Switch Asia Booklet on Consumption

Total Page:16

File Type:pdf, Size:1020Kb

Switch Asia Booklet on Consumption 76 eries sia s a - h C o. ooklet b n SWIT 3 MainstreaMing sustainable ConsuMption in asia part 2 | the solutions what are the opportunities? SWITCH-Asia Network Facility SWITCH-Asia Network Facility is implemented by UNEP/Wuppertal Institute This booklet is prepared by Consumers is funded by the European Union. Collaborating Centre on Sustainable Consumption and Production International in collaboration with and Wuppertal Institute for Climate, Environment and Energy. and under the supervision of the SWITCH-Asia Network Facility. 75 publisher: SWITCH-Asia Network Facility UNEP/Wuppertal Institute Collaborating Centre on Sustainable Consumption and Production (CSCP) Hagenauer Straße 30 | 42107 Wuppertal | Germany Phone | +49.202.45 95 8.10 Fax | +49.202.45 95 8.31 www.switch-asia.eu [email protected] authors: Arlene de Vera and Anni Mitin (Consumers International, Office for Asia-Pacific and the Middle East) Burcu Tunçer (Project Manager, SWITCH-Asia Network Facility) supervision and guidanCe: Frans Verspeek (Team Leader, SWITCH-Asia Network Facility) expert REVIEW: We would like to express our sincere appreciation for the constructive comments given by the expert reviewers: Lewis Akenji, Institute for Global Environmental Strategies; Carolin Baedeker, Wuppertal Institute for Climate, Environment, Energy; Cheryl Hicks and Nora Brüggeman, UNEP/Wuppertal Institute Collaborating Centre on Sustainable Consumption and Production; Rajan Gandhi, Society in Action Group; Bjarne Pedersen, Consumers International; Muralidharan.T, Hivos; Christian Tetzel, EC EuropeAid Development and Cooperation Directorate-General editor: Alison Eades, Archway Communications design: Elmar Sander, www.elmarsander.de printer: Unique Press Copyright: The SWITCH-Asia Network Facility This publication has been produced for the SWITCH-Asia Programme and the European Union. The contents of this publication are the sole responsibility of the UNEP/Wuppertal Institute Collaborating Centre on Sustainable Consumption and Production (CSCP) and can in no way be taken to reflect the views of the European Union. 2 74 about this booklet side 1 switch side 2 This booklet discusses sustainable consumption from the perspective of the SWITCH-Asia programme. It aims: • to provide an overview of sustainable consumption especially in overcoming challenges at decision challenges in Asia; points – what to buy, how to use, and how to dis- • presents solutions and opportunities to address card. This part is particularly useful for organisa- sustainable consumption challenges in the region and tions within and outside Asia that are not taking provides examples of how to overcome the challenges; part in the SWITCH-Asia programme as a basis • could be a source of inspiration for policy-makers and for showing the replication of sustainable con- project developers in Europe and Asia who are sumption approaches. considering implementing projects in Asia. This side of the booklet deals with the solu- tions, approaches and instruments for achieving a shift to environmentally friendly and fair pro- he booklet has two sides. One presents ducts, responsible product-use and good end-of- the challenges that consumers face in life management including reuse and recycling the region when embracing sustainable in asia. Particularly, it seeks to answers these consumption,t particularly regarding the product questions: life-cycle, and the other presents solutions and • What can governments, businesses and NGOs opportunities. The unique design requires the do to engage, encourage, enable, and reader to flip it over to continue reading from the exemplify sustainable consumption? middle – it needs to be ‘SWITCHED’. The solutions • What are the solutions to the challenges of section of the booklet contains case studies of promoting sustainable consumption? programmes and projects from the region. These • What are the examples and lesson learned examples showcase ‘sustainable consumption’ from other stakeholders or practitioners? table oF Contents what sustainable consumption means for the asia-pacific region 4 turning challenges into opportunities 5 What and how to buy 10 Case Study India: Where consumers can be confident that they’re shopping for change 10 Case Study Thailand: Organic to ethical – green marketing makes added value clear 15 How to use 21 Case study Bangladesh: Cooking, poultry and working together introducing rural consumers to ‘low-impact product use’ 21 How to discard 26 CASE STUDY Philippines: Shared responsibility for waste means a healthier neighbourhood and a cleaner Lake Laguna 27 CASE STUDY India: Environmentally sound management of electronic waste 31 actions in asia – laying a path to sustainable consumption 35 wrapping up: sustainable consumption for asia 42 From