ................3 ‘art’ Auditions ...................................4 Raffle Update ...................................4 Vol. 6.3 September, 2010 Smokey Joe’s Café Kicks off the 2010-11 Season by John Lieder A little different from the standard fare of Broadway - literally. The musicals we have served up in recent seasons, Smokey women are Megan Joe’s Café is a musical revue based on the 1950s through Clark, Wendi 1970s music of composers Jerry Leiber and Mike Stoller. Fleming, Reena There is no plot and the hard working performers Rhoda, Christie have no lines to memorize, but there is an absolute Vellella and ton of music to learn (about 40 songs) and plenty of Evelyn Young. The choreography. Smokey Joe’s Café promises to be a fun men are Charles evening of, as cast member Charles Andrews puts it, Andrews, Chris “stage boppin’ and natural finger poppin’.” Those of us Bronson, John who are old enough to have actually listened to the hits Poling, Chuck of Leiber and Stoller on the radio will hear our favorites. Stuckey and Mine are the novelty songs “Yakety Yak” and “Charlie Austin Travis. All Brown” (my older brothers owned them as 45 RPM of the performers records), but there’s not a lemon in the bunch. do wonderfully well with their solo work, but really shine in the large ensemble pieces. For example, The Act Director Brian Artman and Music Director Melody Palm One finale “Saved” features Evelyn Young, but the have put together a wonderful ensemble of ten fine whole ensemble gets a thumpin’ and a bumpin’ in this singers, each of whom gets their time in the spotlight high-energy gospel number. -
Face It Like a Man”: Exploring Male Anxiety in Dracula and the Sherlock Holmes Canon
“To face it like a man”: Exploring Male Anxiety in Dracula and the Sherlock Holmes Canon Miriam Bjørklund A thesis in English Literature Submitted to the Faculty of Humanities Department of Literature, Area Studies, and European Languages University of Oslo Spring 2014 ii “To face it like a man”: Exploring Male Anxiety in Dracula and the Sherlock Holmes Canon Miriam Bjørklund A thesis in English Literature Submitted to the Faculty of Humanities Department of Literature, Area Studies, and European Languages University of Oslo Spring 2014 iii © Miriam Bjørklund 2014 “To face it like a man”: Exploring male anxiety in Dracula and the Sherlock Holmes canon http://www.duo.uio.no Print: Reprosentralen, Universitetet i Oslo iv Abstract This thesis posits that the genre of the male quest romance, highly popular during the British fin de siècle, was a literary response to increased male anxiety during that period. Reading works belonging to this genre, this thesis sees writers treating approaches to masculinity not as something simple and monolithic, but as diverse and fraught with uncertainty of definition. This thesis demonstrates that the ways in which men in these novels deal with threats to their masculine identity, clearly show that masculinity is experienced as a concept no less complicated than femininity. The specific threats treated here are the role of women, men's sexuality, and mental illness. In the interest of equality, and in an academic setting where “gender studies” are frequently synonymous with “women's studies”, it is hoped that an academic approach to the male quest romance genre will lead to new understandings of the complexity of masculinity as a basis for identity. -
Dawson's Auctioneers
Dawson's Auctioneers The Auction House 9 King's Grove Estate Maidenhead Rock & Pop Music Vinyl & Memorabilia Berkshire SL6 4DP Started 04 Nov 2017 10:00 GMT United Kingdom Lot Description The Beatles A rare printer's proof of The Beatles 'For Sale' album, (stereo), (A rejected proof due to too much red used on the band 1 member's faces), 1970's issue, 76 x 35.5 cm. Thin Lizzy original xerox copy of the Reading Festival 1981 contract over 14 pages, showing a stage plan Thin Lizzy to recieve £25,000, 2 together with Flexipop! magazine with single 'Song For Jimmy', etc. The Rolling Stones, Bridges to Babylon Fully signed promotional pack, (one of only 10 signed by the band) to include poster, box and 3 promotion-only Double CD pack. Assorted Reggae albums, original and unusual 1970's LP's on Trojan catalogue TRLS81, TRLS76, Others all TBL numbers, TBL209, 4 193 188, 191, 198, all examples in excellent condition. Five Lp's of English Psychedlia 'Rubble' albums to include 'The Psychedelic Snarl', 'The Electric Crayon Set', 'The 49 Minute 5 Techniclour Dream', 'Nightmares In Wonderland' 'Pop-Sike Pipe Dreams (to include Idle Race) All on Pilot records, features artists such as The Mark 4, Jason Crest, Kaleid ...[more] Oasis, a signed album 'Definitely Maybe' an original release 1994 gatefold double album on Creation records, signed to front cover by 6 the entire original band (Liam Gallagher, Noel Gallagher, Paul Arthurs, Paul McGuigan and Tony McCarroll). 7 Curved Air and Saturnalia Early picture discs (late 1960's), 'Air Conditioning' and 'Magical Love' (Magical Love missing booklet). -
The Gap: Contemporary Playwriting Exercises Why We Need Them, Where They (Might) Come From, Some Examples, Some Test Studies, and Some Analyses