sustainable consumption towards sustainable lifestyles 45 references 46 3 73 what sustainable ConsuMption Means For the asia-paCiFiC region Singapore making a green leap to the first row in Asian Green City Index 2011 (Photo: Januario Rivas III) hat does sustainable consumption Developed countries (in the blue cloud) have mean for the Asia Pacific region? It reached a comfortable level of human develop- means making a ‘green leap’ from ment. Their burden on the environment, how- wan unsustainable to a sustainable development ever, is higher than the global ecological carry- path. It means switching to greener products ing capacity. Developing countries (in the grey and services, and it means encouraging less pol- cloud) have not reached the same level of hu- luting and resource-intense patterns of industri- man development. These countries have a rap- al development. Figure 1 shows the level of hu- idly expanding middle class that is consuming man development that countries have reached plenty of resources. Thus, huge investments are (vertical axis), and their corresponding environ- needed to provide for basic needs of the low- mental footprint (horizontal axis). income people. Figure 1: The path towards sustainable consumption: responding to increasing demand without inflating ecological footprints (adapted from WWF, 2006a, p.19) High demand on biosphere per person ‘developed Countries’ The Green Leap Sustainable Development Minimum acceptable level of Human Development evelopment Index d Human ‘developing Countries’ High demand on biosphere per person Within carrying Low human development capacity Low human development World average biocapacity available per person Ecological Footprint per person 4 72 turning Challenges into opportunities Singapore making a green leap to the first row Opportunities exist for consumers to experience in Asian Green City Index 2011 (Photo: Januario Rivas III) ethical markets in Asia onsumers can make a significant contri- be an opportunity to increase their awareness bution towards the creation of a sustain- of how much energy, water, or other materials able society just by taking more care over have been used during production, or to inno- theC decisions they make when buying, using, vate for a more efficient consumption. Informa- or discarding a product or service. But to make tion on the sustainability of a product, along its informed decisions, business needs to provide supply chain, can be provided by eco-labelling, information and opportunity. This booklet sets for instance, which can help a consumer assess out the challenges that exist today for consum- the full cost of a product. Governments can ers and producers, and shows how they can also directly engage consumers, in collabora- come together with governments and NGOs to tion with other interested organisations such as overcome the obstacles – such as lack of trust or NGOs, media and schools, in the hope of chang- unavailability of green choices – and jointly con- ing their behaviour. Table 1 summarises various tribute to the ‘green leap’ that Asia needs. means and strategies for meeting the chal- Governments, businesses (including produ- lenges of sustainable consumption by different cers), NGOs and educators can engage with, stakeholders. These responses and strategies cor- enable, encourage, and exemplify for consum- respond to challenges in Part 1, which have been ers to purchase and experience better quality identified and selected through literature search- products and services. For example, there could es and discussions with experts in the region. Figure 2: The paths towards encouraging and enabling consumers to make sustainable decisions (CSCP, 2009) the Challenge For poliCy-Makers: how to enCourage and enable environment friendly environment friendly after-sales and and ethical products use of products end-of-life services Enabling choice for Raising awareness Making facilities and ethical products that are about, and encouraging systems available for safe with low carbon, design for, low-carbon reuse, recycle, return, low resource intensity and resource-efficient repair or safe disposal. and benefit both con- product use. sumers and producers. what to how to how to buy? use? discard? the Challenge For ConsuMers: how to Make sustainable deCisions 5 71 Table 1: Courses of action to create opportunities for sustainable consumption Challenge governMent business ngo Limited access Show it: lead by exam- Invest in visibility: Lead and guide: to ethical ple, adopt policies on provide shelf space for develop information products green public procure- ethical products and materials on how/ and services ment put them next to usual where to access fair Encourage visibility: offers trade products provide
Recommended publications
  • From Mother India to Queen