The Gap: Contemporary Playwriting Exercises why we need them, where they (might) come from, some examples, some test studies, and some analyses. by Kyle Reynolds Conway, M.A. A Dissertation In Fine Arts Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. William Gelber Chair of Committee Dr. Brian Steele Dr. Mark Charney Dr. Michael Stoune Prof. Dean Nolen Mark Sheridan Dean of the Graduate School May 2015 Copyright 2015, Kyle Reynolds Conway The Gap: Contemporary Playwriting Exercises by Kyle Reynolds Conwayis licensed under a Creative Commons Attribution 4.0 International License. Visit http://creativecommons.org/licenses/by/4.0/ to view a copy of this license. Texas Tech University, Kyle Reynolds Conway, May 2015 Acknowledgments This project would not have been possible without the encouragement, guidance, and support of a group of people, institutions, and art too numerous to mention. Personal thanks to: • My wife • My children • My parents • My siblings • My family • My friends Theatre thanks to: • Timothy Sheaff for yelling at me in high school • Dr. Kaarin Johnston for swinging swords at imaginary enemies when no one was looking in college • Dr. Dennis Fehr for getting, teaching, and living the present • Dr. Norman Bert for allowing me to be a guest researcher • Dr. Dorothy Chansky for introducing me to theatre theory • My dissertation committee for lighting the path • Dr. Gelber for everything Professional thanks to: • The late Theatre de la Jeune Lune • The living playwrights Charles Mee, Will Eno, and Suzan-Lori Parks for writing • The dead and other living playwrights too numerous to mention • Aristotle Special thanks to: iii Texas Tech University, Kyle Reynolds Conway, May 2015 • The Free Software Foundation • Linux • The World Wide Web • Edward Snowden • Creative Commons • Fedora • LibreOffice • Thanks also to anyone or anything else that helped me along the way. -
Historicity and Black Agency in the Spook Who Sat by the Door (1973)
Radically Reimagining Rebellion: Historicity and Black Agency in The Spook Who Sat by the Door (1973) Samantha Noelle Sheppard Doctoral Student, Cinema and Media Studies University of California Los Angeles Sheppard Page 1 Ivan Dixon’s 1973 film The Spook Who Sat by the Door (hereafter referred to as Spook), an adaptation of Sam Greenlee’s novel of the same name, dramatizes the story of ex-CIA agent Dan Freeman (Lawrence Cook), who trains a gang of Chicago black youth, the Cobras, in guerilla warfare. The film is a politically and racially charged polemic that challenges Black middle-class sensibilities, illustrates the possibilities of urban insurrection, and engages with a multifaceted conceptualization of Black masquerade. Moving beyond what is just text-imminent in the film, or the film’s representation of a singular narrative history, a historicity of Spook reveals the film’s intricate, varied, and interpretive historical meanings and performances. To historicize the film, this essay rejects reading Spook as a singular or specific historical narrative, and it refuses to place the multiple historical narratives Spook offers within a hierarchal framework. Instead, this essay recognizes the historical contingency, conflicts, paradoxes, and tensions that these narratives yield when placed alongside and in conversation with each other. As a film with its own controversial and mythologized production history, Spook’s diegetic narrative can be read productively against itself as a historiographical product of compounding social, economic, cultural, and political forces. Using Leerom Medovoi’s theoretical historicist approach to film studies in “Theorizing Historicity, or the Many Meanings of Blacula” and looking at Spook’s historic positioning from the contemporaneous moment, the film reveals itself and its meanings to be unfixed. -
Vos Commerces De Proximité
BULLETIN MUNICIPAL D’INFORMATIONS - N° 114 - SEPTEMBRE/OCTOBRE/NOVEMBRE 2015 DOSSIER Vos commerces de proximité > www.92120.fr N°114 ÉDITORIAL Septembre à novembre 2015 VILLE DE MONTROUGE 43, avenue de la République Privilégiez nos 92121 Montrouge cedex Standard : 01 46 12 76 76 www.ville-montrouge.fr commerçants Page Facebook : de Galzain Virginie © « Ville de Montrouge » Montrougiens DIRECTEUR DE LA PUBLICATION : ous le savez, à Montrouge, nous Jean-Loup Metton sommes très attachés au com- RÉDACTION : merce de détail, que l’on appelle Directeur de la Communication : V affectueusement le « petit commerce ». Ghislain Magro Rédactrice en chef : Laura Buck Une ville sans commerçant est une ville Ont collaboré à ce numéro : Philippe morte. Et les quartiers les plus agréables Soulard, Laure Turbian, Sarah Mouzet, sont souvent les plus commerçants. Marie Houssiaux, Virginie de Galzain, Dans notre société du numérique, nous Anna Serwa´nska et Sandrine Gauthier. Pour adapter l’offre de stationnement, 01.46.12.75.78 sommes de plus en plus connectés. Nous avons plus de contacts, d’échanges. Mais nous avons créé des parkings publics tous PHOTOS : les 500 mètres avenue de la République et Ville de Montrouge sauf mentions ceux-ci se font en l’absence de tout des stationnements minutes. Nous avons COUVERTURE/MISE EN PAGE : contact humain, via écrans ou oreil- Studio Orient Express lettes interposés. Nous sommes donc limité les aires de livraisons à la matinée. IMPRESSION : Roto Aisne en manque de contacts physiques. Une Grâce à notre manager du commerce, nous nous occupons nous-mêmes des RÉGIE PUBLICITAIRE : partie de ce défi cit, nous le comblons en CMP - David Tiefenbach fréquentant nos commerçants.