    KCG-Portal of Journals Continuous Issue-36 | October – November 2018 A study of Female hero: From Mother India to Queen Movies are considered to be a source of entertainment though they carry some societal reflection, significantly, most of the movies are made keeping public taste in mind. But few are made to highlight the social evil, out dated rituals and tradition prevalent in the society; providentially, condition of woman is among them. Usually, in most of the Indian movies the role of a female counterpart (heroine) is to entertain the public by dancing, singing and by acting on some romantic scenes; thus, the role of a heroine in most of the movies is to add spices and seductive flavor by exposing her figure, while acting is not so important. Consequently, role of a heroine in most of the Indian movies is narrowed down and she is used just to sell the product, mere commoditization of a woman body, nothing else!Humorously, the condition of a female shown in most of the movies projects advancement in style of costumes, make up and life styles but thinking is still outdated. But certain categories of movies have female heroes.They steer the movie on her shoulders without any dominant male counterpart. And they leave behind a long lasting message for the society as they attack those apparently spotless surface of social evil, patriarch locked perception! Though Indian cinema, especially, Bollywood has produced many movies in which women have main lead creating a tiny revolution of 21st century! For instance Fashion(2008), narrating a story of an ambitious girl, there are movies like Chak de India (2007)Mary Kom(2014), Dangal(2016), two of them are based on real life story, it also brought in an issue of promoting girls for sports.
    [Show full text]
  • Brian Grazer Talks New Book Face to Face and How Tom Hanks Kept Him from Dropping 8 Mile
    Community Community Keeping Doha-based on top of British- P4 your mental P16 Pakistani health in today’s music composer taxing world can Razwan Bobby be tough. But a few Sarwar is fast changes can help. finding his feet. Friday, September 27, 2019 Muharram 28, 1441 AH Doha today: 320 - 370 COVER STORY Brian Grazer talks new book Face to Face and how Tom Hanks kept him from dropping 8 Mile. P2-3 Unplugged MANTRA: “I’m a very successful communicator, when I’m concentrating and focusing. It’s not a natural thing for me,” says Brian Grazer. CUISINE SHOWBIZ Exotic cherries, perfect fruit At HBO’s Emmy party, the to make juice, bake in pies. decor was as glitzy as ever. Page 6 Page 14 2 GULF TIMES Friday, September 27, 2019 COMMUNITY COVER STORY “Looking someone in the eyes enables great things to happen” PRAYER TIME Fajr 4.07am Shorooq (sunrise) 5.26am — Brian Grazer, film and TV producer Zuhr (noon) 11.27am Asr (afternoon) 2.52pm Maghreb (sunset) 5.27pm Isha (night) 6.57pm USEFUL NUMBERS Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Offi ce (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Ministry of Health 40253370, 40253364 Hamad Medical Corporation 40253368, 40253365 Qatar Airways 40253374 ote Unquo Qu te “Nobody made a greater mistake than he who did nothing because he could do only a little.” — Edmund Burke Community Editor My curiosity conversations have Kamran Rehmat defined my life.
    [Show full text]
  • “High Five” for the Women with a Drive! Lavasa Women's Drive Enters Fifth Year
    “High Five” for the women with a drive! Lavasa women’s drive enters fifth year Pune: February 19, 2013: It is that time of the year again! In fact it has gone bigger and better!! The fifth edition of the “Lavasa Women’s Drive” is here and is raring to go!! The biggest extravaganza in the country which sees hundreds of women participates in a rally with great enthusiasm. In fact “Lavasa Women’s Drive” which is the biggest all women’s car rally in the country (certified by Limca Book of Records) symbolizes today’s Indian woman- vivacious, energetic, confident, independent and most of all, with an affinity for social cause. So what is new this year? Well, besides the exciting fun activities near the Lavasa lakeside promenade with dance, music and other fun filled activities, this year promises to be extra special, since it is the fifth year of the Women’s Drive! In ancient etymology, ‘Five’ represents harmony, balance, love and the unbeatable spirit of life. And in this 5th year, we assure you a fine mix of these entire put together!!! Like the previous years, cars will be flagged off from Pune as well as Mumbai. The Drive is organized in aid of Woman’s Cancer Initiative - Tata Memorial Hospital, a non- governmental, non-profit organization. Aimed at creating awareness about cancers that affect women, the drive has now become one of the most eagerly awaited events in the calendar. The rally will be held simultaneously from Pune and Mumbai on Sunday, February 24, 2013 where hundreds of cars driven and navigated by women participants will reach Lavasa.
    [Show full text]
  • The Development and Implementation of Tobacco-Free Movie Rules in India
    THE DEVELOPMENT AND IMPLEMENTATION OF TOBACCO-FREE MOVIE RULES IN INDIA Amit Yadav, Ph.D. Stanton A. Glantz, Ph.D. Center for Tobacco Control Research and Education School of Medicine University of California, San Francisco San Francisco, CA 94143-1390 December 2020 THE DEVELOPMENT AND IMPLEMENTATION OF TOBACCO-FREE MOVIE RULES IN INDIA Amit Yadav, Ph.D. Stanton A. Glantz, Ph.D. Center for Tobacco Control Research and Education School of Medicine University of California, San Francisco San Francisco, CA 94143-1390 December 2020 This work was supported by National Cancer Institute grant CA-087472, the funding agency played no role in the conduct of the research or preparation of the manuscript. Opinions expressed reflect the views of the authors and do not necessarily represent the sponsoring agency. This report is available on the World Wide Web at https://escholarship.org/uc/item/75j1b2cg. 1 EXECUTIVE SUMMARY • The Indian film industry releases the largest number of movies in the world, 1500-2000 movies in Hindi and other regional languages, which are watched by more than 2 billion Indian moviegoers and millions more worldwide. • The tobacco industry has been using movies to promote their products for over a century. • In India, the Cinematograph Act, 1952, and Cable Television Networks Amendment Act, 1994, nominally provide for regulation of tobacco imagery in film and TV, but the Ministry of Information and Broadcast (MoIB), the nodal ministry, has not considered tobacco imagery. • The Cigarettes and Other Tobacco Products Act, 2003 (COPTA), enforced by the Ministry of Health and Family Welfare (MoHFW), prohibited direct and indirect advertisement of tobacco products.
    [Show full text]
  • EROS INTERNATIONAL COLLECTION of INDIAN CINEMA on DVD Last Update: 2008-05-21 Collection 26
    EROS INTERNATIONAL COLLECTION OF INDIAN CINEMA ON DVD Last Update: 2008-05-21 Collection 26 DVDs grouped by year of original theatrical release Request Titles by Study Copy No. YEAR OF THEATRICAL COLOR / RUNNING STUDY COPY NO. CODE FILM TITLE RELEASE B&W TIME GENRE DIRECTOR(S) CAST 1 DVD5768 M DVD-E-079 MOTHER INDIA 1957 color 2:43:00 Drama Mehoob Khan Nargis, Sunil Dutt, Raj Kumar 2 DVD5797 M DVD-E-751 KAAGAZ KE PHOOL 1959 color 2:23:00 Romance Guru Dutt Guru Dutt, Waheeda Rehman, Johnny Walker 3 DVD5765 M DVD-E-1060 MUGHAL-E-AZAM 1960, 2004 color 2:57:00 Epic K. Asif Zulfi Syed, Yash Pandit, Priya, re-release Samiksha 3.1 DVD5766 M DVD-E-1060 MUGHAL-E-AZAM bonus material: premier color in Mumbai; interviews; "A classic redesigned;" deleted scene & song 4 DVD5815 M DVD-E-392 CHAUDHVIN KA CHAND 1960 b&w 2:35:00 Romance M. Sadiq Guru Dutt, Waheeda Rehman, Rehman 5 DVD5825 M DVD-E-187 SAHIB BIBI AUR GHULAM 1962 b&w 2:42:00 Drama Abrar Alvi Guru Dutt, Meena Kuman, Waheeda Rehman 6 DVD5772 M DVD-E-066 SEETA AUR GEETA 1972 color 2:39:00 Drama Ramesh Sippy Dharmendra, Sanjeev Kumar, Hema Malini 7 DVD5784 M DVD-E-026 DEEWAAR 1975 color 2:40:00 Drama Yash Chopra Amitabh Bachchan, Shashi Kapoor, Parveen Babi, Neetu Singh 8 DVD5788 M DVD-E-016 SHOLAY 1975 color 3:24:00 Action Ramesh Sippy Amitabh Bachchan, Dharmendra, Sanjeev Kumar, Hema Malini 9 DVD5807 M DVD-E-256 HERA PHERI 1976 color 2:37:00 Comedy Prakash Mehra Amitabh Bachchan, Vinod Khanna, Saira Banu, Sulakshana Pandit 10 DVD5802 M DVD-E-140 KHOON PASINA 1977 color 2:31:00 Drama Rakesh Kumar Amitabh Bachchan, Vinod Khanna, Rekha 11 DVD5816 M DVD-E-845 DON 1978 color 2:40:00 Action Chandra Barot Amitabh Bachchan, Zeenat Aman, Pran 12 DVD5811 M DVD-E-024 MR.
    [Show full text]
  • Bollywood Turns Political in India Election Season
    SATURDAY, APRIL 12, 2014 Bollywood turns political in India election season etter known for its romantic escapism, Bollywood is there at a time when people are in the frame of mind to The contest is largely between Hindu nationalist releasing a series of political satires during India’s make a very important decision, and at a time when they Narendra Modi of the opposition Bharatiya Janata Party Belection season that poke fun at corrupt lawmakers should know that this is all a big spectacle,” Khan said. The (BJP) and Rahul Gandhi of the ruling Congress party, whose and religious tensions. Featuring a goat, a ghost and a dis- results of India’s mammoth general elections are due on father, grandmother and great-grandfather all served as puted dead body, three upcoming releases are aimed at May 16, nearly six weeks after the start of voting. prime minister. The film “Youngistaan”, released on March making voters think before they cast their ballots-although 28, tells the story of a young prime minister struggling to none refers directly to real-life candidates. In family enter- balance his personal life with public office after taking on tainer “Bhoothnath Returns”, opened yesterday, the job when his father dies-a character that several Bollywood’s biggest legend Amitabh Bachchan plays a reports have likened to Gandhi’s own. friendly ghost who takes on an evil and corrupt local politi- The lead actor Jackky Bhagnani denies that he is por- cian at the polls. traying the real-life politician-perhaps luckily for Gandhi, The comedy horror film “gives a serious message of vot- given that one critic described the movie as “brain-dead ing through its storyline”, Bachchan told the Press Trust of and largely insufferable”.
    [Show full text]
  • The Bollywood Hindu Heroine Emily Holmstead
    AWE (A Woman’s Experience) Volume 1 Article 7 1-1-2013 The Bollywood Hindu Heroine Emily Holmstead Follow this and additional works at: https://scholarsarchive.byu.edu/awe Part of the Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Holmstead, Emily (2013) "The Bollywood Hindu Heroine," AWE (A Woman’s Experience): Vol. 1 , Article 7. Available at: https://scholarsarchive.byu.edu/awe/vol1/iss1/7 This Article is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in AWE (A Woman’s Experience) by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The Bollywood Hindu Heroine Ancient Mythology to Modern Day Cinema Presented at the 2012 BYU Women and Territory Conference Emily Holmstead Putyour henna on and keep the wedding palanquin decorated. Beautiful gir4your beloved will come to take you awqy. Putyour henna on, and keep the wedding palanquin decorated. Make yourse!f beautifu4· keep yourface veiled. Dilwale Dulhania Le Jayenge W01 is it thatyou go to a temple and prqy to Durga, Kali and S araswati yet when you go home you treatyour Durgas, Kalis and S araswatis so maliciousfy? Lajja Bollywood is the simultaneously affectionate and derisive term for the Hindi-speaking Indian film industry. It is among the highest grossing commercial ventures in the world, selling more tickets and churning out more movies every year than Hollywood. A Bollywood movie, which usually clocks in at about three hours, is generally full of melodrama, whirling saris, mythological parallels, and archetypal characters.
    [Show full text]
  • History of Indian Cinema 12-15
    Project report on Movie Marketing By Mr. Punit Ketan Thakkar T.Y.B.M.S. Div – B Roll No – 109 Academic year 2010-2011 Project Guide Prof. Pankaj Natu DATE OF SUBMISSION 30TH September, 2010 SVKM’s Narsee Monjee College of Commerce and Economics Vile Parle (W), Mumbai-400053 - 1 - DECLARATION I, Punit Thakkar of SVKM’s Narsee Monjee College of Commerce and Economics of TYBMS, hereby declare that I have completed the project on Movie Marketing in the academic year 2010-2011 The information is true and original to the best of my knowledge. Punit Thakkar - 2 - CERTIFICATE I, Mr. Pankaj Natu, hereby certify that PUNIT THAKKAR of SVKM’s Narsee Monjee college of Commerce and Economics of TYBMS (Semester V) has completed the project on “Movie Marketing” in the academic year 2010-11 under my guidance. Prof. Pankaj Natu Prof. Sunil B Mantri ( Project Guide) (Principal) N.M. College N.M. College Acknowledgement - 3 - I would like to acknowledge the following for being the idealistic channel and fresh dimension in the completion of this project. I take this opportunity to thank the University of Mumbai for giving me a chance to do this project. I wish to appreciate the SVKM management for providing the state of the art facilities, the Principal Prof Sunil B. Mantri for his dynamic leadership and the library staff for their support in providing academic content, and the teaching and supporting staff of N.M. College, for providing the entire state of the art infrastructure and resources to enable the completion and enrichment of my project.
    [Show full text]
  • Changing Patterns in the Depiction of Woman in Current Bollywood Films
    www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal Impact Factor: 2.24 (IIJIF) The New Woman: Changing patterns in the depiction of woman in current Bollywood films Sayonee Acharya Assistant Teacher, Durgapur Junior High School Bholadanga, Nadia. Ph.D Research Scholar Dept. of Film Studies Jadavpur University. Abstract This is a non-research based literary paper in which I have tried to figure out the traditional roles played by women in classic Hindi cinema under the sheer dominion of social, political and cultural ideologies prevalent in India. Parallel to this, I have also given a try at explaining this conventional pattern of women portrayal in terms of the psychological content of a phallocentric societal order. I have thereafter located the points of transition in this depiction pattern of women in current Bollywood films that aim at creating the image of a ‘new empowered woman’ fighting for her basic rights who is personally identifiable and yet globally presentable. Finally I have traced the probable causes that seem to have facilitated this momentous transition in the history of Mumbai cinema. Vol. 2, Issue 3 (December 2016) Dr. Siddhartha Sharma Page 348 Editor-in-Chief www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal Impact Factor: 2.24 (IIJIF) The New Woman: Changing patterns in the depiction of woman in current Bollywood films Sayonee Acharya Assistant Teacher, Durgapur Junior High School Bholadanga, Nadia. Ph.D Research Scholar Dept. of Film Studies Jadavpur University. A monolith by structure, film industry has always remained a faithful exhibitioner of the dominant social-political-economic-cultural ideologies of a nation.
    [Show full text]
  • Star Week 30 August 2013-Preview
    August 30, 2013 StarWeek Exclusive DEEPIKA SHARES HER STYLE TIPS AA LEARNINGLEARNING EXPERIENCEEXPERIENCE Almost two years after her debut fi lm,lm, NARGIS FAKHRI isis back on the big screen with Madras Cafe. Stating that her StarWeek Special second fi lmlm hashas helpedhelped herher growgrow asas anan actress,actress, thethe beautifulbeautiful FND OUT WHO EMRAAN girl also reveals that she is happy with her Bollywood journeyjourney soso farfar eveneven thoughthough itit hashas beenbeen “traumatic“traumatic andand IS IN AWE OF diff icult”.icult”. StarWeek reportsreports 6WDU0DLO 6WDU)HDWXUH This is where you have your say. StarWeek decodes the &RQWHQWV story behind B-town stars August 30, 2013 and their tattoos. 6WDU6SHDN Ranveer Singh on how he was apprehensive about 6WDU6SUHDG playing his character in Priyanka C. Mhapankar is Lootera; Sarah-Jane Dias ready to rock Bollywood. on being a positive person; Anushka Sharma shares her 6WDU3LFV idea of love. Ayushmann Khurrana strikes 6QDSS\6KRZEL]Ê(YHU\)ULGD\ a pose; John Abraham and 6WDU%X]] Abhishek Bachchan bond big time; Varun Dhawan shows Emraan Hashmi talks about off some dance moves. his favourite Hollywood actors; Arjun Kapoor is passionate towards his work; 6WDU7DON Find out what Sonu Sood is Zareen Khan, Gul Panag, ecstatic about. Jackie Shroff, Maria Goretti and other B-town celebs 6WDU)DVKLRQ share their wardrobe staples with StarWeek. Sonam Kapoor is gorgeous as ever; Kangna Ranaut looks fabulous; Kajol disappoints. 6WDU6W\OH Deepika Padukone shares her &RYHU6WRU\ style secrets with StarWeek. Nargis Fakhri talks to StarWeek about her 6WDU6WURNHV latest release Madras Cafe, Esha Gupta looks glamorous in her equation with Uday a golden gown; Bipasha Basu Chopra and her journey dresses sexy; Evelyn Sharma so far.
    [Show full text]
  • Primo.Qxd (Page 1)
    DAILY EXCELSIOR, JAMMU FRIDAY, MARCH 14, 2014 (PAGE 9) Alagiri meets PM CBI carries out searches at Khurshid critical of SC, EC NEW DELHI, Mar 13: LONDON, Mar 13: should do or say nothing that who can't go to Parliament. Denied a ticket and embarrassing the party by meeting Prime wins you an election. You This is not law, but judge-made External Affairs Minister Minister Manmohan Singh, suspended DMK MP M K Alagiri NSEL office, 15 locations should try your best to lose law. Salman Khurshid has ques- today said he would decide his future course of action after con- NEW DELHI, Mar 13: CBI alleged this caused a tion, they said. elections. I cheekily said to "At least in theory if democ- tioned the role of the Supreme sulting his supporters amidst reports that may float his own outfit. loss to the Government to the them we try to lose our elec- racy throws up a wrong kind of About Rs 343 crore of state- Court and the Election The former Union Minister, elected from Madurai Lok Sabha CBI today carried out tune of Rs 120 cr (approx). tions for five years; give us 15 person, you can say this is what owned trading firms MMTC Commission, making mocking constituency, described as a "courtesy call" his meeting with Singh searches at 15 locations across The agency has registered a days in which we can try and the people want. But to have an and PEC is stuck with the cri- comments about them. who regretted that DMK left the UPA.
    [Show full text]
  • Download (648KB)
    International Journal of Applied Research 2021; 7(5): 415-417 ISSN Print: 2394-7500 st ISSN Online: 2394-5869 The changing role of women in 21 century Hindi Impact Factor: 8.4 IJAR 2021; 7(5): 415-417 cinema www.allresearchjournal.com Received: 20-03-2021 Accepted: 26-04-2021 Harpreet Kaur and Dr. Shweta Gupta Harpreet Kaur DOI: https://doi.org/10.22271/allresearch.2021.v7.i5f.8603 Research Scholar, Department of Humanities, Babu Banarasi Das University, Lucknow, Abstract Uttar Pradesh, India Cinema is one of the most powerful mediums of mass communication and entertainment. A combination of several arts like painting, dance, music, sculpture, puppetry, Cinema has the power to Dr. Shweta Gupta reach heterogeneous audience. Hindi cinema has been a mirror of society. Hindi cinema has reflected Associate Professor, the socio-cultural patterns, trends, political upheavals surfacing the society. It is an agent of social change. Department of Humanities, A Woman is a very important segment of society. In fact, she forms the base of superstructure of Babu Banarasi Das University, society. One of the best ways to judge the spirit of a civilization, appreciate its strength, glory and Lucknow, Uttar Pradesh, recognize its weakness and limitations is to study the position and status of women in it. No doubt, the India equality of status has been bestowed to her by the constitution but ensuring a woman’s autonomy and increased participation and decision making power in family and public life is still existential. It is very sad to admit that our Indian society is patriarchal to the very core.
    [Show full text]